Station To Station

This is the first Bowie album I listened to over and over again, because my girlfriend at that time owned it. For the next few years I bought all his new releases and then started buying up all the older ones in my twenties. It’s an epic album, especially listened to within the context of his everchanging output from Hunky Dory to Lodger. I think that the one song he didn’t write, Wild is the Wind, is maybe his greatest vocal performance of all time and by-far the most creative interpretation of that standard (at least until Esperanza Spalding’s).

10 Albums You Actually Need to Hear Before You Die Chapter 4 It’s too late to be late again: David Bowie’s “Station to Station” As I write this review, much of the northeastern United States is engulfed in a thick, noxious plume of smoke emanating from wildfires in Canada’s Quebec province. The sky is a hazed-out, sickly orange-brown, almost Martian in appearance. There is a constant smell of charred, burnt wood in the air, so dense that it clings to your nasal passages and throat, leaving its scent to linger in your head well after you’ve gone indoors to escape its tyranny. On a day like today, there’s no need to ask “is there life on Mars?” Instead, I’m wondering if we’re only a few short years from lifeforms on some other distant planet asking, “Is there life on Earth?” Are we close to becoming Thomas Jerome Newton, Bowie’s character in the film “The Man Who Fell to Earth”, who graces the cover of Station To Station? Will we soon be forced to travel great distances in order to find and retrieve the resources that we require to live? Will we have to adopt a lifestyle that is foreign and incomprehensible in order to survive? …and why does it feel like I’m the only one who can see it coming? While other people are out there acting normally, doing their jobs and taking a walk through the Canadian wildfire haze on their lunch break, I’m here trying to concentrate on work and not let the innate, internal animal instinct that screams “Danger!” overwhelm my psyche. I bet that’s how Thomas Jerome Newton’s people ended up in their predicament: they didn’t pay enough attention to the guttural instinct that was warning them that things were going off the rails, they just continued as though nothing was wrong. As I admire the lush blue sky that has turned ghastly brown and Mars-like, the refrain at the end of the title track - repeating “it’s too late” over and over - feels like a devastating mantra. There’s an undercurrent of desolation, paranoia and uncertainty running through Station to Station. For Bowie, it was fueled by cocaine. For me, today, that desolate and paranoid uncertainty has me looking to the future, recognizing we live in a transitional period where it’s probably too late, but our lateness hasn’t fully caught up with us yet. Indeed, Station to Station was also a transitional record for Bowie: a bridge between the blue eyed soul of “Young Americans” and the experimental, synthetic rock and ambient soundscapes of “Low” and “Heroes”. On paper, with that description, you might not think it would be as engrossing and timeless as it is. At this moment, early June of 2023, in a world that literally looks desolate and with paranoia’s resonant frequency amplified in my mind, Station to Station is the perfect soundtrack for the end of the world.

On the whole I just find the whole album utterly tedious and most of the songs irritating. Opening track is ok, as is Stay, but I mean this relative to the other songs rather than being songs I want to go back to. This just isn’t for me. I feel 2 is harsh but I will never put this album on again and thems the rules

Quick and fun 38 minutes. Let's rewind. I think the Thin White Duke era could be my favorite of Bowie's. Or does the preference always Ch-ch-changes?

Only six tracks, but an impressive degree of variety. I get a good sense of Bowie's eccentricity, especially from his concluding the album with a cover of "Wild is the Wind." I'm not sure I've ever listened to a David Bowie album in full (aside from Black Star), but there are a handful of tracks from Bowie that I've grown up knowing. "Golden Years" is one of those tracks. I'm looking forward to hearing more albums from Bowie that are, no doubt, on this list. Favorite tracks: Golden Years, Word on a Wing Album art: Very cool. Love the bold, red font. Bowie stepping into some space-age studio--looks about right to me.

