The Cars

in the world of cars this album would be a ford focus. straight down the middle. not particularly fast, but not slow. not particularly good looking, but not hideous. not particularly economic, but not a gas guzzler. not particularly interesting, but not boring. not particularly cool, but not a ssanyong. just middle.

I mean, each track is a 5 star track, so what more can really be said about this album? Musically, The Cars nails The mix on Moving in Stereo is fun and meta as they play with the left and right channels. There's a high toned keyboard melody in All Mixed Up that punches out of the left speaker in such a delightful way.

Ok, so.... this is New Wave. BUT. It's also full of iconic tracks for a reason. The Cars might be the best of the new wave movement. Good Times Roll, My Best Friend's Girl, You're All I've Got Tonight, Just What I Needed... monsters of the era. It's synthy but not bloopy. And the guitar tones on You're All I've Got Tonight and Bye Bye Love are killer no matter the genre. It's got an edge and an energy that is just missing from the vast majority of new wave albums. I expected to hate it but didn't. Solid album.

I'm going to out on a limb and say that more albums have been ruined by off the rack synths than by any other single factor. And yet The Cars, on their debut album, managed to make off the rack synths sound not just funny, like Devo, but actually--gasp--cool! How the hell did they do it? Most importantly, they used synths for either single note contrapuntal lines or color, never chords. Secondly, guitarist Elliot Easton was almost always way up front in the mix. These are very guitar oriented tunes--the synths are generally secondary. The arrangements are like the interlocking gears of a watch, cunningly constructed. There are no extraneous lines or pieces. Everything fits together perfectly. It turns out that Roy Thomas Baker was the perfect producer for The Cars. There is a clarity in the production that encourages the listener to pick out the separate lines in the arrangements. The only way that Baker deviates from this plan is with the vocal choruses, which are big, full, and vibrant. It's a magical combination. Notice I haven't said a thing about the tunes themselves yet. That's because if the elements I mentioned hadn't been present, this album would have sucked big time. As it is, the music gods were smiling down on The Cars because every last tune is a knockout with strong melodies and big fat, rhythmic hooks, performed to perfection by the band, so that the album comes off as loose, hip, modern and most of all fun. And to top it all off, the lyrics are simple enough to understand on a first listen and yet sardonic and multi-layered. There are plenty of albums that are more complex, more ambitious, and more innovative than The Cars' debut, but it would be hard to find one more perfect.

One of my favorite albums of all time, perhaps my favorite pop album of all time. Just an absolute titan from beginning to end 5/5

Let the good times roll

Wall to wall bangers.

I didn't realize how many classic rock songs came from this one album.

This album is so good. No skips. Every song is so fun and iconic, this album is one of my favorites of all time

Incredible. One of the best debut albums of all time.

Every track is a banger

Starts really slow in my opinion but closer to the end the better. Last two tracks (Moving in Stereo and All Mixed Up) are cherry on top of this record. Solid four stars.

Another awesome selection from the generator. We do just what I needed in the band I’m in. Love the cars. Such feel good music

Groundbreaking and fun. Perfect little album.

Great album from beginning to end. Some of the best power pop ever recorded. Sadly, The Cars never released another LP of this caliber.

Great album start to finish. The Cars have a certain sound and a certain formula that can be heard across most of their songs, but it just WORKS. The beginning of Good Times Roll is such a great opening and the song is simply cool all the way through. In fact, the first three tracks (GTR, My Best Friend's Girl", and "Just What I Needed") are such classics I'd call this a 5 just on those tracks alone, but the rest keeps me interested and wanting to hear this album again and again (and of course "You're All I've Got Tonight" and "Bye Bye Love" are also classics). I'll also point out that this is a great pairing with Blondie's Parallel Lines which we randomly got a few days back. Perfect one-two punch of new wave.

Hit after hit! If you had asked me to name a Cars album, I couldn't have done so, but it turns out I know half of these. Great stuff.

Best debut album ever. The invention of top 40 radio rock. Let the good times roll. So its only 1978(!) and new wave rock already never sounded better than on this Cars album full of catchy songs, all played in their typical highly effective style - somehow they managed to get it right, right from the start. The first three songs are winners and is hard to imagine why one would not instantly like this album very much. And its massive influence is obvious. Think New Pornographers, Weezer, Urge Overkill, the Strokes etc etc

Fantastic rock album. Each song in the first half can be a hit in its own right, with the second half more experimental. The synth and harmonies paired up with their straight rock n roll sound makes this such a classic and it many way timeless as almost a first pop punk album, closer to early 2000s rock than contemporary albums.

