3 Feet High and Rising

It's genuinely heartbreaking that this album isn't on any streaming services, because it means that De La Soul has fallen out of the conversation of greatest 80s and 90s hip hop groups. This album, their debut, is absolutely brilliant. Funny, corny, listenable. It influenced so many modern artists, and I didn't realize before hearing it how much my favorite albums (such as Wildflower, by the Avalanches) are based on it. I can't identify a favorite song or moment, because they're all so good. This is an instant 5/5 for me, and it's by far the best album on this list that I'd never listened to before.

Very fun and incredibly clever. Many reviews compare this record to Sgt. Pepper but for hip pop. The comparison is completely understandable. Very fun concept album with great lyricism and wonderful production. The album does not drag even with the track-listing being more than an hour long. The album just feels like a group of friends having fun on the mic and in the studio. Favorite Track: Magic Number Least Favorite Track: De La Orgee

One of the best hip hop albums on this list. The game show stuff was a really fun theme throughout. Great lyrics, samples, and beats. Plus Q-tip!

They are clearly having so much fun making this album. The friendly comedy sketches. The playful dissing (“everybody in the world, you got dandruff”, “you got doo doo in your pocket”). Wild to hear so many samples out of their context (Otis Reddings SOTDOTB whistle track in “Eye Know”). Crazy to think they made this before technology made it way easy. Just a damn fun album. The beats are hypnotizing. I could listen to the instrumental of “Plug Tunin’” for hours. As the album marches on they get bolder when it comes to the explicit content. Problematic for the suburbs in 1989 I’m sure. When “Me, Myself and I” drops toward the end, I got excited because I finally knew a song. That one has been there my whole life, hanging on the wall, sprucing things up. I’ll be coming back to this for sure.

How many times did the Batmobile catch a flat???

Wonderful, if it's not the Sgt Pepper's of hip-hop, it is the Dark Side of the Moon of hip-hop! Absolute genius, even if it's not on Spotify

A fantastic and influential debut album from a talented trio, bringing a new sound and image to hip hop (one somewhat rebuked on their follow up De La Soul is Dead) and recalling the earlier days of classic hip hop. There are so many classic tracks here and is a showcase for the art of sampling, creating something new from something old. Three Is The Magic Number and Me, Myself and I are wicked party tracks, Eye Know is a surprisingly touching hip hop love song and Buddy is an energetic posse cut with like minded acts Jungle Brothers and Q Tip (but seek out the superior 12 inch remix with Phife Dawg, Queen Latifah and Monie Love plus a Kazoo horn section!). The downsides are an obsession with body odour and bad breath and a slew of skits and in jokes which amuse the band but nobody else. For this, a star was almost docked but my love for the band and for some even greater albums that followed since (Buhloone Mindstate, De La Soul is Dead) five stars are coming De La’s way.

Eh if this was a tribe called quest I wouldn't have been able to tell difference, also link went to "the missing album by the noel reading band and I listened to most of that(which if you care was 3/5)

Obv 5 star

Top 10 all time. At Least

What a fun listen! This album is cited in this site for being of the called "Golden Age of Hip Hop" for a good reason. With a very original concept, a great sense of humour and the incorporation of many different genres from funk to rap rock, this album is a true masterpiece. My only issue is: why tf isn't this album on Spotify? It's so sad that this fun piece of hip hop history hadn't made it to the biggest music streaming service.

This was clearly a lot of fun for these guys to record. I enjoyed the light-hearted nature of the tracks. One listen is fine.