This is one of my favorite Bowie albums, and one of the few that doesn’t have a skipable track as far as I’m concerned. I think "Word on a Wing" and "Wild is the Wind" are among some of Bowie's best vocal performances of his career. “TVC15” is a fun outlier, with some crackerjack piano playing by E Street’s own Roy Bittan. "Golden Years" is a true classic, best track of them all. Even with the 10+ minute opener, I think this is one of Bowie's more accessible albums musically. The lyrics are another matter and can be rather opaque, especially on the title track. But I honestly think a lot of what Bowie does lyrically is for effect and we're better off going along for the ride than putting too much effort into deciphering them. Much has been made of Bowie's drug use at the time, to which I say look at the product. If this is the work of an artist whose sensibilities were at all blunted by drug use, it's hard to see. Fave songs: Word on a Wing, Golden Years, Wild is the Wind

Tied for my favorite Bowie record, but usually inches ahead of the others thanks to an all-killer tracklist that doesn't overstay its welcome. The hooks are here, the production is here, the experimentation is thankfully present but not drowning or too slow (I love Low but some cuts drag on). Bowie proves you can make a pop/post-punk/krautrock/dance record that appeals to normies and snobs alike.

David Bowie, known as the Thin White Duke at the time, delivers an album heaped with emotion but also devoid of it at the same time. The Duke addresses themes of religion and love throughout this short piece of work Bowies excessive cocaine use during these sessions is well documented, and is also addressed in both the title track and stay, lamenting "its not the side effects of the cocaine" Although this addiction resulted in bowie not capable of recalling any part of his recording of this album, it is clear the effect which it seems to take on the recordings themselves, which come across with an incredible energy that doesn't stay longer than it needs to. My favourite track would have to be either Word on a Wing, which is commonly viewed as bowies cry out to God during what he recalled as "one of the darkest periods of my life", or his astounding cover of Wild is the Wind, a cover which he was inspired to record after meeting Nina Simone just a few years prior. Overall, this album was an enjoyable experience, the instrumentals were fantastic, and Bowies voice, particularly on Wild is the Wind, was brilliant.

Very overrated album. Golden years is not that good of a song.

I’d never listened to this album in its entirety before but I will absolutely be revisiting it. Frequently. An eclectic mix featuring a spectacular rhythm section.

The funk is real on this one. The record that preceded the Berlin years (my favorite era of Bowie) and started his second renaissance into the public consciousness. It’s got everything, art rock, soul, funk, jazz elements, melodica for Christ sake. The birth of the Thin White Duke. It is said that Bowie sustained himself on cocaine and peppers during these sessions and was so fucked up that he didn’t remember recording this album. If I dropped this banger and didn’t remember it, I’d be pretty upset. Favorite song: Station to Station Least favorite song: Wild is the Wind (if I had to choose)

Yes, drugs are bad. But on the other hand; Station to Station by David Bowie.

Everything was perfect about this album. Perfect run time, solid production, amazing vocal performance, a unique blend of 70s music styles, progressive in its own way, and kept me intrigued from beginning to end. Bowie is a fascinating person, I really look forward to his other albums. Masterpiece.

I’d never listened to this one top to bottom. So good. Might be my new favorite of his, but I definitely need to go through the catalog

David takes a short intermission, returns to the stage wearing a cocaine white suit and opens the second set with Station to Station. How many years ago was that? Fuck if I know but I remember it like it was yesterday. During that set Mick Ronson joined the band for Jean Genie. Bowie said he invited him when he bumped into him at the Four Seasons that day. Mick wasn't prepared and didn't even bring a guitar. He grabbed Earl Slick's guitar, strummed a bit and then just swung the guitar around rather than play it. On a day when I’m not a complete Bowie cheerleader I'd admit the extended opening of St 2 St didn’t age very well. But the rest is still magic. Golden Years was the “hit” and it along w TVC15 have aged quite nicely. The timing of this album selection couldn’t be better. I’ve been listening to Wild is the Wind every day for the last week or so since I’ve been learning to play it on guitar. Bowie's vocals are on Gldn Years and Wild is the Wind are among his best. Sorry for the long review Mike but I didn’t say a thing yesterday. And this is David

