Innervisions

I was lucky enough to see Stevie Wonder live at the time that these songs and those from Talking Book were most what got played. It was one of the best concerts I ever saw.

The perfect blend of funk and soul. The beats are incredible and Stevie’s voice is one of a kind. Fav tracks: “Higher Ground” “Don’t You Worry ‘Bout A Thing” “Too High”

Innervisions is such a well-crafted record. It feels like a snapshot of American life in the mid-1970s and a feeling of hope. But, well, Richard Nixon isn't the only American president that "He's Misstra Know-It-All" could apply to. The album shifted forward R&B and soul (and pop crossovers) with its sounds and we are richer for it.

it’s Stevie it’s a great album

An eye-opening record. Beyond amazing.

It's Stevie! At the top of his funk game, bringing slick catchy grooves and buttery, yet emotionally charged vocals together in perfect harmony. Living For the City, Higher Ground, AND All In Love is Fair on the same album blows my mind. He's an incredible artist and he's unparalleled at constructing hit songs without it feeling formulaic or manufactured. It's just beautiful, compelling artistic expression in every song.

Overall, I think it’s a great album. My favorite track had to be Living For The City - extremely groovy and had a great story that brings up issues that people are still experiencing today, many years after release of the album itself. Not sure where Stevie draws his inspiration from, but you can hear and even feel elements from this album in pop R&B of the 2000s which is what I grew up with and to be able draw these connections is a testament to how influential this album is.

It used to bug me to no end when I’d be out at a bar or a party and the band would say “we’re gonna do a Red Hot Chili Peppers song!” and then kick into “Higher Ground”. Show some respect, you clods.

I always wanted to like him more than I did. Just never quite worked for me.

I didn't know it was possible, but this album is Grammy bait

Beside the occasional killer baseline, this confirms that Stevie Wonder is not for me.

First song ~ Too High ~ draws you in with its jazzy drum beats and soothing synth sounds, Preparing u for an experience. Transitions into each song are beautiful, almost like a page off of Pink Floyd’s Dark Side of the Moon. Nine amazing songs leaving you want more. Don’t be greedy.

I think Stevie is incredible for so many reasons, but for reasons I cannot explain, I've never been wildly into his music. I like quite a few of his songs, to be sure. But overall, I've never really reached for his stuff.

It was funk and soul. It was alright but I don't have a need to revisit

i always admired Stevie Wonder but only really knew his 80s / more commercial stuff. This album is fantastic. the funk, the soul, the rhythm, his voice. The fun they are clearly having making it. This is an album that makes me smile when listening to it. The first track sounds like something from Jamiroquai, who were obviously 20+ years later, and no doubt inspired by this sound. 5 stars from me.

I only really liked Higher Ground. I'm mostly a fan of his hit songs. I've been judging my albums on whether I'd go back to listen to it again. This isn't a bad album by any means. It's just not something I would replay.

You can't go wrong with Stevie Wonder. His unique vocals and heartfelt performances are fantastic.

Behold, one of the most likeable figures in the music world! Stevie Wonder is fantastic, and his music pretty much never fails to deliver. Innervisions has a versatile yet consistently high-quality setlist, with great high-energy blues-rock tracks like Living For The City, Higher Ground, Don't You Worry 'Bout A Thing... I could go on. There aren't any bad tracks on here, though a couple are slightly forgettable because of a lack of any obvious musical hooks to keep the listener engaged. But the stronger tracks are interesting, exciting, soulful, and sung from the heart. According to my research, Innervisions is also a creative and musical milestone in Stevie Wonder's career. This album is the end of a transitional phase from mostly 60s-style ballads (and the "Little Stevie Wonder" persona) to a mature, musically complex, and self-performed style. And that self-performed element is a big one. Stevie Wonder plays nearly all the instruments on nearly all the songs here, and this sets the agenda for the albums to follow. Great singing. Great horns. Great guitar and bass. Great jazz-rock-jam drumming. 5/5 Key tracks: Living For The City, Higher Ground, Don't You Worry 'Bout A Thing, He's Misstra Know-It-All, Too High

