Tired of all the Brit pop on this list
Kilimanjaro is the debut album by the neo-psychedelic Liverpool band The Teardrop Explodes, released on 10 October 1980. It contains versions of the band's early singles – "Sleeping Gas", "Bouncing Babies", "Treason" & "When I Dream" – as well as their biggest hit, "Reward". The album also includes the song "Books" – originally a song by Julian Cope's previous band, The Crucial Three, it was also recorded by Echo & the Bunnymen (as "Read it in Books", released on the B-side of their debut single, and featured on some versions of Crocodiles). In 2000, Q magazine placed Kilimanjaro at number 95 in its list of the 100 Greatest British Albums Ever. The original working title for Kilimanjaro was Everyone Wants to Shag the Teardrop Explodes (this was later used for the CD release of demos for the band's never-finished third album). When originally released, the album featured a shadowy photograph of the band on the sleeve, but this was later changed to a cover showing Mount Kilimanjaro, the mountain after which the record was named. When the album was subsequently released on CD the cover artwork reverted to the original. In 2000, Cope gave his blessings to re-release Kilimanjaro with a selection of bonus tracks (mainly single B-sides), original artwork, a remastered sound, and full lyrics and essays. A deluxe 3-disc edition followed in 2010, including original singles, B-sides and radio session recordings.
Tired of all the Brit pop on this list
Kinda bollocks mate innit
80s British Pop that sounds indistinguishable from any other 80s British Pop.
Musically this wavers between quirky fun and repetitively dull. There are a few songs on here I’d probably like a lot if not for the singer, but unfortunately this album just goes to prove that I do NOT like it when a Man sings Like That
Dammit. More crappy 80s music. It's post-punk so there's that but it's still full of bloopy synths, over-stylized vocals, horn solos... all the crap I hate about the era. The wiki calls this "neo-psychadelic" and I think that's a load of crap. It's just an excuse for repetitive keyboard parts that never go anywhere. I'm pretty sure this album is only on here because the band was fronted by Julian Cope and brits love to tell people that they love Cope. Also Ian McCulloch of Echo and the Bunnymen. But, honestly, it's not an awesome album by any stretch of the imagination. There's nothing particularly ground-breaking in the musicality or the lyrics. It's sorta dancable, though? I bet this was big in the early 80s underground clubs in Liverpool...
I halfway expected this album to be various jazz covers of Toto's Africa given the title and cover art, honestly I probably would have liked that better than what I got. This is a pretty sub-standard british new-wave album. It's very uninspired. I really don't have much to say about this album. Its pretty boring and quicky faded to the background. I didn't find any qualities that would lift this album above any others.
I adore The Teardrop Explodes, and this album does NOT disappoint. Yet another record that proves how lovely that 80s new wave music from the UK was, and how much in influenced some of today's best indie music. Can't choose fav songs on Kilimanjaro but Poppies In The Field is a really cool one that stands out. The record just keeps rollin' with good vibes with their own alt flavour, full of danceable beats and solid vocals-n-songwriting. AND HORNS! :)
Terrific New Wave album from the iconoclastic Julian Cope, who writes insistent and urgent music which is also catchy. The production dazzles and the throbbing bass, whirling organ and stabbing horns give the tracks an energy and bounce. A highlight from the eighties. BONUS : I don’t normally include singles that were later tacked on to the original album release because they were a hit but I couldn’t finish without acknowledging how brilliant Reward is, one of the tracks of the decade.
Great album! Like if Joy Division made more poppy songs.
Après Travis, revoilà un de ces groupes qui veut absolument nous faire bouffer du français pour nous attendrir… La limite de cette stratégie est la suivante : tomber sur un vrai Français qui doit se coltiner quatorze couplets à la con dans une langue totalement inconnue du chanteur. Personne parmi leur entourage ne leur a signalé l'horrible faute d'orthographe contenue dans le titre de la chanson en question ? Quel amateurisme… J'ai globalement beaucoup aimé l'album même si j'en ai détesté une bonne partie. J'attends donc de voir ce que ces andouilles auront dans le ventre sur le long terme.