An era perhaps best short lived given how Bowie was living at the time, but the grandeur of Station to Station is a masterstroke of The Thin White Duke which eventually led to The Berlin Trilogy. It's title track is one of the most powerful album openers in music and from there it's quality never falters. Few artist can claim multiple masterpieces, but this is definitely one of Bowie's.

the opener of this album is weird i wasnt into the first half at all but the second half was so stupidly good i had to go back and check like did i miss something? was i not paying enough attention?? but no it really is just that split in quality. golden years is really good, easily the best song here imo. not a single second of wasted space which is kind of hard for a lot of 70s rock apparently. like damn a lot of songs just went on and on didnt they. its not even a bad thing just nice to get a song thats actually compressed down like that. anyway the ballads arent bad at all, i see a lot of people saying theyre the worst songs here but disagreed. theyre dramatic enough to work. also i still have trouble telling what the fuck hes saying but apparently this is just a concept album about how pathetic some fascist dude is. wild 9/10

My ears came 6 times

Station to Station is my favourite song of all time and this album is in my top 10 albums of all time. I LOVE IT!!! The phenomenal opener that is 10 minutes of pure art rock. Golden Years is such a beautiful funk-rock song. Word on a Wing and the album closer Wild is the Wind have a beautiful vocal performance and a very emotional songwriting. Stay is just pure rock and soooo fcking good. The only song I would say is not 100% perfect is TVC15 but still sooooo great... favourites: Station to Station, the Rest of the album least favs.: I REFUSE TO CHOOSE rating: strong 9 to light 10

I can't stop thinking about my girlfriend fucking other men.

Wild is the wind

Everything has that grand piano feel. Really unexpectedly short. Very good and I finally get the station to station reference.

Widely considered a transitional album that bridges Young Americans and the Berlin trilogy, I always viewed this as a natural evolution. Great musicians all around, although Earl Slick, Carlos Alomar and Roy Bittan are superb. Bowie shows the full range of his vocals. His cover of Wild is the Wind could be my favorite Bowie cover and perhaps favorite Bowie vocal. Bowie never embraced punk, but there are post-punk elements here before there was post-punk.

The songs are long, but the album feels short. What a treat, such a perfectly trimmed journey!

I'm currently in hospital after a kidney transplant and every single Bowie song makes the life I'm allowed to lead a little more worth living. I was not only given new life, but also content and joy

