Station To Station

This is the first Bowie album I listened to over and over again, because my girlfriend at that time owned it. For the next few years I bought all his new releases and then started buying up all the older ones in my twenties. It’s an epic album, especially listened to within the context of his everchanging output from Hunky Dory to Lodger. I think that the one song he didn’t write, Wild is the Wind, is maybe his greatest vocal performance of all time and by-far the most creative interpretation of that standard (at least until Esperanza Spalding’s).

10 Albums You Actually Need to Hear Before You Die Chapter 4 It’s too late to be late again: David Bowie’s “Station to Station” As I write this review, much of the northeastern United States is engulfed in a thick, noxious plume of smoke emanating from wildfires in Canada’s Quebec province. The sky is a hazed-out, sickly orange-brown, almost Martian in appearance. There is a constant smell of charred and burning wood in the air. It’s so dense that it clings to your nasal passages and throat, leaving its scent to linger in your head well after you’ve gone indoors to escape its tyranny. On a day like today, there’s no need to ask, “Is there life on Mars?” Instead, I’m wondering if we’re only a few short years from lifeforms on some other distant planet asking, “Is there life on Earth?” Are we close to becoming Thomas Jerome Newton, Bowie’s character in the film “The Man Who Fell to Earth”, who graces the cover of Station To Station? Will we soon be forced to travel great distances in order to find and retrieve the resources that we require to live? Will we have to adopt a lifestyle that is foreign and incomprehensible in order to survive? …and why does it feel like I’m the only one who can see it coming? While other people are out there acting normally, doing their jobs and taking a walk through the Canadian wildfire haze on their lunch break, I’m here trying to concentrate on work and not let the innate, internal animal instinct that screams “Danger!” overwhelm my psyche. I bet that’s how Thomas Jerome Newton’s people ended up in their predicament: they didn’t pay enough attention to the guttural instinct that was warning them that things were going off the rails, they just continued as though nothing was wrong. As I admire the once lush blue sky that has turned ghastly brown and Mars-like, the refrain at the end of the title track - repeating “it’s too late” over and over - feels like a devastating mantra. There’s an undercurrent of desolation, paranoia and uncertainty running through Station to Station. For Bowie, it was fueled by cocaine. For me, today, that desolate and paranoid uncertainty has me looking to the future, recognizing we live in a transitional period where it’s probably too late, but our lateness hasn’t fully caught up with us yet. Indeed, Station to Station was also a transitional record for Bowie: a bridge between the blue eyed soul of “Young Americans” and the experimental, synthetic rock and ambient soundscapes of “Low” and “Heroes”. On paper, with that description, you might not think it would be as engrossing and timeless as it is. At this moment, early June of 2023, in a world that literally looks desolate and with paranoia’s resonant frequency amplified in my mind, Station to Station is the perfect soundtrack for the end of the world.

Quick and fun 38 minutes. Let's rewind. I think the Thin White Duke era could be my favorite of Bowie's. Or does the preference always Ch-ch-changes?

On the whole I just find the whole album utterly tedious and most of the songs irritating. Opening track is ok, as is Stay, but I mean this relative to the other songs rather than being songs I want to go back to. This just isn’t for me. I feel 2 is harsh but I will never put this album on again and thems the rules

This is one of my favorite Bowie albums, and one of the few that doesn’t have a skipable track as far as I’m concerned. I think "Word on a Wing" and "Wild is the Wind" are among some of Bowie's best vocal performances of his career. “TVC15” is a fun outlier, with some crackerjack piano playing by E Street’s own Roy Bittan. "Golden Years" is a true classic, best track of them all. Even with the 10+ minute opener, I think this is one of Bowie's more accessible albums musically. The lyrics are another matter and can be rather opaque, especially on the title track. But I honestly think a lot of what Bowie does lyrically is for effect and we're better off going along for the ride than putting too much effort into deciphering them. Much has been made of Bowie's drug use at the time, to which I say look at the product. If this is the work of an artist whose sensibilities were at all blunted by drug use, it's hard to see. Fave songs: Word on a Wing, Golden Years, Wild is the Wind

Only six tracks, but an impressive degree of variety. I get a good sense of Bowie's eccentricity, especially from his concluding the album with a cover of "Wild is the Wind." I'm not sure I've ever listened to a David Bowie album in full (aside from Black Star), but there are a handful of tracks from Bowie that I've grown up knowing. "Golden Years" is one of those tracks. I'm looking forward to hearing more albums from Bowie that are, no doubt, on this list. Favorite tracks: Golden Years, Word on a Wing Album art: Very cool. Love the bold, red font. Bowie stepping into some space-age studio--looks about right to me.

