I guess I didn't think M.I.A. was influential enough to be on here more than once.
Arular is the debut studio album by British recording artist M.I.A. It was released on 22 March 2005 in the United States, and one month later in the United Kingdom, with a slightly different track listing. In 2004, the album's release was preceded by two singles and a mixtape. M.I.A. wrote or co-wrote all the songs on the album, while collaborators included Justine Frischmann, Switch, Diplo, Richard X, Ant Whiting and Greg "Wizard" Fleming. The album's title is the political code name used by her father, Arul Pragasam, during his involvement with Sri Lankan Tamil militant groups, and themes of conflict and revolution feature heavily in the lyrics and artwork. Musically, the album incorporates styles that range from hip hop and electroclash to dancehall, baile funk, and punk. M.I.A. created the basic backing tracks using a Roland MC-505 sequencer/drum machine given to her by long-time friend Frischmann. Arular was lauded by critics for its blending of styles and integration of political lyrics into dance tunes. It was nominated for the Mercury Prize in 2005 and was included in the 2005 edition of the book 1001 Albums You Must Hear Before You Die. Although it only reached number 98 on the UK Albums Chart and number 190 on the US Billboard 200, several publications named it as one of the best albums of the year. By mid-2007, the album had sold 129,000 copies in the US, Arular spawned the singles "Sunshowers", "Bucky Done Gun" and "Galang", which was released twice.
I guess I didn't think M.I.A. was influential enough to be on here more than once.
An album where every song is a seizure.
A true fusion album; I can't classify it as one specific genre. It is cool to see explicit political messaging outside of its usual mediums like rap and punk. A few of the songs are really catchy, and I like the overall 2000s liminal vibes.
stop sayin crazy shit bout vaccines, lady
S.I.K
Great debut album.
Really didn't like this. Repetitive, amateurish. I struggled to listen all the way through. The vocals - which only seem to have one gear - and rhythm are not interesting at all. Very disappointing.
I'm not sure what I expected but I sure didn't expect to end up totally digging this album. It's weird, wild, compelling, and completely different from anything else I've heard. I don't know, it's just really great. Gonna need to give this one several more listens.
For fucks sake... this is like one terrible song on repeat.
This is obnoxious. I couldn't make it more than two songs in. From a one-hit-wonder to two albums on this list is a tragedy.
Basically just annoying through the first few songs so in a radical act of self care, I am not forcing myself to listen to this entire album
M.I.A. swaggers in. Boombox booming in one hand, the other hand texts acronyms to friends flung far away. It's hard to pin her down, with her Caribbean lilts, her Bristolian beats, her Arabic patois, her Mr. Oizo synths, her Acton shout-outs. Arular's fantastic. Music from the most bombastic sources distilled through a cocky self-assured artist with a real knack for hooks. It's quite the cocktail.
Weird and wonderful, with a head-spinning array of genres and styles. Very english, very sri Lankan and Indian too. Feels like walking through London or one of the other great cultural melting pots of our time. I loved it
After talking to many folks about this album? From here and abroad? It's a very different story. When Galang dropped in 04 in Sydney Australia? We went nuts. Not just a lil rowdy? Nuts. So when Arular came out in 05? It became the banger of the year. A month and a half later Trent Reznor drops With Teeth and then goes on record saying that he wishes his album was as dynamic Arular by M.I.A. Immediately sending the flag out to work with her. Everyone who was everyone wanted this girl to work with them. So I can understand why this album is in the list of things you need to listen to? Cause if you think about the scene back then with everyone complaining about "real instruments"? And the flood of faux garage and rock groups? Jet, The Hives, The Strokes, White Stripes and all of that? Out of nowhere comes a refugee banger that took on all the war sentiments feeling at the time and made folks dance through it. It's a real important album if you know why it came to fruition and how that product shifted aforementioned Trent Reznor's mind set for the next incarnation of NIN when he broke free from all the record labels. The Slip Hesitation Marks The rise and fall of Niggy Tardust - Saul William's album he produced? Yo... this record hit the right people and changed how music was heard. Kudos MIA
I wish Paper Planes was on this album. It’s my favourite M.I.A. song. Notwithstanding that, this had me bouncing in my seat and I love her global, kleptomaniac approach to mixing styles with a political stance to boot. I haven’t felt so physically inclined to dance along for a while - so - bonus!! Going to listen to Bad Girls now. This has actually made me happy.