Julian Cope is a rad dude. Some great riffwork in this, and nice guitar tones. The whole album just feels very... tense. Paranoiac pop grooves. I don't know how much acid was floating around when they recorded (I think a lot), but there is something very bad-trippy about the songwriting. Love "strange house in the snow".
I had overlooked these guys when they first came out (maybe their records never made it to Sudbury?) and Julian Cope didn’t really catch my attention later – he reminded me of Morrisey at that point. Too bad because I would have been all over this album in 1980. The songs are very driving & melodic, I like the sequence of six tracks that begins with Treason, and the intermittent brass section is cool and not something you hear much in a post-punk band. I could see myself dancing to Second Head, which sounds like it could be a Stranglers song. Top Drawer Stuff 9/10
First of all, how is this album post-punk? It's full of pop and dance with heavy synths; those are the defining features of New Wave. It doesn't help that the intro track has the heaviest synths, giving off the wrong impression but also pulling people in. I guess it's too close to the punk formula and not as experimental. Second of all, screw this list for giving me so many post-punk and synth albums. It specifically caters to my tastes. I don't think they're influential or outstanding but yet I love them and it's very hard for me to criticize harshly. This is a psychedelic twist to the New Wave formula, utilizing mostly synth effects to achieve an eery psychedelic sound. The most obvious is that reverse effect in "Poppies in the field" but if you listen closely you can hear it all over the album. The organ and horns in several songs also helps in such effects, clearly influenced by their usage in several 60s psychedelic rock albums. The lyrics are non-sensical like New Wave but more surreal. There's purposeful and heavy repetition that I don't get tired of but makes the tracks simultaneously danceable and trippy. Can't say I hated any of the tracks, but I admit they weren't immediately discernible until I listened closely and was able to pick up what I liked about each of them. "Treason" is the catchiest and most polished, at a couple points giving off David Byrne vibes. If you want to convince yourself this is a psychedelic album, "Thief of Baghdad" is the perfect example of how psychedelia and synths could blend together seamlessly. I admit most of the other songs just feel like psychedelic influence. The ending track "When I Dream" is one of those catchy songs you hate to love. Goes on forever, but I never get tired of it, and is a great way to end the album. Finally, I want to include the bonus track: their best-selling single "Reward" is a great song on its own and should be included despite not fitting in too well with the psychedelic album theme. Maybe move it earlier in the album cause that closing track is the perfect way to end the album.
Yesterday, we received our tenth album, and second David Bowie album. At that rate, we could be looking at 200 Bowie albums on this list. I trust that isn't possible, but we will see. Today is a band/album I've never heard of; no Stuarts, but it is British. Seven of our eleven albums (64%) have come from UK artists (including Belle & Sebastian in Scotland). I think that qualifies as a British Invasion, or maybe even Occupation. But if the music's good, bring it on. Today, the music's good. I like this album. It's 1980, but somehow sounds post-new wave. There are traces of that pop style buried throughout this sort of psych rock. I wish they had committed more to the psychedelic elements, but I still like this one. Favorite tracks: Second Head, Poppies, Use Me. Album art: a simple band photo. I like it though, the colors look nice and go with the title text. Wikipedia shows an alternative cover featuring zebras and Mount Kilimanjaro as a backdrop. I'd give that cover an edge over this one. 3/5
kinda boring, felt uninspired
Not a chance I’m gonna remember listening to this. Brave boys I really hated though.