Stevie Wonder had a couple of big hits before and one album which really put him into the conversation of the best current Soul artists but it was THIS album which made him one of the best Soul artists of all time! It is full of incredible and forward thinking production, beautiful arrangements, incredible songwriting and just magical performances that makes this one of the essential listens for everyone. It is pure magic to the ears and it's even crazier when you realize that this isn't even considered his best album. (It's my favourite but most point ot Songs in the Key of Life) The Psychedelic Soul and Funk mix of 'Too High' gets the album started with a groovy and beautiful song full of incredible instrumental performances but also gets some of the conceptual ideas started. The song is hypnotic and enjoyable with many great moments and it delivers the whole way. A perfect song to start such an incredible album with. 'Visions' replaces the Funk with Folk and a surprising amount of Folk. This song is just Progressive and Psychedelic Folk with a very Soul-like vocal performance and while that sounds like a strange combination, Stevie pulls it off in the best way possible. It is a beautiful and yeah psychdedelic experience full of beautiful lyrics and ideas that some might even call philosophical. Do I need to say much more? This is perfect even when the placement of the song could've been improved as it is a very hard cut from the Funk, it still is just wonderful. The albums most forward thinking song is without a doubt 'Living for the City'. It mixes the Funk and Soul like we were used to and it even adds a little Rock into the song and how can you forget the crazy vocal performance that Stevie offers but that isn't necessarily why this song is so good and viewed as so influental. It is the "weird" second half that adds some Spoken Word & Radio Recordings mix that isn't just there as a nice add-on but actually as a conceptual continuation of what the song itself spoke about. It is there to get more people to understand what he wanted to achieve with the song and he absolutely delivered. The "actual" song returns and closes the song properly but still, this idea was a big thing in the way he implemented it. The slightly Smooth Soul 'Golden Lady' is an absolutely beautiful ending to the albums first half. It flows through the verses and the pre-chorus and the chorus itself is just the cherry on top. It is an absolutely stunning piece of Soul music and easily one of the albums best songs and also one of the best songs in Stevie Wonder's whole career. The second half is started with 'Higher Ground' which is a very groovy return to the strong Funk sound with the very, well, funky guitar and bass which absolutely drive the song. Stevie is absolutely killing it with these vocals and the whole way that the song is structured is just incredible. It not only flows but I feel like it flows so fast that you feel on some very strong substances that go far outside of LSD. This song makes me want to get so much energy out like I haven't moved in days. Perfect, it's a perfect song! 'Jesus Children of America' is one of the albums "worst" songs which crazy because it still is an absolutely incredible song with great Gospel vocals and some really well made bass and the whole song is just beautiful. It just fails to really take the edge that most songs here did. Incredible song and better than 90% of music ever but it isn't more, at least for me. Christians might go really crazy for this but I don't. I just really like it. The Smooth Soul returns on 'All in Love Is Fair' which is just a beautiful performance all the way through. I am just stunned by how emotional he sings on this song and it also speaks to me more with the topic. It is just so beautiful and incredibly performed that I am again thinking that this is a perfect song. The emotional and smooth sound is replaced with the Salsa inspired Latin Soul song 'Don't You Worry 'Bout a Thing'. This track just wants to make you dance and groove until you're out of breath. The details with the maraca, the bongos and what else there's on here just gives this a very tropical feeling that adds even more to the dancy and warm song. Absolutely amazing song from start to finish! The album finishes with 'He's Misstra Know-It-All'. A very Pop Soul finale to the album that isn't overly energetic or overly relaxed. It's a beautiful mix of both that makes it a perfect closing track because no matter which sonic paths that the album took you prefer, you will enjoy this song from start to finish. And it again, is a perfect song like most the album is. favourites: Higher Ground, Living for the City, Golden Lady, Too High, Visions, Don't You Worry 'Bout a Thing, He's Misstra Know-It-All, All in Love Is Fair least favourites: Jesus Children of America (still incredible) Rating: decent 10 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

Easy 5 stars. Maybe not as perfect as “Songs in the Key of Life” but pretty damn close.