I can't stand M.I.A.'s music the second time around here either (and no, I did not consider M.I.A.'s music worthy of a second entry here to begin with).
Fucking nonsense.
I loved this. Fired me up. I've enjoyed every song I've ever heard by MIA, so I'm kicking myself for not checking out this banger before.
J'ai trouvé ca trop nice. M.I.A a un style vraimenta elle pour ces années. En plus c'est son premier album. vraiment nice. C'est pas pour toutes les occasions mais, comme on dit, ''it grows on you'' et quand tu arrives a la derniere chanson tu es hook. 5
Enjoyed it quiet a lot. Very interesting snappy beats on this one. There wasn't really any song that I didn't enjoy. Maybe the skit/intermissions could've been left out. Thankfully there are just 3 of them and they're not that annoying to pull me out of the experience.
Truly one of the pioneers of the experimental crossover sounds that exist in today's music. A very fun listen, with interludes that flow as well.
9/10 godDAMN I love M.I.A.! she’s got such an interesting, one-of-a-kind style that deserves to be commended
M.I.A. is a trailblazing female rapper
Late review: Christian asked to put on an album over breakfast, he wanted to know what I thought of it. I immediately begin grooving to the beats... niceeee He said that I should look at what Sam and Caitlin thought of it... "Why? Did Caitlin say she wants to vomit?" --- M.I.A. , I'm sorry I haven't checked out more of your stuff, other than those classic paper planes... I'll fly away with you on any type of plane, rootless to any land together, and we can listen to this album on the way. I like the hooks, the beat, the sass, the delivery, the grit, the strength, the venture, the lack of boundaries... the rhythms, rhythms, rhythms. I'm confused, thrilled, and I like it.
I love this album. More than Kala. I don't know why but it just bumps so hard from start to finish. Sunshowers, Bucky Done Gun, Galang... all classics.
In your face, a difficult and wonderfully fun listen.
Politically charged lyrics over some insane beats. Perfection
WOW. Where has she been all my life? I absolutely loved this album. Beats set my day up to be a good one. So inventive and different, especially at that time.
Perfection
Genial, eindringlich, anders, stark aber nicht aggro
I love M.I.A. But that rework of the Sanford and Son theme on U.R.A.Q.T. took my love to the next level. Is there nothing M.I.A. Can’t do?
Totally catchy yet completely unpredictable. I so appreciate M.I.A.'s unique sound!
This one is a winner! Such a cool and unique sound.
Move over Peter Gabriel, we have a new champion for Most Annoying Album I Awarded Five Stars
Already listened to it 4 times. Love it!
M.I.A.'s debut Arular is much stronger than her more popular follow-up. Arular features all of the forward-thinking hip hop production and memorable international influence without any of the low points. While I don't care for the skits, they're short enough that you don't have to worry about them ruining the experience. M.I.A. is a good rapper who brings excellent energy to match the production on each of the tracks. Some songs are better demonstrations of her MCing than others, but the album is still an outstanding look at the kinds of new directions that hip hop was exploring in the early 2000's.
What a wild ride! This is a unique sound that everyone deserves to hear before they die. Hate it or love it, it’s worth hearing. I for one, am struck. The somewhat-industrial, electronic music is captivating. I find the artist’s story to be part of the appeal. A visual artist that happened to play around with a 505 drum machine. She tried to find others to supply the vocals with no luck so she did it herself. Inspiring stuff. And a sonically stimulating experience.
I don't know much about Sri Lanka except for its location and the fact they had a civil war that lasted 25 years. AND I learned these two facts because when I first heard M.I.A. she was singing 9 months pregnant (on her due date no less!) at the Grammys. She performed Paper Planes. That swagger alone made me fall in love and want to learn more about this dynamite artist. I was not familiar with this one but really enjoyed the album. The mix of genres combined with her own cultural mix just delights me and makes me realize this world is so damn big and it's immigrants like M.I.A. who shine a lens back on our own culture so we can learn more. (Fun fact: two of the Beastie Boys are in her Paper Planes video at the very end)
Number two from MIA, with no hits in sight. Still, another testament to how talented and creative she is (was?) as an artist. Such pronounced style, it's obvious why this list-maker would include multiple from MIA - she makes music that white people have never heard before. Jokes aside (am I joking?), I really dug this one. Not as captivating or consistent as Mala, but still a strong project. Prior to doing this project, I think I had only heard a couple of her newer albums, which are nowhere near as interesting as these early ones. Not sure what she's been up to. Favorite tracks: Banana, Pull Up the People, Sunshowers, Fire Fire, Hombre, 10 Dollar. Album art: Another banger. Better than Mala to me, this one is really cool. A great collage of colorful elements and styles, perfectly reflective of the kind of music she's putting out there. Plus you get a picture of her in the center, which is a nice bonus. 4/5
Very very interesting and eclectic blend of styles, and it's rare to find something that is so mixed up like this to be so BOPPIN. This would be a 5 if the vocals didn't get a bit grating at times.
