Autobahn

Notes: 7mins into first song: SOMETHING JUST PLEASE HAPPEN THIS IS LIKE GUCCI GUCCI PRADA PRADA ALL OVER AGAIN 8mins in: Ok maybe I should have been careful what wished for. You know when you get stuck/lost on a video game level and the soundtrack just loops? Yeah… Some of the effects were nice just not used in a nice way. I was constantly checking how long was left on this album and I paid more attention to it than other albums we’ve done so I feel a bit more confident with my vote. This album was the equivalent of a long drive on the autobahn for someone who doesn’t like driving.

Genre defining genius. Love it. I think I'd only ever listened to the short version of Autobahn before so I didn't realise how melodic the track is and how cleverly it uses repetition and melody to achieve its aim. Entrancing. Full of interest and a really interesting piece of music. Is it pop? Or rock? No, of course not. But it's brilliant. Hypnotic. Driving. Did I mention I like this? I listened to it two or three times and have done so again since. It's just mesmerising and full of interest. And sounds modern still - an album that's close to 50 years old. Side 2 is then full of melodies and electronic oddness. It's really interesting to hear the flute play such a key role on Morgenspaziergang, and both the Kometenmelodie are lovely pieces of music. And the oddness of Mitternacht seems like a bridge to early punk - look at what we can do in our basement... I need to unpack their earlier stuff and some of the related music. I get why some people don't like this. I get that it's easier to like Fleetwood Mac with "tunes" that you've heard on the radio all your life. But some of the 1 star reviews are hilarious and seem narrow minded. But, you know, I love this. I'll be driving most of the way across Germany in the summer and I already have this lined up to make an appearance on the soundtrack for that. Oh, this is good. Really good.

(Note to self: don’t read the reviews of records you love that people leave here. It’s just going to make you unnecessarily upset.) I’m not going to waste a lot of words here: This is an all-time classic record, incredibly influential and important. A pretty good case can be made that the music world would be a much different place than it is now, had it never been released. If you dislike it…fine, go listen to Rumours for the 800th time.

It didn’t werk for me

Not completely robots yet. This is a real sweet spot in their catalogue. Last one produced by Conny Plank, which I think is a shame in a way that their creative partership ended here. A real sonic journey. The Beatles of electronic music.

No big deal, it’s only an absolute masterpiece.

The sound of optimism in the future. I find this album very uplifting and enjoy hearing the full version of the title track. Sound so ahead of its time, and this version of the album cover has to be one of the most iconic sleeve designs ever.

Sublime. A musical journey.

Listened while working, which I think is kind of a perfect pairing for the repetition here. I read a bit about Autobahn and it's supposed to effect "like driving down the Autobahn" with the repetition and changes. The brief pauses and little changes after remind me of taking an exit ramp and getting onto some other road. This is probably not my favorite Kraftwerk album (that is likely Trans-Europe Express), but it's probably up there. I haven't really listened to it much lately. I like the inclusion of some traditional instruments like flute, etc. Mitternacht is a nice track, very moody. Reminds me of Berlin Era Bowie/Eno Side B tracks. Morgenspaziergang electronic parts reminds me of some of my test equipment that I modified that does weird stuff. Fun! I do like the inclusion of traditional instruments on the album as a whole. I know this is kind of the last album they do that on.

