Armed Forces

Good album, unexpected slur

Elvis Costello is highly overrated. This album is no exception. Literally. There is not a single exceptional track on this album. The mixing and production isn't even very good on this album. It's all mids and compressed to hell so everthing sounds flat.

I've given Elvis Costello's music so many chances with selections from across the decades, and no matter what I listen to I find his singing and songwriting to be absolutely insufferable.

Yet another from he who I consider to be the wrong Elvis. There's maybe the slightest bit of novelty to his music that makes one album interesting, but having to hear 3-4 (not sure how many it's been by now) is a chore. Super whiny vocals, pretty bland pop-rock music, it almost feels AI generated. I looked back through and this is our fifth from him, please God make it stop, when will it end? I've given 3 stars to a couple, 3.5 to one, so this is definitely on the lower end. Might just be fatigue but damn, we've been on a streak of duds lately. P.S. - read some reviews and realized he very plainly uses the N word on this album, and it's on one of the tracks I picked as my favorites! Huge oof, pretty telling that I didn't notice it because the music is so boring that I tuned out every word he says. But what the hell, man. I'm sure people whine about not judging by today's standards or whatever, but just like Lennon with his godawful track title, he's not stupid, he knows what the word means. Why else would he clarify that, in this context, it's a "white" one? Because he knows it's a slur directed at Black people. And he chose to include it. You mean to tell me that a seemingly intelligent man in 1979 didn't realize that the N word was offensive? Bruh-itish moment. My assessment before today was that Elvis Costello is a whiny nerd, but today, he becomes something much worse: cringe. Favorite tracks: Oliver's Army (melodically one of my favorites on here but YIKES), Green Shirt. Album art: It's truly a shame because I think this is an all-timer for album covers. Such a cool picture, both majestic and menacing. Elephants are rad, this album isn't. It should be some sort of crime to make your album cover really cool when your music is dorky and dumb. 1.5/5

I love this album. So smart, so melodic, such great production. The songs are varied, each with its own identity, great playing, whip-smart lyrics, great melodies, inventive and tight playing. Beatle-esque in places, this album was great leap forward, and showed much more of the breadth of what E.C. could achieve. I could listen to this album over and over without getting bored. The singles are classics.

The angry nerd returns, spitting lyrics as sharp as the twanging chords on his guitar. He originally wanted to call this album 'Emotional Fascism". If that doesn't let you know the theme of this album then nothing will. Best Tracks: Accident Will Happen; Oliver's Army; Green Shirt

Elvis Costello was huge for me and my friends in college. Got a taste for his music in high school from my stepdad. Especially the 77-80 albums. Some of the most brilliant lyrics. So intelligent yet they still have have real emotional punch.

I don’t need to listen to this. I could sing it to you I’ve played it so many times. A favourite album by a favourite performer. The lyrics and the ever changing arrangements, his voice gets richer with age.

This is a work of genius. Pastiche meets pop. I’ve forgotten how brilliant the lyrics are. How dense each song is. How distinctively Elvis Costello’s voice is in each song. Puns and deft rhymes. Rhythms pushing each track forward. One of the greats.

Fortuitously enough for me, Elvis Costello’s third album appeared in sequential order, having already heard My Aim Is True and This Year’s Model. Fortuitous, because it gave me a chance to really hear his songwriting and musicality develop. The angry spiky first album, gave way to a more fleshed out sound with The Attractions on the second; and this, Armed Forces, builds on everything with a more soulful sound. I also love the depth of songwriting, clever word play and range of subjects (not just aggressive, brooding internal monologues on unobtainable women). This could be his best album yet. It’s terrific.

I really enjoyed this album. Funnily, I had never listened to an Elvis Costello album despite loving all of the singles. The sound is really lush and well produced. I enjoyed it, although the singles are definitely the most singalongable of all the tracks on the album. I do enjoy Elvis's lyrics too. He is very witty.