I enjoyed Kala when it was recommended and I equally enjoyed this. Great fun, good beats, innovative noises. Quite different to conventional hip hop.
How did she sample the candy that pops in your mouth on "Banana - Skit". I thought my headphones were breaking. This is awesome. I'm going to steal the top negative review, because I agree with it, but not in the intended way: An album where every song is a seizure. Hell yeah it is, and it SLAPS. I want my brain to be turned into mush with experimentation and crazy sounds.
Its been a while since I've listened to this one. Jeremy introduced me to it and Diolo around the same time. It's better than the sum of its tracks. Drums and lyrics and highlights throughout
Huh. Didn't see that coming. I liked this a lot. It was multidimensional, something I often find lacking in post 90s rap. Also, significantly more melodic.
MIA is great, fun
Really good!!
Liked this way more this time around than when I first heard it. Unique sound - like metal and plastic hot glued together. Light 4.
Liked this more than I expected I would. Lots of good grooves and I like her singing/rapping style. Very creative and unique, with challenging lyrics. Favorite tracks: Bucky Done Gun, Fire Fire, Amazon, Bingo, 10 Dollar (difficult lyrics about prostitution though). Definitely interested in hearing more of her stuff.
Catchy beats from a British hip hop artist AND the title helped her reconnect with her activist father? I’ll round up.
I really enjoy her originality and passion.
I absolutely loved this album when it was released in 2005. Before "paper planes", MIA was a tour guide to UK - Sri Lankan expat culture through electroclash beats and Karen-O type yelps. She's capable of more contemporary tracks ("Sunshowers") while adding her unique angular style. As an older man, I have a harder time listening to many of these metallic, grinding tracks. But this is a fascinating debut and worth listening to at least once.
It’s hard to fathom that M.I.A.'s Arular is closing in on its 20th anniversary. When it dropped in 2005, I was living in London, and the buzz around it was undeniable. You’d hear tracks like “Galang” and “Bucky Done Gun” everywhere—from the most uptight clubs to the scuzziest dive bars. Arular stood out, with its heady blend of hip-hop, dancehall, electro, and world music creating a sound that felt far more alive and unpredictable than anything mainstream at the time. Truth be told, I’ve never been sold on M.I.A.’s lyrics. Even back then, it felt like she was a teenager cosplaying Noam Chomsky, throwing out broad political statements without any real knowledge to back it up. Nearly 20 years on, that impression has only solidified, especially with her recent dabblings in conspiracy theories and newfound religious leanings. At her best, her lyrics skim the surface of complex issues—civil war, terrorism, oppression—but rarely dive deep enough to say anything meaningful. However, unlike many reviewers, I do enjoy her vocal delivery. It’s one of the things that hooked me back then and still stands out now. There’s a swagger and rawness to her voice that matches the experimental production perfectly. Where her lyrics might stumble, her voice hits hard, and the beats—while sparse and jarring at times—still feel ahead of their time. Listening to Arular today is like catching a glimpse of a parallel 2025, where the music is sharp and anarchic, even if the message is occasionally muddled. In the end, Arular endures not because of its political depth but because of its fearless, genre-defying sound. It captured a moment and remains a vital, if flawed, musical rebellion. Did/Do I own this release? On mp3 Does this release belong on the list? Kala feels like a more essential album. I’ll get back to you after I listen to that one again. Would this release make my personal list? Probably not. I do like it, but some of the topics are poorly fleshed out. This is an album that’s fun once in a while. Will I be listening to it again? It’s an album I’ll return to occasionally, but probably not one I’ll reach for often.