Tied for my favorite Bowie record, but usually inches ahead of the others thanks to an all-killer tracklist that doesn't overstay its welcome. The hooks are here, the production is here, the experimentation is thankfully present but not drowning or too slow (I love Low but some cuts drag on). Bowie proves you can make a pop/post-punk/krautrock/dance record that appeals to normies and snobs alike.

David Bowie, known as the Thin White Duke at the time, delivers an album heaped with emotion but also devoid of it at the same time. The Duke addresses themes of religion and love throughout this short piece of work Bowies excessive cocaine use during these sessions is well documented, and is also addressed in both the title track and stay, lamenting "its not the side effects of the cocaine" Although this addiction resulted in bowie not capable of recalling any part of his recording of this album, it is clear the effect which it seems to take on the recordings themselves, which come across with an incredible energy that doesn't stay longer than it needs to. My favourite track would have to be either Word on a Wing, which is commonly viewed as bowies cry out to God during what he recalled as "one of the darkest periods of my life", or his astounding cover of Wild is the Wind, a cover which he was inspired to record after meeting Nina Simone just a few years prior. Overall, this album was an enjoyable experience, the instrumentals were fantastic, and Bowies voice, particularly on Wild is the Wind, was brilliant.

Very overrated album. Golden years is not that good of a song.

The songs are long, but the album feels short. What a treat, such a perfectly trimmed journey!

Station to Station is my favourite song of all time and this album is in my top 10 albums of all time. I LOVE IT!!! The phenomenal opener that is 10 minutes of pure art rock. Golden Years is such a beautiful funk-rock song. Word on a Wing and the album closer Wild is the Wind have a beautiful vocal performance and a very emotional songwriting. Stay is just pure rock and soooo fcking good. The only song I would say is not 100% perfect is TVC15 but still sooooo great... favourites: Station to Station, the Rest of the album least favs.: I REFUSE TO CHOOSE rating: strong 9 to light 10

An era perhaps best short lived given how Bowie was living at the time, but the grandeur of Station to Station is a masterstroke of The Thin White Duke which eventually led to The Berlin Trilogy. It's title track is one of the most powerful album openers in music and from there it's quality never falters. Few artist can claim multiple masterpieces, but this is definitely one of Bowie's.

David takes a short intermission, returns to the stage wearing a cocaine white suit and opens the second set with Station to Station. How many years ago was that? Fuck if I know but I remember it like it was yesterday. During that set Mick Ronson joined the band for Jean Genie. Bowie said he invited him when he bumped into him at the Four Seasons that day. Mick wasn't prepared and didn't even bring a guitar. He grabbed Earl Slick's guitar, strummed a bit and then just swung the guitar around rather than play it. On a day when I’m not a complete Bowie cheerleader I'd admit the extended opening of St 2 St didn’t age very well. But the rest is still magic. Golden Years was the “hit” and it along w TVC15 have aged quite nicely. The timing of this album selection couldn’t be better. I’ve been listening to Wild is the Wind every day for the last week or so since I’ve been learning to play it on guitar. Bowie's vocals are on Gldn Years and Wild is the Wind are among his best. Sorry for the long review Mike but I didn’t say a thing yesterday. And this is David

Everything was perfect about this album. Perfect run time, solid production, amazing vocal performance, a unique blend of 70s music styles, progressive in its own way, and kept me intrigued from beginning to end. Bowie is a fascinating person, I really look forward to his other albums. Masterpiece.

