American Idiot

Expert witness account of this album incoming. It is easy to forget how big this album was, and Green Day were after this one hit. Going into it though in 2004, popular culture had passed them by. Dookie had hit 10 years earlier and while the following Green Day albums were hits, they were never going to reach the heights their breakthrough did. At the start of the 2000s, Blink 182, Good Charlotte, Sum 41 and Simple Plan had taken what Green Day were doing in the 90s and replicated it (to lesser artistic success) and dominated the charts, MuchMusic airtime (yes I’m Canadian) and magazine covers. At the same time, a narrative had been going on in music conversations that rock and roll was dying, the pendulum had swung to pop and hip hop (very short sited and mostly perpetuated by people who only get music through TV and top 40 radio, of which I was mostly too) which had contributed to the overall decline in relevancy of guitar-bass-drum acts. By time fall 2004 had come around there already were the next generation of popular rock acts coming up (The Killers and Frank Ferdinand had hit earlier in the summer, Arcade Fire would hit mainstream this fall). So here came Green Day with a new album, and it had been a few years since they had put out new music. I think there was some level of hype, and it was known this was going to be a concept album. People forget though, Green Day had changed their image in preparation of this album. For a band that had been at the height of their relevancy 10 years earlier, the refreshed look absolutely helped their appeal, as they somehow looked cooler and ahead of the curve than the other bands that had surpassed them. This was sort of a clean entry point for new fans too as they’re visually striking at this point, sound as good as they ever have and are riding this Anti-Bush wave that’s happening right before the 2014 US election. So when the American Idiot single came out, I remember the music video had gotten a lot more play than singles from previous Green Day had been. But this album just kept growing with each successive single. Holiday, Boulevard of Broken Dreams and Wake Me Up When September Ends we’re all massive hits and had endless radio play. This album landed like nothing else in rock had. They stayed in the public spotlight for at least 2 years off the strength of this record. I remember seeing them on the cover of Entertainment Weekly in 2016 still promoting American Idiot, and the band won the Grammy a few weeks later which kept them going. Now this album has been adapted into a Broadway show and Green Day is the only other band that got a Rock Band game besides the Beatles (AC/DC had a disc, but that was just songs, no band representation) So I say all of this because looking back at the 2000s decade because of when American Idiot hit, the case could be made Green Day was at the top of the rock pile, along with U2, RHCP, Coldplay and I suppose the Killers. So while people had this conversation that rock was dying in the 2000s we have to count ourselves pretty fucking lucky we had Green Day that rode the mainstream. You may hate this album but it’s better than most of the other slush pile the 2000s had to offer. The album itself though; it is still absolutely killer and it’s obvious why they became the biggest band in the world again because of this. There’s nothing challenging here about the music; it’s immediate, every song is catchy, lyrics are great (if dated criticism of America in the 2000s). So many of the songs have been ridden into the ground (anything released as a single) so the real winners here are the longer concept album saga songs (Jesus of Suburbia, Homecoming). What I have had to contend with doing this 1001 album project is putting into perspective when I would have been listening to this album before. American Idiot doesn’t seem like it’s that old. Im assuming this is because the songs in this have been played to death on the radio as well as movies and video games. I’ve also been thinking about Green Day lately as I listened to the excellent episode of the podcast Bandsplain did on Green Day a few months ago. But to place it, I would have been listening to this one when I started university. I would have listened to it on my 3rd Gen iPod (the one with the four red action buttons across the top and the first touch click wheel). I wouldn’t have even had a laptop yet, I would have still had my Compaq desktop PC. In terms of where this lands in Green Days legacy I have the unpopular opinion that this is their best album. Still incredible that this is a comeback on the level it was considering how they had fallen out of fashion, but listening to the album, it seems obvious. Could Green Day make another comeback? Sure. Apparently Green Day is hot with teenagers. They make music that sounds like what it’s like to be a teen. Among the best albums of this decade, deserved all of its sales and the success the band had from it.

Look. I know the rating should be lower. But I fucking love this album. I love it. Its a no skip album for me. I remember loving it since I was four. So many great tunes. 9/10 F. T. : A tie between Holiday and Are we the Waiting. I can't choose among my children.