Gee whiz, what’s that zipping along the highway, clearing the road in 35 minutes flat with 9 bangers? It’s only “The Cars”! Har har har! WITTY. “The Cars” represents a combination of all the up-and-coming alternative music in 1978. There’s catchy power-pop, various jagged punk stylings, quirky oddball vocals ala Bryan Ferry or David Byrne, and a prominent focus on new-wave-leaning lead synth lines. The album’s three singles all burst out one after the other at the very beginning of the album: “Let The Good Times Roll” is more of a saunter than a galloping start, but immediately boasts excellent chorus vocals and good prominence of analog lead synth lines. But then, “My Best Friend’s Girl” is pure pop perfection: I wouldn’t have thought twice if I’d read it was originally by Buddy Holly, or the Beatles, or Tom Petty, or Ramones. It has a guaranteed place in rock history, with a glorious melody, obligatory handclaps and a lovely trebly fingerpicking accompaniment to boot. And everything you’ve heard about “Just What I Needed” is true: it’s a classic with a killer chorus that digs into my brain the more I listen to it. Nothing else quite matches the opening stretch, but there’s no shortage of very good tracks across the rest of the record. “Moving in Stereo” is a fantastic gear shift towards new-wave, with programmed drums, whistling synths and an enigmatic, mid-tempo hook. “Bye Bye Love”, all chugging verses and then clicking into place with a restless staccato chorus, could have been another hit. “Don’t Cha Stop” may be a little lightweight, but it does have an excellent outro with more exhilarating guitar work. The others are admittedly more of a mixed bag (particularly the off-piste “I’m in Touch with Your World” and the fairly generic “You’re All I’ve Got Tonight”) but they’re always spirited and sprightly, not allowing anything to become too bogged down. If it all comes across as a relentlessly assured, effortless selection of tracks, it’s perhaps because this was not Ric Okasek’s first rodeo. Aged 34 at the time of the album’s release (but lying to Rolling Stone and claiming he was 29), Okasek had met bassist Benjamin Orr in 1965 and played in various bands throughout the intervening years. They were relatively old hands by “The Cars”, surrounded by younger band mates and newly emerging trends to hop on. The songwriting is matched by great production by Roy Baker, known (by me) for some stellar work on the first four Queen albums: here, he establishes The Cars as a sharp, crisp and tight new wave band. It’s shiny, pristine and sleek as a brand new car: all sharp edges, perfect clarity and separation, well-rounded sound. There’s the perfect amount of space left for the harmonies and jangly guitars (see “My Best Friend’s Girl”, “Bye Bye Love”) to come leaping from the mix. And there’s some liberal use of effects (flange in “Don’t Cha Stop”, gimmicky panning and rotary in “Moving in Stereo”) for some extra spice. They’d have flashes of the same success in subsequent albums, but “The Cars” has really impressed me as a great debut from a band who arrived fully-formed out of the box.

enjoyed this - wee bit dated, but good tunes and tight band.

The Cars fait partie de ces groupes formés de l'article "The" et d'un nom commun au pluriel (exemple: The Doors et son imperturbable organiste Manzarek). Pour autant, ce n'est pas aux Doors que le style des Cars nous fait penser mais bien à celui de Queen. L'album s'ouvre en effet sur une introduction intitulée "We Are The Winners" suivie du titre "Don't Block Me Now". Quelques pistes plus tard apparaît soudain le titre "Nonconformist Rhapsody". Pas assez flagrant pour vous peut-être ? Alors comment expliquez-vous que le dernier morceau s'appelle "We Will Move You" et que l'on voit dans son clip le batteur taper deux fois ses mains sur ses cuisses avant de les taper une fois entre elles ? Rendez-vous à l'évidence..

Classic. Great songs and sounds.

A great one from my youth.

Straight jams back to back.

Already listened! A personal favorite

I love the cars, but it's one of those bands I never know it's them until someone points it out. It helps that I love the first song on the album. OOOOOO I know the 2nd one too. Yeah no doubt, I like this album a lot.

Love this album. The first 3 tracks are absolute gold and it doesn't really drop off too far from there. I've loved Just What I Needed for years and can't believe it's taken this long to give the rest of the record a run. Amazing.