The funk is real on this one. The record that preceded the Berlin years (my favorite era of Bowie) and started his second renaissance into the public consciousness. It’s got everything, art rock, soul, funk, jazz elements, melodica for Christ sake. The birth of the Thin White Duke. It is said that Bowie sustained himself on cocaine and peppers during these sessions and was so fucked up that he didn’t remember recording this album. If I dropped this banger and didn’t remember it, I’d be pretty upset. Favorite song: Station to Station Least favorite song: Wild is the Wind (if I had to choose)

I’d never listened to this one top to bottom. So good. Might be my new favorite of his, but I definitely need to go through the catalog

The title track 'Station to Station' is my favourite song of all time. Additionally, Bowie is my favourite artist of all time. Therefore the album itself is also one of my favourites, in fact it's even in my Top 15, the second best Bowie album with only Low receving a higher spot. The entire album is just such a beautiful mix between Funk Rock, Soul, Art Rock and Piano Ballads with even the "worst" moments being at the top of Bowie's career. There is nothing to say against the album: songwriting, lyrics, production, ideas, experimentation, all of it is executed perfectly. It starts with the big one: 'Station to Station' starts with train imitating synths that slowly build up in a very Post-Punk fashion. It then forms itself into an operatic and anthemic "march-like" song that seems to pull together Art-Rock, Prog-Rock, Post-Punk as well as Krautrock and first hints of Funk that after an enormous and beautiful first half burst out into a Disco inspired Funk oddysey full of beautiful lyrics and deeply emotional deliveries. As I said, my favourite song ever (closly followed by 'Starless' by King Crimson). It follows the story of the Thin White Duke, a character that Bowie embodied at that time. A drug addict, full of fascist philosophy that seems to have lost touch with the real world and spirals into a deep dark of his own thoughts. It was the exact opposite of what Bowie has or wanted to be but his strong cocaine addiction that held on for years pulled him slowly into this exact person. Maybe it was a cry for help which many songs on this album seem to be but this is darkest and most grim of all of them. Even musically this is full of depth with the mix of repetitive themes and short breaks that help to both release tension and create new ones. I don't even know... This thing is the most perfect thing ever created. Maybe 'Starless' is objectively the best but for me this is. The album could've played this song 4 times in a row and it would not be boring or repetitive. I can't say it enough: Masterpiece, perfect, genre-bending, songwriter masterclass. The lead single 'Golden Years' goes deep into Soul territory with a very strong Funk additude and beautiful backing vocals in the chorus. The song shimmers with light and gold and seems to be an opposite of the previous song while still having very sentimental and thought provoking verses that tie the song together in such a cohesive and wonderful way. And even though it's the albums shortest song it features a lot of memorable moments that make a perfect follow-up to the title track. With 'Word on a Wing', the Blue-Eyed Soul gets the most prominent as of right now with a lot of piano in the forefront on which he delivers some of his strongest lyrics ever written. This is the other cry for help on the album and this time it seems to much, much more emotional about the lack of love he feels and the desire to reconnect with the world, held away by his own doings. The chorus is without a doubt the most heart-wrenching he's ever put out. One of the saddest and most emotional songs I have ever heard. I say it again: PERFECT! The second side returns to the Funk and Art Rock with a really groovy and energetic track which was written about a dream Iggy Pop had about his girlfriend being eaten by a TV which is a crazy starting point but the result doesn't fall short. It's so incredibly catchy that I don't think anyone can really dislike it and even though I think it's the "weakest" on the album because the end feels a tad bit streched, it's still so unbelivably amazing with all the arrangements and catchy play arounds both musically and of course lyrically. This is nothing short of another masterpiece. 'Stay' gets really Rock with a the Bluesy intro but there is more to it. Firstly, the percussion is just so incredibly fitting that it's genius that they thought about adding these Bongos (?). The mix of Funk Rock with Disco and Krautrock is absolutely amazing and catchy which is why it was a common song Bowie played throughout his career on live shows. Again, it's fun to listen to with a lot of energetic playing but has a certain beauty from the vocals as well as the lyrics that again return to the theme of love. Especially here, the mixing is done so incredibly well that while a lot of the stereo aspects are used, none of it feels imbalanced. Another perfect song, I'm sorry but it's just that good. The final song 'Wild Is the Wind' is very similar to 'Word on a Wing' in terms of style but also delivery. He was very influenced by the Nina Simone version of the song and it shows: This is probably his best vocal delivery ever (other options are: Life on Mars?, Teenage Wildlife, & Lady Grinning Soul). It's such a beautiful Soul song with all the inspirations from Jazz, Soul and Funk pulled together in a masterful finale that flows through your mind like only few songs do with such a finesse and Psychedelia. It's a perfect closing track and it's not even close. favourites: Station to Station, Word on a Wing, Wild is the Wind, Stay, Golden Years, TVC15 least favourites: / Rating: strong 10 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

My ears came 6 times

I'm currently in hospital after a kidney transplant and every single Bowie song makes the life I'm allowed to lead a little more worth living. I was not only given new life, but also content and joy

I didn't know I like Bowie until this listening project. I like Bowie. This record was terrific.