3 Feet High & Rising So many great memories of this album, helped by not being able to listen to it between getting rid of all my cds and all the rights being sorted and it coming on streaming. To get the one negative out of the way first, like many Hip Hop albums, the skits and fillery tracks do disrupt the flow, and apart from the ‘gonna win all the money’ line, they don’t bear the weight of repeat listens. But apart from that it absolutely holds up as a brilliantly joyous, inventive, kaleidoscopic record of samples and vibes - it still is a fantastic album. The Magic Number, Eye Know, Me Myself and I are high water marks for sunshiney, catchy golden-age hip hop, but there are superb songs throughout - Change in Speak, Jenifa, Ghetto Thang, Tread Water, Potholes in My Lawn, Say No Go, Plug Tunin’, Buddy, This Is a Recording. Samplewise its as dense and as intricately constructed as Paul’s Boutique, but I couple I really love are, Kraftwerk on Ghetto Thang, Peg on Eye Know, I Can’t Go For That on Say No Go. The overall atmosphere and feel is fantastic, even the skits and filler cant bring down the mood, it still one of the funnest and most enjoyable listens - easy 5 🦶🦶🦶🦶🦶 Playlist submission: Eye Know

Easily one of the best hip-hop albums of all time, 3 Feet High and Rising also belongs in the pantheon of the greatest sample based albums of all time alongside The Beastie Boys’ “Paul’s Boutique”, DJ Shadow’s “Entroducing” and The Avalanches’ “Since I Left You.” This is a master class, a tour de force…5 stars aren’t enough.

Last night, I had a dream. There's this woman - young, cool, big hair - driving down a packed New York street in a car with friends. Windows are down, sky is blue, there's an array of kitsch memorabilia in the back and on the dashboard. Hanging off the rear view mirror is a talking wireless speaker, probably voiced by Eddie Murphy. He yells that he wants to be played, and opts for De La Soul's "Me, Myself and I". There follows an extended dance sequence in which the woman driving the car, and then everybody around her, jumps out of their cars and dances on the roofs. Like that bit in "La La Land", but better, because… well, because it's soundtracked by De La Soul. And so I rest my case: after just a couple of days of listening, "3 Feet High and Rising" is an album with the power to send good vibes deep into the subconscious. Life is made surreal, technicolour, magical and fun with just an hour a day around these folks. That's something special. De La Soul's first full-length album is often credited as one of the progenitors of hip-hop's golden age. Besides the invader-of-my-dreams-smash-hit "Me Myself and I", there's "Eye Know", which draws together samples of Steely Dan and Otis Redding into a ecstatic, sunny jam. "The Magic Number" fuses Schoolhouse Rock with a drum sample originally from Led Zeppelin, while "Potholes in my Lawn", an allegory for other people stealing lines from the group, throws in a yodelling interlude for good measure. Two of the other hits, "Plug Tuning" and "Buddy" (with A Tribe Called Quest's Q-Tip), are more studied cool, but still get me nodding along every time. My other favourite tracks include "Tread Water", a spiritual journey disguised as an Alice in Wonderland-esque nursery rhyme, and "Change in Speak", with its irresistible horns and wriggling bassline sample. That's quite a hit ratio. While many of the rhymes may be sneered at by serious hip-hop heads (there's an awful lot of nursery-rhyme style trochaic meter, "De-la" prefixes and totally unserious tangents), the sense of fun cannot be surpassed and overrides everything. The humour is on point here: the quiz show framework baffled me at first but then won me over by the fourth or fifth listen. The schoolboy style chants like "Can U Keep A Secret", "Take It Off" and "Do as De-La Does" are ridiculous, but winningly high-spirited. And the interlude midway through "Jenifa Taught Me", in which little Darwin breaks into a rendition of "Chopsticks" while the rest of the group cheer him on, never fails to make me smile. This is my favourite hip-hop album on the list so far, and is going to be hard to top.

Can only listen to half on YouTube as album is not available on other streaming platforms

Smart, inventive, playful, positive, and unlike anything that had gone before. And the sort of album that couldn’t be made now in this age of strict sample clearance, as I am sure the almost-bankrupted De La would attest to. Which is a shame, as the samples are used creatively and with love, but there you go. One of the greatest albums ever made.