Nr. 12/1001 Ha Ha I'm Drowning 2/5 Sleeping Gas 2/5 Treason 2/5 Second Head 2/5 Poppies In The Field 3/5 Went Crazy 2/5 Brave Boys Keep Their Promises 2/5 Bouncing Babies 2/5 Books 2/5 Thief of Baghdad 2/5 When I Dream 1/5 Reward 2/5 Kilimanjaro 1/5 Strange House In The Snow 1/5 Use Me 2/5 Traison 2/5 Sleeping Gas - Live NR Average: 1,88 I did not enjoy this. From the vocals to the musical decisions there wasn't a lot I liked. This is now my new worst rated album, taking over from Neon Bible - Arcade Fire (2,09) Let's see for how long it will retain that unfortunate moniker.
Yeah thought the album to be quite boring, and yes too long lmao. Some funky beepboops with the synths though so some merit
very cool
Awesome really got my grooving
Hard to see why this wouldn't be 5 stars as it's pretty perfect from start to finish. Only the horns sound occasionally dated.
Drums are great, guitar work is unexpected sometimes. Best of these British punk-ish albums so far.
I enjoyed this album from start to finish. This neo-psychedelic post-punk record is intensely layered and melodic. It has a frenetic energy to it that borders on the claustrophobic creating a simmering and explosive record.
Just different enough to be interesting but just commercial enough to be successful.
I’m a sucker for 80s music
Every once and a while, I’ll check Amazon or eBay for a copy of Julian Cope’s “Krautrocksampler”, a book he published in 1995 about the German rock scene of the late 60’s and 70’s. It’s unfortunately never been reprinted, and fetches quite a bit of money on the used market. For whatever reason, I’m foolish enough to think that, I, of all people, will be able to find a copy for less than the $300 the book typically goes for, just by searching for it on the most popular marketplaces on the internet every few years. I don’t want to say that the totality of my knowledge of Julian Cope is that he wrote a book about Krautrock, but…beyond that, the fact that he also wrote a book about Japanese rock and a peripheral awareness that this was his band, I don’t really know much and I’ve never really bothered to check out his music. Cope’s love of psychedelic and Krautrock is evident here on “Kilimanjaro”, making it one of the more interesting and enjoyable British New Wave-era records on the list, at least to me. It’s heady, densely layered music, and when the songs veer into repetitive, ethereal territory, like at the end of “When I Dream”, this record is at its best. The incorporation of horns on the record might have been a misstep, however, as the record’s production does them no favors, making it feel dated. Overall, this is a solid and unique entry on the list, an outlier from an era where many British bands had the idea that being excessively dreary was a necessary component of psychedelic music.
I'm at album 1058, and this final stretch has been nothing but albums like "The Scrungles - Jimmy's Poopy Pants; New Wave/Post-Punk, Released in 1982 in the UK, one mildly successful radio hit, named 62nd best album of '82 by Slugflap Magazine" Like, this ain't even that bad. If this was one of my first albums generated, I'd be like hell yeah, this kinda slaps, but I'm just completely numb to this shit at this point. I'm gonna need seven year long "New Wave overexposure therapy" after I'm finally done with this list. And these fuckers still put this on here over Neutral Milk Hotel and My Chemical Romance, get real. The frog army is approaching from the west. Get fucking real, man.
Genres: Neo-psychedelia, post-punk Formed: Liverpool, UK in 1978 Run time: 17 songs, 1 hour, 8 min The debut album by the neo-psychedelic band. In general the album looks at the struggles of life and love. It examines the positives and the negatives. Spotify: Least popular song: >41.7k Most popular song: >11.2M plays “Ha Ha I’m Drowning” is about a toxic relationship. “Sleeping Gas” is about a person sleep-walking through life. All their hopes and aspirations left behind and forgotten. “Treason” is about someone’s struggle to accept or adapt to change. “Second Head” seems to be about losing one’s way, then discovering that they are back on their original track. “Poppies in the Field” doesn’t seem to have an obvious meaning, but the reference to parachutes and poppies could be a war reference. The singer can see a change in another person and wonders if they can see a change in the singer. This could mean how war changes people. “Went Crazy” paints a picture of someone’s decline into mental illness. Their acceptance of the situation and the struggles to recover. “Brave Boys Keep Their Promises” is an upbeat song about perseverance and determination. The title suggests the brave meet their obligations. “Bouncing Babies” seems to be a cynical look at growing up. “Books” is about someone looking for love. They can't find it so the person tells them to start living the life they have. “Thief of Bagdad” is about lost love. The lover left them with nothing physical and emotionally. “When I Dream” finds the singer obsessing about a love who is far away. They idealise the lover, but the reality falls short. “Reward” “Kilimanjaro” “Strange House In The Snow” “ “ “ It’s a great first album, but it’s not my taste. I loved the song ”Reward” but that was it. Listen Again?: No My Rating: ***
Wow more 80s UK trash.