The music of the future, in this case, turns 50 in 2024. No group was ever more beholden to novelty and gimmick, yet their newness became our everyday, our wallpaper. The most influential band still considered the exclusive territory of the insurmountably elitist and the insurmountably geeky, and definitely not a domain where women tend to wander. Kommen Sie bitte und listen to Kraftwerk! Round here at Chez NoRadio, we pray thrice a day towards Düsseldorf, the home city of Kraftwerk and the location of their studio Kling Klang. If you have dug practically any music made from 1978 onwards, you should be following the same ritual. Kraftwerk are one of the few bands who can genuinely rival Elvis and the Beatles as music’s most influential acts, despite their relative lack of presence in the charts (a few minor hits, and one UK number one in 1982 with The Model (which was supposed to be the B-side, fact fans and pop pickers!)). Five seconds of listening will reveal why. Kraftwerk are the most important electronic act. No group demonstrated more decisively the aesthetic capabilities and rewards of the strictly electronic. This stern-faced, impeccably dressed unit of men-machines proved a decisive influence on post-punk, synth-pop, hip-hop, the entirety of dance music, and pretty much every form of music that has involved a current. But this is not the occasion to explain why. I shall save that for their next album on the list, Trans-Europe Express. You see, Autobahn, despite being the first album in what we fans consider the classic quintet of Kraftwerk albums (this, Radioactivity, Trans-Europe Express, The Man Machine and Computer World, if you’re curious (and you should be)), is ultimately a transitional work, Kraftwerk getting their hair cut and seeing beyond their fringe. Kraftwerk started with two German music students called Ralf Hütter and Florian Schneider (the most unsettling-looking man who stood upon the earth) became involved with the West German experimental music scene, a scene that would beget what British music journalists came to call Krautrock (yes, not the most pleasant of names, but that was Britain in the 70s: The Black and White Minstrel Show ran on British telly until 1978). Hütter and Schneider started as an organist and flautist respectively in a band called Organisation, but in 1970 they obtained a few synthesisers and started their own band, Kraftwerk (the German for power station, or power plant to American ears). Kraftwerk recorded three albums with a series of revolving musicians; these albums have never been officially reissued, and in honesty they are considered interesting curios, and not really essential. But in 1974 came Autobahn. With Autobahn, the germinating ideas on their previous work blossomed, and the band finally determined what direction they were driving in. Two factors proved key. Firstly, percussionist Wolfgang Flür had joined as a permanent member, followed in 1975 by fellow percussionist Karl Bartos. Thus, the holy quartet of Kraftwerk had come together, and the stability of a consistent fourpiece enabled them to explore the ranges of their artistic vision. So, secondly, they made a 22-minute electronic song about the West German motorway. This, the title track, harked back to the programme music of late 19th-century composers in depicting a narrative musically, yet the topic of driving down the autobahn was contemporary and the instruments were still being invented by the band. Along with this, Kraftwerk were motoring away from the headfuckery conjured by other Krautrock bands such as Can, Neu! And Faust (brilliant headfuckery though it was), and thus rediscovered the undiluted magic of the melody. To whit, they discovered pop, albeit a pop of such purity, concentration and vision, with machines seemingly from Doctor Who, that its existence had to provoke a revolution. But as I said, Autobahn is still a transitional work, wonderful though it be. Later albums would see a further refinement and evolution of the Kraftwerk Weltanschauung, so comparing Autobahn to them necessarily reveals the ragged tendrils of Autobahn’s more overtly Krautrock roots (and the last appearance of Schneider’s flute). This is not a criticism, but an observation. Still, as beautiful as I find Autobahn, the Kraftwerk I ultimately love most is the four men becoming four robots. But that is a quibble. Autobahn always delights, not least because of a crucial, yet oft-forgotten aspect of Kraftwerk: they were funny. Though one may wallow in the gorgeous melodies of the second side, it’s the Teutonic impishness of a 22-minute song about driving along the Autobahn that truly lingers. More proof? “Wir fahr’n, fahr’n, fahr’n, auf der Autobahn.” Fahr’n, Fahr’n, Fahr’n? Didn’t the Beach Boys have a song that went, “Fun, Fun, Fun”? NoRadio, signing off.

This is electronic music with a heart of gold. Happy instead of freaky, if you know what I mean. I had never listened to this album before but it's just my cup of tea. Clearly experimental but not past my ability to easily grok what they are trying to do and appreciate it. I also admire the commitment to the theme. Four stars for how much I like it and an extra star for being almost as old as I am. Talk about groundbreaking. Respect.

Day 27 of Albums You Must Hear... Today’s album is titled Autobahn by German Electronic band Kraftwerk. As I’ve mentioned before, I am not a big fan of music that is strictly instrumentation. I really love electronic music, just not as much when it has no words. This is one of those albums. My first time listening to Kraftwerk’s Autobahn, I didn’t know the year of its release, or anything about the creators. When I learned that this was released in 1974, I instantly gained much respect. These guys are innovators of EDM and I would have to imagine that the recourses and technology in the 70’s was scarce enough that you had to A) be super creative and imaginative and B) have the balls to release something so strange and new. 99.9% of music that you hear now utilizes synthesizers, drum machines, auto-tune, recording through MacBooks, and endless applications to create different sounds. Even the music that sounds completely unplugged is most likely plugged in, even in live performances. In 2021 Autobahn sounds generic, but that’s not fair to Kraftwerk. They lead the way in the early 70’s, and the entire music industry over the nearly fifty following years would benefit from them. There are some good melodies here, and this recording is at its finest when you are wearing headphones, especially the noise cancelling kind. In closing, I wanted to take a crap on this album until I learned it was nearly fifty years old, and realized how jaded to musical technology I’ve become. To me, Autobahn isn’t necessarily a must hear, but it is a project that deserves everyone’s respect, regardless of your preference in music. Please share your thoughts, memories and opinions!!

did not enjoy. First song was 22 minutes long and for what.