Listening to Bowie’s great albums in random order and at random intervals is tremendous fun to this first time listener. So far, they’re all such complete, almost hermetic objects that thoughts of his career progression flutter off before they barely begin to form in my head. To me, this sounds like he lands on an idea, a form, embodies it utterly, and moves on. His melodic and lyric knack is constant, but at the service of whatever he has alighted on. Station to Station is a majestic title. Contents are laid back, almost bar room ballad at times, but sheathed in this clean, futurist swoosh psychedelia. TVC15 is my favourite on this listen, though the cheeky quote of Good Morning Little Schoolgirl made me uneasy given the teenage fans Bowie allegedly slept with. Of course, I returned to Stay after writing that, and maybe that’s my favourite: streamlining funk, it seems to casually invent a decadent strand of eighties pop.

My original "favorite Bowie album" after voraciously devouring various compilations. Not a minute wasted here, his band is at the top of their game and the vocals on "Word On A Wing" and "Wild Is The Wind" are for all time. The best possible advertisement for cocaine abuse - if gawky 17yo me could have obtained sufficient quantities I would have done myself serious damage in tribute. Incredible

Yes, drugs are bad. But on the other hand; Station to Station by David Bowie.

I don’t want to waffle on too much about Station To Station other than to say it’s a delightful listen that doesn’t outstay its welcome. A perfect little album and a definite fast favourite.

David Bowie claims he couldn’t remember writing this album after a bender. That’s quite impressive seeing as the last bender I was on I couldn’t remember how many zinger boxes I’d consumed

Widely considered a transitional album that bridges Young Americans and the Berlin trilogy, I always viewed this as a natural evolution. Great musicians all around, although Earl Slick, Carlos Alomar and Roy Bittan are superb. Bowie shows the full range of his vocals. His cover of Wild is the Wind could be my favorite Bowie cover and perhaps favorite Bowie vocal. Bowie never embraced punk, but there are post-punk elements here before there was post-punk.

Wow. Can someone pack that much into six songs? It's funny that he was struggling with drugs a lot during this period because the music is so on point and solid. He has an incredible way, always and forever, of matching the feel of the music with the feel of the vocals (not just the lyrics but HOW the lyrics are used). I would have loved to see this played in its entirety live. Listening to this sent me on a spin of listening to Bowie albums, trying to decide if "Five Years" was indeed my favorite song. I got stuck on Hunky Dory, forgetting how perfect it is from beginning to end.

Great, great album! Bowie is a star. Somehow the songs seem much shorter than they are, everything is still compressed, and stuff happens. Oh damn ok, "Wild Is the Wind" slaps so fucking hard. Good shit. This aged well, and I think it will age even well'er. 5 Didn't enjoy "Golden Years" as much as everyone else it seems, very overrated imo. But the whole of the album makes up for it.

6 tracks. Just under 40 minutes. Every minute is great. Sometimes David Bowie's stuff is shamelessly artistic, but comes off a bit too kooky and inaccessible. Other times he makes something undeniably catchy, but without all that depth and substance. Here, he pulls off the best of both worlds. This album grooves - the bass lines are punchy and fun, and the guitar alternates between Chic rhythm and pink Floyd lead. Great album with lots of great moments

5 stars. Probably my favorite Bowie. Progressive, moody, thoughtful. And then there’s TVC15 now that’s just entertaining.

Masterpiece.

Absolute great Album, so versatile and creative, never boring

I’d never listened to this album in its entirety before but I will absolutely be revisiting it. Frequently. An eclectic mix featuring a spectacular rhythm section.

Wild is the wind

Love this album

Amazing!