I wish that for just one time you could stand inside my shoes, you’d know what a drag it is to see you. You’re an idiot, babe, it’s a wonder that you still know how to breathe. You say you’re lookin’ for someone… to close his eyes for you, someone to close his heart, someone who will die for you and more- but it ain’t me babe. ‘Mr Narrator, this is Bob Dylan to me. My story could be his songs. I’m his soldier child.’ So writes the late D. Boon- guitarist, singer/songwriter of The Minutemen- on ‘History Lesson-Part II. Surely, Elvis Costello is Dylan’s other soldier child. He possesses every characteristic that makes Dylan Dylan: brutal honesty (including self-assessment), civil/cultural/political/martial/ecclesiastical awareness/astuteness, humor; and, let’s not forget, a supportive backing band as good as any Dylan ever led (and he led some great ones.) Elvis and The Attractions are categorized as new wave, but that’s like labeling Dylan folk rock. Sure, sometimes. But artists like these (Neil Young, as another example) just don’t fit and remain in one place very long. Too melodic for punk, too deep for new wave, too modern for classic rock- look, I don’t care what you call it, 'Armed Forces' is just a great LP every which way you experience it. It might even sound good played backwards, or repeatedly beaten with a plunger. I bet your bangers and mash would even taste better if you ate ‘em off this LP! I sat on this CD once in my bare ass and then wrote three good songs. ‘For ye suffer fools gladly, seeing ye yourselves are wise,’ the early Christian evangelist Paul sarcastically wrote to one of his congregations. Elvis, though, like Dylan before him, really IS wise, IS speaking wisdom. And most certainly IS NOT suffering gladly fools or fascists, fortunate fledglings or feckless forbears. Elvis may have been willing to give his ‘Party Girl’ ‘anything but time,’ but as a lifelong fan (upon hearing his debut LP in college) I’m ‘pledging my time, to you (Elvis), hoping you’ll come through too.’ And you always do.

I bookend this with This Year's Model, these are his Rubber Soul and Revolver. Armed Forces is a brilliant ensemble piece with The Attractions as well as being a song writing tour de force on his part. As you can see cyber world I'm a huge fan. So let us deal with white nigger up front so that we can properly appraise this fabulous record. A lot happened while he was touring in 77/78, Pump it Up written on the backstairs of a venue etc. As a Liverpool lad with Catholic roots he knows the world of sectarianism, the patois etc. Touring NI in 78 and observing those young British army lads being told to live in no man's land, risk their lives and keep the order would have been quite shocking. And so, a brilliant meditation on the consequences of British imperialism and the metaphor of Cromwell's 1649 invasion is married to a delightful, hooky pop song. As McCartney said about criticism of Mull of Kintyre, you try and write a bagpipe song! Here in his late 70's song writing frenzy he pulls off what so many have tried to do and failed; a great pop song with meaning about something other than love. The sheer stupidity of the 21st century that makes his use of a Unionist slur offensive is just incomprehensible. Ditto Lennon's Woman is the Nigger of the World, sorry sports fans but all of this is just the artist at work and to couch the use of that term in its original context as a racial epithet in intent is not only absurd but dangerous, really, really dangerous. And if you struggle with that, if you want your books, songs, films, paintings to all reflect your current sensibilities, then draw the curtains and turn the power off. Damn fine song Oliver's Army, leave it alone. This is the second album with the Attractions and the hard touring has paid off in spades with a brilliant performance by all three sidemen, from memory in amongst all this they recorded their own album. What leaps out in this era is EC's astonishing lyric writing, the word play, the use of imagery and symbolism is sustained throughout, smart young women on light blue screens, not knowing where to begin as love doesn't wait forever., only so many fish in the sea that rise up in the sweat and smoke. Thinking about Hal David/Chris Difford, EC could have just made his name as a lyricist and found a musical partner, but no he's also a writer of great tunes, fabulous melodies and the hookiest of hooks. And he's covering a lot of themes, working in a smoke filled 70's offices, little Britain racism, the rise of fascism, even the ubiquitous Bebe Buell gets a guernsey in Party Girl. Here's the ultimate meditation on the sudden impact of fame, "they can't touch me now...starts like fascination, ends up like a trance. EC has discovered that the woman he once desired from afar are now in his orbit, give you anything, anything but time. He returns to the same theme with Two Little Hitlers, "dial me a valentine she’s a smooth operator it’s all so calculated, she’s got a calculator, she’s my soft touch typewriter, and I’m the great dictator.." A brilliant record, go and do yourself a favour.