Absolutely fearless album, that goes into whatever genre or mood it likes, when it likes. The artistry is unmatched in Stevie's discography and in spite of the record's ambition, it still works perfectly as an album. Top tier Stevie and just a top album in general.

Mixing the wild playfulness of a crayola-wielding infant with cosmic level compositional chops and the oversized emotional sweep becoming of a generational figurehead, this is one of those rarest of things: a 70s masterpiece that doesn't have "I couldn't have happened without the 60s" written all over its face.

A Motown classic. Stevie Wonder at his finest.

duh

The fadeout on He's Misstra Know-It-All is comically long

I'm reminded once again (this is my 2nd Wonder album from the list) how good a musician Stevie Wonder is. Some stunning songs on this album including one of my favourites, Higher Ground. Unfortunately there are a few I like a bit less because too poppy for me (Don't you worry about a thing) or tooo smooooth and romcom outro-like. But that's being picky, this album absolutely needs to be on the list esp. given how well it aged.

This was the first time I've listened to this album. I picked up on a lot of samples and references to it by 90s hip-hop artists. It starts with a sample from one of my all-time most listened to and loved songs: "All Night" by the Alkaholiks. The chorus of "Living for the City" was repeated in Wu-Tang's "The City." In that line someone comments, "New York City, skyscrapers and everythang" which was repeated in the track "All the Critics in New York" by Westside Connection. I also had forgotten that the RHCP song "Higher Ground" was actually a cover. So in addition to pointing to how pervasive the 70s were in 90s music, my lack of awareness of this album's influence also points to a generational and cultural disconnect between me and the artists who created that music. There is a lot of depth to this album and I'll need to listen to it again to fully appreciate it. I was taking in the sound and music and less the lyrics, and I understand that these are laden with social commentary of life as a Black man in mid century America, personal experiences with drug addiction, and so on. Plus there is clear significance in the title Innervisions that can't be appreciated without hearing the lyrics and getting to some of the deeper layers of the music.

Not quite what I expected. A little more rock and funk influenced, including in instrumentation. Highlighted Stevie's voice and has some great tracks like Jesus Children of America and He's Misstra Know it All.

Masterpiece. Higher Ground and Living For The City are incredible songs 5/5

I thought this was really good. Solid 9.5 out of 10 for me

5 stars and 3 of my favorite all-time songs on this album!

Absolutely brilliant. Sheer class

God, I love Stevie Wonder. I only knew two of these songs before listening to this as part of this project. I had no idea that Stevie was ever a "one man band" or even that he could play the drums. This is a beautiful album, filled with sonic experimentation. I love that it's described as progressive soul and I love that it's considered one of his finest, one of the greatest albums ever, and highly influential in its genre. It's always so cool to me when somebody's singular creative genius is recognized as such, and Stevie's one of the best ever to do it.

Another classic that brings me back to hearing on LP in the 80s-90s that my parents would play. Too high is imprinted on my brain. Higher ground and Don't you worry bout a Thing are straight up bangers.

Absolutely amazing

CLASSIC. Living for the City especially but the rest of the album holds up better than I remember too.

Brilliant album with so many well known single releases.

Crazy good funk and soul and R&B really fun

Absolute classic. Simply insane that Stevie himself performed all of the instruments on a majority of these tracks.

Fantastic. Stevie lives up to the hype. Every song had me nodding my head along to the beat, and every lyric had a meaning, serious or not—overall, it's a perfection combination of funk and artistry. Super impressive vocals and all the instrumentation was spot on. The only song I would skip is the one with the hard-r in it—don't exactly want that playing in the car. Favorite Song: He's Misstra Know-It-All

Wow! Loved this album. Stevie Wonder is a legend

So perfectly paced it borders on miraculous.

Bought this on CD from Fopp many moons ago after seeing the great man live in Manchester, it’s a 5 easy

Can't go wrong with classic Stevie. This was so good I listened to it twice. Five stars.

A masterpiece! It ranks, in my opinion, among the best albums ever made.

This was incredible. Stevie Wonder is the man.

Come on... it's Stevie Wonder. Higher Ground is worth the price of admission, but there's other goodies here too.

Genius

Don't You Worry 'Bout a Thing should be required listening as an audio anti-depressant.