Heartbeat City was one of my absolute favorite albums when I was a teen. I was less familiar with this one, but many of its songs are well known classics to me. I really enjoyed this trip to their origin point! It does feel like they helped create the sound of the 80s by going beyond guitar-bass-drum rock. "Moving in Stereo" really feels like we're there already.

Perfect timing, since I was fantasizing about a smokin' Phoebe Cates coming out of the pool and removing her top. So I guess you could say this was...just what I needed.

-S Tier- Good Times Roll My Best Friend’s Girl Just What I Needed I’m in Touch with Your World Don’t Cha Stop You’re All I’ve Got Tonight Bye Bye Love Moving in Stereo -A Tier- All Mixed Up AVG SCORE: 4.89 / 5.0 - - - Not only is there not a single skippable song on this album, this is one the closest albums to musical perfection as far as I’m concerned. Absolutely transcendent.

Pretty much a perfect pop-rock album. I frequently make the mistake of thinking it a key album of the 80s but, of course, it pre-dates the 80s - which speaks even more highly of its achievement, I think, in setting a strong tone for many other releases that followed it. It's not an album I turn to very often, but every time I do I'm reminded that it's just so damn good!

It always blows my mind to go back and see how many great songs came off the first album of classic bands. The Cars is no exception. This album makes me love the Cars al over again. I can’t imagine anyone not liking it.

This made me realize how many singles from the Cars I actually knew. That being said it does make the album a little top heavy, but the rest of the tracks are pretty great too. I wish I found this sooner.

Every song on this album is a banger! Thoroughly enjoyed listening to this one.

A classic. Ocasek and the boys did a phenomenal job on this album. This also has my all-time favorite Cars song "Moving in Stereo". IYKYN.

A new wave masterpiece

I dig this so much...in spots. No one swallows his histrionics the way Ric Ocasek does. To me, this music is all the updated swing and swagger of 50s rock for the contemporary new wave crowd. This must be one of the earliest examples of power pop, and it's all just so pure. Yep. "Moving in Stereo" would be the perfect song to strip to.

Devo for people who wear pea coats. Excellent synths on this record, though.

for me, The Cars are probably the definition of a Greatest Hits band, classic singles but the sound is so characteristic that the album tracks become a bit samey. Probably unfair on this album as it's their debut and 2/3 of the tracks are played to death on the radio but there you go. Great album, buy the Greatest Hits!

I love the Cars. This is a tremendous (debut) album, chock full of hits. Punchy pop, immediately puts me in a good mood. Rock on.

Pretty close to a 5.

Love the hits on this album!

This is good fun, but not necessarily essential. It is fun new wave catchy singalong pop. Good driving (no pun intended) rhythms with occasional proper long guitar solos! The vocal hooks are bubblegum! A very high 3, maybe a 4 with more familiarity.

Basic. Boring. This is really not a great album. It doesn't belong on this list. Nothing of any real interest going on here. Sounds and feels hollow.