The middle album of what I like to think of EC's Big 3. Great song after great song. The run from Senior Services through Goon Squad is absolute song writing gold. It bogs down slightly after that with the next three songs which aren't quite as strong, but we finish with a bang with Chemistry Class, Two Little Hitlers and the Nick Lowe penned; Peace Love and Understanding (though that last one is not included on my British pressing). A great album easily worthy of a 5 star rating.

Besides the weirdness of a time where progressive dudes thought they could throw around the n-word, this is a back to back classic.

His 3rd album & one of his best. Produced by one of Britain’s great pop producers, Nick Lowe, it jumps out at you from the opening bars of Accidents Will Happen, & like the rest of Costello’s early albums, it just moves at speed. He’s always been a wordy songwriter & these tracks are certainly choc-full of lyrics. And he can write a great lyric - I love some of his rhymes - this is a particular fave verse from Sunday’s Best : Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies There’s theft all over the album - the one I like most is the repeated riff from The Beatles’ I Want You(She’s So Heavy) on Party Girl, but there’s the Abba-style piano Steve Nieve plays on Oliver’s Army, and the music- hall feel of Sunday’s Best, written for & in the style of Ian Dury. I think reviewer David Quantick summarised it best : Armed Forces has all the piss and vinegar and spleen of its predecessor, This Year’s Model, but disguised as fizzy pop and cartoons. I love the record.

You can’t go wrong with early Elvis.

Great Album. Genuine Classic

Growing up, I knew Elvis Costello by name, but I never considered myself a fan. I didn’t own any of his albums, yet whenever his music came on the radio or at a friend’s house, it always resonated with me in some way. Thanks to streaming, there’s no excuse not to explore his full discography, and I’ve been doing just that, bit by bit. By my count, at least six of Costello’s albums appear in Robert Dimery’s 1001 Albums You Must Hear Before You Die, with even more featured on lists from Rolling Stone, NME, and The Guardian. That might seem excessive, but based on what I’ve heard so far, at least some of those inclusions feel justified. For now, 'Armed Forces' is only the second Costello album I’ve tackled, so I haven’t experienced the same burnout that other reviewers mention when working through his extensive catalogue. Objectively, Costello had an incredible run between 1977’s My Aim Is True and 1982’s Imperial Bedroom—seven albums in six years that secured his reputation as one of the most prolific and versatile artists of the late ’70s and early ’80s. While his output in the late ’80s and ’90s became more hit-or-miss, that early stretch remains consistently revered, and it’s easy to see why. Together with This Year’s Model, Armed Forces stands as one of the defining records of Costello’s early career. Where This Year’s Model bristled with anxious, raw energy, Armed Forces introduces more complex arrangements and a polished new wave sound. It’s not a sellout; it’s a natural evolution, with Costello broadening his sonic palette. The key tracks make this clear. “Oliver’s Army,” with its irresistibly catchy piano hook, tackles British imperialism while cleverly packaging sharp political commentary in a radio-friendly hit. “Accidents Will Happen” and “Green Shirt” combine upbeat melodies with darker themes, showcasing Costello’s gift for making complex ideas accessible. Meanwhile, “Goon Squad” delivers biting social commentary on conformity and military recruitment, pairing it with punchy instrumentation. “Senior Service” also stands out, with its tight, sarcastic lyrics taking aim at corporate greed and bureaucracy, a perfect example of Costello’s sharp wit. I understand that Costello’s vocals aren’t for everyone—his nasal tone and limited range can be divisive—but for me, it works. He sings with emotional urgency, which suits the biting, cynical nature of his lyrics and enhances the album’s impact. It’s impossible to discuss Armed Forces without addressing the infamous incident during its tour when Costello made racist remarks in an argument with Stephen Stills and Bonnie Bramlett. The backlash halted the tour and effectively crippled his U.S. career, and while he’s expressed regret, the stain lingers on both the album and his legacy. This is disappointing because Costello’s lyrics are full of inclusive undertones and anti-fascist sentiment—values diametrically opposed to what he said that night. Without that incident, who knows how much further he might have gone—or how many more listeners might have embraced his work. Did/Do I own this release? No. Does this release belong on the list? One Costello album should definitely be included. Six? I’m not so sure. Would this release make my personal list? I think I slightly prefer This Year’s Model. Will I be listening to it again? Occasionally.