The title track 'Station to Station' is my favourite song of all time. Additionally, Bowie is my favourite artist of all time. Therefore the album itself is also one of my favourites, in fact it's even in my Top 15, the second best Bowie album with only Low receving a higher spot. The entire album is just such a beautiful mix between Funk Rock, Soul, Art Rock and Piano Ballads with even the "worst" moments being at the top of Bowie's career. There is nothing to say against the album: songwriting, lyrics, production, ideas, experimentation, all of it is executed perfectly. It starts with the big one: 'Station to Station' starts with train imitating synths that slowly build up in a very Post-Punk fashion. It then forms itself into an operatic and anthemic "march-like" song that seems to pull together Art-Rock, Prog-Rock, Post-Punk as well as Krautrock and first hints of Funk that after an enormous and beautiful first half burst out into a Disco inspired Funk oddysey full of beautiful lyrics and deeply emotional deliveries. As I said, my favourite song ever (closly followed by 'Starless' by King Crimson). It follows the story of the Thin White Duke, a character that Bowie embodied at that time. A drug addict, full of fascist philosophy that seems to have lost touch with the real world and spirals into a deep dark of his own thoughts. It was the exact opposite of what Bowie has or wanted to be but his strong cocaine addiction that held on for years pulled him slowly into this exact person. Maybe it was a cry for help which many songs on this album seem to be but this is darkest and most grim of all of them. Even musically this is full of depth with the mix of repetitive themes and short breaks that help to both release tension and create new ones. I don't even know... This thing is the most perfect thing ever created. Maybe 'Starless' is objectively the best but for me this is. The album could've played this song 4 times in a row and it would not be boring or repetitive. I can't say it enough: Masterpiece, perfect, genre-bending, songwriter masterclass. The lead single 'Golden Years' goes deep into Soul territory with a very strong Funk additude and beautiful backing vocals in the chorus. The song shimmers with light and gold and seems to be an opposite of the previous song while still having very sentimental and thought provoking verses that tie the song together in such a cohesive and wonderful way. And even though it's the albums shortest song it features a lot of memorable moments that make a perfect follow-up to the title track. With 'Word on a Wing', the Blue-Eyed Soul gets the most prominent as of right now with a lot of piano in the forefront on which he delivers some of his strongest lyrics ever written. This is the other cry for help on the album and this time it seems to much, much more emotional about the lack of love he feels and the desire to reconnect with the world, held away by his own doings. The chorus is without a doubt the most heart-wrenching he's ever put out. One of the saddest and most emotional songs I have ever heard. I say it again: PERFECT! The second side returns to the Funk and Art Rock with a really groovy and energetic track which was written about a dream Iggy Pop had about his girlfriend being eaten by a TV which is a crazy starting point but the result doesn't fall short. It's so incredibly catchy that I don't think anyone can really dislike it and even though I think it's the "weakest" on the album because the end feels a tad bit streched, it's still so unbelivably amazing with all the arrangements and catchy play arounds both musically and of course lyrically. This is nothing short of another masterpiece. 'Stay' gets really Rock with a the Bluesy intro but there is more to it. Firstly, the percussion is just so incredibly fitting that it's genius that they thought about adding these Bongos (?). The mix of Funk Rock with Disco and Krautrock is absolutely amazing and catchy which is why it was a common song Bowie played throughout his career on live shows. Again, it's fun to listen to with a lot of energetic playing but has a certain beauty from the vocals as well as the lyrics that again return to the theme of love. Especially here, the mixing is done so incredibly well that while a lot of the stereo aspects are used, none of it feels imbalanced. Another perfect song, I'm sorry but it's just that good. The final song 'Wild Is the Wind' is very similar to 'Word on a Wing' in terms of style but also delivery. He was very influenced by the Nina Simone version of the song and it shows: This is probably his best vocal delivery ever (other options are: Life on Mars?, Teenage Wildlife, & Lady Grinning Soul). It's such a beautiful Soul song with all the inspirations from Jazz, Soul and Funk pulled together in a masterful finale that flows through your mind like only few songs do with such a finesse and Psychedelia. It's a perfect closing track and it's not even close. favourites: Station to Station, Word on a Wing, Wild is the Wind, Stay, Golden Years, TVC15 least favourites: / Rating: strong 10 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

Masterwork. Titanic. Glacial shift. A spell, an incantation.

My original "favorite Bowie album" after voraciously devouring various compilations. Not a minute wasted here, his band is at the top of their game and the vocals on "Word On A Wing" and "Wild Is The Wind" are for all time. The best possible advertisement for cocaine abuse - if gawky 17yo me could have obtained sufficient quantities I would have done myself serious damage in tribute. Incredible

6 tracks. Just under 40 minutes. Every minute is great. Sometimes David Bowie's stuff is shamelessly artistic, but comes off a bit too kooky and inaccessible. Other times he makes something undeniably catchy, but without all that depth and substance. Here, he pulls off the best of both worlds. This album grooves - the bass lines are punchy and fun, and the guitar alternates between Chic rhythm and pink Floyd lead. Great album with lots of great moments

I didn't know I like Bowie until this listening project. I like Bowie. This record was terrific.

