Pink Moon

“Pink Moon” by Nick Drake (1972) First time listening. An hour’s worth of music in a 28-minute recording. That is, 28 minutes listening and 32 minutes thinking about what I just heard. Musically spare, simple melodies, and gentle folk/jazz chord progressions. Virtually no backing instruments, and hardly any need for mixing, but some of the finest recording of accompanying acoustic guitar I’ve ever heard. Vocals are airy, weak, and withdrawn, with clipped phrase endings, a likely accommodation to limited control. But this underperformance is fitting for each song. This is not entertainment. Drake is putting his world on tape, inviting us in, take it or leave it. Very pleasant, resonant, and clean acoustic guitar, with some stumbles and drops in tempo, but otherwise very well played. Objectionable fret buzzing on “Know” (which cries out for backing instrumentals), but otherwise first rate. The poetry in the lyrics is generally of good quality, but it’s tragically underdeveloped (exceptions: “Things Behind the Sun” and “Parasite”). Drake successfully evokes a symbolic image, points the listener in a certain direction, but then leaves him/her hanging. Maybe that’s where he wants us. This album is a fine example of how very good music can be lost to culture, because business interests fail at “promotion”. A sad reflection on the music industry (an oxymoron if there ever was one). Almost a “five”. 4/5

The sparse arrangements really let his melodic genius shine through. Truly the master of melancholic understatement.

I actually had to listen to this album twice. The first time, I was doing stuff and it mostly just felt like generic 70s singer-songwriter stuff. But I could tell that I was missing something so I gave it another listen in the afternoon and yeah, the songwriting is really deep. The album is simple. It's just a single vocal and a single guitar. The focus is entirely on the songwriting which is quite good. It's dark and depressing. But very very good.

I know it's ironic, considering what a troubled, tragic soul Nick Drake was, but this album has been a source of great comfort to me for years. Each song is a gentle lullaby, and if you ever need a soundtrack for a crisp autumn walk, this is it. That said, it's also perfect year round.

The most beautiful 28 minutes ever recorded.

Beautiful music we all get to hear, seemingly made whether anyone was listening or not--and that's an uncommon thing. A late-career masterpiece with the intuitive confidence of a stellar debut. It's just a pity he didn't stick around to see how much everybody loved it.

I don't think a more intimate, tragic and emotional album has ever been recorded. Nick Drake takes us deep into his mind, as implied by the album art, it's dark, full of dichotomies and internal struggles. We experience his memories, desires, and self-hatred. The mixing of this album give the feeling of closeness, a similar feeling to as if you were in the room with him. His voice is mixed in a way that it sounds close and personal, the guitar perfectly balances this, and we have nothing else in these songs to get between you and Nick Drake. Despite the music being raw and simple in concept, the implementation is masterful. The melodies are gorgeous and they hit you like a truck, no gimmicks needed, this is accomplished purely by powerful songs played on a guitar. Throughout this abum we walk on a tightrope of strength and fragileness, volitility and apathy, love and hate, a picture of beauty painted by a true artist. Favorite track: Place to Be

Maybe I should have expected it, but I was surprised to find an artist on this definitive list that I hadn't even heard of before. I was going to post a brief note about how this was a nice acoustic album, and how it reminded me of Junip without drums a little bit, and how it would have been better with drums. But after this brief, 28 minute collection of very minimalist songs was done, I was curious to learn more about this artist I had never heard of, and so I got to learn about the sad, short life of Nick Drake. His story was a lot like Van Gogh's: an artist suffering from significant mental illness and unappreciated during his own lifetime. I wish he could have gotten the help that he needed to have a better life. Nick received a great deal more recognition as the years went on after his passing, and many famous musicians consider him to be an important influence to them, so it definitely makes sense in hindsight to find him here. My personal enjoyment: 3/5 Did it belong on this list: 4.5/5

Ooh, this is right up my alley – acoustic, singer-songwriter! I really liked this one and would definitely look up more from this artist.

Onw of the moodiest albums ever

The subtle imperfections of his perfect guitar playing gives the record soul and structure that makes the addition of any other instruments superfluous. His ability to create a soundscape with one instrument is raw talent.