“American Idiot” by Green Day (2004) Not familiar with this album or this group. Punk political opera - intriguing. Good music, shallow politics. But the music is good enough to persuade the listener to overlook the political naivety. These gentlemen would have been well advised to read a few lines of Zbigniew Brzezinski on the Iraq War before writing this opera. They still would have been wrong, but at least they would have sounded intelligent. Or are they affecting intentional unintelligence? Are they just joshing? Anyway the music is very entertaining. Head banging punk rage, with a unifying operatic theme. Plenty of creative innovations. Some real gems here. “A steady diet of soda pop and Ritalin” is a great line. Conceptually this album follows the line of “Tommy” by The Who, without being overly derivative. “Dearly Beloved” is truly good music. Integrating acoustic guitar in this genre is a stroke of genius. And the glockenspiel! Ya-ya. But check out this quatrain: Oh, therapy, can you please fill the void? Am I retarded or am I just overjoyed? Nobody's perfect and I stand accused For lack of a better word, and that's my best excuse One could step back and reflect on that for awhile. Very good drum work. Bass contributes much counterpoint. Vocals appropriate for the genre. Billie Joe Armstrong can really sing. Extraordinary musical range for punk (admittedly, my experience with punk is limited), reminiscent of what The Beatles did for rock ‘n roll on “Sgt. Pepper” and “Abbey Road”. I enjoyed this one. 4/5

Billie Jo doesn’t care if I don’t care. Well that’s lucky... Anodyne, over polished, facile, faux outrage, mock punk, unit shifting, safe rebellion, fake, fake, fake.

I might be biased, but this album marked a generation. I've always enjoyed it as a decent rock/punk album. It's fun and full of energy, but manages to express quite well the frustration and disillusionment felt at that time.

A protest rock opera that protests... something? I understand the thrust of songs like "American Idiot" and "Holiday", but "Jesus of Suburbia" seems like a protest song without a cause and more of the album resembles the latter than the former. An album that claims to protest the state of America, but magically omits any mention of race or gender or class is probably not a very effective protest album. The protagonist (the aforementioned Jesus of Suburbia) just comes off as an edgy kid with no political consciousness. At the very least, it sounds a lot better than The Offspring.

When this album came out, I was listening to "real" punk, metal, and hardcore and couldn't be bothered with Billie Joe's pop nonsense. I like to think I've mellowed a bit since then. And I must have because I enjoyed this WAY more than I expected to. It's fun. "American Idiot," "Boulevard of Broken Dreams," and "Wake Me Up When September Ends" are great but none of the tracks are snoozers. Every song seems to have a thesis and each track makes its point well. That said, I am not here for 9-minute punk songs. And I'm not talking about the four tracks that are two songs mashed. Those get a pass because of the format. None of them break 9 minutes anyway. No, I'm talking about "Jesus of Suburbia" and "Homecoming" here. There's no excuse for that. You're padding your term papers, fellas. Just make the point and move on.

Of all the pop punk bands, I think Green Day is the only one I actually enjoy on some level. I've only heard Dookie through Nimrod before though. I've seen this album get alot of praise and I wanted to give it a 3 when I first started listening but as the album goes on I feel like it collapses under its own weight. I respect the ambition but it was a bit of a chore to get through.

A punk rock opera concept album? Johnny Rotten would be rolling in his grave, if he were dead. Shame he's not dead really, rather than selling his soul on I'm A Celebrity and butter adverts.

Used to listen to this all the time back in the emo kid days. I still know every single word.

poggers

Look, we all loved some "Dookie." It was dumb punk fun. But we're not gonna pretend that Green Day didn't go gradually downhill from there in their next several albums. There were some hits in there, but nothing that hinted that they had "American Idiot" in them. I don't think Green Day was taken very seriously before "American Idiot." They were a raucous punk band, but mainstream enough to be MTV darlings and probably the band most responsible for the unfortunate wave of pop-punk of the late 90s and early 00s. (Take a star off for that if you want.) But holy crap was "American Idiot" ambitious. And I think it's the best they've ever sounded. (Who knows, maybe I would eat my words if I went back and listened to all of "Insomniac" or "Nimrod.") They cleaned up and polished their sound, and while that may sound bad for a punk band, they pulled it off so well. Regardless of any concept in the story or lyrics, Green Day really matured sonically. The punk is still there, but the songs are varied, well-structured, with great build and rise-and-fall throughout. You may not love Billy Joe's voice - it's nasally and a bit whiny - but I think you can tell here that he is becoming a better singer. It's really a great album, start to finish. It may not be the Great American Novel of the 21st century, but it's a solid concept with good lyrics for a vaguely political punk album. And it became a musical! Are Green Day sell-outs? Or did they just perfect what they do and be accepted for it?