Wow. Can someone pack that much into six songs? It's funny that he was struggling with drugs a lot during this period because the music is so on point and solid. He has an incredible way, always and forever, of matching the feel of the music with the feel of the vocals (not just the lyrics but HOW the lyrics are used). I would have loved to see this played in its entirety live. Listening to this sent me on a spin of listening to Bowie albums, trying to decide if "Five Years" was indeed my favorite song. I got stuck on Hunky Dory, forgetting how perfect it is from beginning to end.

disaffected jazzy krautrock pop by a man obsessed with cocaine. lovely tho fav track: stay

PogCamp

Amazing!

I don’t want to waffle on too much about Station To Station other than to say it’s a delightful listen that doesn’t outstay its welcome. A perfect little album and a definite fast favourite.

Listening to Bowie’s great albums in random order and at random intervals is tremendous fun to this first time listener. So far, they’re all such complete, almost hermetic objects that thoughts of his career progression flutter off before they barely begin to form in my head. To me, this sounds like he lands on an idea, a form, embodies it utterly, and moves on. His melodic and lyric knack is constant, but at the service of whatever he has alighted on. Station to Station is a majestic title. Contents are laid back, almost bar room ballad at times, but sheathed in this clean, futurist swoosh psychedelia. TVC15 is my favourite on this listen, though the cheeky quote of Good Morning Little Schoolgirl made me uneasy given the teenage fans Bowie allegedly slept with. Of course, I returned to Stay after writing that, and maybe that’s my favourite: streamlining funk, it seems to casually invent a decadent strand of eighties pop.

Great, great album! Bowie is a star. Somehow the songs seem much shorter than they are, everything is still compressed, and stuff happens. Oh damn ok, "Wild Is the Wind" slaps so fucking hard. Good shit. This aged well, and I think it will age even well'er. 5 Didn't enjoy "Golden Years" as much as everyone else it seems, very overrated imo. But the whole of the album makes up for it.

Absolute great Album, so versatile and creative, never boring

Masterpiece.

5 stars. Probably my favorite Bowie. Progressive, moody, thoughtful. And then there’s TVC15 now that’s just entertaining.

David Bowie claims he couldn’t remember writing this album after a bender. That’s quite impressive seeing as the last bender I was on I couldn’t remember how many zinger boxes I’d consumed

brilliant.

Loved it

Love this album

A manifesto for that most unmanifestable of things: unorthodoxy. Never helps to overstate the lyrics with Bowie, but certain ideas resound: "run to the shadows", "I'm trying to fit into your scheme of things", "this age of grand illusion". He's interminably travelling on the opener, wild as the wind on the closer. It's all gauche, all different, all repudiating the idea of normal. Title track starts with a coda, moves to the bridge, follows that with an intro, ends with a different song. The guitar solo at the end of TVC-15 may melt brains. Everything on Stay is gauche and two beats off. Throughout, the white freak funk combines Eno and Clinton.

One day at David Bowie's house, Iggy Pop took a bunch of drugs and hallucinated that his girlfriend was being eaten by a TV, so naturally, Bowie turned it into a song. He was so coked out while making this album that he says he only has one memory of asking for a certain guitar riff, and nothing else. I think the lesson here is, if you're going to do drugs, you should either be as talented as David Bowie or have a friend with that level of talent that can turn your experience into a trippy song. Best track: TVC 15

DAVID BOWIE YIPPEEEE hes such a legend rip fr stay kind of sounds like song off the new geordie greep album (sry for making the comparisson)

Every time I get a Bowie album generated, I think something like "he's got some good hits, but listening to an entire album might drag a bit." Every single time I'm wrong! Golden Years is a stand out for me here, but Station to Station, TVC15 and Wild is the Wind are all bangers. 4.5/5

8/10

Average Bowie album, I read he was checked out on this one.

I don't think this is peak David. There are a couple of memorable tracks but the rest are just competent. For Bowie completists.

Listening to this album gives me anxiety. Musically very interesting tho obv

I can see why people like Bowie. But for me this is pretty dull. Not bad. Just a bit dull.