God, this is boring.
A great album from the post-punk era.
Fav songs: - Sleeping Gas - Treason - Second Head - Poppies in the field - Brave Boys Keep Their Promises - Thief of Baghdad - Kilimanjaro - Strange House In The Snow
This is the good stuff.
Cool discoverment!
I WAS A BOUNCING BABY
Really enjoyed this album. Definitely felt like an early pioneer of the pop punk sound and I’m all here for it.
Sumo con esteroides
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Kilimanjaro feels like more of a band name, and The Teardrop Explodes feels like an album name. Not here though! I don’t think I’ve heard The Teardrop Explodes before, but if they’re 80’s rock then there is a decent chance I might have heard the odd track. Let’s listen and find out! Songs I already knew: Reward Favourites: Reward, Went Crazy At the risk of sounding old, why are good bass lines such a rare find these days? So much 80’s music is full of great bass licks and this is no exception. I liked a lot about this album, but the bass and the synth horns are the standout parts for me. If you like 80’s music, this definitely feels like an essential listen.
Genius.. the archdrood takes off
This is one of those bands I'd heard of but know nothing about. Although as soon as I heard Reward my memory was pricked by one of the great dance numbers. Definitely enjoying the surging bass and drums on Second Head. Then it pops nicely into Poppies which builds very nicely to a satisfying conclusion. When I Dream is a great conclusion to the album with its psychedelic slow fade giving more than just a gentle nod to a certain Liverpool band.
A post-punk masterpiece. (4.5)
Another new one to me, I pretty much immediately liked it. Sleeping Gas devolved into such a chaotic mess of organ and horns. Did a little research; Julian Cope got his start here, that's cool. Yeah, this album was pretty rad. Will definitely listen again.
Great album, great sound! Loved
Another surprising album. I liked this one quite a bit. It wasn't perfect, but I really enjoyed it. 4.5/5
This album is fantastic. Brilliant dark jangly post punk
Have you ever enjoyed a specific era of music, that you are in constant sesrch for an unfamiliar song/band to discover. Well, it just happened, although, the song"Treason" does sound familiar, I am positive, I have never heard it. I thought I heard it in the movie "Valley Girl" but couldn't find it listed. I do hear early Cure, U2 and other bands of that era in some songs. Being that this album released in 1980, who can say, " Who influenced who"? I do have a to draw a very strong comparison to Pink Floyd, specifically on the track, "Kilimanjaro" a very ominous song where they really went deep with experimental sounds. Kinda wierd, I didn't really dig it. Anyways, I love this discovery and I can't wait to hear their other 2 80's albums "Wilder" released in 1981 and "Everybody Wants to Shag... The Teardrop Explodes" released in 1990 but recorded in 1982. One thing is for sure, I now have to go back an watch "Valley Girl" just to make sure "Treason" wasn't playing somewhere in the background.
This is one of my favourite albums of all time. I’ve listened to this on repeat a few times this year and it gets better every time I hear it. I always find new things to love about it with each listen. Julian Cope’s approach to songwriting just seems to vibe well with me and it’s at its peak here for me.