Parts of this are dated, and I don’t like this album as much as Dookie, but I’ll be damned if Boulevard of Broken Dreams and Holiday aren’t just as great as they’ve always been. I will say that the second half feels like a bit of a letdown, at least musically.

This isn’t a bad album, just not for me. The constant power chords and unsubtle social commentary got boring after a couple of tracks. The album is too long and I didn’t like the rock opera elements. They never produced anything better than Dookie in my opinion.

Thought it was purile and shite when it came out and was “pleased” to be proved right. Horrendous listening experience and I curse myself for not having enough self respect to have turned it off.

This is how a band does a sound change and comes out on top for it. Excellent pop rock fun.

Pretty formulaic stuff here. Well produced vanilla indie schmindy punky rocky stuff.

I'm too old for this, and so are they. Singles are fine, but the rest is filler. Teen punk rock for people who think the Matrix is 'deep'.

We already had a Green Day album. What do I get for being polite the first time? A concept album. If that's not bad enough, they have a character named St. Jimmy? Doesn't at all sound like Dr. Jimmy. Pete Townshend at 80 y.o. is still infinitely cooler than these nerds with tats.

A rock opera in everything but intention, this segued album is easily one of the best of the punk-pop-idiot rock that came about in the era of the Iraq war. Easily one of the best albums of the 2000's

I'm dating myself here, but American Idiot is the first album I ever owned. There are legitimate criticisms that can be made about it - it's firmly rooted in the Bush era and hasn't aged particularly well; it's a whiny sort of pop-punk for white kids in the 'burbs - but none of that is enough to detract from my rose-tinted nostalgia. Even today, I find the album's pure sincerity a very charming break from the 2010s ever-present air of irony.

The first album we have gotten that I have listened to all the way through before this project. The way they pair two songs for the middle four tracks(plus Jesus and Homecoming both have 5 subtracks in them) is a cool concept and helps underline the bands desire to put out something they enjoyed creatively rather than something that would necessarily do well commercially - luckily this did both. I mean Punk Rock Opera? Nostalgia+Strong Songs+Creativity= 5 stars

I went into this fully expecting for it to not have aged well. I was wrong. This album still bangs.

This album already has three hits that absolutely blew up. Then I listened to the rest of the album. It didn't disappoint. I learned that this album "expresses the disillusionment and dissent of a generation that came of age in a period shaped by the tumultuous evens such as 9/11 and the Iraq War." And i'm a sucker for a politically charged album. This one hits just right.

wake me up when september ends

No. 74/1001 American Idiot 5/5 Jesus of Suburbia 4/5 Holiday / Boulevard of Broken D. 5/5 Are We The Waiting / St. Jimmy 4/5 Give Me Novacaine / She's a Rebel 4/5 Extraordinary Girl / Letterbomb 4/5 Boulevard of Broken Dream 5/5 Homecoming 4/5 Whatsername 4/5 Average: 4,33 Musically this is nothing revolutionary. It's just so damn fun to listen to.

I'd never heard of Green Day prior to the release of "American Idiot" as a single and it was massive. The rest of the album is quite good, especially "Boulevard of Broken Dreams", but it comes nowhere near the title track.

i was really not looking forward to this. i do not like green day and i told myself i would never listen to an album of theirs. it's not as bad as i thought it would be, but jesus fucking christ its so corny. im 18 and i feel like im too old for this album. best track is whatsername 6/10

Not a fan of the genre, but there were a couple good hits. Rest of the album didn't change my opinion of the genre.

Nostalgia bomb. Awesome album, and the slow/fast song double features are pretty fun, I kind of forgot about that format

Already heard this one, very many times - great project; one of the best pop punk works of art there is. Relevant even today.

Still great and fun to listen all the way through. S/o to my cousins and their Limewire plug

Classic!

