- Pretty good study music
- More percussive than OK Computer
- Not overly memorable
- Liked 'Jigsaw Falling Into Place'
- Love the album cover
- crossing from blues to glam rock
- liked 'Cosmic Dancer', 'Bang a Gong (Get It On)', 'Girl',
- Very reminiscent of Bowie
- Good music, though most feel very similar, which can cause exhaustion a couple songs in
- 'Hot Love' is also good, on the expanded edition
- Very pretty instrumentation
- Vocals are very nice
- Won album of the year/song of the year in 1970
- Liked 'The Boxer', 'Baby Driver', 'Why Don't You Write Me'
- Songs don't stand out against each other too much
- Clever and Slick lyrics
- Great beats
- Singing about not-so family friendly topics, but they seem so happy doing it that you might not notice
- Liked 'The Magic Number', 'Eye Know', and 'Me Myself and I'
- Very effective and traditional rock and roll
- The live recording aspect surprisingly does little to tie the songs together
- Good album, but would I not just listen to the official recordings of the songs?
- Liked 'Substitute' and 'A Quick One, While He's Away', because it does benefit from the album's format
- Great vibes
- Catchy
- Awesome vocals
- Liked all of the songs, honestly, but 'Blueberry Hill' was a standout
- Never been a fan of REMs vocals
- Liked 'Pilgrimage' and ' Shaking Through'
- Pretty good overall, but I can't shake the feeling that they haven't quite found their more memorable sound yet.
- Pretty good chill music
- Instrumentation and vocals complement each other, neither dominates
- Not my type of music
- Liked 'The Queen and the Soldier'
- Gets a lot of milage out of satanic imagery
- Not as melodic as more famous metal bands
- Liked 'Buried Alive' and 'Teacher's Pet'
- Super catchy
- Plays with a bunch of different styles but still stays consistent
- The WHOLE album is a standout, but I liked 'If I Should Fall from Grace with God', 'Metropolis', 'Thousands are Sailing', 'The Broad Majestic Shannon', 'The Battle March Medley' 'Mountain Dew', and 'Sketches of Spain'
- Easy to listen to
- Vaguely melancholy
- Not necessarily my speed
- Enjoyed 'Pink Moon'
- Religious imagery, not necessarily my favorite
- Talented singing
- Liked ‘So Long, Marianne’
- Very much like Nirvana
- Love the lyrics, vocals are great
- Fairly melodic
- Liked ‘Jennifer’s Body’ and ‘Rock Star’
- I don't mind the music, but the lyrics are not it; they take away to much from my ability to enjoy the music
- Nick has some other songs I enjoy, but overall I cannot get behind how awkward this is to listen to.
- Interesting fusion of ideas and sounds
- Like the lyrics
- Songs feel distinct
- 'My My, Hey Hey' really stands out
- Really easy to get into, and lyrics are super layered once you consider them
- Love her voice
- Really enjoy the interjections of classroom settings, adds a lot to the whole album.
- Lots of fun sounds thrown in, gives so much personality to the whole album
- Really, really love the cover of 'Can't Take My Eyes Off of You', also liked 'Doo Wop', 'Tell Him', and 'Everything Is Everything'
- From what I hear, this isn't his best work
- Not a blues expert, but I enjoyed listening to it
- Liked 'The Healer'
- Liked 'Missing Pieces', 'Sixteen Saltines', 'Take Me With You When You Go'
- Album began to blend together a little too much
- Liked his voice, fits the vibe
- Lyrics aren't super notable
- Memorable but a little generic throughout
- Great opening with 'Gimme Shelter', great closing with 'You Can't Always Get What You Want'
- The rest of the album is an interesting mix of blues and rock
- Catchy, not always memorable
- Great album overall
- Liked ‘Kashmir’, ‘Down By The Seaside’, ‘Bron-Yr-Aur’
- Very traditional chill rock, doesn’t stray too far from what makes it successful
- Best played in quick succession, but each song is also possible to play solo and still be enjoyed, which is quite the feat.
- Still find the vocals a bit tricky to get behind, but they’re so iconic that I manage
- Love the Beatles.
- Every song is different, catchy, and still the whole album feels cohesive.
- Love 'Eleanor Rigby' and 'Got To Get You Into My Life'
- 'Bamboo (Interlude)' is the funniest thing I've heard on any of these albums
- Love the beats, super easy to get behind, makes the lyrics easier to follow
- Rhymes are a little profane for my taste but that's not a knock against it
- Feels a little long
- Both halves are distinct and catchy
- 'Hey Ya!' is so iconic it feels like it almost doesn't belong on this album
- Liked 'Happy Valentine's Day', 'Vibrate' and 'Last Call'
- Really interesting collaborations
- Kind of love it to begin, definitely a welcome switch from some of the other genres I've been given
- Strange blend of instruments that I really dig
- Really no other way to describe it aside from 'Penguin Music'
- Started to lose me as it went on, but still overall pretty good
- 'Penguin Cafe Single' is a great opener, didn't mind 'Chartered Flight' either
- Like the UK street vibes
- Not necessarily my favorite
- Enjoyed 'A Certain Romance' as a closer, also liked "Riot Van"
- Some pretty good allusions
- Vaguely creepy, with folk rock and grunge rock influences
- 'Spellbound' is catchy, also liked 'Arabian Nights', and 'Halloween'.
- Not my favorite genre but catchy enough and not a bad way to spend an hour of listening
- Strangely I appreciate what 'Voodoo Dolly' is going for, though it's long and eerie, I kind of like it
- Excellent bass
- Some interesting ideas
- Really long songs, sometimes wears out the rhythm a little too much
- Sort of fun once you get into it more
- Not for me
- Liked 'Who Says a Funk Band Can't Play Rock?' and 'Into You'