This sounded unlike anything else when I first bought it back in 1989. It's the loved up response to a West Coast rap scene that was heading down the gangster route. I knew which direction I wanted to turn to. Hip Hop concept albums should usually be avoided. But the dialogue and in-jokes aren't annoying, They keep the Daisy Age feel flowing thoughout. There's still room for politics with It's a Ghetto Thing. Plus there's also personal politics on Say No Go. This should be a SIX star album.

love

Wow, hard to find to stream but what a nice sound and vibe.

One’s personal high-water mark for hip-hop. The joy and warmth and humor, plus the communal feel of the whole thing. Listening today, one senses there’s perhaps too much filler (or forgettable inserts). This many full-on classics makes this 5. Shame about the lawsuit. And don’t sleep on De La Soul is Dead.

Singular and ever defiant. In a genre that is inherently contrarian and marginalized, De La would come to define a sound and voice in hip-hop that was contrarian and marginalized. I can't say they are my favorite or that I necessarily agreed with their issues with gangsta rap, but their contribution to hip-hop is unimpeachable. I like to think they stand for the idea that every space should welcome varied expression. I imagine all the black kids that didn't see themselves in the hardcore gangsta rap of the late 80s but still loved the genre. De La made sure they knew hip-hop was still for them. A monolith rebuked and a plurality embraced. This is their Plymouth Rock. No doubt about it. But it's never been my favorite. I prefer their more cutthroat approach on Stakes is High, but I won't speak on it like this isn't just my opinion. R.I.P. Trugoy 8/10 Favorite Song: Eye Know

Despite never listening, I have heard good things about De La Soul. They were only recently put on Spotify due to sample-clearing issues, which may explain the blind spot for me and modern listeners. I like alternative hip hop and this album could be considered the genesis of that subgenre. It's a fun listen, and they were clearly having fun messing around making this. You can hear its influence on many modern projects. I really dug the "sampledelia" instrumentals, extra impressive since this was before easy sampling tech. I found some of the dialogue and in-jokes kind of corny and annoying, and this album holds the dubious distinction for inventing the dreaded "rap skit." The lyrics sometimes almost gave me the juvenile vibe of a "t3h PeNgU1N oF d00m" (soooo randommm). I'll blame my lack of lyrical connection on unfamiliarity, which will improve on subsequent listens now that it's on Spotify. The music is just too good and the album too influential on a genre I like to rate it a 3. *Saw a couple reviews that said this was "hip hop's Sgt. Pepper" and the timing is ironic because we got Sgt. Pepper the following day.*

I remembered I liked this, but I liked it better than I remembered. Sounds newer and fresher than it is. Favorite song: Eye know

Fantastic hip hop album. The Steely Dan sample song was my favorite

Pot holes on my lawn. Fun sing along 90s hip hop. I miss this era of rap music. Creative samples and scratching

I liked it a lot. I listened to it twice (had it on in the background). I'm a huge fan of old school hip hop and this was something I wasn't very aware of. I like Heiroglyphics a lot, so this was a nice treat.

oh this is cool, i've been getting a lot of old school h- STEELY DAN PEG????

It's good fun, too long though Tread Water probably the best song

everybody in the world you got dandruff? goofy good and fun

I found this to be a fun vibe! Just 3 friends fucking around. Not necessarily something I'll come back to, but definitely in the upper percentile of things to come out of long island.

Nr. 136/1001 Intro NR The Magic Number 3/5 (3x) Change In Speak 3/5 (2x) Cool Breeze on the Rock NR Can You Keep a Secret 2/5 (2x) Jenifa Taught Me 3/5 (3x) Ghetto Thang 3/5 (3x) Transmitting Live From Mars 2/5 (1x) Eye Know 5/5 (3x) Take It Off 2/5 (2x) A Little Bit Of Soap 3/5 (1x) Tread Water 3/5 (3x) Potholes in My Lawn 3/5 (3x) Say No Go 3/5 (3x) Do As De La Does 2/5 (2x) Plug Tunin' 3/5 (3x) De La Orgee 1/5 (1x) Buddy 3/5 (3x) Description 3/5 (1x) Me Myself and I 4/5 (3x) This Is A Record 4 Living 3/5 (3x) I Can Do Anything 2/5 (1x) D.A.I.S.Y. Age 3/5 (3x) Average: 2,98 Really liked Eye Know. The Rest was a mixed bag.