The genesis of my Elvis Costello experience: teenager hears Oliver's Army on the radio (they used to play this on the radio, without any bleeps!), hooked in by the piano flourishes goes and gets this album out from the local library (on cassette!), is really excited by the first track but then swiftly learns the universal lesson: (say it with me) - The Good Bits Are On Girls, Girls, Girls. Rounded up, as the good bits on this are pretty great

Apparently most people on here either dislike Elvis Costello or have heard too much of him on this list. I actually like Mr. Costello and his Attractions, but I'm veering toward the latter group. Why is there so much of him on this list? Not every one of his albums are required listening for the human race. This is a good one, however. I may be one of the finest Costello recorded with the Attractions. I'm giving it a pass. This time.

Musically, I was into this. I could even dig Costello's voice at times, which is an accomplishment! But lyrically? Eh...throwing around slurs has not been, is not, and will never be, cool.

Enjoyed it a lot more overall than I thought I would when I first put it on. His voice isn’t the best, but he wrote some meat songs that lyrically were surprising densely packed. Favorite Track(s): “Senior Service,” “Party Girl,” and “Two Little Hitlers

On This Year's Model his paranoia was a dazzle of primarily romantic barbs and hexes, deliberately flirting with nastiness, which makes this Zevonian fixation on geopolitics a refreshing change. He's a phrase maker above all, so it's longer on rhetoric than ideas, but that's fine with me when his word slinging is this good - "a breath you took too late... a death that's worse than fate", "it's no laughing party / when you've been on the murder mile", "you tease and you flirt / and you shine all the buttons on your green shirt", "somewhere in the Quisling Clinic / there's a shorthand typist taking seconds over minutes", "two little Hitlers will fight out until one little Hitler does the other one's will" - and his rhythmic smarts this sharp. And then amidst all the political wordplay, "He wants as no one can / he wants to know the names of / all those he's better than" comes across like an accidental nugget of self-knowledge. Bet that describes Elvis to a T.

Yet another Elvia Costello album. Find him incredibly beige!

Third Costello album on our marathon, this has two songs I actually know! The obvious ones, obviously. Liked it, and noted I’ve picked up, perhaps by osmosis, my comrade’s inability to wholeheartedly embrace Costello’s records. Puzzled, as the songs are all at the very least fine. Maybe it’s his voice, which might be too much of a great thing: vocal similarity flattens the record. A couple of songs where he toned down the near-sarcastic delivery stood out.

Glad I got 2 Costello albums in close succession to confirm that he is super lame.

BAD 1 COULDNT GOON TO THIS AT ALL

This album is a textbook example of how to make bad music. Slurry vocals, boring songs, "clever" lyrics, percussion that sounds like a kitchen drawer of cutlery being thrown down some stairs. It's just dreadful, instantly forgettable, awful music. I think I have to give a special shout out to the production, which is just so very bad that it stands out as a crime against recording. It was so bad, I thought my headphones were broken to begin with. The only good thing about the awful mix is that the vocals are often buried under the clattering and other ambient noises that might have once been music.