#285. Yet another weak ass Bowie album. This one doesn't even have any of the hits to balance out the drivel 2/5: weaksauce

I always thought I liked David Bowie, but this is the third album that has kinda fallen flat for me, so maybe I only like the familiar hits. It's a strange realisation!

The most tolerable of Bowie's I've had so far, it's basically just a bad David Byrne impression.

Huh. So, normally I hate Bowie. A lot. This is….interesting, though….It’s still too untethered and blatantly coke-fueled for me, and would benefit greatly from some editing, but I like it more than the pseudo-intellectual experimentation of the Berlin Trilogy, and a lot more than the gaudy theatricality of his glam rock era. It has groove, it’s sonically varied like a normal pop record but still cohesive, and it’s a little more accessible, despite its experiments. I’d be lying if I said I didn’t bob my head throughout. In the end, though, Station to Station still always goes too far for me to be sold. Just when I’m digging a chorus or a beat, there’s a change-up or sound that just gets under my skin. I just think that’s the issue with Bowie for me in general. I truly hate his vocal choices, I hate his vaudevillian aesthetic, I hate how he builds a song. For all my ADHD-fueled love of hyperpop and noise rock, I hate how so many parts here just cut in out of absolutely nowhere throughout this record. I just can’t follow the logic of these songs. Every time I want Bowie to just stay focused, he explores a new avenue, and it always takes a good idea down a bad path. Unfortunately, red and green peppers, milk, and coke will not keep you on a focused path. For many, I’m sure that lack of focus is the exact thing they find appealing about Station to Station; for me, it’s the pressure point that brings the whole album down. I can see a version of Station to Station that was made with careful precision, tighter disco-inspired grooves, and songs that were contained to 4-minute runtimes, and I imagine truly adoring that version. That’s not what I have in my hands here, though. I’m pretty close to being okay with it, but I’m just not close enough to cross that line today. But it *is* the closest I’ve come to ever liking a Bowie record to any degree, and that has to mean something. (Yes, it means I’m experiencing Stockholm Syndrome thanks to this list insisting I listen to Bowie’s entire discography against my will.)

Bowie has some amazing stuff and is certainly an artist that deserves multiple entries on a list like this... But "Station to Station" just doesn't cut it. It's a middling, transitional album in Bowie's extensive discography... not worth to be listed among the greatest!

Что-то я совсем не вкурил (или, как в случае с Боуи, не внюхал) эту тему. Один хороший песняк - и тот оказался кавером. Вот вам и кокаиновый фанк.

Proof, if it was needed, that Bowie is more about the artist than the art

Highlight: "Station to Station," "Word on a Wing," "Stay" Not much to add. I don't buy the hype. It's all over the place in genre and mood without track-to-track cohesion, and Bowie's awkward voice tramples everything in the mix no matter how big the arrangements. The lyrics are remarkably coherent and respectable for someone allegedly at the end of their rope in substance abuse. The lyrics are where this album has the most unity. The dabbling in soul and funk feels better than appropriative or gimmicky. At least another turning point for the guy we should be calling man of many faces over Dylan.

I know that I am in the minority here, but this album just didn't do it for me. I will say that I really did enjoy the song Wild Is The Wind.