I will say this: the "skits" were really just short experiments of some sort. So they were something I am not just going to "skip" if I decide to come back to this. For the most part, I dug this. I thought M.I.A. did a good job producing beats throughout. I liked some of the ideas used for sampling, like in "U.R.A.Q.T." It was better than I was expecting, because I was expecting something along the lines of 40 minutes of "Paper Planes," and this definitely a lot more than that. Not sure if I would come back to it, but it is better than I expected. Top tracks: "U.R.A.Q.T.," "Galang," "10 Dollar," "Bingo"
Bongos, Bambus und Mandoline im Zusammenspiel mit einer nervigen Frauenstimme die über Mobiltelefone und Bananen singt mit einer wuseligen Combo. Aber schlimmer geht immer - die Gute Rapt auch noch. Die Platte führte einen in die Illusion einer Fahrt mit einem verrotteten stinkenden Taxi in Mexico City und man nur einen Wunsch - Lebend raus !
The music is MIA.
This is fucking insufferable. Get this shit far away from me. How could anyone deliberately listen to this absolute fucking garbage?
Ok, so I rolled my eyes when I saw her come up on this list again but I had a lot of fun with this one.
This is bad-ass. I know I missed half of what was going on here, and if I were to dig in to better understand this album, I'm sure I'd get a more profound appreciation for it. But as it is, just listening and grooving to the songs, the production, the style, the vibe, and M.I.A.'s brand of rap, this was pretty amazing. I'm out on a limb here with a 5, but I'm not sure what could have made this better.
curti, sonzao animado e gravezon
I thought this was fantastic and Marxist. 5 stars.
M.I.A. is just so fucking cool she makes me want to be a criminal
Mid 2000s dance music. This thing feels like it was made in someone’s bedroom, they had their electronic instrument and used every single sound available on the thing, but in a good fun way like on Bucky done gun the shitty horns sound like they belong on a flash game. Lots of good throwback sounds and it’s so absurd it would fit in with modern dance music. Not so hidden messages in the lyrics but since pulling apart lyrics isn’t my thing I’d say it’s just a really cool idea.
9/10
Love it. Way ahead of its time, especially with the instrumentals. Creative, one of the few albums that I wish didn't end and leaves me craving for more. Love the mixing of electro sounds with hip-hop. Fun
Very very good
Today's album is like trip hop. It's not bad at all. But it full of dumb fucking skits. Man I hate those, but at least the skits maintain a beat. They aren't just random fucking noises or nonsense, just kinda like super short songs. I still don't like skits, but it didn't detract from the album the way other skits do. I haven't got a bakers fuck of an idea what the singer is saying, but it doesn't matter, because the beats are solid. The album cover looks like something someone made using Microsoft Word and clip art. It's actually really fuckin good though. The music is such a vibe. Has a world music feel to it. Pretty solid! U.R.A.Q.T sampled the Sanford & Son theme song! You can hear Fred Sanford saying "you big dummy" throughout the song lol Favourite songs: U.R.A.Q.T., Bucky Done Gun, Sunshowers, M.I.A, Amazon, Bingo, "Fire, Fire", Galang, Pull Up the People Least favourite songs: Banana, Dash the Curry, One For The Head (fuck skits) 5/5
It's just ace. She's stayed close to this standard for 20 years while maintaining an indie career that has been brilliant. Conversely, Diplo has become more and more bland and dull while achieving mainstream success and ridiculous money. This is why I think we should let climate change win.
galangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalangalan
Banana.
This is great. Love the beats and there is a lot of wit. It’s just a very engaging listen.
*insert lady gaga gif* talented, brilliant, incredible, amazing, etc etc
A visionary debut that mixes rap, world music and indie.
It’s rare to get an album that is completely new to me that I listen to twice in a row, but this is one of these. This debut from M.I.A takes glitchy, catchy dance beats and layers on lyrics that range from cheeky to sharply political. Maya Arulpragasam experienced life as a refugee from the violence in Sri Lanka when she was just 11 and this plays out in her music, but it’s done with irrepressible charm and wit. I absolutely love this!
Loved it. I only knew Paper Planes (from her next album) but she is way more. MIA is clever as hell and mixes those great lyrics with groovy beats. In her words, its hard to dance to political songs and she wanted to change that. Mission accomplished - to a tee. When Apple played its randomly selected similar songs after the album ended, I also came to realize how influential MIA (and Gwen Stefani) were on a bunch of female artists of the 2000's - think Fergie, Iggy Azalea. MIA is better because she doesn't seem to sink to pop lowest common denominators. It's lyrics first, beats to fit it. To me, she's just as good as Missy Elliott. Not the same, but damn good. And if this album wasn't as influential as Missy's Under Construction, it should be. Special shout out to the most wicked songs on this album - Pull Up the People, Bucky Done Gun, Sunshowers, Hombre, URAQT, and Galang.