Modulation. Excellent album an easy back to fronter.

Stevie Wonder is the fucking MAN, modern day Beethoven. I feel blessed to even share the Earth the same time with. Super funky, jazzy, and enough great hits to please anybody. The ballads get a bit weird tho

I only truly developed music as a proper hobby maybe a year ago, but I’m pretty confident in saying that Stevie is one of the most talented musicians in history, and innervisions is one of his true masterpieces. From beginning to end this album is an absolute treat to enjoy, and I look forward to hearing it many more times in my life.

This is an album that I’ve skipped over previously going from Talking Book to Songs in the Key of Life, but it really is a quiet masterpiece with many standout moments. Living for the City hits hard with a story of a naive young black man moving to New York and ending up on the wrong side of the law, complete with dialogue and sound effects. There are brighter songs too, with Don’t You Worry Bout a Thing being an absolute joy from start to finish.

Stevie hit it out of the park again with Innervision. Never heard this in its entirety before but was familiar with seven out of nine songs because they got radio playback in the early / mid 70s. Living For The City, Golden Lady, and Higher Ground are the meat of the album, but it’s all good. Didn’t realize I was a Wonder fan. Strong (4.5*s)

No words Genius 5*

OK, this one absolutely belongs on the list. Stevie is one of the best musicians that the human race has ever created, and this album is one of those pieces of evidence of that. 5/5

To be fair, you could just play the bass lines from this album and it would still be pretty awesome. Classic Stevie, real grooves and great piano work. Loved it.

Absolutel genius

I agree. Stevie is the man! I love Stevie and would put him at the pinnacle of my musical heroes, so I’m biased, but this is a solid album in all ways, even more impressive as the start of his ‘genius period’ after his start as child prodigy (which so many never successfully escape from). I must say I prefer Funky Stevie to maudlin Stevie, but Funky Stevie carries so much weight that maudlin Stevie can get a pass.

So beautiful. I first listened to it this album over twenty years ago and have to admit I wasn’t initially that impressed. But over the years I fell in love with this album and can see its influence on so many artists and albums. Stevie at his finest. Hard to believe how young he was and how he was able to completely reinvent himself and soul music at the same time.

One of the best albums ever. Each song is better than the previous song. It's almost embarrassing how good this album gets. Golden Lady, Higher Ground, He's Misstra Know It All. It's 5 stars every day.

I absolutely love this CD. The trilogy of early 70s Stevie Wonder CDs (this + Talking Book + Songs in the Key of Life) are all straight-up magic. They're immediately recognizable as Stevie with his unique sound, consistently high-quality, and loaded with hits. But this is probably the most complete of the three, more polished than Talking Book and not as bloated as Songs in the Key of Life. Stevie's key trick is in melding jazz-like or classic Tinpan Alley songwriting techniques with the complex rhythms of mostly groove-based soul and funk. Sometimes it's alternating songs in each style, but on the best tracks he marries both. The lead track, "Too High" is a great example - he's got that great ascending-riff groove for the rhythm that he just hangs on a while, and he mixes in a short descending line in the bass over those jazz harmonies on the chorus. Top it off with the bouncy, jazzy vocal riff ("doo-doo-doo" bit) and you've got a song that feels like a real journey with all the ups and downs. I'm not sure if this is supposed to be an Easter egg or not, but he also has a harmonica solo, which to me sounds like a joking allusion to his 60s years as Lil' Stevie (it's a pretty good musical joke). Honestly there's too many good things to say about this CD for one little writeup. Stevie's a brilliant songwriter, he's a damn good singer, pretty much A-level at this stage in his career, and he fills it out with a wild diversity of harmony and sound. The CD is brilliantly paced - it's almost exactly the right length, the intensity peaks right in the middle with "Higher Ground", and it perfectly alternates more exciting and more relaxed tracks. Some of the transitions, like "Visions" into "Living For The City", are flawlessly executed in a way that, like the best concept albums, makes the CD itself feel like a single cohesive unit. I'm just going to list a bunch more things I really like about the CD: -The way he throws his voice to appear to be a different character on the 2nd half of "Living For The City", while also sharpening the contrast with his duet partner/backing vocalist, yet still hits every damn note -Wonder's note on "All is Fair in Love" at 1:13-1:18 -The first time he opens up on the chorus of "Don't You Worry Bout a Thing" -The bongos starting with the solo on "Golden Lady" -The modulation up in the fade out on "Golden Lady" -Really "Golden Lady" the whole song