Den her rammer lige i ned i gymnasie-mig. Der er virkelig mange gode sange og jeg kan stort set synge med på det hele. Når det er sagt, så synes jeg at der er direkte irriterende numre på pladen. Er klar over at det er meningen at det skal være en punk rock opera, men jeg kunne godt være foruden et par sange.. Stur stur 4-tal!

decent. not in the mood

long songs n quirky lyrics 😪💔

Proof that the the old axiom, “no one ever went broke underestimating the intelligence of the American people” is not only true, but that you can turn a buck (quite a few, as it turns out) calling them idiots to their face.

-I KNOW THIS ALBUMMMM -AND this band! -i have only listened to american idiot tho -so very excited to have a fresh listen -forgot how good this song is -remembering the cover 5sos did of this song -liking the switch up in jesus of suburbia -i do really like his voice i’ll be honest -i Do know wake me up when september ends -i honestly think the slurs are the only reason this album isn’t a 4 or a 5, but a 3 (but also because idk if this album is that amazing but it is legendary and very good

So I always liked Green Day – not loved, as I’m not really a punk guy, but have appreciated their work over the years… Was looking forward to listening to “American Idiot” from start-to-finish, and it did NOT disappoint… For me, there were 3 really outstanding tracks – with most of the rest being a nice collection of solid songs… My favs in order were – #1 – “Holiday” – 5-stars of out 7… #2 – “Boulevard Of Broken Dreams” – 4-stars out of 7… #3 – “Wake Me Up When September Ends” – 4-stars out of 7… I know a lot has been made of the lyrics, though nothing really stood out as exceptional – though again, really pretty solid… Not sure as to the accuracy of their protests in hindsight, but the fact that they were thinking about content like this, was at least interesting… The musicianship is top notch, and always liked Billie Joe’s vocals, so all-in-all, a pretty well put together album… I know there is massive love for the album from the younger generation – which I get, and would probably give it a 3.50 if I could – but when I look at the albums I’ve rated a 4, I just can’t get there… A strong 3 for me…

I like their other records more. I know this was caught up in the hysteria of a rock opera but for the NEW MILLENNIUM, but I don't think it was quite as amazing as it was made out to be.

Very clean album. A bit too clean and predictable, I like a bit of fuzz. Some good songs to listen to on their own, but BJ’s voice and guitar gets a bit grinding listening to a whole album.

While their earlier work is a lot more poignant and relatable, the first few tracks of American Idiot are pretty good. The thing about this point on in Green Day's discography is that they will write maybe 1-2 good songs and then phone it in for the rest of the album. That's pretty much what happens here. Most of the tracks are very vague about antiestablishment/anarchist views, but American Idiot, Jesus of Suburbia, and Holiday/Boulevard are some great doomer-minded anarchist songs. The rest of the album can really just be thrown directly in the trash. Wake Me Up When September Ends doesn't really feel like it belongs on this album, and I honestly thought it was on Twenty One Guns or Nimrod, but it definitely solidified that Green Day could phone in their earlier punk talents for radio bullshit. Oh my god... there's even fake clapping added to track 6. This band fell so hard. It's like Weezer, but at least Weezer has had redeemable moments in the last decade. Highlights: 1, 2, and 3.

Green Day were my first favorite band, and this was my first favorite album. I don’t love this album quite as much as I did when I was 8 or 9 but it still has its moments. Jesus of Suburbia is still just as amazing as it was the first time I heard it.

