Exodus is a 1977 album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
On 3 December 1976, an assassination attempt was made on Bob Marley's life in which his chest was grazed and his arm was struck with a bullet, but he survived. Following the assassination attempt, Marley left Jamaica and was exiled to London, where Exodus was recorded.The album was a success both critically and commercially; it received gold certifications in the US, UK and Canada, and was the album that propelled Marley to international stardom. In 2017, Exodus was remastered and re-released for its 40th anniversary. Exodus has more tracks on Marley’s greatest hits compilation Legend than any of his other records. Exodus was his tenth album since the debut album The Wailing Wailers in 1965, including the live album Live! (1975).
So I’ve always found reggae kind of boring, not all that interesting, but… wow I was wrong. I get why all my friends were super into this. Songs like So Much Things To Say and The Heathen are so interesting and have a lot going on. The guitars are basically kind of part of the percussion. The group vocals sound heavenly, spiritual. Inspired, pointed lyrics, loved the messaging. Just a really brilliant album that I can’t believe I didn’t get to earlier
Oh Bobby, Bobby, Bobby boy!!!
This makes my dick so hard that I could probably impregnate you through this screen. The Wailers are named after your mum.
It is easy to pluck out all the hits, but this album as intended, as a whole, is a mood masterpiece. When I listen in its entirety, I am on a spiritual journey with Marley, and all the many sojourners who have left a world of oppression and trekked towards freedom. Exodus is a mesmerizing record that saves us with positivity and hopeful imagery. Whether hiking in the snow, dancing on the beach, or walking through the desert searching for home, Exodus uplifts, relaxes, and affirms. No problem, mon.
“Exodus” by Bob Marley and the Wailers (1977)
I’ve never heard this album, and I’m only marginally familiar with Bob Marley’s more popular work.
Musically, the song and sound on this album are very good. Instrumentals are well arranged and well recorded. The basic groove is somewhat repetitive, but very magnetic. Lead vocals by Marley are well executed, but lacking variety. Good, tight backing vocals. No distracting flaws. The music is a suitable vehicle for the message of each of these songs, which is the main point of this album. Bass and drums predominate, characterized by heavy runs and clean fills. with rhythm guitar steadily emphasizing the backbeat. Classic reggae. Good lead guitar arranging and execution, with heavy use of wah and phase shift. Horns and piano performed with precision and subtlety.
Now, to the message. From the beginning (“Natural Mystic”—and please note that it’s not “Supernatural Mystic”!), the lyrics draw us into the metaphysical realm, evoking images from the Apocalypse of St. John and Gnostic mysticism. Moving on to a reflection (in “So Much Things to Say”) on the examples of Jesus Christ, Marcus Garvey, and Paul Bogle, Marley explicitly challenges hearers to take the message of these heroes to heart. The appeal utilizes a carefully selected series of biblical themes, focusing on one facet of the Black Liberation Theology movement—revolution.
The title track, “Exodus” coveys the main theme of Black Liberation Theology, which is a cry for deliverance from the oppression of the dominant (White, colonialist, capitalist) culture. It is a lyrical theme that is in tune with the political/economic philosophy of Jamaican-born economist Donald J. Harris (father of Kamala Harris, who was 13 years old when this album was released. I can’t imagine she wasn’t influenced by it). This movement of deliverance emphasizes the revolutionary stance on the part ‘the people’, meaning those in the oppressed class. They are described in the lyrics as “Jah people”, meaning people of Yahweh (or the LORD as most English translations render it in the Bible). Like most popular expressions of liberation theology, its Marxist roots are disguised. And what is lacking in this overtly political lyric is an honest acknowledgement that Black Liberation Theology is quite distinct from and even opposed to the historical meaning of the symbolism it appropriates. This lack of candor, whether intentional (deceptive) or unintentional (naive), is a serious artistic flaw, robbing the lyric of much of its power.
In “Guiltiness”, Marley declaims to the oppressed the guilt of the oppressor. The poetry is eloquent enough, but lacking nuance. The oppressors are spoken of in the third person (“they”) rather than the second person (“you”), a departure from the prophetic mode. Again, Marley misses an opportunity to create a strong and profound poetic vision.
If “Jammin’” were simply a jam, it would be fun. But it turns into inflammatory discourse, inciting revolutionary compulsion.
