This album feels like driving 65 in a 65 speed limit zone. There is some really fun instrumental stuff in Across the Border. Jungle has got a totally different feel and I dig it, but only kind of. This music just feels like corporate and soulless and sterile to me I guess. There’s no heart here.

What a big dumb nothing burger

A little too old people day drinking in the park for me. Also full of super casual misogyny.

I like it. It's meditative and trance-y and somewhere between indie rock and 70s psychedelia and bedroom pop. If I listen to it again, it might be a five. The cool thing is, I could see myself listening to it closely or just having it on in the background and liking it both ways.

The only thing I ever think when I listen to music is “could I play this song and if so when and where and what would I need to do it?” I’ve heard Yellow probably 200 times and it’s still a good song. Trouble feels exactly like me. I really love this album, but I feel lame and white for liking it so much. We talk about liking things as an innocuous process, but it feels political. Kyle Stedman makes a good point though. This is private listening and liking. So I can cut myself some slack.

I was in the mood for this today. Realized one of the main reason I like a song is whether or not I could see myself playing it for people. I would love to learn these songs and play them. Especially "It Ain't No Fun to Me" that song oozes groove and cool right from the first bass notes. And I actually felt feelings when the first horn swells of Old Time Lovin' came in. I will put this album on again and let it play in the background of my life at home.

This album feels like driving 65 in a 65 speed limit zone. There is some really fun instrumental stuff in Across the Border. Jungle has got a totally different feel and I dig it, but only kind of. This music just feels like corporate and soulless and sterile to me I guess. There’s no heart here.

First notes yeah ! Wasn’t expecting a song like skeletons. Dull life is exactly what I want out of a song.

I did not want to listen to this and especially did not want to like it. I saw that it was 43 minutes long and only 6 songs and thought it was going to be a masturbatory fest of ugly masculine energy... and I guess it kind of is. But I kind of liked it anyway. Whoever is playing the guitar for minutes and minutes and minutes does a pretty good job, and there are some really intricate lines that are doubled on some really obscure instruments. When the singing comes in, which is fortunately few and far between, the ugly snarky ironic masculine energy comes into focus and I lose interest. Oh yeah, and the drumming is freaking fantastic. Jazz-Rock Fusion huh.

My parents played this album all the time when I was a kid. This literally feels like my childhood. While listening to it I'm starting to realize how much my parents wanted to be hippies and how having us probably harshed their mellow. I do hate lap steel guitar though. Our house feels so good to listen to. This is a great album though. Just different enough but just the same enough. The Harmonies are mind blowing. The guitar sounds are incredible.

Just amazing. I get kind of tired of rap bravado and self aggrandizing tho.

Wasn't excited to listen to this, but then someone on Instagram had "Good day" playing in one of their stories, so now I need to listen to it. Glad I have the whole weekend to get to it. The opening with the full cavity prison search was too much for me. Didn’t make it far into this one.

It’s good. But it all had one dynamic. Also important lyrics for learning how to peacefully resist.

Never made it through the first song. I tried twice.

The only thing I ever think when I listen to music is “could I play this song and if so when and where and what would I need to do it?” I’ve heard Yellow probably 200 times and it’s still a good song. Trouble feels exactly like me. I really love this album, but I feel lame and white for liking it so much. We talk about liking things as an innocuous process, but it feels political. Kyle Stedman makes a good point though. This is private listening and liking. So I can cut myself some slack.

Repetitive and from another culture and time and was t my thing.

Man this one was good. I could listen to that bass groove in my left ear all day long.

I mean yeah. It’s hi energy. Should be something I’m into but I wasn’t.

I can see why white kids in 1991 thought this was pretty cool but not my thing

Every song is the exact mix of sadness and love and beauty and truth and fiction that makes my heart pump. They aren’t all hits, but they are all good.

I don't know, I wanted to like it, but I just didn't.

I like it. It's meditative and trance-y and somewhere between indie rock and 70s psychedelia and bedroom pop. If I listen to it again, it might be a five. The cool thing is, I could see myself listening to it closely or just having it on in the background and liking it both ways.

What a big dumb nothing burger

A little too old people day drinking in the park for me. Also full of super casual misogyny.

Felt exactly like Sepultura but better production.

So many of the elements of music I live seemed to have been born here. It’s bombastic and enormous and energetic and feels important and meaningful.

Seems like a powerful female record. Her voice wasn't great to listen to. Not my thing, but I can see why people would like it.