Jesus, Billie Joe, and I’m not talking about the phony one in suburbia either, but the real one full of truth and grace and love. Billie Joe Armstrong is clearly hurting, as I’m certain are his devotees, probably an army of likeminded disaffected ‘youth.’ Armstrong is now 50 himself, so he would have been 32 at the time of 'American Idiot.' I’m a baby boomer, and at 32 I was already well invested in my particular vocation. My parents even more so, their parents more still, and so on. And American life in the early 20th century, not to mention the vast history of human civilization, was a whole lot tougher than anything myself or, I’m guessing, Billie Joe endured. While my grandparents were fighting WWII and my generation was trying to advance human and civil rights, yours (and I know its not all of the gen Xers) Billie Joe’s just blames their trials and tribulations on mom and dad (‘Homecoming’). ‘Welcome to a new kind of tension,’ Billie Joe announces in the title and opening track, ‘all across the alienation where everything isn’t meant to be ok. In television dreams of tomorrow we’re not the ones who’re meant to follow.’ That kinda made me sad, it really did. My heart went out to him for whatever wounds he had occurred that led him to this belief. Likewise, on the next track, ‘Jesus Of Suburbia,’ he bewails, ‘And there’s nothing wrong with me. This is how I’m supposed to be in the land of make believe that don’t believe in me.’ Again, initially, I was really hurting for the guy. Until he then threw himself to the floor- at 32, mind you- and flailing his arms and legs (and guitar picks) he cries like a bitch ass toddler: ‘I don’t care if you don’t care!’ over and over and over again. Green Day is a good, tight combo- pure power chord, no frills, locomotive pop punk. I like their sound, their energy. Hard rockin’, yet melodic, kind of reminiscent of Nirvana. But, lyrically, and conceptually… Billie Joe is in need of a good spanking. After close to an hour of bitching and blaming, I didn’t find one positive, helpful solution offered. Apparently, Billie Joe doesn’t have enough emotional/spiritual maturity to even go there. He just wants ‘America (everybody else)’ to fix it, and then ‘Wake Me Up When September Ends.’ Even then, after waking from his nice lil’ nap, he’d probably still bitch about the boxed juice you gave him: ‘Billie doesn’t want apple, he wants grape!’ 'American Idiot’s' message seems to be: America, we are only the fuckups that we had to become to survive out there on the boulevard of broken dreams you built. America, you created us. Now deal with us, or else. A message they unfortunately share with one, Charles Manson.

Longstanding fan of everything up to and including Dookie. But nah, there's easily 2002 better albums to listen to this. Never listened before because I was fully done with them by this point. Heard the singles and thought nah. Maybe It's ok. Maybe I just stopped liking new Green Day stuff when I stopped being a teenager when they came out. It's a theory. Wait, what? The second track is 9 minutes long. Who are this band? Starts off aping the Beach Boys and then segues into All the Young Dudes. Actually quite funny how all over the place it is. What the hell, the next track is 8 minutes. Ha, Bush sent them mad. Ok I'm on board now. Might get 3 stars just because of how ridiculous it is. Yeah boulevard is still as dull as it always was. I see what's happening here, they've just removed the space between separate songs. Nah, too long and too many mediocre songs. 2 stars it is.