It's my birthday today and this is 1001's present to me rather than some obscure mid-80's album by some unknown dirt band. I found this many years ago in my dad's collection and have been on an Electro journey ever since but these guys are the Godfathers of Electronic music. You don't get any better than this and it's a trip from start to finish. Experimental, ambient, jarring and hypnotic. 🌟🚗🌟🚗🌟🚗🌟🚗🌟🚗

Really enjoyed this. The title track has - unsuprisingly - a real autobahn feel to it. Added to my library.

OMG the generator gave me Kraftwerk albums two days in a row. I guess it liked my comments on The Man Machine. Hey, generator, what’s up ;) Yesterday I said that I thought "Neon Lights" was possibly the best song Kraftwerk ever made. As I typed it, a little voice in my head kept saying "Except for Autobahn!" So, I guess now I get to talk about Autobahn, which pretty much makes my weekend. Okay, it’s obviously not for everyone, an acquired taste, as one reviewer put it. But if you have the patience, this album is really worth the listen. Autobahn is next level over next level, something that I have tremendous respect for and also just like listening to. It is a bit of a mood though. I don’t necessarily want to hear it often, but when I put it on, those first 22 minutes just make me inexplicably happy. You get a sense of joy and that they were really having fun on this one, and I guess that’s what I’m feeling a response to, the joy. Musically, the album is absolutely sublime. I love the effects they use to give an impression of vehicles in motion (“Autobahn”) and the sounds of the natural world (“Morgenspaziergang”). It’s an incredibly playful and clever use of synthesizers. The incorporation of traditional instruments adds an extra level of depth you don’t hear in their later albums. This is actually “The Man Machine” in action, the natural/traditional paired with the mechanical/constructed. Go figure. In "Morgenspaziergang," the band masterfully captures the essence of sounds from the natural world like birds and flowing water to create a pastoral soundscape, complete with accompanying Pan's flutes. It's incredibly pretty. “Kometenmelodie 2” is likewise just a lovely, melodic listen. It’s a window into what other electronic artists will be doing 5-10 years down the line. As for the masterpiece of the album, "Autobahn" is the only 22-minute song I will ever care to listen to. I hesitate to even call it a song, because it's bigger than that. It's a far ranging, longform musical journey. I may never make it to the actual Autobahn, but one day I want to just get in the car and take a ride to nowhere with Autobahn playing on a loop. It's what this album was made for. Fave Songs: Autobahn, Kometenmelodie 2, Morgenspaziergang

One of my formative albums from one of my formative bands. Is this you a five star album objectively? No. But it is for me.

fun fun fun on the autobahn fun fun fun on the autobahn FUN FUN FUN ON THE AUTOBAHN FUN FUN FUN ON THE AUTOBAHN FUN FUN FUN ON THE AUTOBAHN

KK Slider went off.

Seriously?! A 22 minute opening song. Fucks sake, kill me now. I honestly hate this shit. Who in the hell listens to 42 minutes of boring electronica??

Great timing, only a few days after I actually went to see Kraftwerk! This particular album was new to me, I only knew Autobahn. It has moments of darkness - I can hear the influence of Kometenmelodie 1 and Mitternacht on Wendy Carlos's work for The Shining soundtrack. However, Morgenspaziergang ('Morning Stroll') is full of joy, very 1970s kids TV.

Vorsprung durch Technik

I liked this far more than expected. Fun Fun Fun on the Autobahn.

Can see how this would have influenced a number of artists in the late 70's and into the 80's for sure... Pop songs had their song structure, and Country songs had their structure - but synths were a brand new thing around that time - so how to use it, and what could be created, was wide-open - as there was absolutely no roadmap, and I like what they did here... You can hear elements of the atmospherics and soundscapes that many synth type bands would get into, as well as the direction that some of the new wave artists of the 80's would pursue... The quality of the recording is exceptional for 1974, and the album really just should have been all instrumental - as the lyrics and limited vocals were just dreadful... A little bit more here than meets the eye in terms of influence, as whenever Kraftwerk comes on the radio, I never turn it off - though I doubt I will ever listen to this album again... I'd give this a 2 for the quality of what they did musically, and it gets bumped up to a 3 based on how influential this had to be coming out in 1974...