Nick Drake is often referred to as a folk artist, but he is a folk artist the way that Joni Mitchell is a folk artist, which is to say, not so much. Baroque acoustic pop comes much closer. His melodies and arrangement have a lulling quality. The way he often uses a pedal point contributes to a droning quality (this is a natural consequence of the non-standard tunings he uses). He also uses intricate, repetitive rhythms in his arrangements to trance-like effect. His melodies are unusual in that they aren't what the songs are built around; instead, they are woven into and are almost an extension of the arrangements. The final element is Drake's voice itself, which is intimate and confessional, insinuating instead of demanding attention. (I've ignored the lyrics, which I know are a huge part of Nick Drake's appeal.) The music on Pink Moon doesn't smack you over the head--it seeps into your consciousness. Unless you reject it outright, it irresistibly lulls you into its rhythms--in that sense, it's the ultimate mood music. It almost feels unfair to evaluate this music in terms of quality--it just is. But I can say that Nick is a competent guitarist, pianist, and arranger, and his singing is perfect for his music. I could complain that not one of the songs on Pink Moon stuck in my head, but that's almost besides the point. What matters here is atmosphere and mood, not earworm choruses. In fact, for what Nick Drake was going for, it's hard to imagine how you could improve on Pink Moon.

This is my second-favorite Nick Drake album, behind Five Leaves Left. However, I think Pink Moon is his most cohesive and well-executed. It seems like he had finally found his sound, which didn't need cellos and trumpets and violins to express the melancholic ache of his soul. I don't doubt that Drake felt most himself and most inspired when alone with some weirdly-tuned guitar. Every song on this album seems like the result of hours spent in a room with the curtains drawn, keeping the noise down so as not to disturb anyone in the house. Obviously, this was recorded in a studio, but it doesn't come off that way. Listening to this record, it makes sense why Drake didn't bother performing these songs on stage. Lyrically and musically, I don't think the message would have translated in some smoky London folk club. This is the music of solitude, and Drake invites each of us to partake in being alone with him. In this way, Pink Moon is the standard and pioneering work of emotionally confessional folk music. And all of this doesn't even speak to the immense achievement that Pink Moon is in terms of musicality, as Drake displays a mastery of odd time signatures, chordal variation, and melody. My two favorite songs on this album are "Place to Be" and "From the Morning", but all of the others are equally fantastic.

Subdued soft almost folk rock, chill vibes Music sounds vaguely familiar. Especially the humming in "Know" but can't quite grasp where I know this from. Maybe it's been sampled, used, adapted, etc into many other pieces of music. The album overall feels haunting, yet warming. I can imagine sitting in a cottage, by a fire, in a nice comfy chair, looking out a window while rain lashes down. Hot chocolate and a dog by my side. Makes me think of an old book, where the pages have yellowed a bit and smell vaguely smokey, that old book smell. Not in a bad way at all, comforting. Familiar.

The vocals on the first track (Pink Moon) physically hurt they were that bad. The rest of the album passed by with a couple of irritating moments when he tries to get 'avant garde' with the guitar. Overall a singer songwriter album that has nothing to recommend it and a few really bad spots.

When I saw a 3rd Nick Drake album I thought, 'why!' with all the variety and rich musical content out there..and then I pressed play. Beautiful, intimate album. I was sorry it was over when the last song ended.

And so, this rosy satellite briefly passed our vision. It's orbit, although unstable, was close enough to be felt on the skin and in the bones. And while it leaves our sight as the daytime approaches, it lingers in our chest, tugging gently past the horizon.

Nick Drake is absolutely captivating. His voice commands attention and his songwriting is wistful, melancholic, and deeply moving. His short career, lack of a public persona, and tragically short life lend an air of mystery to him. He was not appreciated in this time but has ascended to the upper echelons of British folk. I’ve been listening to him for quite a while now and he still sounds as crisp and relevant as ever.

A lot of my favorite albums are complex and layered. What's so impressive about Nick Drake's albums is that he achieves so many of those same feelings with a much more minimal set of ingredients. That's not say this is simple music, just that he makes everything count. The album kind of pulls you in slowly before it hits you with the feels with "Which Will" and "Things Behind the Sun". I could do without "Know", but overall this album is a great experience.