Dookie is still the best Green Day album, but some classics on here

Hey punk rock fans! Listen to NOFX's EP The Decline. I'm serious, listen to it. Then only after that, you''ll be able to judge whether Green Day pulled it off writing a punk opera. I leave the link down here for those who don't know what I'm talking about: https://open.spotify.com/track/2Wm84PF0DHyRQx79Lj9NwI?si=PUPhtW_UTOCvw3tgbfLlKg&utm_source=copy-link To me, NOFX certainly managed to write a punk opera five years *before* American Idiot came out, and they only needed 18 minutes of runtime to convince me. The exhilarating twists and turns of the music, the hardcore accelerations, the trippy, almost proggy interlude, the grand parade of the finale, sarcastic and desperate with its ironic trombone, and the pointed lyrics, saying what *American Idiot* tries to say with far more wit than any song on the latter--everything in *The Decline* surpasses Green Day's seventh album, and this without the financial means and production tools said album profited from. The huge difference lies in the songwriting--both for the music and the lyrics. Case in point for *American Idiot*'s overall shortcomings: 9-minute centerpiece "Jesus Of Suburbia", which soon wears out its welcome, if only because its own musical twists and turns sound lazy, torpid, and quite predictable (once again compared to the ones of "The Decline", for instance). Plus, stealing Johnny Cash's "Ring Of Fire" melody for the main guitar riff at the end of the song--and this for no discernible reason in the song itself--doesn't help me take Green Day very seriously here anyway. As for the lyrics, they are pestered by the same problem found in the rest of the LP--their supposed denunciation of American hypocrisy, as related to specific issues such as the gulf wars, the media or Bush's lies, is all too vague, not just to say virtually non-existent. Actually you'd be hard-pressed to find more than a few passing indirect allusions to those things in the lyrics of this record--PR agents from the label sure had you believe there was something politically substantial in *American idiot* at the time. Turns out there's not. As a consequence, this here sounds and feels like an all-too polished, fully-"corporate", fantasy version of so-called "rebellion". And this critique also concerns the music--those copied-and-pasted "heys" of the background vocals, those very bland, uniform chord successions, the pristine lead vocals drenched in effects that have nothing to do with punk's ethos and aesthetics. The awful truth about *American Idiot* is probably this: at the time, Green Day didn't have it in them to write enough true pop-punk anthems that would be as good and catchy and visceral as the ones on *Dookie*. So instead of admitting this and move on (or just call it a day, "green" or not), they used expensive production values, marketing, costumes, and so-called "high-brow" topical ambitions to cover their lack of inspiration. What a shame. The only true punk pop anthem that could be compared to what they did before is the nice title-track opening the LP. And if "Holiday" is already going to some other places than punk, it's still a catchy song, more than decently written. But that's it. And in the end, that's probably the only thing that's gonna save this album from a 1/5 grade on my part. Everything else is indeed either a huge letdown or a fuck-up of major proportions. The other two "hits", "Boulevard Of Broken Dreams" and "Wake Me Up When September Ends" are cheesy attempts to sell out and reproduce dad-rock ballads that didn't suit the band well anyway (those attempts worked out in the charts, unfortunately--people have bad taste sometimes). What's worse, those tunes are not even the most ridiculous thing that this record has to offer. Because even if you don't take into account Green Day's 180-degree turn when it comes to what punk should sound like and just consider the whole thing as a general mainstream rock album, *American Idiot* still doesn't work for most serious music fans out there. And the songwriting and production is to blame, once again. Those tunes can't compare with older rock operas: they are just void and calculated reenactments of their aesthetics, but without the lively inventiveness and quaint charm you could find in them. In other words, *American Idiot* is no *Tommy*. And it doesn't end with a bang, just like the latter does, but with a whimper. Worse, that long boring end actually starts *before* the middle of the record, with "Boulevard Of Broken Dreams", and drags on forever. Of course, one could argue that this anti-climactic ending is sort of the point of the story told by *American Idiot*, at least from what the songs are able to convey about the overall yarn--it's always been hard understanding the precise tales of rock operas, admittedly, so we won't blame Green Day for *that* at least. From what we can perceive about the story, everyone's in for some disappointing outcomes in the story. The "Jesus" character ends up pushing paper in a cubicle. "Whatsername" marries "Whatsisface", a soulless nobody. You can't get too excited about those final story developments, I guess. As I imagine those are actually nothing but another cynical and somewaht futile way to repeat the old "No Future" punk motto to the masses. So yes, maybe the anticlimactic end is all part of the design, and this might be another reason we won't go as low as 1/5 for this one. BUT that intellectual argument still doesn't save the album for me. Because: a. Being aware of all this still can't excuse the dour music on the second half (and remember that I wasn't even convinced by everything on the first). Ideally, you can speak about boredom without being boring yourself. b. When it comes to having anti-climactic ends for your rock opera that yet still has some emotional effect on you, maybe Green Day should have taken notes from The Pretty Things' *S.F. Sorrow* on how to pull it off. c. You can't just improvise being a rock opera writer. Apart from all the necessary conceptual pretensions and delusions of grandeur, your heart must *also* be in it somehow. Not sure where Green Day's heart was on this one. Maybe it exploded way too soon, just like that grenade on the cover, and all they could do after that was trying to pick up the pieces, and try not to look too cynical about the whole thing. Yet some music fans saw through them at the time. I sure did, and I still do now. Hence the fact that, to me, including this record in a list of essential listens somehow misses the point of what "essential" really means, in spite of a couple of decent singles. Not everyone is an "American Idiot", Billie Joe. Pass the word to Robert Dimery, please. Number of albums left to review or just listen to: 836 Number of albums from the list I find relevant enough to be mandatory: 90 Albums from the list I *might* include in mine later on: 40 Albums from the list I will certainly *not* include in mine (many others are more important: 35 (including this one)

Får mig til at føle mig ung. (Sådan, lidt for ung)

LOL WHO MADE THIS LIST, TRASH

Pop punks love politics. So edgy!

Idiotisk highschool-punk MED allsang-tendenser. OMG.