Read the wiki page about this album before I listen it was kind of excited to hear it. Particularly after seeing The artist who allegedly credited this album as influential in their careers.… I don’t see it more importantly, I didn’t hear it. Sure it’s a blend of instruments with electronics, but that’s about the Extent of it. Not offensive, except the vocals when they appeared, but not inspiring.

I have no desire to listen to this again whatsoever

Autoballs

Boring, but I think that's sort of the point. A few parts were rad, but it was just so boring.

Repetitive. Repetitive. Repetitive. Excellent. Excellent. Excellent.

Have this on wax (a bootleg Spanish picture disc). It is a beautiful album. Or at least, 20 minutes of the greatest proto-electronica that sounds like the Beach Boys collaborating with Giorgio Moroder to sing about the joys of motorways. And then a few perfectly acceptable tracks on the flipside.

I learned today that I've been sleeping on Kraftwerk. Autobahn is a truly timeless album. It was made 50 years ago, feels about a decade ahead of its time, and still sounds contemporary today.

One of the best electronic albums of all time, it’s immaculate

50 years on this is still the sound of the future

Space music

Who might want to listen to this album? Stoners? Check. EDM fans interested in the roots of their music? Check. 80s techno lovers who want to know what influenced that genre? Check. Anyone who likes really interesting music. Absolutely. Autobahn is, by even Kraftwerk standards, an early electronic music album. They took the academic-oriented electronic music of the late 1960s and early 1970s and melded it with ambient influences and pop music to create a true masterpiece. Later on, Kraftwerk added the disco beats that were becoming increasingly common in clubs of the mid 70s to create the signature Kraftwerk sound. Even though this is a prequel to what would later be the trust of their music, it is still a phenomenal album. The driving beat of the title track alone makes this a special album.

classic.

Gear: Hifiman Arya Mix (2009 Remaster): Optimistisch. Futuristisch. Perfekt. Musik: Ikonisch. Legendär. Kraftwerk. Wertung: 🛣️🛣️🛣️🛣️🛣️/5

Immer schon eine ganz besondere Platte!

I haven't listened to much Kraftwerk before, but they are always mentioned by every electronic musician I read interviews or autobiographies of. Therefore, I've always been interested in listening to Kraftwerk for myself. "Autobahn" was a very relaxing and fun listen for me. The title and longest track is an epic, in its own almost ambient way. The rest of the songs fit right in, and I found myself wanting to relisten to the album after it was done. For the time of release, I also can see the huge influence it had on artists I admire like Eno and, of course, all those other electronic musicians.

Some of you get it. Some of you should try smoking a joint once in a while. A masterpiece.

Kraftwerk is divisive. I get it. Autobahn is divisive. ALL THEIR WORK IS DIVISIVE. But we live in a post-Kraftwerk world. Someone had to do it first. Many Someones had to do it first. Kraftwerk is on that vanguard: making what they wanted to make. Making the world of music in their image, or at the very least, carving out a small divot in the zeitgeist that others could expand upon.

I’m not an electronic music guy, but without Kraftwerk EDM would not be the same today. For that alone this deserves an easy 5 stars.

So influential! As well as the title track's massive impact on electronic music, "Morgenspaziergang" sounds like the birth of folktronica! Fave tracks - "Autobahn" for the immersive hypnotic motorway experience, and "Kometenmelodie 2" for the uplifting optimism!

You can totally feel how this changed the gear of electronic music.

Autobahn makes edgar winter group's frankenstein seem like childs play synth. Apparently they even invented some electronic instruments, that's badass. Also this is an amazing tidbit I found on wikipedia... Chris Martin of Coldplay recalled in a 2007 article in Q magazine the process of requesting permission to use the melody from the track "Computer Love" on "Talk" from the album X&Y. He sent a letter through the lawyers of the respective parties and several weeks later received an envelope containing a handwritten reply that simply said "yes".[77]

👌🏼👌🏼😎

This album holds quite a lot of nostalgia for me, so that skews its rating up some. This was one I listened to a lot in the early 80s. I very much love the imagery that each of the pieces in this evokes. The title track has always been a favorite, conjuring up a car trip quickly passing through different environments along the highway. Then we go with a comet in the sky, amplified midnight noises, and a morning walk. All pretty perfect.