I didn’t get any of the lyrics and I fucking hated everything about this album. I’m sorry

Excellent

Perfect Moon even if it is just a man and guitar along with a single overdubbed piano line. Simple, beautiful melodies and the most intricate, spellbinding fingerstyle guitar work. Manages to flip from completely bleak, barren and doldrums-like to intensely warm, hopeful inspiring with the same minimal guitary ingredients. Tortured and yet so tranquil sounding at same time. Strikes such a consistently rich and powerful mood throughout and is not a moment too long or too short even at a usually paltry 26 minutes because it’s so condensed with brilliant songs. Truly folk at its peak and an album to eclipse virtually all others.

I'm not a huge folk guy (especially not singer/songwriter) but in this case this is one of my favorite folk albums ever. Short, introspective, and beautifully simple. Pink Moon is such a lovely song. Honestly all of these are. They scratch an itch and are so comforting. A classic that I've listened to a ton over the years and still holds up. I want to listen to this on a brisk winter day with the snow falling now.

So here we are. The first 10/10 album I have gifted from this list. This album is fantastic on every level. Beautiful song writing, beatiful playing, beautiful story. It is eternal. It is Pink Moon. Would not change a single note. Vinyl purchased day of and listened though back to back.

Favorite Track: Pink Moon

I adore this album. Solumn, simplistic, introspective and beautiful.

Rarely does an album consisting almost entirely of only acoustic guitar and voice truly captivate me. For over 20 years now, Pink Moon has been one of the very few exceptions to that statement. Throughout Pink Moon, Drake’s dexterous guitar arrangements move in a labyrinthine manner. His lead lines propel the songs while chiming drone notes and chords punctuate their movements, making for a meditative and slightly hypnotic listening experience. He is both the lead guitarist and rhythm guitarist simultaneously…all while singing. Pink Moon is a tour de force; one that, sadly, didn’t achieve its full impact during Nick Drake’s lifetime.

After an exhausting day, this album provides a well-earned serenity that recharges and prepares you for tomorrow.

I was not familiar with Nick Drake's music, and I'm not entirely sure I've ever even heard of him. When I put this on, I was really surprised; this is definitely not your typical folk music of the 70s! It reminds me of the singer-songwriter and indie music of the 2000s, and I'm certain that these artists have been drawing some inspiration from here. Others must have thought so at the time, as his music did not sell well during his lifetime, and this album is no exception. This album received much of its recognition after Drake's death. Ultimately, this album sounds so ahead of its time. This album is rather short and the instrumentation here is fairly simple, as are the vocals, but the beauty here is definitely in the simplicity. This album has a clear and unadulterated focus on Nick Drake's voice and his guitar work -- nothing else -- and his voice and guitar complement each other so well. His voice is soft and airy and sounds like a "chest voice", rather than a "head voice". It's a singing voice that is unique; you just don't hear a voice like his very often. His guitar work on the album is soft, intricate, engaging, and soothing. This album's credits tout only a few names besides Nick's, and those names are all on the production side, not the music side; this album is for all intents and purposes a one man effort. Needless to say, I was pleasantly surprised by Nick Drake and by this album. It proved to be a peaceful, intimate, and engaging listen. It's a bit sad, and yet comforting. I hate that it did not receive its accolades during the time of its release and during Drake's lifetime, but its inclusion here is a testament to how greatness can be lost to time or circumstance. I looked ahead and found out that all three of his studio albums are on this project, and I really do look forward to hearing more from Nick Drake. On first listen, this was a 4. I couldn't help but listen again, and now it's so close to a 5 that I feel inspired to bump it up at this point.

nick drake like elliot smith killed himself. both created heartbreaking, individualistic albums. pink moon is THE nick drake album. its perfect. it is. im sad to say it. this guitar dude made a really great album in an era when someone else was nearby but not near enough. he was a standout. he made mood, mode, magic. im gonna go put this album on again, why not?

I spent a lot of this album focusing on the beautiful and varied sounds of Drake's acoustic guitar. This one felt especially intimate. I've sometimes felt that three albums from one artist was excessive in this list. Not so here. I am so sad there are no more. I will have to just go back and listen to these three again and again and be happy that they exist.