Sophomoric attempts

Ok guys. I’ve decided our next album is going to be a concept album! Oh wow that’s great Billy Joe. What’s the concept? A punk rock.....wait for it....OPERA! Amazing! Does that mean you’re gonna write punk songs again? Hahahaha of course not Tré Cool don’t be très dumb. No it means I’m going to base all of the songs around a few different characters. Do you think you’re capable of writing like that? Oh yeah definitely. See there’s this one character called St. Jimmy so I just call the song ‘St. Jimmy’ and write lines lines like “St. Jimmy that’s my name and don’t wear it out” Ok but that sounds awful Billy Joe. It is Tré Cool. It is.

Hands down the best Green Day album of all time, one of the best concept albums of all time, and one of the best albums in general. 5 stars, all killer-no filler.

One of my favorites, a great commentary and timeless rock sounds to bang your head along with.

Was very excited to see this bad boy pop up. This was the album that introduced me to Green Day but I haven’t listened in forever. Very rewarding for us lyrics listeners ;) Kathleen Hanna should’ve sang Letterbomb though.

One of the albums I listen to often, very good.

Probably my best Green Day album as well. Loved the first one but this one is just really good.

Absolute classic.

idiota americando da minha juventude idiota

Epic!

I definitely bought this album on the day it came out - I was 16. I was riding in the back seat of my friend's car listening to "Holiday" - we had it cranked and he was driving too fast trying to take a turn off 18th Ave - into the ditch we went! A fond memory. I get why some people don't like Green Day but they were such a big part of my formative years and I come back to their music often enough. I think this is their best album. "Jesus of Suburbia" is epic, I love that song. Rounding up to a 5.

👍🏻👍🏻👍🏻

Great. Recognize lots of songs.

Can't not give it a 5

Energetic, one of my favourite albums then I was a teenager.

stone cold classic.

Punk Opera about the disillusionment of growing up in suburbia? Easy 5 stars. I listened to this album so hard the summer it came out that I spent the next 3 years hating on it. Once I went back and realized I had just overplayed it for myself, it went back into a moderated heavy rotation.

Solid album that represents Green day maturity. I just don't get the double songs per album track.

Superb.

more timely than ever!

YEESSSSSSSSS

Américan idio, Jesús suburbio y boulevard broken dreamS

Not surprised that this ended up on the list. Jam-packed with hits, somehow polished and pop while maintaining the raw edge.

Wow this album unlocked childhood memories I forgot existed. Was a little nervous that it wouldn't be as good as I remembered, but oh my god am I so glad I was wrong. That rocked hard as hell, its got a political message that still rings true today, was a total risk by a band way outside of their comfort zone thematically, and still was an incredible success. We've had a lot of concept albums lately and I haven't been the biggest fan, but yo this is how its done right. Also, who else was a 5th grader who didn't really know anything about politics but didn't like George Bush just because of Green Day? Any ways, this group just earned its pop-punk merit badge because its 5s across the board for Green Day!

"No one ever died for my Sins in hell As far as I can tell At least the ones that I got away with" (Jesus of Suburbia) "Cigarettes and ramen and a little bag of dope I am the son of a bitch and Edgar Allan Poe Raised in the city under a halo of lights The product of war and fear that we've been victimized I'm the patron saint of the denial With an angel face and a taste for suicidal" (St. Jimmy) A Green Day sí le permito hacer canciones de más de cinco minutos.

This hasn't aged well but it still takes me back to chugging too many drinks at house parties and jumping off of the roofs of various neighbours

Great album. Career defining. Good guitars, beats, melodies!, sensicle lyrics.

One of the legendary Rock Opera's of our time. Right up there with Pink Floyd's The Wall.

Un álbum prácticamente perfecto. No lo escuchaba desde hace más de 10 años y lo he disfrutado más de lo que creía. Las melodías vocales son perfectas, el ritmo prácticamente no decae, es una historia desesperada; no hay héroes, no hay cambio. El cambio es la quimera. "Letterbomb", el punto álgido.