Everything has that grand piano feel. Really unexpectedly short. Very good and I finally get the station to station reference.

the opener of this album is weird i wasnt into the first half at all but the second half was so stupidly good i had to go back and check like did i miss something? was i not paying enough attention?? but no it really is just that split in quality. golden years is really good, easily the best song here imo. not a single second of wasted space which is kind of hard for a lot of 70s rock apparently. like damn a lot of songs just went on and on didnt they. its not even a bad thing just nice to get a song thats actually compressed down like that. anyway the ballads arent bad at all, i see a lot of people saying theyre the worst songs here but disagreed. theyre dramatic enough to work. also i still have trouble telling what the fuck hes saying but apparently this is just a concept album about how pathetic some fascist dude is. wild 9/10

DAVID BOWIE YIPPEEEE hes such a legend rip fr stay kind of sounds like song off the new geordie greep album (sry for making the comparisson)

I can't stop thinking about my girlfriend fucking other men.

I always thought I liked David Bowie, but this is the third album that has kinda fallen flat for me, so maybe I only like the familiar hits. It's a strange realisation!

I hate all David Bowie hits except maybe suffragette city as it’s not glitzy glam pop. I’ll never understand how we as a society take run of the mill pop and turn it into a profound artistic statement because we like the artist’s personality. However, I know he can be weird and I’m hoping this one is. 6 tracks, 38 minutes certainly tells some kind of story. This sounds like Beavis & Butthead transition music so far which is honestly far better than rebel rebel or anything of that nature. Aaaand here come the vocals. Rock opera. Ugh. There are moments where I believe this is cool. There are many others where the piano and disco kicks in. What the hell is this? Ah man. No good. Elton John piano licks without any of the fun. Is it too late to skip this? Wow guys, this disco song is slightly longer than normal AND the singer has a wacky haircut. This is equivalent to great literature. This sucks. Fuck. Riverboat music. Fat rich cottage goer tunes. I don’t think I can fairly listen to this. I just think he’s insufferable. The bad part is that there are cool ideas that I could see myself enjoying. Some of the vocal harmonies at times sound cool. Lots of sounds. There’s just a general poppiness that I can’t stand. Sounded like death grips for a second. Unfortunately it’s still me in the grip of a cruise ship based nightmare. Why is this crooning over a karaoke steely dan instrumental considered “must-hear”? Is this also Christian? Holy hell. Washed up musician having an evangelical breakdown whilst on barbiturates during a reunion show at a local casino “type beat”. Hail Satan and bring on more pedestrian tripe! Right on cue. Oh baby, the bow tie on the wedding singer is loose now. Everybody is a few loonie drinks in. Time for some more riverboat jingles. It would be fun, sort of like a massive artist, to see what I could pass off as quality based off my name alone. They have to have tried it. traaaaaaaansition. I actually don’t hate the saxophone. There’s something!!!! It’s weird and good. Stay?? Why don’t you go?? Hahahah. Man I’m good. This song has actually sent me into hysterics. These vocals can’t be real. NO. There’s no fucking way. You can’t like this. These vocals or satire. This is making fun of mid 70’s crooners right? HE CANT SING. This is one of those moments where I feel like I’m in the interstellar universe screaming at an oblivious public from behind a space/time continuum rift. This is not good and I refuse to hear arguments to the contrary. Valueless and one of the worst songs I’ve heard in many years. Thoroughly unlikeable from start to finish, this album is a mix between run of the mill and completely insufferable. Musical competency at points jumps it from zero, but the horrendous singing and pop cheese takes this thing beyond the gutter, into a vat of talentless disco-tinged slop that is gulped down by the ladle by buffoons because it has David Bowie’s face slapped on it. Worthless as a psychedelic experience, even worse as a musical one. HIGHLIGHTS: The silence following the final track.

PogCamp

Masterwork. Titanic. Glacial shift. A spell, an incantation.

disaffected jazzy krautrock pop by a man obsessed with cocaine. lovely tho fav track: stay

Loved it

brilliant.

Every time I get a Bowie album generated, I think something like "he's got some good hits, but listening to an entire album might drag a bit." Every single time I'm wrong! Golden Years is a stand out for me here, but Station to Station, TVC15 and Wild is the Wind are all bangers. 4.5/5

8/10

A manifesto for that most unmanifestable of things: unorthodoxy. Never helps to overstate the lyrics with Bowie, but certain ideas resound: "run to the shadows", "I'm trying to fit into your scheme of things", "this age of grand illusion". He's interminably travelling on the opener, wild as the wind on the closer. It's all gauche, all different, all repudiating the idea of normal. Title track starts with a coda, moves to the bridge, follows that with an intro, ends with a different song. The guitar solo at the end of TVC-15 may melt brains. Everything on Stay is gauche and two beats off. Throughout, the white freak funk combines Eno and Clinton.