There's only one good Cars song (Drive) and it's not on this album. L +

The Cars' debut album was one of the first albums to get the "New Wave" genre name. It therefore was incredibly influential as New Wave became one of the biggest and most important genres of 80's. But did it age good if it was so big and "ground breaking" to begin with? No, in fact, it aged horribly. It's a bland and one dimensional listen full of boring moments that leave you more uninterested than before. Even the "good" songs this has to offer are boring to a point of exhaustion that leaves the desire to sleep rather than listen to more. The album starts with the annoying and downright stupid 'Good Times Roll'. It tries so hard to be Rocky and "cool" but ends up being the same thing that MGK tries with his "Rock" stuff today. It is stupid, useless, annoying and just not a good song. The chorus is weak, the synths annoy the whole time, the verses so bland that boiled chicken reminds you of spicy Mexican food and the songwriting feels so repetitive that some Techno feels like the most dynamic music of all time. It sounds like they took some Billy Joel, some Boston, some Television and some Blondie, mixed it and decided to take the things that didn't work and applied them to the nonsense they made thus far. If you haven't realised it yet, I do not like this song. It's not terrible, it doesn't make my ears bleed but it is so basic in comparison to what similar music from a similar time sounded like. It's just a bad song, that's it. Hopefully, the second song 'My Best Friend's Girl' does things better, right? No, it's the same thing but with verses that feel forced and weird rather than funny and quirky. It's not as dreadful but it is as bad. Just take the same thing I said for the first song and apply it here. What is different is that the guitar bridge isn't totally bad but the synths in there just destroy the whole thing. Most people point to 'Just What I Needed' as THE song from the album and I do think that it is a fairly good song in comparison to the rest of the album. In fact, it is the best song. It's quite enjoyable and not as annoying, the verses are passable and the chorus is okay. It's still not good but it's an okay song that I don't mind listening to even if it does strech towards the end which isn't a good thing when the song isn't even 4 minutes. 'I'm in Touch With Your World' goes a little "Experimental" and "Post-Punk" and I do like what they were going for BUT this type of music has to be done right and with enough edge to it. When it's turned overly Pop, it is turned into something that is simply bad and doesn't work. The sound they tried to do here isn't fitting with the style they end up doing. It's like if the Talking Heads decided to go full on Madonna in the middle of Remain in Lights. Not a good idea. If you want an example of a song like this to be done right, go and listen to 'Mother' by The Police. Luckily, 'Don't Cha Stop' tunes the Post-Punk a little bit more back and lets more of the Power Pop shine through. The result is a fairly okay song, maybe a little over the top and it definitely tries way too hard but it's alright. It's got some nice energy throughout and it isn't annoying except for the hook but you cannot ask for everything, right? An alright ending to the albums first half. Side 2 is opened with 'You're All I've Got Tonight' which interestingly features some quite "Hard Rock" sounding guitars even if they sometimes sound very, very dissonant and not in a good way. The song is mainly boring with a listenable chorus which overall doesn't really make the song much better. It's just there, a little bit hard to get through because it streches the moment the first chorus ended but alright. 'Bye Bye Love' keeps sonically a lot from the song before and it actually sounds pretty much the exact same. If the chorus was removed you could replace them and noone would notice. The song's boring without anything interesting, not even the chorus, that makes this somewhat listenable. It's just not good, like genuinely terrible, just dreadful. At least 'Moving in Stereo' is a slight even if its a very slight step up to the previous song. The artistic approach with some Post-Punk elements are done much better than on Track 4 even if it turns out as boring as that. It's a song you don't mind. It's definitely not good but it isn't terrible either. For every moment that is okay to listen to, there is a moment that just sucks but it evens out into a bad but not truely terrible song. The album closes with 'All Mixed Up' which is quite interesting in comparison. The synths are quite passable and the performances as well are okay. The song is nearly good. It would've needed some added work but it isn't totally off. I am happy that the album at least ended with an okay song and not another downright dreadful piece. favourites: Just What I Needed, All Mixed Up, Don't Cha Stop least favourites: Bye Bye Love, I'm in Touch With Your World, Moving in Stereo, Good Times Roll, My Best Friend's Girl Rating: decent 3 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

Sounds like the very definition of american FM rock. Kinda sounds bland to me.

Hit after hit! Awesome

4-5

Never knew about these guys. Pretty good!

The cars sound like the cars

The cars. Yes

Didn’t realize I knew so much about Cars

Great!

4.7 - Everything I love about Boston. The fucking attitude. The speed. The intelligence, craft and skill. Everything you want packed into 37 minutes, kid!

Clásico. Lo mejor en el power pop de los Beatles pre drogas y los Nerves.

A good 'un.

Exceeded my expectations.

This album and band’s influence is over so many things I’ve liked for most of my life

5/5 Love the album. Fav songs are (Just what I needed, Good Times Roll, Best Friends Girl). Iconic album.

5/5. This is the kind of album you expect to find on a list like this. Every song is great.

One of the classics, so many good tracks.

I thought the three songs "I'm In Touch with Your World", "Don't Cha Stop", and "All Mixed Up" were pretty bad but the rest of the album was so good they more than made up for it. 4.5 stars.

September 17, 2021 Love them.

Oh yea Let The Good Times Roll. I hear DEVO and hair rock in this, blended together for mutual benefit. The first 3 tracks on this album are some of the best openers ever. This album kicks ass. Its like a best of but its the first release.

Overall this was a really good album, no huge stand out songs, but this is what I want when listening to a full album 4.7

Like other new wave bands, I'm not sure any of the members of The Cars are going to win awards for their outstanding playing ability. But they are plenty capable. And their song-writing ability is very high. I am not ashamed to profess my love for the catchy Good Times Roll and My Best Friend's Girl. And I think they do well to show their multidimensionality with the edgier sounding Just What I Needed or Moving in Stereo. I know the former is one of their most popular, but it has a lot of depth and is less poppy than others. It's almost one of those albums that is good from front all the way to back. Tracks 4 and 9 are ho-hum and Track 5 is fun but not as good as the others. Still, I'll let that slide. Their later albums never matched the same high, but this album is one of the best new wave / pop rock albums of all time.