Clearly he was having fun making this album, it is goofy and has interesting sounds. However I was definitely not having fun listening to it. It sounds like hip-hop for 13-year-olds to blast and annoy the elders, and I'm with the elders on this one. There are a couple of genuinely good and catchy songs, but most of it is so obnoxiously annoying in your face I can't stand it. Stand-out: The Magic Number

Still "The Magic Number"

This one is tough. Like Paul's Boutique, it features an insane smorgasbord of samples (famously or infamously). It's got a flow like De La Soul, it's a complete product as an album (which I always give respect to) but here comes the BUT! It features some...youthful exuberance that I'm a little old for now? I dinged the beastie boys for it. It's a little long, I complain about many albums being too long. Can I hold this against it? After sitting and listening, I can't, even though I've held it against other albums. Fun almost all the way through, and anywhere it trips it gets right up and keeps going, which is almost inspiring. It's a great.

## In-Depth Review of *3 Feet High and Rising* by De La Soul De La Soul’s *3 Feet High and Rising* (1989) stands as one of hip-hop’s most inventive and influential albums, reshaping the genre’s sound, aesthetic, and thematic possibilities. This review examines its lyrics, music, production, themes, and lasting influence, while weighing its strengths and weaknesses. --- ## **Lyrics** De La Soul’s lyricism on *3 Feet High and Rising* is marked by wit, offbeat humor, and a playful approach that was a radical departure from hip-hop’s prevailing trends in the late 1980s. While much of the rap landscape was dominated by the aggressive narratives of gangsta rap, De La Soul’s verses were “bizarre and surreal,” often focusing on everyday topics with a whimsical twist—ranging from personal hygiene (“A Little Bit of Soap”) to gardening metaphors, and even anthropomorphic animals (“Tread Water”)[1][3][7]. The group’s lyrics are packed with clever wordplay and layered references. Tracks like “Me Myself and I” champion individuality and self-acceptance, while “Eye Know” delivers a breezy, romantic message using a Steely Dan sample as its backbone[3][5]. “Ghetto Thang” shifts to a more serious tone, reflecting on urban life and systemic struggles, yet even here, the delivery is thoughtful rather than confrontational[3][7]. De La Soul’s use of the “D.A.I.S.Y. Age” motif—an acronym for “Da Inner Sound, Y’all”—was both a statement of their ethos and a recurring lyrical device, signaling a “sunnier,” more positive outlook[1][3]. Their verses often eschew profanity (with rare exceptions), favoring positivity, introspection, and humor over aggression or materialism[5]. **Pros:** - Highly original, playful, and intelligent lyricism - Wide thematic range, from the deeply personal to the absurd - Positive, non-confrontational tone that was rare at the time **Cons:** - Some rhyming patterns and references may feel dated to modern listeners[2] - Occasional skits and humor may not resonate with all audiences --- ## **Music and Production** Prince Paul’s production on *3 Feet High and Rising* is nothing short of revolutionary. The album is a sample-heavy collage that draws from an eclectic mix of genres: funk, soul, jazz, psychedelic rock, doo-wop, and even children’s music[1][3][4]. The result is a sonic landscape that is unpredictable, vibrant, and endlessly inventive. Sampling is at the heart of the album’s sound. Iconic tracks like “Eye Know” utilize Steely Dan’s “Peg,” while “Say No Go” flips Hall & Oates’ “I Can’t Go for That (No Can Do),” and “The Magic Number” borrows from Schoolhouse Rock[5][7]. The album’s production is dense and layered, with snippets of old music, quirky sound effects, and unexpected transitions. Prince Paul’s use of the Casio RZ-1 drum machine and Eventide harmonizer enabled the manipulation and blending of disparate samples into cohesive tracks[1]. The album’s structure is also notable for its inclusion of skits, particularly the recurring game show theme, which ties the project together and adds to its playful atmosphere[1][3][7]. These skits, rather than feeling like filler, are integral to the album’s personality and flow. **Pros:** - Groundbreaking use of diverse and unconventional samples - Inventive, psychedelic, and unpredictable soundscape - Skits enhance the album’s concept and cohesion **Cons:** - The dense, sample-heavy production can be overwhelming on first listen - Some samples and