“Waiting in Vain” and “Turn Your Lights Down Low” are a welcome relief from the disordered politics of this album, expressing the patient endurance of a lover who’s willing to wait for fulfillment, if only he can be assured of ultimate success. It’s beautiful (and not entirely unconnected with the politics of the first six tracks). “Three Little Birds” is a paean to optimism. Nice.
With “One/People Get Ready”, we’re back to politics, bringing together the revolutionary themes of tracks 1-6 with the romantic themes of tracks 7-9, making for an extraordinarily well crafted album as a whole. A lot of artistic excellence here. This album is formally evangelical, assembled in a sermonic fashion. It proclaims a putatively saving faith that is rooted in the western theological tradition. But it is marred by its errant selectivity.
In sum, Bob Marley’s album “Exodus” is a beautiful vehicle that is unfortunately headed in the wrong direction—back to Egypt (Numbers 14:4). And that is a poverty.
3/5
Honestly, this listener is not into reggae. "Natural Mystic" however, was a great reset of one's skepticism and built great anticipation for the remainder of this album.
Feel good lyrics, religiously inspired, and unapologetically non-aggressive in message and tone will always serve as a brilliant contrast to the reality of humanity. However, that is where this album cheerfully stops while retaining some profundity, and that is at conflict. Love, peace, acceptance are often things that are the result of conflict that resolves through argument, and sometimes even fighting. This album represents the gentle and kind side of fighting, which is letting love and peace be the motivators for a unified struggle instead of through disagreement and animosity.
Musically, reggae had always seemed like a very set in its ways approach to arrangement/composition, but where Bob Marley managed to elevate the genre is by using those familiar rhythms to be innovative and different without the stigma of 'not' being reggae. It is hard to explain, but there is reggae and then there is reggae, and Marley's is the latter. Perhaps this is where his talent remains unrivaled and his legacy intact.
Really happy to have the opportunity to listen to a full record. Because Bob Marley has existed mostly as a "playlist" or "greatest hits" guy. Turns out, all of his songs are enjoyable and on this cool fall morning, I appreciate the black vibes. We often reach for Bob Marley when driving to a summer vacation/beach spot. Will definitely reach for this one next time that happens. Come for the rhythm, stay for that wondering piccolo snare and the surprisingly great noodley lead guitar.
Timeless. Touching. Needed in 2021. I never knew all his greatest hits were on this one album. Production is great, his band is legendary, and this album will be listened to for decades to come.
I absolutely loved it! These are songs that I’ve heard forever on the radio and in passing. And because Marley is such a staple in society it can be easy to dismiss Exodus as being an album you’re already familiar with, but to do so would be a huge mistake. There’s a heart and a beauty to this album. This is human music for the soul!
I don't like reggae. It currently sits as my lowest rated genre here. This was my most positive experience with the genre. I'm not nuts about it, but it was pretty enjoyable. I'd give it a 3.5, bumping to a 4 because it's pretty obvious even to a non-fan like me that this is a very well made album that is important to reggae.
Yeah. This speaks for itself. Yep. Fucking Bob Marley man. The feeling that Exodus injects into your veins is absolutely irreplaceable. The wailers live and breathe reggae, truly professionals in this art. There is no need to try to explain to someone why reggae is addicting when you can just play them some Bob. If you aren't high enough just hearing these songs, please get stoned and listen again. You will understand this album in the way it is meant to be felt. Insane that with how amazing this album is, there are others of his in contention for the best.
Personal Favorites: Natural Mystic, Guiltiness, Jamming, Waiting in Vain, Three Little Birds, One Love / People Get Ready
- Jamming, Waiting in Vain, Three Little Birds, and One Love are 4 of my all-time favorite songs EVER
I an not a fan of Reggae I just am not. This however is so SO good. It features iconic rhythms and tunes and really puts you in a fantastic headspace. Excellent album.
The reggae album. The Bob Marley album. It's short at less than 40 minutes, and contains his biggest hits that most people can recognize, of any generation. If you want to introduce someone to reggae, I'd argue this as a better introduction than his compilation, since this record can get the whole message across as a collective piece. Accessible and consistent, it's bright and relaxing, suitable for casual and active listening.