All but three songs on this album have been FM radio staples as long as I've been paying attention and this is a debut, it's difficult to imagine an album have that kind of pop cultural impact today, I think it would be impossible.

This album was amazing. Really creative use of electronic and effects. Original song writing. The well known hits from the album are perfect pop, and the unknown tracks are excellent gems in originality.

Superbe album got hooked from the start

10/10: Might as well be a greatest hits album.

Outstanding one of the best ever!

Classic.

So fast so good

I love the Cars. This album has several of my favorite Cars songs on it. Amazing album

Only knew moving in stereo beforehand, loved the sound of the rest of the album, almost queen-like.

A gem.

One of my favorites. It's so much fun and it's The Cars man!

What a debut. One of the best debut albums of all time. The Cars arrived with this album, fully formed. The first three songs is a career for most bands. 5 🌟

Amazing album all the way through. Made me smile when I heard it because it’s just so much fun.

A defining moment in New Wave, setting an example for the genre for years to come. Just like Parallel Lines, it's an incredibly well-polished pop masterpiece with a strong reliance on synths, dance rhythms, and punk-inspired vocals and instrumentals. 9 tracks, 6 of which are top-tier hits that could each stand on their own. The production is among the best of the era, everyone is well-mixed, nothing is overwhelming or taking too much of the spotlight. The guitar, synths, vocalist, drums, bassist... they all sound fantastic. You have your guitar solos. Your innovative synth effects that showcase how crazy you could take the genre. And not to mention you could dance, sing along, shake your head, whatever, to any of the tracks. There are 3 unusual tracks here. "I'm in touch with your world" is one of those avant garde pieces, reminds me of "Mother" on Synchronicity, but more akin to their postpunk contemporaries. It grows, but understandably some people couldn't stand it. "Don't Cha Stop" is a bit on the boring track, probably my least favorite, but if you like their signature sound, you couldn't hate it. Finally, the closing "All Mixed Up" is a really good track on its own, it's hard for me to call it a weak track, but it stands against the pop monsters of the other tracks. Hardly any weaknesses. All tracks are really good. Deserves a perfect score, doesn't it?

Dynamic, engaging pop rock. Well ahead of its time. One of my new favourite bands.

I had no idea that I was a Cars fan. I know their releases, and liked them well enough, but this whole album was stellar!

I remember this album well. I was 15.

Wore out my vinyl copy of this when I was young. What an album!

This is a damn impressive album. Five all-time greats on one album. The fact that this was their demo makes it 10 times more impressive.

-"Good Times Roll," "My best Friend's Girl," "Just What I Needed," 'Don't Cha Stop," and "You're All I've Got Tonight" are all classic radio hits of various sizes. All very catchy and fun -"I'm in Touch with Your World" has an unexpected change to some spookyness, very cool -All greeat, totally class rock tracks

Amazing. This is an all-timer.

Love this album, My mom says I hated it as a kid but I don't remember that.

I consider this a perfect album. Completely solid from start to finish without a wasted note. They struck the ideal balance between good old fashioned rock and roll and new wave synth flourish. Some of the catchiest tunes ever recorded.

For a while this was one of the few vinyl albums my housemate and I owned, and it would get a lot of spins. Plays like a greatest hits album, and brightens the mood instantly. Love the sound of this album.

Lots of unexpected nostalgia from an album where I couldn't have even named the band. Loved it.

Can't go wrong with new wave.

I really like this album so far. Easy to listen to, very catchy on the first listen. I've heard one of their bigger hits (Just What I Needed) before, but The Cars were not a band that I was explored previously. I will definitely be looking into some of their other albums. Moving in Stereo is a jam!

When I first encountered this list, I immediately started guessing what albums would be on it. This was one of my first 10 guesses.

Love this album immediately, bit of new wave with mixed with classic rock. It’s a perfect blend of the two; catchy songs; lovely upbeat feel. This album is right up my alley, have to give it a 10/10. Going to listen to this album for a very long time.

10/10 - really good new-wave I can't decide what my favorite song is, probably the one that's everybody's favorite: Just What I Needed anyway, just an all-around really great album honestly don't have any complaints, can't wait to hear their other stuff, hope it holds up to this

Excellent

Very impressive debut full of hits.