production choices may sound dated or less impactful today due to changes in hip-hop’s sonic landscape[2] --- ## **Themes** *3 Feet High and Rising* is thematically rich, exploring a broad spectrum rarely seen in hip-hop at the time. The album’s central message is one of positivity, individuality, and creative freedom. The D.A.I.S.Y. Age philosophy embodies a rejection of hip-hop’s growing materialism and violence, instead embracing peace, harmony, and Afrocentrism[1][3][7][8]. The album tackles love (“Eye Know”), coming of age and sexual awakening (“Jenifa Taught Me”), social commentary (“Ghetto Thang”), and self-acceptance (“Me Myself and I”). Even when addressing serious topics, De La Soul maintains a sense of optimism and playfulness. The group’s willingness to be vulnerable and self-deprecating set them apart from their peers[5][7]. The use of humor and absurdity—whether in lyrics about dandruff or surreal storytelling—serves to both entertain and disarm, making the album accessible without sacrificing depth[1][3][5]. **Pros:** - Emphasis on positivity and individuality - Wide thematic scope, blending humor with introspection - Subverts genre conventions, expanding hip-hop’s thematic boundaries **Cons:** - Some themes may come across as naïve or lightweight compared to the era’s more hard-hitting social commentary - The album’s quirky tone may not appeal to those seeking more traditional hip-hop bravado --- ## **Influence** The impact of *3 Feet High and Rising* on hip-hop and popular music is immense. The album is widely credited with pioneering alternative hip-hop and jazz rap, opening the door for acts like A Tribe Called Quest, The Pharcyde, and later, OutKast[1][3][5][7]. Its sample-heavy production set a new standard for creativity and experimentation in hip-hop, influencing producers and artists for decades. De La Soul’s embrace of Afrocentrism, individuality, and positive messaging helped anchor the Native Tongues collective, which would become a major force in early 1990s hip-hop[7]. The album’s use of skits became a template for countless hip-hop records that followed, and its eclectic approach to sampling demonstrated the genre’s potential for musical collage and cross-cultural dialogue[1][3][7]. Despite its influence, the album’s legacy was complicated by legal issues surrounding sample clearance, which kept it off digital platforms for decades—a factor that arguably limited its exposure to new generations until its recent re-release[1][2]. **Pros:** - Pioneered alternative hip-hop and jazz rap - Inspired a wave of creative, experimental artists and producers - Helped establish the Native Tongues movement **Cons:** - Sample clearance issues delayed its availability on digital platforms, impacting its long-term visibility and influence[2] - Some later listeners may find its innovations less striking due to the many artists it inspired --- ## **Pros and Cons Summary** | Pros | Cons | |---------------------------------------------------------------------|-----------------------------------------------------------| | Highly original, playful, and intelligent lyricism | Some rhymes and references feel dated | | Groundbreaking, eclectic sample-based production | Dense production may overwhelm some listeners | | Positive, wide-ranging themes; subverts genre conventions | Quirky tone may not appeal to all | | Integral, entertaining skits that enhance the album’s concept | Some themes may seem lightweight or naïve | | Pioneered alternative hip-hop, jazz rap, and hip-hop skits | Sample clearance issues limited digital access for years | | Helped establish the Native Tongues and influenced generations | Innovations may feel less novel to modern ears | --- ## **Conclusion** *3 Feet High and Rising* remains a landmark in hip-hop history, celebrated for its fearless creativity, humor, and positivity. De La Soul and Prince Paul crafted an album that broke every rule, inviting listeners into a world where intelligence, individuality, and fun reigned supreme. Its inventive sampling, witty lyricism, and thematic depth set new standards for what hip-hop could be. While some aspects of the album may feel dated or overly quirky to modern ears, its influence is undeniable. It opened up new possibilities for hip-hop, paving the way for alternative voices and experimental production techniques. Even decades after its release, *3 Feet High and Rising* stands as a testament to the power of innovation, reminding us that the genre’s boundaries are always meant to be pushed.