The production is incredible, with audience members able to pick out each instrument fulfilling their roles. "Natural Instinct" shows what reggae is about, with the bass and drums leading with a loud constant beat maintaining a repetitive groove that drives the music. The lead guitar and horns in the background interject but are much quieter in comparison, yet just as clear. They don't compete with each other, and since the bass and drums are constant, they don't compete with them either, so you can follow the horns and guitar as if they're in charge, constituting the personality of the song. Having these contrasts in volume and the filters (like the echo effect) add a third dimension to the music, something very rare for its time that isn't prog.
With "So Much Things to Say", the audience moves its attention to Marley's vocal performance, lyrics, and the back vocals. Now that the foundation of the music is established, we carry on with a catchy pop song with a traditional chorus and verse structure, highlighting Marley's passion and vocal capabilities, and thus making abundantly clear the political discourse.
This smoothly transitions to the darker "Guiltiness" which stresses horns, synths, and dramatic vocal styles to add a mystic atmosphere and sense of urgency. "The Heathen" continues this theme with strong guitar riffs and synths that storm the background. With the simple and repetitive lyrics and beat, the emphasis is more on the environment it creates.
This cultivates to the intensity of the epic "Exodus", which goes on for 8 minutes. It's fast and busy with a serious vibe that invites the audience to chant along. The story is told in the first few minutes before the rest of the song goes off in all sorts of interesting strong directions. Great ending, I'm always a fan of that delay effect.
The second half contains all his greatest hits. It's simple, relaxing, bright, and optimistic with lush instrumentation and Marley's enthusiastic vocals, again with many moments to invite audience members to sing and groove along. Only song I don't like is "Turn Your Lights Down Low" cause it sounds like generic adult contemporary pop, too slow and boring. But the rest consist of great simple feel-good pop songs of Marley at his greatest. I don't feel to go into detail because they're just that simple and well-known. I can't really complain.
The ultimate Bob Marley album. Ok, I might have said that about more than one of his albums. He's pretty good you know!
Standouts: Exodus, Waiting in Vain, Three Little Birds, Jammin', One Love, People Get Ready.
Three Little Birds has been "my song" for as long as I can remember. I play it whenever I am feeling in a pinch. I always remember what Bob says, "Don't Worry - bout a thing - Every little thing will be alright". And it always is.
4.5/5
Exodus, Three Little Birds, and One Love are iconic tracks that sort of define the genre for people who have no knowledge of reggae. I don’t have much experience with reggae but I instantly recognized those tracks from appearances in other media. I really enjoyed the vibe, I hate the stereotypical perception of reggae as weed music, it has something to say.
Looking at the track list, I’m very familiar with a fair few songs on this album, and I love each one of them. I don’t think I’ve listened to the album in full before, so it says a lot that I’ve come across so many of the songs organically. I’m really excited to listen to this today. I love Bob.
Songs I already knew: Exodus, Jamming, Waiting In Vain, Turn Your Lights Down Low, Three Little Birds, One Love
Favourites: Jamming, Turn Your Lights Down Low, Three Little Birds, One Love
There is honestly so much on this album I love that it’s hard to know what to say. The overall laid back vibe of it all, the positivity and themes of love, the subdued yet fantastic bass lines, it has it all. Although there were songs that I didn’t recognise, I found that they were all in par with the ones I did know. The only critique I can really say is that if reggae just doesn’t click with you then you probably won’t enjoy this, but I personally found this to be pretty much perfect.
I know I haven’t commented on an album in quite a while. A family thing is going on and I am having a lot of emotions. I was very worried and jumping to the worst conclusions. Once I listened to this album, all of that washes away. I’ve learned a lot from bob marleys music and this album, like live in the moment, love conquers all and of course be positive in attitude and outlook.
Este disco es un clásico de la música, es imposible que nunca hayas escuchado alguna de las canciones de bob marley dentro de este proyecto. La realidad es que se toman las bases del reggae típico y se pasa a esta especie de reggae universal y más simple en los ritmos que se cantan, todo es más melódico y las letras abusan de la repetición por lo general para bien. No lo hacen por falta de contenido, sino por la necesidad de expresión de mensaje. La protesta social está, el ritmo fiel está, las letras están, las voces solo hacen que te den ganas de mover al cabeza 28945 veces y las vibras son hermosas durante todo el proyecto.