Да это же лучший жанр, поп-панк! Стоит, вероятно, немного пояснить за отношение к коллективу. Узнал где-то в период своего роцкерского становления на A-One. Вероятно, сразу после клипа на Бульвар поставил ярлык недорока для школьниц и боле шанса даже не давал. Ещё негатив подкрепился тем, что именно Green Day стали единственной "современной" (на тот момент) группой, удостоившейся собственной игры с пластиковыми гитарами. То есть встали рядом с Metallica, The Beatles, AC/DC, Aerosmith и Van Halen, отчего я немного негодовал. Посему в ближайшем окружении хейтил. Спустя годы выкупил прикол панка так какового, да и поп-панка в частности. Енто позволяэ как-то иначе взглянуть на творчество коллектива. На самом деле альбом сделал мои выходные, грубо говоря. Возможно, тут можно говорить о явлении, когда кто-то испытывает ностальгию по тому, чего в жизни и не было. Тупа веет яркой молодостью. Издали думал, что альбом является где-то первым-третьим с основания группы, мол в начале запилили, хайпанули, а потом паразитируют на начальных успехах. Но, сука, альбом то седьмой и запилен через 18 лет после основания! Уже подобное вызываэ увожение. Аналогия навскидку проводится разве что с пристовским Паникулёром. Чё там по трекам... На самом деле, прослушивание на 4-5-е выкупаешь, что все хорошие. Хотел сказать, что к концу явно просаживается, но то, что опосля Whatsername - цэ, оказывается, бонус-треки. Не, реально, как-то всё в единое концептуальное полотно выстраивается с сопоставимой степенью качёвости, из которого вырывать что-то отдельное и не хочется особо. Разве что 3 "главных" трека: есессна, заглавный, Бульвар и Сентябрь. Заглавный ранее казался недостаточно цепляющим, чтобы быть цепляющим при своей лаконичности. Но ныне, особенно в рамках альбома, звучит вполне достойно. К Бульвару сохранился немного школьный негатив, наименее живой трек на альбоме. Звучание веет словом "коммерческий". Ну типа а вдруг так вышло просто? Написался трек, как и остальные, но там продюссеры подсуетились, давайте ща стерильности наведём, сотни нефти подымем. Ну типа а чё бы и нет. Возможно, один из тех треков, по котором публика знакомится с исполнителем, а, прошарившись, не особо и ценит. Но трек в целом всё же хороший. Сентябрь, возможно, даже и не слышал ранее. Разве что фрагменты где-нить, да и то не точно. И прям чёт сразу пропёрся. Этот рек всё же достаточно цепляющий, чтобы быть интересным при лаконичности. При этом он не такой уж и лаконичный, там вон инструменты разные всякие, переходы. Ну типа попс, да. Но попс то мы тут не хейтим сам по себе. В целом, возможно, лучший новый для себя альбом в рамках 1001. Синтез идей прошлых декад, причём тех, что мне самому заходят. Тут слышу Битлов, там - Квинов немного, тут - Дэвид Боуи, там - глэм-митол 80-ых. И при этом как бы не завершает ход эволюции, а служит её звеном. Так, хук из Letterbomb я будто слышу в angelic milk - Rebel Black. Короче, отличный альбом. Отличный альбом, оставлю на плеере.

Very very awesome Album!!!

Great piece of American music.

Absolutely fantastic album that is a highlight of Green Day’s career. I love so much of this album and have for as long as I can remember.

Still awesome!

The high water mark for Green Day and possibly all pop-punk.

Still one of the best concerts I ever saw was their American Idiot tour. I also still know most of the lyrics as I listened along. Jesus of Suburbia is still a classic and forever will be.

Rating: 10/10 Best songs: all

I've had heard the hits, but never the full album. Every song is good or a masterpiece, it's a very solid album.

Nostalgic bliss

Been touring this album for 15+ years and that's alright. Good stuff.

Perhaps I’m just rating it highly because I lived in the East Bay for so long, but this album seriously holds up after 17 years. A punk rock opera was genius then and is genius now

Riley says 5 stars and I agree. I have a soft spot in my heart for pop punk and Green Day does it better than anyone. Jesus of Suburbia is like a microcosm of the whole album, a tiny pop punk rock opera all on its own. Even if you don’t love them, you have to appreciate the ambition here.

Grew up listening to Green Day, needed to be a 5

perfeito clássico!

Nostalgia. Letterbomb and Homecoming don't really stand out but the rest are really great. A must.

I don't want to be an American idiot.

I know all the songs in this album by heart! I used to listen to it when I was an awkward teenager, so it will always be special to me. Favourite track: Jesus of Suburbia but honestly I like them all

banger

That's my childhood, no way I could not love it