One day at David Bowie's house, Iggy Pop took a bunch of drugs and hallucinated that his girlfriend was being eaten by a TV, so naturally, Bowie turned it into a song. He was so coked out while making this album that he says he only has one memory of asking for a certain guitar riff, and nothing else. I think the lesson here is, if you're going to do drugs, you should either be as talented as David Bowie or have a friend with that level of talent that can turn your experience into a trippy song. Best track: TVC 15

Average Bowie album, I read he was checked out on this one.

I don't think this is peak David. There are a couple of memorable tracks but the rest are just competent. For Bowie completists.

Not his best

After 5 Bowie albums (and counting) - can confirm it's not my style. I don't really get all the hype for his music.

Not my favourite Bowie album, too much self-indulgence in those long, long tracks. Some interesting bits but overall didn't do it for me.

I can see why people like Bowie. But for me this is pretty dull. Not bad. Just a bit dull.

#285. Yet another weak ass Bowie album. This one doesn't even have any of the hits to balance out the drivel 2/5: weaksauce

The most tolerable of Bowie's I've had so far, it's basically just a bad David Byrne impression.

Huh. So, normally I hate Bowie. A lot. This is….interesting, though….It’s still too untethered and blatantly coke-fueled for me, and would benefit greatly from some editing, but I like it more than the pseudo-intellectual experimentation of the Berlin Trilogy, and a lot more than the gaudy theatricality of his glam rock era. It has groove, it’s sonically varied like a normal pop record but still cohesive, and it’s a little more accessible, despite its experiments. I’d be lying if I said I didn’t bob my head throughout. In the end, though, Station to Station still always goes too far for me to be sold. Just when I’m digging a chorus or a beat, there’s a change-up or sound that just gets under my skin. I just think that’s the issue with Bowie for me in general. I truly hate his vocal choices, I hate his vaudevillian aesthetic, I hate how he builds a song. For all my ADHD-fueled love of hyperpop and noise rock, I hate how so many parts here just cut in out of absolutely nowhere throughout this record. I just can’t follow the logic of these songs. Every time I want Bowie to just stay focused, he explores a new avenue, and it always takes a good idea down a bad path. Unfortunately, red and green peppers, milk, and coke will not keep you on a focused path. For many, I’m sure that lack of focus is the exact thing they find appealing about Station to Station; for me, it’s the pressure point that brings the whole album down. I can see a version of Station to Station that was made with careful precision, tighter disco-inspired grooves, and songs that were contained to 4-minute runtimes, and I imagine truly adoring that version. That’s not what I have in my hands here, though. I’m pretty close to being okay with it, but I’m just not close enough to cross that line today. But it *is* the closest I’ve come to ever liking a Bowie record to any degree, and that has to mean something. (Yes, it means I’m experiencing Stockholm Syndrome thanks to this list insisting I listen to Bowie’s entire discography against my will.)

Что-то я совсем не вкурил (или, как в случае с Боуи, не внюхал) эту тему. Один хороший песняк - и тот оказался кавером. Вот вам и кокаиновый фанк.

Bowie has some amazing stuff and is certainly an artist that deserves multiple entries on a list like this... But "Station to Station" just doesn't cut it. It's a middling, transitional album in Bowie's extensive discography... not worth to be listed among the greatest!

Highlight: "Station to Station," "Word on a Wing," "Stay" Not much to add. I don't buy the hype. It's all over the place in genre and mood without track-to-track cohesion, and Bowie's awkward voice tramples everything in the mix no matter how big the arrangements. The lyrics are remarkably coherent and respectable for someone allegedly at the end of their rope in substance abuse. The lyrics are where this album has the most unity. The dabbling in soul and funk feels better than appropriative or gimmicky. At least another turning point for the guy we should be calling man of many faces over Dylan.

I know that I am in the minority here, but this album just didn't do it for me. I will say that I really did enjoy the song Wild Is The Wind.