Visions is a beautiful song. It was my first time hearing this and I was wowed. Too High - nice intro track. I liked this one. Living for the City - great sound with great commentary on urban and racial issues Golden Lady - I thought it started a little slow but the tempo picked up at the refrain. This ends up being a very pretty and enjoyable love song. Higher Ground - this has always been one of my favorite Stevie Wonder songs and still is. Wow, such a great beat! Jesus Children of America - decent sounding song All in Love is Fair - this track really highlights the power of Stevie’s voice. Overall pretty song as well. Don’t You Worry Bout a Thing - another one I was familiar with. Fun song He’s Mista Know It All - this was the weakest track and my least favorite. Almost every track on this album is a winner. This is a great album and Stevie Wonder is a master artisan. 5

Loved this. Super funky. I thought Steve was a product of the 80s, but who knew he was doing his best stuff in the early 70s? I’m now a fan.

Stevie Wonder es lo más grande que hay.

Stevie Wonder was always a favorite artist of mine, and he always seems to kill it.

Incredible album. The songs have a habit of starting off so insanely funky, they just grab your attention immediately.

Oh my god. I clearly know Stevie Wonder like everyone else on this planet, and I know a handful of the classics, but I wasn't prepared for this epic record. Just totally jazz-kicked me in the teeth from the get-go. Favourite tracks: the whole thing is a work of art.

Its exceptionally good isn't it. I've not really jelled with Mr Wonder yet, but this album changed my opinion

4.5☆/5 10.17.2024

Classic

Stevie continues to amaze me. His albums are so obviously significant and influential for decades to come on all music genres. Of course I recognize a lot of these songs but even the new ones were just so intellectual and unique yet interesting. Love him.

Question: If this is the peak of peak-Stevie, and Stevie Wonder is near or at the peak of all-time musicians, by transitive property does that put this album near or even at the peak of all recorded music? I believe it does. Highlights: everything, although gun to my head "Living For The City" is one of my favourite cuts by anyone anywhere. Too much greatness to succumb to any detailed description. Flawless / timeless / genius: a top 10 all-time album. 10/10 5 stars.