I hate all David Bowie hits except maybe suffragette city as it’s not glitzy glam pop. I’ll never understand how we as a society take run of the mill pop and turn it into a profound artistic statement because we like the artist’s personality. However, I know he can be weird and I’m hoping this one is. 6 tracks, 38 minutes certainly tells some kind of story. This sounds like Beavis & Butthead transition music so far which is honestly far better than rebel rebel or anything of that nature. Aaaand here come the vocals. Rock opera. Ugh. There are moments where I believe this is cool. There are many others where the piano and disco kicks in. What the hell is this? Ah man. No good. Elton John piano licks without any of the fun. Is it too late to skip this? Wow guys, this disco song is slightly longer than normal AND the singer has a wacky haircut. This is equivalent to great literature. This sucks. Fuck. Riverboat music. Fat rich cottage goer tunes. I don’t think I can fairly listen to this. I just think he’s insufferable. The bad part is that there are cool ideas that I could see myself enjoying. Some of the vocal harmonies at times sound cool. Lots of sounds. There’s just a general poppiness that I can’t stand. Sounded like death grips for a second. Unfortunately it’s still me in the grip of a cruise ship based nightmare. Why is this crooning over a karaoke steely dan instrumental considered “must-hear”? Is this also Christian? Holy hell. Washed up musician having an evangelical breakdown whilst on barbiturates during a reunion show at a local casino “type beat”. Hail Satan and bring on more pedestrian tripe! Right on cue. Oh baby, the bow tie on the wedding singer is loose now. Everybody is a few loonie drinks in. Time for some more riverboat jingles. It would be fun, sort of like a massive artist, to see what I could pass off as quality based off my name alone. They have to have tried it. traaaaaaaansition. I actually don’t hate the saxophone. There’s something!!!! It’s weird and good. Stay?? Why don’t you go?? Hahahah. Man I’m good. This song has actually sent me into hysterics. These vocals can’t be real. NO. There’s no fucking way. You can’t like this. These vocals or satire. This is making fun of mid 70’s crooners right? HE CANT SING. This is one of those moments where I feel like I’m in the interstellar universe screaming at an oblivious public from behind a space/time continuum rift. This is not good and I refuse to hear arguments to the contrary. Valueless and one of the worst songs I’ve heard in many years. Thoroughly unlikeable from start to finish, this album is a mix between run of the mill and completely insufferable. Musical competency at points jumps it from zero, but the horrendous singing and pop cheese takes this thing beyond the gutter, into a vat of talentless disco-tinged slop that is gulped down by the ladle by buffoons because it has David Bowie’s face slapped on it. Worthless as a psychedelic experience, even worse as a musical one. HIGHLIGHTS: The silence following the final track.

David Bowie is my favorite, and this is among his best albums. Full stop

That's some top notch Bowie alright. Fave track - "Golden Years" has long been one of my all time fave Bowie tracks!

Este Bowie romanticón y tan meloso como puede serlo me gustó mucho. El disco completo me funciona, cuatro vueltas y cada una fue mejor que la anterior. Muy buenos arreglos, letras románticas que parecen incómodas pero sinceras. La mejor del disco es Wild Is The Wind seguida de Stay.

Might be the best Bowie I've listened to so far.

Classic bowie

Spare and wondrous, rocking and reeling.

Més que de transició, com sí va ser 'Young Americans', 'Station to Station' és una porta d'entrada a la trilogia berlinesa. Tot i no estar emparat per un context com el de Ziggy o Berlin, el disc és una meravella. Mai una cançó de més de 10 minuts s'ha fet tan curta, ni les altres 5 que l'acompanyen no passar desapercebudes, sinó reclamar el seu protagonisme com a joies d'orfebreria musical cada una d'elles, sense excepció

This was recorded when Bowie lived in Berlin with Iggy Pop as his roommate

Brilliant. That is all.

FULL OF hits! This is my favorite Bowie project besides Let's Dance, my parents played him a lot growing up. First time funk music became mainstream & popular in the US/UK

Almost perfect.

Tää ei joskus ollut niin erityinen, mutta nykyään varmaan top3-Bowie. Mieletön. Ja törkeän hyvä bändi tässä.

One of my favorite albums! The production is top notch.