Arular thrills. 🔥 I do not tire of M.I.A.
This was so novel when it was released. Exciting, different, challenging and bold. The videos were intense and dazzling. These days, this feels almost quaint. Still lots of fun. Bold choices.
Weird
9.5/10
Comenzamos el mes de mi natalicio con el debut de M.I.A.. La conocí hace unos años a través de un documental y luego caí en la cuenta que ubicaba uno de sus hits posteriores. Una artista zarpada, adelantadísima a toda la movida actual del trap/hip hop/neo soul (en el caso de mi país, imposible no relacionarla con Nathy Peluso y con el resto de las pibas de su camada). Me vuela la cabeza que lo haya producido con una máquina de ritmos re sencilla y que sean ritmos bailables con letras barderas. Me recuerda también a las raperas de los 90s y, en el caso argento, Actitud María Marta, Miss Bolivia o Sara Hebe. Muy bien 10.
Awesome album to end the week on! I didn't think we would be getting another MIA album, let alone her debut. I can see now how she has evolved over the years, this was the only album of hers I don't think I've listened to. Very cool that she created most of this music and wrote it. I saved Sunshowers, Fire, Fire, and Hombre.
I enjoyed her second album Kala a bit more, but this debut was already pretty good. The songs are maybe a bit weaker, but the tasty beats make up for it.
This was a decent album. M.I.A. does a great job of distilling a wide range of influences. She expertly weaves various strains of British electronic music with hip hop and music from Sri Lanka. Her lyrics are obviously political and have caused quite a lot of controversy. I don’t this this album is as strong as Kala, but I still enjoyed it.
I didn't like this as much as the other one, but I'm still watching her career with great interest. Best track: Sunshowers
Arular is the second album recommended to me from M.I.IA. on this list. The first album I did not like, but I found Arular much more engaging. I know that I did not listen to all of the lyrics while listening to this album, and I missed much of the content. The lyrics were a big downfall of the previous album. The rhythms and energy of this album kept me in the flow of this album. Arular sounded like it would be fun to hear performed live. If I can skip "Freedom Skit" and "Banana Skit" I'd listen to this album again. (I'm generously rounding to 4 stars.)
Awesome. Great, inventive sonics, and not really a weak point in any aspect of M.I.A's producer-rapper-singer-songwriter job. Only thing is i think it was totally upstaged by her second album.
I really like the production on this album, I don’t really know most of what was said but the beats were great. Definitely doesn’t overstay the welcome.
Great groovy electronic album! Pulsing and alive with MIA’s staccato vocals. Also a great primer for creating electronica.
Very surprising album, I liked this one! Similar feel to Skindred without so much punk and more electronic beats.
Fun!
Another M.I.A. album that's energetic, eclectic, fun and has depth. It grabs you instantly and doesn't let go. Perhaps not quite as accomplished as Kala, but as a debut album this is quite a statement. Unique and pioneering art. Rating: 4/5 Playlist track: Pull Up the People Date listened: 27/10/23
Det här är ju definitivt inte min musiksmak men hon är jävligt frän och det är ett bra album.
fun energy
I'm always taken by surprise by M.I.A. She works in a genre that I don't have a lot of time for and yet, she has the talent and interest to create something that stands out from just about anything else like this.
Yes. So good, also so fun to read about how the album was made on an archaic beat pad and sampled things like toys from India. Very creative, love all the percussion. Lot of fun
Has a great sound. Standouts: Pull Up the People, Bucky Done Gun, Fire Fire, Sunshowers, M.I.A. 3.5
Did not like the other M.I.A. album on here, but this was OK, especially when it was contrasted with the mid-00s bland indie that was playing in the cafe. I mean, there is something going on here that's a bit more interesting and edgy; Neneh Cherry-ish, and it doesn't outstay its welcome.
Everyone knows 'Paper Planes' which is a great song - but not on this album. Instead M.I.A. gives us more of her trademark style in a combination of East Asian pop music, ragga and British hip hop. It is really unique among all the releases in the hip hop genre out there and some songs are fire. At some point you want to skip tracks though. Again, less could've been more!
I love the energy, but was exhausted by it too and felt like I couldn’t keep up. Think this one’s a big burrito that’s best eaten in small bites.
Fye
New music to me, I liked it well enough to listen to it again.