**Album Review: "Innervisions" by Stevie Wonder** Released in 1973, *Innervisions* marks a monumental moment in Stevie Wonder’s career, solidifying his legacy as one of the most innovative and socially conscious artists of the 20th century. The album, produced and mostly written by Wonder himself, embodies a fusion of soul, jazz, funk, and progressive rock. It is a rich reflection of both personal and societal struggles, with Wonder taking bold steps musically and lyrically to address pressing social issues. This review will examine the album in detail, analyzing its lyrical content, musical complexity, production qualities, overarching themes, and long-lasting influence. We will also discuss its strengths and potential areas of criticism. ### Lyrical Analysis **Themes of Social Consciousness** Stevie Wonder's *Innervisions* is deeply political and personal, directly addressing issues of racism, poverty, drug addiction, and spiritual awakening. At a time when American society was reeling from the civil rights movement and the Vietnam War, Wonder used this album to confront the inequalities and harsh realities of the world. The album’s opening track, “Too High,” uses metaphoric lyrics to address the issue of drug abuse. Wonder, while adopting a jazzy, upbeat arrangement, illustrates the dangers of drug addiction, particularly in the inner city. The line "Though my mind is blown, I’m high and alone" evokes the isolating effects of substance abuse, bringing to light a pressing issue often neglected by mainstream media. In “Living for the City,” Wonder paints a harrowing portrait of systemic racism and poverty. The song chronicles the life of a young Black man from Mississippi who, despite his aspirations, falls victim to the cruel systems that oppress African Americans. The track uses evocative imagery such as “His sister’s black, but she is sho’ nuff pretty” to emphasize the pride and beauty of Black identity while confronting the oppressive environment that crushes the protagonist's dreams. This storytelling aligns with the rise of the Black Power movement, reflecting the struggles and injustices that many African Americans faced in urban environments. **Spirituality and Personal Reflection** Contrasting the social commentary, tracks like “Visions” and “Higher Ground” delve into Wonder’s personal reflections on spirituality and human potential. “Visions” is one of the most introspective songs on the album, blending dreamy, folk-influenced guitar with lyrics that ponder the possibility of a utopia free from war and racial conflict. Wonder sings, “Have I lived to see the milk and honey land? / Where hate's a dream and love forever stands?” expressing his yearning for a better world while acknowledging the painful reality of its unlikelihood. “Higher Ground,” with its funky groove and energetic beat, tackles the concept of reincarnation and personal redemption. Written in the wake of Wonder’s near-fatal car accident, the song is both an anthem of resilience and spiritual growth, as Wonder seeks to rise above worldly suffering and reach a higher plane of existence. ### Musical Complexity and Composition **Fusion of Genres** *Innervisions* stands out for its intricate blending of musical styles. Stevie Wonder was already a multi-instrumentalist prodigy, but on this album, his talent for arranging and composing is truly spotlighted. Wonder performs nearly all the instruments on the album himself, showcasing his mastery of the synthesizer, particularly the TONTO (The Original New Timbral Orchestra), which allowed him to explore a vast array of sounds and textures. “Too High,” for example, incorporates elements of jazz, funk, and even some psychedelic sounds. Its funky basslines and dynamic vocal harmonies juxtapose the serious subject matter of the song, giving it a lighthearted yet deeply meaningful feel. Similarly, “Golden Lady” features lush melodies and complex chord progressions that blend jazz and soul in a way that feels effortless. Wonder’s use of extended harmonies and chromatic movement exemplifies his sophisticated compositional skills, pushing the boundaries of what popular soul music was capable of at the time. **Innovative Use of Synthesizers** One of the defining features of *Innervisions* is its pioneering use of the synthesizer. Wonder, along with his engineers Robert Margouleff and Malcolm Cecil, employed the synthesizer in ways that had rarely been heard before in mainstream music. Tracks like “Living for the City” and “Higher Ground” make heavy use of synthesized bass and keyboard sounds, which lend a futuristic, otherworldly feel to the music. In "Living for the City," the synthesizers create a gritty, urban soundscape that enhances the song’s narrative. The use of sound effects—like street noise and the protagonist's interactions with the police—adds to the dramatic tension. This sonic experimentation, combined with a traditional soul foundation, created an immersive experience that was innovative for its time. In many ways, *Innervisions* was a precursor to the electronic music and hip-hop production techniques that would rise in the coming decades. **Funk and Groove** Rhythmically, the album is steeped in funk, particularly in tracks like “Higher Ground” and “Jesus Children of America.” The grooves are tight, propulsive, and infectious, driven by Wonder’s impeccable sense of timing and groove. "Higher Ground" features syncopated rhythms, deep clavinet riffs, and a punchy bassline that adds depth and intensity to the