Proof, if it was needed, that Bowie is more about the artist than the art

Listening to this album gives me anxiety. Musically very interesting tho obv

So this is my second Bowie album on this list. Aladdin Sane didn’t impress me very much so i said “well, that’s why he first moved to Los Angeles and then West Berlin” in that review so indeed, here’s his LA time, coke-filled product! The title track is, well the title track and it exceeds 10 minutes but under the influence of its funk rock-driven beat the track actually sounds short! And the whole album is also very just... Vibe-y, i am just a high school student so what can i say. Although i use to hate (and still hate the majority of) soul music but hearing him singing Word On A Wing just singlehandedly made the genre 1000% more tolerable! So maybe drugs did make something happen and the heard fact is that even Bowie himself didn’t remember him recording this album. So... since even himself has forgetten what happened during the recording i'll just assume that it worked. but too much is too much, still. So he need to go to Berlin and enter rehab and it worked better. 5/5

Bowie at the peak of his powers. And he had so many peaks!

One of my favourite bowie albums. He really lets his band loose here. Although more of a cocaine train than earlier albums, but sonically is such a bop.

Enjoyed this album from earlier in his career. Always fun to hear albums with songs you know even though I didn't know it was from this album!

It's a damn shame this man couldn't keep doing cocaine at this heroic level because this is an absolutely brilliant album. His later stuff is good too, but even though he didn't quite remember recording it this might be his best.

10/10. It's a David Bowie album. :)

Get vinyl

Another Bowie, another 5.

⭐⭐⭐⭐⭐

A side is a 5. B side is a 4. Have this on vinyl and it’s a great listen!

Nice

HOORAY station to station- 7 golden years- 10 word on a wing- 7 or 8 tvc15- 9 stay- 7 wild is the wind- 7 or 8

This album is a freight train. Heavy, not always so pretty (especially compared to the half-dozen records that preceded it), but jesus once it gets going I really remember why I loved it so much. I'm sitting here bopping to TVC15 like it's 1982.

Sorry I haven't listened to one of the albums in a while I've been busy. But I listened to this one! Id already heard it but I liked it a lot more this time around. Dare I say this is top 5 Bowie? Maybe even top 3?

good

Majestic and beautiful. 9.7/10 Best Tracks: “Station to Station” “Golden Years” “Stay”

The return of the thin white duke… This isn’t my favorite Bowie album, but it’s still better than 99.99999% of all the other albums ever made. The title track retains a position in the top ten of all Bowie songs. What a treat.

Ziggy who?? The thin white duke lives!!

It’s fucking Bowie.

maybe the most moving non-blackstar bowie experience for me...the raw desperation that glues together everything here is hidden enough to feel a little shameful but So Huge that the attempt to hide it is futile. extremely lost, clawing album, creates these big soups of endless grooves and feels around them for the answers to the universe. in experiential terms this means that the album goes Incredibly Hard, one of bowie's best-ever bands takes what could be very vague and aimless musical ideas and turns them into sharp hypnotizing fireworks. yet the non-bangers have my heart the most, little eyes in the storm where bowie just melts into a kind of dark beauty and comforting self-delusion that can only happen when ur at rock bottom in ur life. word on a wing has always been one of my pet Very Favorite bowie tracks. great album, has often been my fave bowie but as ive said like fifty times before i need to do a full dive still!

Probably one of my all time favourite records. For me this was the Bowie album that properly cemented my love of his music. My intro to Bowie was through a friend lending me the CDs one by one, and whilst I liked the earlier records I wasn't in love with them in the same way my friend was. Until Station to Station. That opening track hooked me immediately and the rest of the album was just a perfect continuation

fuckennn classh

Chill background, kind of loved it.

Nobody until this point had exploited the rock and roll possibilities of Fascism and Cocaine. Perfect record.

Wish it was a longer album 🩷

classic bowie album, underrated in terms of his discography.

I liked this one Will I listen to again: 100%

5 stars. And it's not the side effects of the cocaine.

A master at work, that much is clear. Just didn't hit as hard that I would give it 5 stars.

Every song is great. Nothing beats David Bowie

So it's been my intention to get more familiar with David Bowie's discography and I thought I had covered this one, but after checking my last.fm history, I guess not? Very sad about that because this is easily one of my favorites of his now. Love that transitory place it has between his earlier, funkier stuff and the krautrock he was about to explore more fully later on. Very happy to get to know this one.

Really vibed with this one… Bowie Forever!

Loved it. Stay is incredible.

full of melody and creativity