I doubt you find a folk artist or band in the last 20 years who isn’t massively inspired by Drake (the one with a first name). While all of Drake’s albums are emotionally sublime, there’s something deeply ominous about this, his last album. The production fits the tone of the compositions perfectly and both his guitar playing and vocal is haunting and eerily beautiful. Undoubtedly one of the best albums to clock in at just under half an hour.

WOW, simply wow, it'll be difficult to find the words that are deserving enough to describe this album but I'll do my best. This was my first time listening to Pink Moon and it's the first I'd had heard of Nick Drake and almost immediately from the first chords I heard oof of the first track onbthe album I was instantly impressed and surprised, by the end of the first track I had seriously doubted my musical credentials and how I have gone this long in life not having come across such a talented musician. There is a wondrousness and melancholy to this album that touches on some larger sense of sadness while the melody has this wisfulness and lightness to it complimenting the somewhat complicated nature of the sentiment behind the lyrics. This is album is a must for anyone.

I love this album. Both mysterious and beautiful; raw and almost uncomfortably dry with Nick's vocals right up in your face. Almost ironically the minimalist nature of this album makes me pay more attention to it than many "big" sounding records. Something about the chords and/or the tuning he used on these songs (just listen to the first/title track) are so unique (yet the simplicity occasionally lends itself to little chill moments (e.g. piano melody in "Pink Moon" which is also - I think - the only overdub on the album). Maybe not for everyone but the haunting melodic nature of this (and maybe combined with the very short running time) makes this an alltime favourite of mine. 9/10 5 stars.

A perfect example of music that is both beautiful and sad at the same time. For those that followed the Nick Drake story in a chronological manner, this, the last Nick Drake release is a significant departure. It is stark and focused inward. It is very short, but beautifully effective, with vocals frequently in a whisper.

Super interesting. Amazing atmosphere he creates by just using an acoustic guitar and his voice.

Utterly brilliant. I remember exactly where I was when I first heard Nick Drake: Gatwick Airport HMV. I went straight to the counter and said 'Who's this, it sounds a bit like John Martyn?' The sales assistant said 'It's Nick Drake, he was a friend of John Martyn'. I bought the album and I've been a fan ever since. This is his masterwork. 6 stars.

As someone who has battled with depression on and off for most of my life, Nick Drake is one artist who I decided to avoid. His death was such a tragedy and the fact that his music was largely unsung during his lifetime is such a shame. So when I played this yesterday, I was expecting to come away crying like I do when I listen to Elliot Smith but instead I was struck by how beautiful Pink Moon, and what a lose it is to me that I had never given it a proper listen before. Contrary to my preconceptions this is a joyous album. I played it this morning on our lounge room speakers unsure if it was the right soundtrack to a restless Saturday morning. My wife said she enjoyed it and that it wasn't what she was expecting either. My daughter, just said, "this is really nice, I like this music". They both have great taste.

A sad, beautiful album. Like Nick's life it's all too short at just 31 minutes bit with enough emotional impact to fill most box sets. Each song has a restrained beauty and the guitar playing is achingly gorgeous. 5 big 🌟

This album came from a guy who killed himself 2 years after recording it. You are listening to a guy who looked around and despised capitalism and comercialisation, so maybe this album wasn't intended to be heard. And if you did, that's awesome, and an incredible line of events that led you to this moment, listening to a record some guy made 60 years ago in two nights just for himself.

Pink Moon made me and a bunch of other people want a Volkswagen. Nick Drake made me want to explore folk music. His soft spoken voice and the fret buzz of his acoustic guitar conveys an understated sense of being and its perfect. This album taps into something beneath the surface and it all comes out. If Gustavo Sataolalla, Alexi Murdoch are are able paint pictures with their music, Nick Drake is able to make you feel it. I hear Gustavo in Horn and Alexi in Which Will and so many other songs. There can't be any musicians who've heard Pink Moon and been unaffected. This album and the whole Nick Drake story gets me emotional. An artist that kills himself after releasing two albums to lackluster reviews and thirty years its discovered by the world because of advertising. Unattainable desire. To become famous, to own and possess things you don't need. It’s difficult to point to anything good that’s come out of marketing since it’s inception. Pink Moon and Nick Drake may be the one thing.