song’s urgent message. Wonder’s ability to balance complex rhythms with smooth vocal lines is remarkable, making these songs both danceable and thought-provoking. ### Production and Arrangement **Stevie Wonder's Creative Control** By the early 1970s, Wonder had achieved unprecedented creative control at Motown, a label historically known for tightly controlling its artists. With *Innervisions*, Wonder took full advantage of his freedom, producing the album himself. This creative independence allowed him to experiment with new sounds, take bold risks, and create a cohesive album that flowed seamlessly from track to track. The production is meticulously crafted, from the layering of instruments to the placement of vocals. Wonder’s vocals are often multitracked, creating rich harmonies and call-and-response patterns that add emotional depth to the songs. His attention to detail is particularly evident in the transitions between songs; for example, the shift from the upbeat funk of “Higher Ground” to the slow, introspective ballad “Jesus Children of America” is smooth yet emotionally impactful. **Use of Realism in Sound Design** "Living for the City" stands out for its innovative use of sound effects and narrative structure. The song includes a middle section where we hear street noises, a bus driving, and a conversation between the protagonist and the police. This was groundbreaking for its time, adding a level of realism and immersion that was rare in popular music. It was not just a song, but a sonic depiction of urban life, giving the listener a first-hand account of the struggles Wonder sought to highlight. ### Themes and Concepts **Social and Political Commentary** At its core, *Innervisions* is a socially conscious album. Songs like “Living for the City” and “Higher Ground” tackle systemic issues such as racism, poverty, and spiritual growth. Wonder doesn’t shy away from harsh realities, making *Innervisions* an album that feels just as relevant today as it did in 1973. His lyrics are direct, yet poetic, allowing listeners to engage with these heavy topics on both an emotional and intellectual level. “Jesus Children of America” critiques religious hypocrisy, highlighting the disparity between spiritual preaching and real-world actions. Wonder’s plea for genuine love and spirituality in the song resonates with themes of social justice, making the track a call to action for listeners to live with authenticity and compassion. **Personal Reflection** While much of the album addresses societal issues, there’s also a strong sense of personal reflection. Wonder had recently survived a near-fatal car accident prior to the release of *Innervisions*, and this experience undoubtedly influenced tracks like “Higher Ground” and “Visions.” The introspective nature of these songs allows for a delicate balance between external critique and internal contemplation. ### Influence and Legacy *Innervisions* had an enormous impact on both the music industry and broader culture. It was one of the first albums to fully integrate synthesizers into soul music, paving the way for future genres like electro-funk, hip-hop, and electronic dance music. Wonder’s experimentation with new sounds and textures opened the door for artists like Prince, Michael Jackson, and countless others who would push the boundaries of pop and R&B in the decades to come. The album’s lyrical themes also resonated with a wide audience, influencing a generation of socially conscious musicians. Artists like Marvin Gaye, Curtis Mayfield, and Gil Scott-Heron were contemporaries who similarly used their music to speak out against injustice, but Wonder’s ability to blend these messages with mainstream appeal gave him a unique voice in the conversation. The critical and commercial success of *Innervisions* helped establish the viability of socially conscious music in the mainstream, a legacy that continues today with artists like Kendrick Lamar, Beyoncé, and D’Angelo. ### Pros and Cons of *Innervisions* **Pros:** - **Lyrical Depth**: Wonder's socially conscious lyrics are thought-provoking, addressing complex issues like racism, drug addiction, and spirituality with clarity and passion. - **Musical Innovation**: The use of synthesizers was revolutionary, making the album sound ahead of its time and influencing future genres. - **Production Quality**: The meticulous production is rich in detail, from sound design to vocal layering, creating a cohesive and immersive experience. - **Versatility**: Wonder seamlessly blends genres such as soul, jazz, funk, and rock, showcasing his versatility as a musician and composer. **Cons:** - **Complexity for Casual Listeners**: Some tracks may be too intricate or experimental for listeners expecting straightforward pop or soul. - **Darker Themes**: The album’s heavy focus on social and political issues, while essential to its message, can feel overwhelming or emotionally taxing at times. ### Conclusion *Innervisions* is a masterpiece that balances social commentary with personal introspection, all while pushing the boundaries of music production. Stevie Wonder’s ability to craft songs that are both accessible and deeply meaningful is unmatched, making *Innervisions* a timeless album. While its complexity may not appeal to all listeners, the album’s innovation and lyrical depth make it a landmark achievement in music history. Its legacy continues to influence artists today, solidifying Stevie Wonder’s position as one of the greatest artists of all time.