I have no problems with Kraftwerk and I have enjoyed becoming acquainted with some of their library of work. However, two albums within the same week seemed a bit out of balance and perhaps created an uphill battle to win my affections. They did it!

A genuine album you should hear before you die. Efficient German electronic tunes and efficient German lyrics. The fact that this album has pretty much influenced every major genre of music should be reason enough to listen to it. The fact that it's actually brilliant is another reason. Best Tracks: Autobahn; Kometenmelodie 1; Kometenmelodie 2

10/10, super cool album I’m surprised electronic music sounded that good in 1973 I was expecting it to sound a little more simplistic or something but they really made the most out of it you can hear all sorts of modern production techniques being used throughout the album and I have no idea how they pulled it off overall just a super impressive album they pioneered genres that led to some of my favorite artists like Big Black Delta and LCD Soundsystem

Went from I want an Audi to what are the aliens trying to say very quickly. Synths are still a top tier instrument

A stunning masterpiece ✨️

Monumental album. Influential and memorable.

Brilliant - SideA is a masterpiece Side B is great. Imagine hearing this album back then!

Can’t imagine what people must have thought when this came out in the 70’s. 50 years old and it still sounds groundbreaking. After the epic 20-odd minute long title track, we’re treated to some crazy experimental sounds that wouldn’t sound out of place on an aphex twin record.

Pretty phenomenal stuff. Got them synths sounding like cars on the autobahn, how cool is that? I wonder how many people have listened to it while driving on the autobahn? If only Total Ghost were able to open for them in May…

Classic krautrock/electronic album

Kinda want to give 5 stars but I'd basically be giving it to the majority of the first track. By Morning Stroll I've got to admit that one (very long) great track doesn't make the whole album a 5.

This is an album very much of a time - probably about 10-15 years after it was released. It's obviously very synthy, it's a cool, experimental sound that should probably be judged against that 1974 yardstick, and it's incredible in that regard. But, listening to it today, it does feel like it lacks a bit of energy - you can get away with some tracks that are more ambient and dreamy like Autobahn, which is a classic, but after that you need a bit more oomph to build on that, whereas it mostly dials back. I think it's still a 4/5 for me, but at the bottom end of the 4 spectrum.

Some of y'all weren't raised on kraftwerk, and it shows

I enjoyed this more than I remembered.

Catchy tune

passend zum osterstau lol

prototype electronic techno goodness. in the 1970s, this is what the future could've sounded like. vocoded vocals, space-age zaps and beeps, driving sweeps, pads, and wide analog drones... this album is quite the trip. the main track is about a road trip.

Song at the end is beautiful. Title track a work of sheer genius. Middle bits were so so.

Influential is a word I use a lot going through these suggestions. I think this and Oxygene by Jean Michel-Jarre have to be the joint most influential albums in electronic music history. I know there was electronic stuff before this. But this is such a complete electronic album, and you can hear it's influence everywhere. Trouble is I just don't like it that much. It's still getting 4 stars because it's amazing and so important it's hard ot know where to start.

BANGERRRRR

Surprisingly great. You can definitely hear the influence this record had on Bowie's Berlin-era albums (Low, Heroes, Lodger), what with the vivid electronic quasi-soundscapes, stationary vocals, and gradual, impactful chord changes. It almost jumps on the prog-rock bandwagon that was all the craze in the early-to-mid 70s, but veers into a more slow, electronic genre. I get the point of the opening, title track, but clocking in at almost 23 minutes without too many new ideas being introduced throughout, it's just too long and repetitive to really be a masterpiece. The four tracks on Side 2 are all great (if a little unmemorable), containing some pretty synth melodies and a few extra instruments thrown into the final track. A really good album that was very much ahead of its time.

I'd stared listening to this yesterday morning, but stopped as I wasn't in the mood. I was off out in the evening for a walk and a train journey into Bristol, so thought it could be my soundtrack. Turns out it was a pretty good soundtrack. Although, I prefer Kraftwerk's other albums, particularly Trans Europe Express, this one was still pretty good.

Kraftwerk are legendary pioneers of electronic music. They’ve worked out a futuristic, yet retro aesthetic. Most of their albums are worth a few listens, especially Trans Atlantic Express.