Really good

This Elvis is my favorite Elvis.

goon squad banging,

Bongo

This was 70s pop perfection. I have always enjoyed Elvis Costello's voice, and this album featured some of his catchiest melodies and best lyrics (with some notable exceptions. I could do without using racial slurs.)

Costello continues with another great early record. Accidents, Oliver’s Army, Green Shirt, What’s So Funny,… all great tracks. Not such a fan of Goon Squad though.

I love his first 3 albums. This is a great album.

Really good album. Reminded me of weezer a bit. Def some beatles references too

Anything Elvis Costello did with the Attractions is magic, but Armed Forces is one of their very best. The band's chemistry is rock solid, Nick Lowe's production is rich and nuanced, and Costello's songwriting is witty and incisive in a way most lyricists could only dream of being. The man can turn a phrase like no one else. These songs are incredibly listenable with stellar pop hooks and some beautiful arrangements, but it's not always easy music. It's beyond clever to couch interpersonal and sexual politics in the language of sociopolitical conflict (and vice versa), but it's also the kind of songwriting that leaves some listeners cold. I happen to love it. Fave Songs (All songs, from most to least favorite): Oliver's Army; Two Little Hitlers; (What's So Funny 'Bout) Peace, Love, and Understanding; Big Boys; Accidents Will Happen; Goon Squad; Party Girl; Senior Service; Green Shirt; Busy Bodies; Chemistry Class; Sunday's Best; Moods for Moderns

I had no idea I loved Elvis Costello until I started this challenge

I enjoyed this on my first listen and planned on giving it 4 stars but I ended up listening to it another 4 or 5 times and enjoying it more each time. I think this Costello fellow might be on to something.

It's hard to have three better albums to start off a discography than Elvis Costello did. Armed Forces has a more textured production than his first two albums, but it works really well. Costello may have too many albums on this list, but this one is one of the essential ones.

Love Elvis new his bassist from The Attractions

This is a six stars album.

Oh, I just don't know where to begin Love doesn't wait forever It's now or never But she keeps 'em hangin' on The silly champion She says she can't go home without a chaperone Accidents will happen They only hit and run You used to be a victim now you're not the only one

This is an absolutely solid listen from end to end. Great lyrics (including, I'd argue, the head turner in Oliver's Army, which is actually a reference to the racism experienced by the Irish in the British army); just kick-arse bass playing; ol' Declan's voice in full flight; and the vibes of Accidents Will Happen and Party Girl among others. This was released the day after I was born, so maybe a bit of birth year bias, but I'm giving the full 5.

This album is just brilliant man. I really love the punk feel throughout, and Costello's voice is so cool. Plus, an album from an Irishman taking Anglos to task is always a W. Favorite track: Moods for Moderns

Great album, classic

Great tunes.

The best thing he ever recorded. Classic.

Nem 5'er inden jeg overhovedet har genhørt den. Jeg elsker Elvis Costello og Armed Forces er en af hvis ikke hans bedste

I loved this. So fun and funky

Fantastic album. Accidents Will Happen, Green Shirt, and the US bonus track of Peace, Love and Understanding are all classics. I've listened to this album 100s of times, and it's the first time I noticed the "Rebel Rebel" riff in Two Little Hitlers.

I'm a big fan of Costello's work whether the old stuff or the new. His third album is a typical example of the brazen, smart new wave style. While the line of style is clear, the themes are wide and so this album has much for everyone. Definitely a listen that gets you going in the morning. 'Moods for Moderns' is my favourite track.

Great EC album from his classic period. Check out his list of "500 Must-Have Albums" on Vanity Fair.

songs from this album featured heavily in mixtapes from my early dating life. I cannot fairly evaluate it on its own merits. 5 stars.

One of my favorites! Have it on vinyl. Love the music, lyrics, vocals — crooning, biting. Some of my favorite bass playing of all time. Love the drums too, very dynamic. The overall mix is so great, The Attractions really shine. Good hooks all around, too!