Great hip-hop music.

Очень необычный пльбом особенно для своего времени, вся музыка в нем совершенно разная, "основные" треки очень хорлши а все эксперементы просто прекрасны и экслюзивны

So many layers, musically and lyrically. Brilliant and creative.

What a great, classic hip hop album this is. It's fun, energetic and incredibly tight. The production by the amazing Prince Paul is perfect. Thankfully, they cleared the samples to get this one onto streaming sites, which was long overdue. Even the skits (very often the low point of albums from this era) don't detract from how impressive this collection is. This is easily one of the best hip hop albums of the 80s. I can't stop listening.

A glorious album.

Eye Know

A solid solid and groovy album

Hell yeah, this album was a ton of fun. I've never been able to get into hip hop and kept looking for something that would click for me. This is definitely that.

DE LA SOUL YES!!!!! Easy5 star: )

Oh my, what a perfect album, loved this at 18 still love it

Fun, weird, tons of samples. Skits that started the trend?

Straight positive vibes and good beats, I really enjoy this album

The De La Souls take on humour, surrealism and tasty samples, focusing on melodic funk hooks rather than dissonant sampling. There's a smattering of romance as well, pretty non-existent in the rest of the hip-hop world ("Hold my hand, and we'll pick my plantation of daisies for a bouquet of soul"). Optimism and positivity leap off the vinyl, giving a joy rarely found in their competitors. It is a long album at over an hour, and it would sound a lot tighter if chopped a bit. There are a few (e.g. 'This is a Recording') that don't add much to the album. But the modus operandi is one of psychedelic journey; so, unlike many an album, the hefty album length doesn't sink it, but adds to the mystique. I love all the elements of this, the joy, the dispassionate delivery, surrealism, the overriding creativity. Something of a treasure trove.

Hip Hop for kids

Just as good throughout as it was back in college. Maybe a bit silly in places but ultimately it adds to the albums charms. Sure, it’s great to roll with BDP and Public Enemy but at times it’s cool to roll with the smart and creative nerds.

A classic. This lives in my top 5 albums of all time, where it belongs. The beats, infectious. The humor, nonstop. The writing and structure, timeless. I’ve literally listened to this everyday on a long afternoon walk for a month straight just to see if I pick up something new.

Classic rap album, heel veel verschillende geweldige samples, zo enorm veel highlights op dit album. Je kan horen dat ze gewoon aan het genieten waren met alle skits en vage nummers. Misschien niet voor iedereen, maar zeker wel voor mij

This is one of the best rap and hip hop albums I've ever had the pleasure of listening to. Most of the album immediately went on my personal playlists. Once again, the list is proving it's worth. Absolute gem of an album. 5/5

I’m just happy I can hear this on Spotify after De La’s unfortunate contract deals. One of the best by one of the best.

un peu country

Loved this album!

Awesome album, one of my favorite rap styles

Classic

Chill easy to listen too and good vibe

This album isn't perfect, but it is still amazing. The range of samples and what's created from them is pretty brilliant, even if it could be trimmed a bit. I also feel like this is one where I feel the goofy skits are sometimes a lot of fun, even if I usually skip them. This is one of my favorite albums of this era.