Idk how y’all were hating on this one fr. The guitar riff breaks that follow the choruses on I’m drowning are unexpected but sick. Baseline on second head goes crazy and is a little smiths like. I like how the album is really close to being pop but always has an element or chord progression that makes it darker. The moody lyrics and delivery, bass lines, and guitar riffs definitely influenced a lot of British groups after them. Really solid 4 that I enjoyed a lot but don’t know if it’s quite a 5 for me after 2 listens. Update: fuck it I’m going with a light 5 hopefully this ages well 👍: haha I’m drowning, treason, second head Guess for art rating: 5/10 for og one 6/10 for mountain cover
Ahead of it’s time
This album is a banger. Equal parts the Police and the Talking Heads. Tons of energy, tons of groove, with that classic David Byrne weirdness. Loved this album!
A brilliant surprise! Went Crazy, Brave Boys Keep Their Promises, and Bouncing Baby were good. I like the lead singer's voice, the era and style of music are a bit of fun. New Wave isn't a genre I massively enjoy but these guys have much more punk rock elements and switch the songs up quite a lot. Will err on the side of caution with the rating though.
He loves saying lyrics twice in a row
Fantastic album. Love Cope's voice and there is not a duff song on here. A great document of that time, the New Wave stylings of the time with a sprinkling of 60s psychedelia and even soul with tracks like Treason. The lyrics are great here too. A real feel-good album for me - full of optimism with a slightly twisted edge.
Melodischer instrumental Jazz
This is the best of the 80 surely?
post-punk is basically an automatic 10/10 for me especially when it slaps this hard
I love echo and the bunny men and had never heard of them so was a good surprise. Really enjoyed the entire album. Rating: 4.8
New wave and post punk in its purest form. I’m usually not a huge fan of the more popular new wave bands, but this group had an edge to them that I thoroughly enjoyed
All killer, no filler.
surprisingly, i really enjoyed this album and listened to it twice! i had never heard of the album or band before but it had everything i wanted from a British new wave group. kinda sounded like a mix of the jam, talking heads, echo & the bunnymen (for obvious reasons), depeche mode, and anyone else that had that sort of style. musically, the tracks all sounded unique and made use of cool instrumentation while still staying under the new wave umbrella. the b-sides weren't great but the main album was banger after banger. five stars. favorites: tracks 1-6, when i dream, reward
fantastic album. haven’t listened to this is forever!
The original version of this album is awesome. Stands up today much better than a lot of other new wave and post punk records from the period.
Great psychedelic new wave debut from 80's Britain. Liked the sound. Amazing!
This is kind of a strange album, in that it's genre is somewhat hard to place. It bears some similarity to Pelican West by Haircut One Hundred, especially when the horns/sax are playing, but it also feels like a post-punk album at times. There are a lot of different moods here, but it's really good overall. Great music with interesting lyrics and a great voice. I would not be surprised to find out that this album influenced a lot of 80s artists because it feels like the sounds on this album are all over the place in the 80s, but I don't remember hearing a lot of stuff like this that came out earlier than this album 4/5
Honestly underrated and really enjoyable
How have I slept on Julian Cope for this long?
This reminds me a lot of The Smiths, another band I never would have listened to if I hadn't been doing this 1001 albums. I like it! Moody melodies and 80s malaise.
Pretty good post-punk effort with great songwriting. Quite enjoyable. 7,8/10
Decent album, alternative indie rock
lot of adventurous stuff going on and manage to make it sound good. respect.
It was a nice slice of progressive pop
Enjoyable 80’s jaunt
How a mountain make this music
Good new-wave, psychedelic sound. Must have influenced The Smiths at least somewhat. I will need to give this more listens.
Forgotten cult classic
Cool music Really like(d) it, fun music and like all the instruments 4/5
This is really imaginative and creative. The production and songwriting is all great. Really evocative
Dosta dobar album, zanimljiv, quirky, instrumentalno je zapravo dost dobar. Sviđa mi se sve u svemu. Sleeping Gas, Second Head, Treason, Poppies, Brave Boys Keeps Their Promises...to name a few - odlične. tldr; nije dugačak album, ima 11 pjesama, nijedna loša pjesma, sve su stvari dobre, a i na ovaj album ću se vraćati. Tvrda četvorka!