Bleak and sparse, sad and melancholy. An achingly beautiful album. The more I listen to it, the more I'm drawn in and the more I can't help but love it . Make no mistake, this is a masterpiece.

Great album! After the second listen it really grew on me. What a great songwriter and guitarist/singer.

wow

Before I started listening to this, I had had it confused with Nick Cave. Needless to say, I was surprised once the record started spinning. Sad, mournful, soulful. I love his warm guitar sound and angelic voice. I am sorry that he was in so much pain, but I am glad that something beautiful could come out of it.

Amazing, beautiful voice, great guitar. Feels small, intimate, open. Also dark, sad and melancholy.

I recognize this album distinctly, from a time when I'm pretty sure Andrew and/or Alden recommended it to me. I listened to it then, wasn't really impressed, and don't remember it at all. It's been in my itunes library since, untouched. It's an album I see a lot on people's "favorite albums" collages (including Alden I believe). I tend to bristle when I see the same albums being heralded over and over as "masterpieces," so I was nervous to hear this again. But now, wow. I'm so into this. I love how sparse and melancholy it is. There's a great deal of pain here, but also really impressive guitar-playing and great melodies. It reminds me a lot of Adrianne Lenker's Songs album (one of my favorites of 2020) that featured only vocals and guitar. As much as I love elaborate, fun production, there's something unbeatable about the purity of a singer/songwriter on a guitar. This was recorded in just two days?? And Nick Drake was only 23 years old??? There's more Nick Drake lore I need to dig into, as this was his last album before he died, but man, this is incredible. I've been wondering to myself if it would be possible for me to give a five-star rating to an album I didn't already know. While I may have heard this before, today feels like a first listen, and I'm honestly floored. This may be my favorite album we've had on the list so far. Favorite tracks: Kind of pointless since the whole thing is so good and cohesive, but Road, Place to Be, and Things Behind the Sun really grabbed me. Album art: Really, really love this one. I'm not sure it's iconic--not sure if the general population would recognize this one. But I've seen it so many times over the years and it's seared in my brain. Some sort of really depressing hybrid of Dali and Lewis Carroll. It's super cool. 5/5

Buzzy, pleasant guitar sounds, delightful to listen to in the sunlight.

Beautiful album

Such a smooth voice to go with the guitar. I really like when he would harmonize the guitar with his singing. Pretty simple album of just guitar and singing but it is done incredibly well. Didn't know that I knew the song Free Ride until it started playing.

Very pleasant cool melodies, songwriting and vocals are depressing but very well done.

Really cool. Not sure what I was expecting but great guitar playing on musically and lyrically interesting songs was absolutely welcome

I’ve listened to one Nick Drake album already (Bryter Later) which absolutely blew me away. I remember living that album so much that I went to trusty Wikipedia and ended up with a broken heart after reading about Nick. I’m looking forward to listening to this one. Songs I already knew: none Favourites: Pink Moon, Which Will, Parasite I love how minimalist this album is. It feels like sitting in a room with Nick and his guitar and having him softly sing to you. There is certainly something nice to be said about music that isn’t overly produced, as is commonly heard these days. The track Know felt possibly a little too stripped back for my taste, but everything else felt oh so cosy. I’ve listened to two Nick Drake albums now and have really enjoyed both.

I really enjoyed this one! The whole album is great and feels complete despite its short length. The production and arrangements could not be simpler with most songs just featuring an acoustic guitar and vocals; however, this is not a drawback as it feels more intimate and timeless because of this stylistic choice. With this type of approach to a recording, my enjoyment of the songs typically rely on how much I can tolerate the artist's voice, and I feel that Nick Drake did a fantastic job enhancing his dark lyrics with his strong vocal performance. This is definitely one I will throw on again in the future (feels like a nice winter or rainy day album), and I can see myself diving deeper into Drake's catalog after this (I am surprised I have never heard of him). 4/5. NOTE: I was shocked to find out that he died only a couple of years after this album at the young age of 26 (!). After knowing this, it does feel like I am listening to a lost soul through his creation which makes it a bit more tragic. I am happy he left such a great impression before leaving this world with this beautiful set of tracks.

