Very political. I once read that some people say RAM is more of a "manifesto" than an album. This opinion is mixed—sometimes it's meant as praise, other times as criticism. I noticed a lot of inspiration from Minor Threat, Black Flag, and other punk bands, but some major Led Zeppelin-style riffs also resonate in certain songs. For example, Wake Up reminds me of Kashmir, particularly in the rhythmic progression that Jimmy Page often used in his compositions. I think this rebellious punk attitude is in decline—it has fully spread among the youth, and some verses from RAM sound somewhat caricatured nowadays. But it’s not completely cringe. I wouldn’t place this album among the elite, but certainly deserves to be in this list.

Very political. I once read that some people say RAM is more of a "manifesto" than an album. This opinion is mixed—sometimes it's meant as praise, other times as criticism. I noticed a lot of inspiration from Minor Threat, Black Flag, and other punk bands, but some major Led Zeppelin-style riffs also resonate in certain songs. For example, Wake Up reminds me of Kashmir, particularly in the rhythmic progression that Jimmy Page often used in his compositions. I think this rebellious punk attitude is in decline—it has fully spread among the youth, and some verses from RAM sound somewhat caricatured nowadays. But it’s not completely cringe. I wouldn’t place this album among the elite, but certainly deserves to be in this list.

Remaining a gripping snapshot of their exponential creativity, merging the band’s past experiments into a chaotic yet cohesive whole, i put this on the elite of the list. The album’s opening run is its crown jewel: the snarling urgency of “2 + 2 = 5,” the paranoid crescendo of “Sit Down. Stand Up. That's pure gold. When i heard these songs a long time ago i was captured by their melancholy alligned with the complexity of the rehearsal. These tracks blend the electronic grit of their post-OK Computer era with flashes of psychedelia—think swirling synths, disorienting vocal layers, and lyrics that drift in a thin radioheadesque line. If i could, 4.5. I'm in the beggining of this project, so i could even change the notes from bands who had a lot of albuns here.

I like this band but i can't connect with their soul.

Never thought that i would like so much a Feminist album. Non Ironically, fire.

When I listen to folk, I don’t just hear notes or words — I hear echoes of eras. Voices of stones that witnessed battles, rivers that carried shipwrecks, winds that carved myths into untouched forests. To me, folk is an invitation to tread on soil where time hasn’t dissolved: stories immortalized not for being perfect, but for bearing the weight of the concrete — dried blood on swords, petrified tears in statues, whispers of names erased from history. Yet Elliott Smith hands me a sterile void. Lack of testosterone-rock.

Innervisions isn’t an album. It’s a human organ played by the urban nature disguised as men. Here, Stevie Wonder stitches exposed nerves with golden threads, harmonies that bleed soul, and grooves that pulse like dilated veins. All in Love is Fair is pure gold. A lot of songs I’ve heard before, but listening to them all together was like the first cigarette I’ve smoked in my life. A sentiment of inner realization through an innervision."

Liked. But maybe not worth to do a review. At Budokan's better than the studio version tho.

I've liked so much that it's unreal. He had a badass aura.

I've liked a lot. Original. Surely influenced a lot of artists later.

All songs look the same. The interludes are a piece of shit.

AMAZING. LAST SONG WAS THE BEST. AMAZING, FUCKING PAUL MCCARTNEY!!!!!!!!!!!!!!

boomercore. mid on my opinion, but comfy at the same time.