Pretty good, but not as enjoyable as their later work. Basically everything I have to say.

BEEP BOOP STARS.

Beep beep.

Super cool. I had to listen twice in order to get it, but then it happened

I love Kraftwerk, but I like them for their role in music more than I do for individual songs (although many of them are very good). To think that this album is 50 years old and sounds so "ordinary" to modern ears (a complaint I have read here) shows just how groundbreaking and influential this album has been (and the entire body of work by Kraftwerk). They've influenced art rock, electronic music, EDM, and hip-hop and probably many other genres. Many imitators, but this is the source. Kraftwerk has always been ahead of their time, and this earlier work stands as a testament to that. Standouts of this album are the title track (an ambitious 22:47, an entire side of an LP when it was released), and "Mitternacht."

Love Kraftwerk. This is one I listened to in college when I was working on art. The title track is such a fun romp and always keeps that steady pace going while transitioning through many different melodies. It's very whimsical and feels like a journey.

Awesome album. It's an aquired taste. I have listened to it multiple times, just to hear the song 'Autobahn' once again, but I kept listening to the whole album.

Zu seiner Zeit sicherlich wegweisend. Langatmige Syntheziser sind aber heute nichts für mich.

Kraftwerk. Nice. But this isn't their best.

Am album ahead of its time in a lot of ways. Perhaps it's the age and 1970s influence, but I found myself grooving one minute and then bored the next.

Speaks to one's mind more than one's heart or soul. Full appreciation of the trance-y effects (more on "Kometen 2") may require one to be in the right mood. The opener may be symphonic, but it's also too long. "Morgen" is probably the most interesting song for not being so relentlessly minimalist and repetitive. Hard to get past the kitschy sound of such dated keyboard technology.

I don't drive, but I might put this on next time I'm playing Euro Truck Sim 2, see if it enhances the experience

A third (and final album) by Kraftwerk, I think getting them so close together is clouding my judgement but they all blend together, and nothing stands out about this one.

I listened to Autobahn while driving yesterday and almost fell asleep. It's a meditative album. Very simplistic sounding. Good for when you're trying to nap. It's not good driving music. Don't listen to this while driving the autobahn.

I was really enjoying the trip along the autobahn, but after a while (quite a long while) they refused to stop at the services and I needed a wee pretty badly.

Time for another artist I've heard of! I've been on a good streak with that lately, but that's mainly because two out of the past 4 albums I've gotten were from artists that I've gotten earlier in the project. Kraftwerk is a fairly iconic band, so I wasn't surprised to see one of their albums in here. Based on my research this seems to be the album that put them on the map of popular music. After listening to it, I guess I can see why. Is this my favorite album ever? No. Not even close. It's a good album though. The sound is enjoyable to listen to. I like how the album doesn't just throw everything at you right away and builds up to the different sounds that it wants to make. The whole feel of the album is pretty mystical. The 22-minute long title track is probably the most interesting song on the album for multiple reasons. This seems to be a love-it-or-hate-it kind of album based on the reviews I've read from this site. I'd say I'm closer to the love it side, but I'm not super passionate about it. Still, this album is pretty good, and I'm excited to hear what else this band has to offer from the two other albums they have on this list. High 3/5.

Decent album and I like the overall idea but it's not something that draws me in significantly. I actually quite liked the ambience of the last song - a nice way to end the album.

Most interesting because this album was made in 1974. Apple didn't make the first home computer until 1976 and no one was using synths in 1976. 22 minutes is too long for a song though. Good background music overall.

That's not my taste in musik. But ok

Interesting. Would never have listened on my own.

Title track is actually pretty enjoyable. Some of the other stuff is kinda challenging. Definitely an Influential and important record and better than the other kraftwerk album. I hope we don’t get any more kraftwerk though I think we get it. 2.5

Ok

This was ok, but felt very one-note.

Didn’t hate it but thought it would be good for a claymation project.

Love it.

I don’t usually listen to this style of music, but this was ok! The universe is hilarious to give this album to me in the morning I have a three hour drive.

I’ve always heard of them being influential to some artists I like, but never listened to them. It was okay as background music, but I think this just doesn’t stand up since electronic music has come so far since this time.

Fun fun fun

One great song very long and technical if they made a haynes manual into an album this is what it would sound like.

Heard to concentrate on whilst I was working, but the bits I tuned into were good.