Listening to the first couple of tracks, I was quickly drawn in by the hauntingly spare sound, honest lyrics and atypical tunings. Surprised that I hadn't heard of Nick Drake before, I looked him up. What a tragic story of a great talent underappreciated in his time and taken far too soon. I can hear influences of Cat Stevens and Van Morrison in his work, and can hear how his sound may have influenced a whole host of singer/songwriters that followed him. Some of the songs are a little bleak (understandably), but others feel hopeful and celebratory of our (pained) existence. The musicianship is mostly very strong, with his reedy voice well-suited for introspection. I will definitely listen to him more and will seek out his other work. How sad that there is so little of it.

I liked it. It's felt familiar yet unique. I kept thinking of Iron & Wine, Elliot Smith, and Jose Gonzalez. Not super into them but I've also appreciated their works. Loved the melachonic vibe but I didnt catch a lot of the lyrics. I had it on as background music so I didnt get a true impression but from what I heard I liked.

It's only here because it sold a few Volkswagons and the depressed artist killed himself at the age of 26. Gains a point for the Dream Academy and Peter Buck influence. Loses a point for the Zach Braff association.

i'm sad. makes me feel lonely, which is probably a testament to drake's skill

Last few albums have been killers to the ears and this one follows suit. Pretty sure we're up the 3 or 4 albums by this dude and I'm they are the exact same sound and style, slow, mumbling and incredibly boring. Not my style and I really can't find anything I would want to revisit. Hoping this is the last time we hear from Nick Drake and we are not punished with anything from that other Drake. 2

Ok slow music. Not much range. Got bored listening to the whole album.

After reading the wiki page, I thought oh God no, this probably will be a pile of steaming excrement. Luckily it wad slightly better than what I expected. 1

Incredible all around. I had never heard any of his music before this, feels super modern.

Nick Drake's soft and moody vocals, paired with the sparse instrumentation (Drake on guitar; also piano on the title track) create a dreamy atmosphere of thoughtful calm. For a short 28 minutes, you are transported from wherever you are, to sitting in a field beneath a wistful Pink Moon. Absolutely Essential.

A revelation! I’d only ever heard “One of these things first” from his other album on a compilation but didn’t know until I heard the voice. I think was hoping each successive song was longer. The stripped down sounds of just voice and guitar made the songs so much more interesting and intense. Amazing. I will be looking for this album.

This is really good. I don’t have anything to say though

Nick Drake is one of the best. This album is just so well made and combines his beautiful voice, masterful songwriting and incredible guitar.

ONE OF MY FAVOURITE LBUMS EVER. Makes me want celestial seasonings tension tamer tea... was top 1% nick drake listener on airbuds last week...calming and nostalgic.

Back in the late 1990s, Amazon used to allow users to create publicly posted recommendation lists of their favorite albums, books, films and I recall seeing the surrealistic and iconic cover art for Nick Drake's Pink Moon on quite a few. It was before Gilmore Girls name dropped the album as a way for Rory to pretend to have common interests with her crush, Season one Dean (before Supernatural turned him into Sam), but the title track had already been featured on a Volkswagen advertisement. This third, and final, album from Nick Drake was my adolescent introduction to the artist, and its beautifully melancholic and unaccompanied acoustic guitar made it challenging for me to appreciate his earlier Chamber folk albums that sounded a bit busy with their background singers and orchestral backdrops. Every single song on "Pink Moon" is timeless and engaging. Rather romantically associated with Nick Drake's depression and death, although the album was actually released to critical indifference and hostility two years before he joined the "26 club," most contemporary critics and fans see Pink Moon as a suicide note of elegiac beauty. But, there is joy here that can't be overshadowed by his overdose.

Really pleasant listen. Very nice sound, liked his voice, very, very nice listen on a snowy winter day. Might give it a 5, at the moment it’s a 4 cause I was listening to it while having an awful run on a treadmill so we’ll see how I feel in the morning. Really nice album sad he only got recognized once he was dead.