Awesome 80s
This is cosmic scouse indie at its best… can hear their influence everywhere.
Best: Second head When i dream Use me
Solid album all around. Good vibes and enjoyable listen. Some of the instrumentals are more fun, others are kind of mysterious and moody. Super cohesive and consistent. Out of all the post punk stuff we’ve heard this is probably my favorite. Also just dope that this is a band I’ve never heard of before, it’s fun to discover new stuff I like. I’ll be revisiting. Favorites: treason, poppies in the field, when i dream. MMM: I GO wa bA bA bA bA bA wabadaba ba bA bA bA bA bA babadaba WOAHHHH😮
Unknown artist for me, but it was a pleasant surprise! 80's sound all the way through
Saved Prior: None Off Rip: Ha Ha I'm Drowning, Sleeping Gas, Treason, Went Crazy, Brave Boys Keep Their Promises, Books (much better version of the Echo & the Bunnymen song on Crocodiles), Thief of Baghdad, When I Dream, Reward Cutting Edge: None Overall Notes: A surprisingly great pop album from a band called "The Teardrop Explodes". If it weren't for some obtuse lyrics I would've assumed this was some kind of early, experimental Duran Duran. Didn't push all the way to 5 star territory, but still good/great music.
I never heard of this band but glad I listend to them because it fit the kind of music I'm into very much the 80s New Wave pop vibe.
pós punk de arena com uma personalidade muito forte. pega um pouco dessa veia do echo & the bunnymen mas a melancolia bucólica é substituída por uma energia maníaca, dos melhores discos punk. admito que esse tipo de pós punk não me apetece muito, mas é dificil não amar algo de tanta qualidade. o primeiro álbum dessa lista que eu realmente nunca tinha ouvido falar, fico feliz pela grata surpresa.
gillade detta rätt så mycket.
Rewarding.
Poppy post-punk with a splash of psychedelia? Don't mind if I do! Reminds me a little of XTC, although I think I prefer XTC on balance. More listens might improve my appreciation though... "You can watch Rafferty turn into a serial" - I have no idea what that means, but it's catchy as hell! 😆 Fave track - "Sleeping Gas" and "Treason" are both stand outs. Liked "When I Dream" a lot too...
One of the better Marvel adaptations
I was 13 when Kilimanjaro came out. My friend bought the album when it was re-released with “Reward” on the album and the mountain on the cover. I loved all the songs and found that I remembered most of the lyrics as it was playing. Julian Cope was always a bit of an oddity, and even though he was a teenage idol here in Britain, I found him a bit of a pompous ass. I think that’s because he was drug addled at the time. Doesn’t detract from those fantastically clever songs. It would be a solid 3.5 but I’m rounding it up because it was very important to a swathe of British teenagers.
Fun tracks, very tight band. Lyrics a bit repetitious at times.
There is such a thing as the sound of the eighties, and The Teardrop Explodes probably defined it with Reward. The whole album is about as eighties in feel as you can get, which, given that it was released on 01/01/1980 (apart from Sleeping Gas - the live track at the end on the version I heard from Spotify which is from 1981) is either remarkable prescience on their part or an indication of how much influence they had. Not enough to my taste to be 5 stars for me, but I would not begrudge it 5 from people whose musical taste it fits better.
Wow. Is this the Smiths, but fun? Jangle my guitar baby, let’s go!
Kind of crazy to hear the sound of a whole decade of post punk bands in one band/album. Even get a hint of Cyndi Lauper for some reason. Lot's of 80s musicians were listening to these guys in high school.
Actually better than I thought it would be.
A classic of its time!
Nice post-punk.
Catchier than I thought it was going to be