Es el magnum opus de marley, no hay dudas, todos los temas suenan más que bien y los hits te hacen saltar de la silla. Turn Your Lights Down es el único tema que baja un poco el ritmo y la consistencia de este discazo, pero tapoco sale mucho del aura de lo que venía siendo, por eso le poongo un 9/10 a esta obra maestra.
Bob Marley is amazing. Some of his best songs are on this album. Each song is an a great listen. Shortly after his assassination attempt, he goes to London and records this album. A mixture of politics and love.
I was expecting this album to be one where I would be looking for more variety, like "ugh, not another reggae beat! Change it up!" I was pleasantly surprised how much variety the album had and I liked it much more than I expected I would. What a great ending - Three Little Birds and One Love/People Get Ready were both fantastic. I think I'm going to listen to Three Little Birds every morning to get in a good mood for the work day ("Don't worry...about a thing...cause every little thing...is gonna be alright"). It's interesting to note how positive and hopeful the last few tracks are considering how dark and political many of the earlier tracks are (like "Guiltiness" and "The Heathen." "So Much Things to Say" also has dark lyrics, but the music is so upbeat...guess that's reggae for you). Very clear why this album is on the list. I'm going to call it a 4.5 rounded up to a 5.
I mean, can this get anything short of 5 stars? Marley is transcendent, and this album is no exception.
This album gets 5 stars off of Jamming alone, and that's before you get to 3 Little Birds.
I listened to it straight through and then just listened to Marley all day.
Though I am more of a fan of his earlier work, especially his recordings with Lee Perry, Marley's music is consistently good throughout his entire career. The production on this album has some real nice touches and flourishes throughout that separate it from more standard reggae recorded in Jamaica at the time. Such a clean sound. Some real classics here. Bob Marley always feels so deeply genuine and authentic no matter the subject matter. So committed to every song. Can't even imagine how captivating and electric it must have been to see him perform live.
Exodus was recorded at a time when Bob Marley was learning about the unexpected costs of international stardom, but it hadn't yet sapped his creative strengths, and this is one of the finest albums in his stellar catalog.
This is one of those records that’s just burned into American subconscious for anyone in my generation, these are lullabies. Legends from an,,ancient time”. Two Little Birds >>> just about everything
How does Bob Marley like his donuts? With jam in. That's the best thing I know about reggae. I can't stand this genre. I'm sure someone finds this album important, slow dirges over the same rhythm, but I don't want to meet them. Let's face it they're either 13 year old vicar's kid or some twat on a gap year. Best Tracks: Jamming; Three Little Birds; One Love/People Get Ready
Exodus
Although I really liked Natty Dread and Catch a Fire, this feels like a different pr.You can also see how this birthed the student stereotype of Marley Legend and Take Me to your Dealer posters, badly rolled cheap weed and 6 cans of red stripe for £3 from the offie.
Natural Mystic, So Much Things To Say, Exodus, Jamming, Waiting in Vain, Three Little Birds and One Love are all fantastic songs, irrespective of genre, and the tracks I wasn’t aware of, Guiltiness, The Heathen, Turn Your Lights Down Low are great too. It's also brilliantly sequenced, the loping groove of Natural Mystic draws you in, before skipping through politics, spiritualism, love via uptempo and slower jams, and then its backloaded with Three Little Birds and One Love, ending on an upbeat, mood altering note.
Can’t think of much else to say apart from its just a fantastic album, some great individual tracks, but as a whole it is a superlative listening experience. 5.
🇯🇲🇯🇲🇯🇲🇯🇲🇯🇲
Playlist submission: Three Little Birds
The fade-in on Natural Mystic is one of my very favorite album beginnings. Amazing band in top form playing some classics and near classics. Side one is in the streets and side two is between the sheets.
How does Bob Marley like his donuts…
From the first fade in it provokes an emotion that’s hard to describe, musically and when you listen deeper into the lyrics.
It just feels timeless. you could only pin turn your lights down low as an 70s/80s song.
Truth is probably 4.5 stars, there’s a couple of slight filler tracks, but very happy to round up!
One of the best reggae albums from, probably, the best reggae artist there ever was. I’ve never met a single person who didn’t enjoy Bob Marley. I don’t really think it’s possible to hate the music. The lyrics are insanely profound and the instrumentation is fantastic. Every song on this album slaps. They don’t all slap the same, but they slap. 5/5
Highlights: Natural Mystic, Guiltiness, Waiting In Vain, Turn Your Lights Down Low.