Whitney minstrel noise for old men. I was there already when I was 21. Love this shit. Inexplicable - he just has a groove and way with words and non stories...

Paul says: I just don't know where to begin. One of my favourite Elvis albums, with three of my favourite Elvis songs: Accidents Will Happen and What's so Funny (yeah, I know it's a Nick Lowe tune, but like Jeff Buckley singing Hallelujah, it's become the definitive version) and Oliver's Army. Steve Nieve became his George Martin and made Elvis's songs into post-punk treasures.

Fantastic record.

очень прикольненько, сразу слышно что англичане тк звучит как Боуи немногого, короче nice

The Other King.

LOVE Elvis Costello. Never listened to an entire album though, so this is a great opportunity.

The best of Elvis Costello's albums, it is dripping with irony and social commentary. It's also just fun to listen to. By this point, Costello had figured out the formula and refined his songwriting and music. It's just a great listen. After this point, Costello starts to take himself too seriously. This is the high point of New Wave Costello before he becomes "I Don't Know What I'm Doing Anymore" Costello followed by "I'm a Serious Musician Who Like Torch Songs, Jazz, and Classical" Costello. If you can only own one Elvis Costello album, this is the one, if only for Accidents Will Happen, Oliver's Army, and (What's So Funny About) Peace Love and Understanding.

The angry young man softens up and even admits defeat, perhaps — not every relationship works, not everything is peachy. A masterpiece guided by the deft hand of the singular Nick Lowe, who knows enough to get out of the way. I like this better without “Peace, Love and Understanding” at the end (as Brits originally heard it), but maybe that’s just my dour mood. We all need a little faint optimism now and then.

Loved this. I think this is an easy 5 stars, along with Costello’s two albums before this. Only knew a few songs, but it’s amazing all the notable different influences that got pulled into this while still feeling utterly Elvis Costello.

Creo que nunca le había puesto atención a algo de Elvis Costello y vaya que me gustó. Siempre me ha causado un poco de problema cuando cantan letras que no riman y se hacen cuadrar con la música un poco a fuerza y aunque esto sucede en varias de las canciones, las letras son muy buenas y puedo hacer caso omiso de esto. Las mayoría de las melodías son pegajosas con letras que dicen más que lo que está escrito. Sí me dejó un poco de arrepentimiento no haberle pegado antes a Elvis Costello. Songs: Senior Service, Sunday's Best, Two Little Hitlers, (What's so Funny 'Bout) Peace, Love And Understanding

Every band with "Dude's name & The Band" as their name hits the exact same. They're all goofy storytelling times with people who I'm confident aren't doing very well mentally. May their struggles be my solace.

elvis costello's third effort is a little bit more hit or miss than his first two, but i think the highs vastly outweigh the lows here. to be clear, the lows of this album are still very good, i just don't think it's as consistent as some of his other records. still, songs like "accidents will happen" and "oliver's army" are great (man, i should have been keeping track of how many slurs i've run into on this project... a surprise one here!). i also thought the second half of this was at least a little more consistent than the first half - the swing from the first three songs of the first side to the last three sides of the first side is a bit of a swing, quality wise. that all being said, i still greatly enjoyed my time with this album.

wonderful

One of his best

The middle album of what I like to think of EC's Big 3. Great song after great song. The run from Senior Services through Goon Squad is absolute song writing gold. It bogs down slightly after that with the next three songs which aren't quite as strong, but we finish with a bang with Chemistry Class, Two Little Hitlers and the Nick Lowe penned; Peace Love and Understanding (though that last one is not included on my British pressing). A great album easily worthy of a 5 star rating.

¡Qué agradable sujeto! Ya habíamos hablado de lo agradable que puede ser la música de Elvis Costello, y sin embargo, creo que este disco es todavía mejor y hasta lo agrego a mi biblioteca. Creo que mi único y muy pequeño pero, es que su voz no es mi favorita. No como que sea desafinado, sino que el siento que sus canciones podrían sonar aún mejor con otro timbre.

awesome stuff

Slap bang in the middle of his golden run of pretty flawless albums, and not just two monster singles though this is true, every track is brilliantly composed and the Attractions really find their feet as one of the best ever backing bands.