1 of my faves

After the autumnal Chamber-Folk of Five Leaves Left, and the more upbeat Folk-Jazz of Bryter Later, Drake recorded this, his third and final album. Whereas the previous two albums had full arrangements, Pink Moon is chillingly sparse. Just his beautifully fragile voice, nimble acoustic guitar playing and 11 (mainly) brief songs. It's the sort of record best played alone, in the dark, at some ungodly hour like 3am. The mood is stark, surreal and sombre, sparingly beautiful and perfectly captures a 'dark night of the soul', where ghouls lurk in the shadows of yesterday. The lyrics are as cryptic as ever but to be honest, if they were more cogent, they probably wouldn't work. As they are, inspired by 19th century poets, they're perfect: deep, vague, reflective, economical and seamlessly poetic. He typically uses nature and objects to form a coded message that's prevelant in all his work. His previous two albums ended with titles referencing days of the week ('Saturday Sun' and 'Sunday') so the moon of 'Pink Moon' may well be a reference to Monday, which gives weight to this being the third album in a trilogy. His incredible guitar playing is crisp, clear and concise, utilises alternate tunings, deploying trance like rhythm patterns, often alternating these within the same song. With no other instruments, it's much more apparent what a gifted player he was. Meanwhile Drake's delicate vocal delivery hovers like woven honey (detached from time, usually behind the beat) in a manner that's quietly assured yet hauntingly so, wearily resigned but never morbid. His voice, guitar, words and melody work together to create an atmosphere that is intense and personal. He's got a message yet all the while he hides from you ('Things Behind The Sun'). It's a perfect, timeless record that's ultimately born of hope, albeit shrouded in darkness. When the final track ('From the Morning') comes on, I swear I can visualise the sun rising and the sound of birdsong. The soul newly reborn, the trials and tribulations of yesterday washed away, and with it a fresh day of new hope and light:- "and now rise, and we are everywhere". Coincidentally, this album came up for review on the first of January. Anyway, the whole 28 minutes is consistently and brilliantly captivating. Personal faves are 'Road', 'Which Will', 'Things Behind The Sun', 'Parasite', and the aforementioned 'From The Morning'. And to cap it all off, the surreal, dreamlike cover artwork is perfect to stare at while the turntable spins and reveals the rewarding textures within this uncanny record.

A perfect soothing accompaniment to my New Year hangover. Enjoyed this a lot.

4.5 I rated Bryter Layter a 4 I think which I felt was undercooking it, but here I almost leaned to the same. Similar album this one but more focussed on sole acoustic. Pink Moon one of the best openers, and the rest really solid songs. Great to have on in the background in almost every occasion. I feel a combined best of between this and Bryter Later would be creeping towards the 5.0 zone.

So minimalist it gets down to what the core of a song should be.

Favorite Nick Drake album. First heard this in my 20s and very influential for me.

Frábær eins og alltaf. Nikki Dreki klikkar aldrei

Fullkomin aðfangadagsplata.

Nick Drake, this was a good day.

Nice! First time I heard this album and I will most certainly add it to my library.

Imagine a drive in a camper along the coast of California in late summer. This is what you'd play

Just love Nick Drake’s music. His songs are so well crafted. Just enough and never too much. Perfectly edited. I like him more and more.

The first listen I had of this, maybe it was my mood and I didn't get it, or I wasn't listening intently enough, but on the second listen I discovered a deep seam of feeling and beauty in the songs which makes his untimely passing all the more tragic. Some beautiful songs and poignant lyrics.

This album has a fragile beauty that I love. Easy 5.

nice

why do the most depressed people make the best music

Sparser and shorter than Bryter Layter, just as poignant and original. I do bemoan who he must have been an influence on - quiet, depressed, and tedious singer-songwriters. But he’s a thing-in-itself. He’s far from boring and wants life as sad as he may have suffered. He wants things to work out. That’s what makes it so sad.

I love how stripped down this album is — for the most part it's just Drake and his guitar. And there are some great riffs, like on "Free Ride." I just wish there was a bit more musical variety. This is a great album, but of the 3 Nick Drake albums, it's my second favorite (Five Leaves Left being my favorite). This one is famous for "Pink Moon," but there are too many other songs on the album that sound similar to it. Lyrically it's great, though it's a really sad window into Drake's declining mental health at the time. 4.5/5 (I'll give it a 5/5 since I can't do half stars because why not)

Beautiful, haunting album.

Nostalgie. Cool het weer te horen.

One of my favorite albums. When I first heard this at thirteen, it like changed how I viewed music. One of the first underground artists I first heard and it just seemed to link up with how I was feeling. I still listen to this album a lot and always enjoy it.