This album is 5 out of 5 enjoyable from start to finish.

First of all: Stevie is an automatic 5 stars! Innervisions is one of Stevie's albums that I've heard the least from this golden period between 68-85 but it's still a masterpiece (and one that I'll listen to more frequently from now on). I really like the psychedelic vibe of some of the tracks, which gives the album a unique sound, but without losing the funky & soul style characteristic of Stevie's albums. The difference between Innervisions and the other albums from this period released by Stevie in the first half of the 70s is that here we have an obvious high point between the songs and it is called Higher Ground. This song completely differs from the others as it is a tremendous Funk & Soul hit. One moment you're listening to the fresh breeze of Innervisions' tracks and suddenly you take a break to riff on Higher Ground and then return to normal programming. As much as it may seem like it was randomly placed in the middle of the album, the song doesn't interfere at all (quite the opposite) with the vibe of the album, much less its maximum rating of 5 stars.

A masterpiece of perfection. Every song flows deliciously. The perfect length of an album where its not too short or too long. Each song is unique in its sound while all staying grounded to a specific style. Stevie Wonder is one of the greatest musicians of all time. So glad I grew up listening to this album as it still is an absolute banger to this day. Eternal perfection. 10/10

I never knew he did pretty much all of the instrumentation and production himself, which is incredible. A great album, you could easily tell someone this was a modern release and they'd believe it.

iconic

I can't give Little Stevie less than five stars. I just can't do it.

This might have been the first Stevie album I personally 'owned,' besides Motown greatest hits collections my mom had on CD, or the occasional, irresistible single (e.g. I Was Made to Love Her.) It's still insanely consistent across a spare 44 minutes. The hits (Living for the City, Golden Lady, Don't You Worry About a Thang, ETC) far outnumber the few lulls. While this might not be a sprawling masterpiece like Songs in the Key of Life, it's an insane run of memorable hits that make the whole thing a classic.

Funk filled Tuesday morning I love it. This album had me bopping in my chair the whole time with the walking bass and steady drums to go along. Stevie has the perfect voice to go along with this style of music as well. Living for the City was the best song on this album. Such awesome instrumentals with a pretty intense skit in the middle of it. Higher Ground is such a good song. Love this original and the cover by RHCP is also great. I am an absolute sucker for some good old fashioned funk and jazz. Especially because it throws some variety into this list.

Stevie wonder was a good listen

Excellent!

I've heard all of these songs many times but I've ever listened to the album in it's entirety in one sitting and I'm glad I did

Love Stevie wonder

Lovely album.

Absolutely glorious

splendida scoperta. tutti belli

I wasn’t sure about this but it was a great piece of work full of texture.

I was disappointed last night when I put in my star rating for Agaetis Byrjun without writing anything. I had planned to have fun with like the diaristic aspect of doing this, and I felt like I had suuuuch a long and comical history of trying and mostly failing to all the way Like Sigur Ros, from being a teenager trying to like Cool Music in the early 2000s, into my later teens and early adulthood when my friends from liberal arts college were always wanting to eat acid and lie on the ground. But I didn’t. Oh well! Now, Stevie Wonder, Innervisions: my history with this is very simple. I didn’t grow up listening to Stevie Wonder. I knew maybe two or three songs from just, like, being alive. I first listened to Innervisions in high school bc of some other Greatest Albums list, probably Rolling Stone, idk. I was like, ‘wow, this is great. Whoa this is so groovy. Man this kicks ass.’ and my feelings have in no way changed or evolved, although I have a greater appreciation for its context in history and in the life slash career of Stevie. But overall, still, and forever: It’s great! Whoa this is so groovy. Man this kicks ass!

A couple of great tracks. Not really an album I would have looked for. Glad I’ve sampled and would Likely be a repeat for me.

Discazo. Melodía, ritmo y todo lo que se puede pedir. Tiene hits, tiene lo necesario y más.

It's got be a 5, some of the tracks are all-time classics

Wow Stevie Wonder does not miss. The first track is unbelievably modern for a 50+ year old track

This is Innervisions by Stevie Wonder. Nearly every song is a complete banger. There are a couple of slower more pensive songs and they actually really highlight his skills as a songwriter such as Visions and All In Love Is Fair. That's an interesting thing, when an artist is so proficient and overwhlemingly good at crafting hooks and playing instruments that their skills as a songwriter is barely even acknowledged. This is absolutely a case of that, as Stevie could be spoken of more in terms of his songwriting. He's just so damn funky tho.

amazing! so groovy and soulful! perfect album to dance around the living room

I like this one even better than Songs in the Key of Life!

Incredible

Imagine how good he’d be if he could see