very reminiscent of pavement and early elliott smith. i definitely enjoyed the album, but there was a lack of hooks or distinctive instrumentation or structure to fully enrapture me
A great continuation of Lou's work with the velvet underground. Glam rock was already becoming a thing by the time this album got released, but alongside Hunky Dory, this album gave the genre the subversive edge that makes it so fascinating looking back.
Best songs are the satellite of love, perfect day, but every song is great on here - lots of pop hooks but it never feels like he's sanding down his edges at all
Super long album, but never once feels like it drags. Favourite track is ebony eyes, on the delux edition tracklist, an adorably cute ballad about a horse
Got some classic songs in it (sledgehammer, don't give up), but the songs aren't quite as punchy as other classic 80s albums
Walk This Way is an undeniably good and groundbreaking song, but other than that, there isn't much reason to revisit this album.
A lot of the beats and production sound very dated, and almost comedy-esque, and there are far superior 80s hip hop albums to revisit - the fact that this is a compilation album is very telling
Very warm listening, quite enjoyable to hear the notes of early Americana music. Wouldn't say there's necessarily any standout tracks or moments, aside from a strong opener 'Across the Great Divide'.
Feels like young summer in a very different way to Oasis - it feels like its soundtracking a fun, warm summer around Britain with all your friends, without any weight of expectations other than the fun times and making friends.
A lot of the criticism of this album probably goes on its voyeuristic lyrical content, but I think of that as a plus - it reminds me a lot of late 60s Kinks and Sgt Pepper era Beatles in its catchy ditties about British life. Occasionally the lack of sincerity does grate on you a little after 16 tracks. 'To the End' is a classic that I've never truly enjoyed, but luckily it all feels in spirit of the album.
Would recommend listening on a sunny May/June weekend.
Undeniably very good, really liked the middle section with really snappy and complimentary production (unfortunately from Diddy).
Could do without the skits and sex noises tbh
Fun genre-bending debut for Gorillaz. You can tell they haven't quite figured out their 'sound' yet, but that's what makes it so eclectic. Apparently it was one of the most common records to find in a second hand shop in 2002 as people who were epxecting hip-hop/pop crossovers were confusee of what to make of this almost massive-attack-lite album.
Would advsie listening to mezzanine-13-gorillaz to see how their sound formulated.
Favourite songs:
Re-hash
Clint Eastwood
Tomorrow Comes Today
Haven't given Ms Dynamite any thought before or since hearing on on 'Lights On' in 2011, so wwas quite suprised to find this album on here.
Was pleasantly suprised by the variety in sound - at its best moments its found like Nelly Furtado and Lauryn Hill. The main issue is that the album goes on too long, with too many forgettable songs, and some of the lyricism did make me chuckle
Girl, I have no idea what he is saying, but I am living for it
Unfortunately, this is really really good. I get so many parallels between Kanye and MIA, where they're both awful, brainrotted human beings, but their music during this peiod was so singular, forward-thinking, and undeniable.
Girlboss alt-rock, in the best way
Queer-baiting is okay when shirley manson does it
Widely considered the end of Joni's classic period (though I will defend Mingus more than most), this really is an album that rewards repeat listening. There's almost no hooks, just sprawling, languid and reflective songs which eventually sink into your brain.
Favourite songs: refuge of the road, strange boy, amelia
Good-quality 2010s-era indie rock. Would listen to while driving
Fairly nice I guess - nothing particularly interesting to say about it.
Very spacey - easy top get lost in as you close your eyes and lay down in bed. Drags on a little towards the end, but the first 75% of the album is absolutely sensational. Well worth exploring
Like the B52s and siouxsie making a halloween album together, pretty damn fun
It feels a little strange to call M.I.A underrated, especially when Paper Planes is one of the biggest songs of the 2000s, but genuinely feel that the sheer eccentricity of her early work gets forgotten when discussing the grander music landscape.
Arular is probably the first album I would call an 'internet' album, as in everything feels like its spliced together from different sources and meant to be discovered on a myspace board. The beats on every song are varied, fun, and genuinly new for the time.
Genuinely giggled out loud at the line "Is your dad a dealer? Cause you're dope to me".
Can't remember the last time I felt so excited listening to an album, cannot fault it at all
Duh, its a classic.
Would highly recommend yearning to this album lying down in bed with your eyes closed. Plainsong one of the top ten album openers of all time imo
Title track is great, and it was kinda fun to hear them do different classics under their distinctive sound, but no real reason to listen to this album past track 3 tbh
It's always nice when you're surprised by an album. My only real exposure to the Pretenders before was through their more mid-tempo stuff.
There's a lot more punk and new wave influence on this album that I thought. In particular, Private Life feels like it could be a Fear of Music-era Talking Heads album track, with the slightly more psychedelic guitar riffs. Chrissie Hynde's voice really elevates much of the material, and offers herself as a really captivating narrator, making songs like Brass in Pocket both sexual and wistful
Really wanted to give this a higher rating, given its pop culture importance, but unfortunately, there are just too many songs on the album that feel dated or I have no interest in listening to again. Alas Madonna, you shall do better on future releases.
Fave songs:
Dear Jessie
Express Yourself
Like a Prayer