It's about time I got another Nick Drake album. I had to wait about 400 albums to get one and now almost 500 more to get this one. At least I won't have to wait long to get his other album. Like all of his work, this is just beautiful through and through. Simple acoustic guitar and his soft voice, with just a hint of piano. I just do not get how little attention this or Nick Drake got in his lifetime. Folk and soft playing was not new in 1972. It might have even been at its heights then. Hard for me to single out any song because I love them all. But if I have to, it would be the title track (probably the song that led me to discover him), Place to Be (continues the breezy, peaceful feeling from the title track), Which Will (love the hammer ons and pull offs in the guitar work), Horn (love the high fret work), Know (more hammer ons and pull offs and sweet vocals), and Parasite (great energy). Fantastic album.

Such tragedy. The final of his three albums, with all three on the 1001. With the exception of a piano overdub in the track Pink Moon, entirely consists of his outstanding acoustic guitar playing and his plaintive voice. The production quality makes you feel like you're sitting right next to him as he recorded on those two late nights (crazy that this masterpiece was recorded in two late-night sessions). An absolutely captivating album. Favorite tracks: Pink Moon (beautiful iconic track), Road (love the guitar line), Which Will (made me pull out my acoustic guitar and look up the tab), Horn (simple yet beautiful instrumental interlude), Things Behind the Sun (again, the guitar part is fantastic - listen to the clarity of his playing...absolutely beautiful), Parasite (love the chord progression), From the Morning (surprisingly upbeat and hopeful final song of his final album). Perfect melancholic masterpiece.

Ogromne zaskoczenie. Nie spodziewałem się, że wciągnę się w "plumkanie na gitarze", a jednak. Jest w Nicku Drake'u coś hipnotyzującego - może to kwestia głosu? Może nietypowego "stroju" gitarowego? Albo tekstów, wyjątkowo (moim zdaniem) przenikliwych jak na minimalistyczną formę? Właściwie łatwiej mi napisać tytuły kawałków, które podobały mi się TROCHĘ MNIEJ od reszty (mam tu na myśli przyjemność ze słuchania): Things behind the sun Know Harvest Breed From the morning Słuchając album miałem wrażenie, jakby był próbą oswojenia się ze smutkiem, ale też zaakceptowaniem życiowego minimalizmu, przepełnionego raczej zadumą niż ekscytacją (mid is a new high). Jest tu trochę goryczy (jak np. w Parasite), jednak "From the morning" na zakończenie daje imo jasną wskazówkę, że Nick nie chce się tu użalać nad sobą, a coś sobie przepracowuje, szuka. Towarzyszymy mu jakby we fragmencie jego osobistej drogi. Drake zaskakująco umiejętnie pokazuje na Pink Moon, co mu w duszy gra, daje nam szansę wejść w jego buty, poczuć jego emocje... które tak naprawdę okazują się momentami być oddly familiar, choć żyjemy w zupełnie innych czasach (przynajniej miałem takie wrażenie). Thx Nick for a free ride. 4,5/5

Amazing album, how Nick Drake was not more appreciated in his time is beyond me

Nice little album by a nice little singer who inspired thousands of shitty imitators, so he might be guilty of war crimes.

Incredible. Has grown on me over the years. I take it with me, wherever I go now. The guitar playing is sublime.

This is my favorite of his album. Perfectly mellow and chill. Just a lovely listen.

4.5/5

I have listened to this album more times that I can count. As far as folk rock goes, it really doesn't get any better than this in my (and many other's) opinion. The album wastes no time in getting started. We are dropped right into an acoustic strum of the titular track with Drake's breathy falsetto floating above. A couple of tasteful key strokes add depth through the mid-section. Immediately sets the tone of a sad smile that persists throughout. Honestly, on an individual track basis, I don't have a whole lot to say, but as a complete album this one always leaves an impression on me. There is something to the delivery that is passionately beautiful and resonates. The songs are so crisp and lightweight in structure I never mind basking in them. But even if the songs and album are short, they come laden with nuanced emotion. We are only so lucky that we were able to enjoy these songs at the expense of their author.

This album is so great. I wasn't sure I would be up for another one so close to the last, but I was hooked on the first song. Mesmerizing.