Great album.

I played it so loud that I went def.

Five Fresh and Funky Stars

ludilo album, triput poslusala, bangeri i dalje bengaju

Meni ti je ovo jedan od najdražih albuma uopće. Sigurno top pet hip hop albuma i vjerojatno najdraži feelgood/pozitivan album uopće

Classic old school hip hop nonsense!

5 stars , even though the skits are skippable !

Classic

This is what all hip hop should have aspired to and be the benchmark for any comparisons within the genre. Lyrics are witty and tightly woven, but more importantly, don’t lower themselves to the misogynistic drivel that is pumped out and hailed as being outstanding (looking at you Mr Lamar).

Gear: Focalman Cleardara Artwork: 🟨🌼🔃 Production: 🎛️👍🕺 Music: 🎤🌈🔥 Rating: 🌼🌼🌼🌼🌼/5

Great!

Was a little afraid of the length of the album but it was well composed and overall I really liked it. Original sound and awesome vibe.

A scrapbook of ideas dense with detail. Should have been the future sound of hip-hop but sampling laws put a stop to that. There is a reason everyone adores this thing: it’s a complete blast!

One of my favorites!! Can’t believe this was 36 years ago!!

1. I love how in early hip hop there was no concern about your samples having been “done before” so you would just throw in stand by me and sitting on the dock of the bay 2. Believe it or not this isn’t even the best de la soul album (DLS is dead)

I'm almost a full year into this and I have to say there's not enough hip hop on here. So I was very excited today when 3 Feet High and Rising came up. Especially after yesterday's stinker. I'd rate this album immediately if it let me. I rated it 35 years ago

This just absolutely rips. We need more Hip-Hop like this in 2025. Its goofy, its funny, and its good! Really good. Happy this is on streaming finally. Best Song: Buddy Rating: 8.5/10 5 Stars

classic. influential af. plenty of bangers but some of the skits are a bit of a chore. fun album tho

Weird fun boppy clever, never heard anything like it

Nice

Amazing vibe

One of my favorite hip hop albums ever. So fun

Great rap album. Thoroughly enjoyed

Really enjoyed this. 3 is the magic number

One of my all time favourite albums - never get tired of it

The samples (Hall & Oates!) put this up there with Paul's Boutique, but the through line of repeated lyrics, story telling, and game / children's show skits give it a world-building feel that the Beastie Boys' album doesn't have. & while this feels like the antecedent to so many other hip hop subgenres, it's still so uniquely its own thing - and has a timeless feeling that very few other albums from this period have.

Oh hip hop

The group of MCs and producers who made this album couldn't get any cooler and it feels like they are letting the listener in on their coolness.

The skits detract from the great music, but they are mercifully short so I'm not docking a star, although I was tempted. As for the music itself, I love it. Say No Go is probably my favourite track, but the whole album is strong.

Ooh De La. The hundreds of uncleared samples. The daft but fun lyrics littered throughout. The endless joyous beats. The constantly going on about plugs (I failed to comprehend) The run from Eye Know through to Say No Go. The magic number and me myself and i The offer of a grand prize - I want to know what it was!

great

So good! Been meaning to check them out for a while now but kept forgetting, I’m so glad I got this album, its just excellent

a perfect album. Maybe my favorite jazz rap album of all time and I only had first heard it in tenish years ago now. Very funny and fun. Clever. Great beats. What else is there to say?

Eye Know that this is classic. Fantastic release.

Stone cold 5. Awesome use of samples and a breath of fresh air. Uplifting, unpredictable and trailblazing. Killer

Great album 5/5

More like 4.5 but this is so fun so here we are

When people say "the vibes are immaculate", this is what they mean. An incredible debut

Loopy, lackadaisical, lyrical genius. So fun! Rhymes never went where expected and the beats are a singular vision. World expanding.