My initial interpretation of reggae was “protest songs with backing singers, groovy bass and subtle percussion”. Today I learned that it is, and also more than that. Albums like “Exodus” weave themes of celebrating progress, unity, love, socio-political commentary, understanding one’s existence, repatriation, optimism, “downpression” (a variant of oppression) and Rastafari life.
Overall: 8/10
Bob Marley was nothing short of a beautiful human being, with a beautiful soul. Even beyond the music, his impact on the world through his actions and words made him one of the brightest figures of peace and love, which is what he always spoke for. He was a positive force of nature. And especially with this album, those feelings are portrayed perfectly. This album wraps itself around you like a warm hug. It really is the most essential reggae album. If you were going to pick one to be the only reggae album you ever listen to, it should be this. Such a soothing, pleasant, and relaxing listening experience. It's easy to just get lost in the music the band is playing. I would say personally I enjoy the B-side more, as I think it is more consistent and has the best songs. It has the three big hits on it, which are all absolutely amazing tracks, that on their own portray every good quality of the music on this record.
Rating: 7/10
I quite enjoyed this, amazingly, a bit more varied and interesting (darker?) than the standard reggae cliches. Good background music for a late night data analysis, even listened to it three times. You're alright, Bob
I'm not a huge fan of Bob Marley but I will willingly admit that he played a crucial role in putting reggae at the forefront of popular music. It's well done and all, it just does nothing for me.
I'm not a huge Bob Marley fan. I'll happily give his records a spin occasionally, but my humble opinion is that he is far from the greatest reggae artist. He was the most accessible and commercially successful, which is a very different thing. This one is one of the better albums in his discography, and I don't mind the bluesy/rockish elements. But it's fairly lightweight compared to a million other 1976-78 reggae albums, including solo records by his former Wailers (who I think had been replaced with session musicians on this record?). I don't know how many of these are on the 1001 list, but I would definitely rather recommend albums from the same period by Yabby You, Augustus Pablo, Bunny Wailer, Max Romeo, Junior Murvin, and others. When you consider that a masterpiece like The Congos - Heart of the Congos was released in the same year, it basically blows Marley out of the water, in my humble opinion. Another example of an album that made the 1001 for being famous/successful rather than being on par with countless superior albums that didn't make the cut. 2.5 for this.
I am not high enough for this. I used to listen to this a lot as teenager...but somehow gets boring after a few songs. I still think that Bob Marley was an iconic artist and a legend...despite the fact that I no longer enjoy this music...
I wish I was a person who could convey complex messages via the written word. What a lame dream for a young man to have, you may say, but I suppose talentless people everywhere dream of being athletes, musicians, pornstars, despite being dumpy, clumsy, and ugly. Did I mention talentless? See, I yearn for the pencil despite my clear lack of incisive wit and stunted vocabulary. I say all of this to express to you that the sigh that escaped my body when I saw this cover could ice the seven seas. Hand me that spliff. I hope it’s laced with fentanyl, because I don’t really want to be conscious for this. Jah feel?
Natural Mystic - Spiritual white lady anthem. I assume poor Bob didn’t write this album with that intention. The one reggae riff that exists is the only thing I can hear. My ears are bleeding.
So Much Things to Say - Nice grammar IDIOT. Me type gud and you? Bad typer.
Guiltiness - Ah the song changed. Bob Marley, you have been charged with three counts of sucking real bad and making music that sucks. Considering the charges, this court will be presided over by right honourable sixth graders. Please pull up a connected chair/desk and make one of those cool “Ss.”
The Heathen - the heathen the heathen the heathen the heathen the heathen the heathen. This is one of the worst things I’ve ever heard.
Exodus - The last song could’ve been “Heathen” by Master (arguably their best track). This song could be “Exodus” by “Exodus.” Both are fantasies that flash before my third eye as I attempt to leave my body during this interminable slog through musical purgatory.
Jamming - Hey Bob? I hate jamming. I hate this album. I think you are the worst. You seem like a relatively nice guy and I would say you are very important politically and culturally. For me? This music is just painful to listen to. It’s not for me, and that’s ok.