Arguably my favorite Bowie album

I consider Station to Station to be Bowie's prologue to his famed Berlin trilogy. For those unaware, the Berlin trilogy consists of the three album that came out right after Station to Station, that being Low, Heroes, and Lodger, all written during Bowie's time in Berlin. This period during 1976 to 1977 was pivotal, as Bowie would work with such great names as Iggy Pop, Brian Eno, Lou Reed, and a few others. While punk rock was developing, Bowie would be in Berlin effectively crafting the beginnings of post-punk with Iggy Pop. It's hard not to understate the important of his Berlin albums. So why was he in Berlin? Well, Bowie was dealing with a cocaine addiction around the time of Station to Station, and was dealing with a great bit of backlash from the fascist elements of his "thin white duke" character. It's clear that Station to Station comes from a darker place of his psyche, but wielded in such a way that the music speaks for itself. Bowie transforms himself several times over his career, and this is probably the most striking one for me. Each song carries so much weight, there's not a second wasted on this record. Bowie would go on to claim that he does not remember making Station to Station. He would realize his cocaine use had spiraled out of control and decided to move to Europe to kick the habit. I think this album carries a big weight in Bowie's career, showing both the excellence and problems with his music and performance. I appreciate it deeply for being a standout art rock album. Absolutely worthy of praise.

Top 3 Bowie.

Aside from the Berlin Trilogy, this is another one of my fave Bowie albums. The title track, "TVC15," "Word on a Wing," and "Wild is the Wind" are my faves off of this.

It's not the side-effects of the cocaine I'm thinking that it must be love.

great

Live recordings are great. TVC15 is catchy

classic

It's saying something about Bowie as an artist that, even starving and cracked out of his mind, he was able to produce an absolutely exceptional album. It runs the whole spectrum from blues to funk to experimental at an absolutely (and unsurprisingly) breakneck pace. A less-talented musician in the same drug-addled state would have created something frantic and broken. Bowie, though he barely remembered even making the album, managed to craft coherent, compelling, beautiful, and haunting songs that stand up decades later. The man wasn't human. He had to have been something else.

Premier album où je clique: Les 6 chansons de l'album sont déjà cochés. Quel homme, quel génie Du coup ben 5 étoiles quoi d'autre

Brilliant album that showcases Bowie at his darkest point (excluding Darkstar, but that album was recorded whilst he was at deaths door). Each song has its own unique identity and, even though they are lengthy tracks, don't outstay their welcome.

This was 4* all the way until I hit "Stay". Then it instantly leapt to 5*.

This is one of the best albums ever made.

Eine nahezu perfekte mischung aus "young americans" und dem eher von kraftwerk und neu inspierierten sound. hat wirklich keinen schlechten track. highlight ist sicher der titeltrack. glaube bowie ist an das was hier passiert später nur selten wieder rangekommen, glaube ich bevorzuge das sogar den berlin alben.

This was mostly new for me but I’m loving it so far. Musically, it’s a lot of soul and funk, and the style is very loose and free. David Bowie has an incredible band behind him for this one! Whoever plays bass on this is awesome. The drummer too! I’m going back and forth on my rating but I’m gonna tip it in favor of a 5 because I anticipate spending a lot more time with this album.

So great

"Station to Station" is David Bowie's best album from the second era of his long career. It takes the funk and R&B explored in his previous album and mixes it with the art rock that would define his style for the next four albums. It show an artist pushing his creative limits with amazing results. "Station to Station" explores krautrock and conects with disco music, "Golden Years" sounds like Bowie became the Elvis of funk, "Word on a Wing" is where his cocaine addiction is more apparent, "TVC 15" is a raw, almost new wave masterpice, "Stay", the best track on the album, goes from funk to hard rock and has Carlos Almoar guitar at his peak and "Wild Is the Wind" is a Nina Simone homage for the ages. Thematically it's a very ethereal album, with lyrics about existentialism, occultism, mythology and religion, but also about love and surreal dreams. A masterpice, from start to finish.

The more I listen to Bowie, the more I enjoy his music.

Genius

Great

Classic. One of the best albums of all time. "Stay" is impossibly great.

I've listened to several Bowie albums, but somehow this one had eluded me. Somewhere in the vein of '70s rock and disco/funk-tinged prog, Station to Station is a compelling listen start to finish. Golden Years is of course a well-known single, but I also really enjoyed TVC15 and Stay.

5/5

Incredible