Fantastic album. The first few albums from Costello are ALL classics!

✅

I liked this pretty well actually.

You have to listen to it!

Wow. Never knew that was the album cover for this album. It's a great album lots to sing along to

Love ♥️

I liked it - upbeat but not over the top, some cool inatrumentals

Hits galore

One of my fav Costello albums and maybe my fav with the Attractions.

When I think of Elvis Costello music I love and why I love it, this is it. Hits mixed with totally listenable lesser know songs. Musicality that is never dull, yet never imposing. Pop rock, that never forgets to rock. Unmistakable vocals. Smart lyrics. Great album from great artist.

I love this album - have it on vinyl. Basically what the 1 star and 2 star reviews said about it, I think the opposite

Amazing infusion of New Wave sounds with The Attraction's classic touches. Insightful lyrics about world politics, imperialism, life, love. Catchy melodies. What's not to love about this classic?

These guys rock, Oliver's Army is one the all time best.

10/10 super fun no complaints

On some days this is my favorite Elvis Costello album.

I love this album. So smart, so melodic, such great production. The songs are varied, each with its own identity, great playing, whip-smart lyrics, great melodies, inventive and tight playing. Beatle-esque in places, this album was great leap forward, and showed much more of the breadth of what E.C. could achieve. I could listen to this album over and over without getting bored. The singles are classics (although I have increasing discomfort with the use of the n-word in Oliver's Army. I gather E.C. feels similarly.)

Elvis can't do anything wrong, it's perfection. the N-word should bother me but it doesn't. The mention of the term darkies should too as well as that one of the songs are called "Two Little Hitters", but it doesn't every song is just perfect that all those problematic terms feel like afterthoughts.

Name a better lyricist than Elvis Costello. Pro-tip: you can't. The way he blends interpersonal strife with world politics is on great display here as evidenced by the title of the record. New wave music brought new sounds but this album does not depart from The Attractions sound: chirpy keyboard, muscular bass, and tight, anxious drums.

The randomizer did not give me a lot of time between Elvis Costello albums. That's fine with me. "Armed Forces" is the third album from Elvis Costello and his second with The Attractions. It found Elvis moving in a more pop direction relative to his first two which were more punk focused. Produced by Nick Lowe. I would say the music is fairly more complex for pop with great layers of keyboards and an outstanding rhthym section. Influences were and appear to be David Bowie, the Beatles, Beach Boys and 60's pop in general. There's also a dance and funk element. The song themes are politics and relationships. And just some wonderful lyrical interplay between the two in some of the relationship songs. The political theme focuses on the armed forces and bigger companies taking advantage of the underprivileged. The original title was called "Emotional Facism." The title change was probably a good move. The album starts with "Accidents Will Happen," the second single, and a more pop-oriented song with great keyboards and styled after The Left Banke's "Walk Away Renee." Based on a relationship Elvis had with a taxi driver in Tucson. The first single was the politically charged "Oliver's Army" with a piano intro and great drumming. It's about the army taking advantage of disadvantaged young people in Northern Ireland and Oliver is Oliver Cromwell. Some other great politically-themed songs are "Senior Service," "Green Short" and "Goon Squad." "Moods for Moderns" has always been a favorite of mine with again great keyboards and a dance groove. The narrator is defintely bitter towards his ex-girlfriend. A special mention goes to his Nick Lowe cover "What's So Funny (About Peace, Love and Understanding). It was not included on the initial UK release but appeared on the US edition and reissues. A concert highlight in the couple of times I've seen him. This is a fantastic album and one of Elivs' best for sure.

Just need to say that this album sounds so clean.

Better than expected for not proper Elvis

Don't think I'd heard anything by Elvis Costello before. v enjoyable

Enjoyable, hip album

Quite good, I liked it!

Putting the Honky in Honky Tonk.