Waiting in Vain - Whoa, guess what? The rhythm changed! Yup, it did *large exaggerated wink* uh huh, definitely *wink* new *nudge* and unique too!
Turn Your Lights Down Low - I think he’s talking about your brain power. Just dim it and this album becomes a dream weaved by a master silksman. Silksman is not an occupation, but dammit, it should be. Hopefully I didn’t accidentally co-opt some euphemistic word. Oh well.
Three Little Birds - Famous song that is somehow worse than when it appears briefly in movies. Well it’s worse because it’s longer, and I also have to listen to it without the visual accompaniment of some wacky adventure.
One Love / People Get Ready - SHARK !! EVERYBODY OFF THE BEACH. NO. LEAVE THE STEEL DRUMS. I’M SURE NOBODY WILL PUSH THEM INTO THE OCEAN WHILE WE WAIT FOR THIS SHARK INCIDENT TO PASS. UNFORTUNATELY WE HAVE TO STOP THIS WONDERFUL ALBUM BECAUSE OF THE VERY REAL THREAT OF SHARKS. NO, THE GUITARS STAY TOO.
The only time I have ever enjoyed reggae was a memorable day when I was working as a guy who removed plastic from vehicles near the Halifax airport. During one of my glamorous days getting plastic cuts on my hands in near freezing rain; myself and my esteemed colleagues retreated to the heated warmth of an eternally running Ford F150. Reggae transported us to a place that wasn’t a freezing rain storm at the airport. Best 20 minutes of that job. If you do the math, that 20 minutes cost them about $3.66. Take that, capitalism. You learn a lot about music when you’re hiding from the rain with an obese teenager, a retiree, and a struggling actor who recently appeared in the Mist miniseries as “guy who fell down the stairs 1.” I learned that unless you’re in that exact situation, avoid this album like a rain storm in a dirt car lot.
0
HIGHLIGHTS: Haha “High”
This is a masterclass of rhythm. Music you can dance to that is played well with .meaningful lyrics. What more could you ask for?
Liked Songs Added:
Natural Mystic
So Much Things To Say
Exodus
Jamming
Waiting In Vain
Three Little Birds
One Love/People Get Ready
Punky Reggae Party
In all honestly I used to think this was a Greatest Hits album but realizing it's a studio album makes it all the better. An artist I used to like musically, it's nice to come back to Marley's work when I'm able to appreciate the music and message more clearly.
Technically it sounds incredible and I'd expect nothing less from The Wailers. I'll definitely revisit the London live album this week too.
THEE all time reggae album! The front half is such a juggernaut of slow build energy that the second half can almost seem kind of weak in comparison. But, don’t be fooled! The second half is killer too, it’s just a different vibe as if he talked out the political and religious struggles to a loved one, took comfort in that, and comes out more positive in his aspirations in the end.
Can there be a better album that hits the political commentary edge balanced so brilliantly alongside some of the best love songs to be made? Endlessly engaging and beautiful. Masterpiece.
Such a great album. Would definitely go towards the top of my all time list. Tracks like Jamming and One Love are easily some of my favourite songs of all time. Amazing
It’s almost a shame that Marley’s legacy has been mostly reduced to every smoke shop’s mascot. Exodus is a powerful album that presents the truth in an understated way. Plus, I doubt you’ll hear many groups on this list as tight as the rhythm section here.
The legend of Marley lives in how groove and message exist in perfect harmony, hypnotic rhythms both grounding and lifting up his heartfelt vision of love and unity with soul-deep power.
This is an all time classic album. Great songs throughout and a huge influence on many artists worldwide to follow. I had never heard this album before yet I knew most of the songs already. Just put this on and enjoy the vibe.
An incredible album. I can’t believe I got suckered into only listening to Legend. This album has a few massive hits and great deep cuts. This turned a rainy January day into a Caribbean paradise.
This is a fat 5. Listening laying in bed alone after a work week looking forward to my 3 day weekend. Trump has been re-elected. It scratches every itch. Good lord there’s just something about the refrains, the backing vocals, the reverb, like what hidden planet could have produced such great art? Praise be to Bob Marley and Jamaica as a whole. I don’t even listen to reggae like that but I just might start
This is an iconic album not just a reggae album. It came out at a time (1977) when disco and glam rock were at their height and punk was on the horizon. The music spoke to the times. I was planning to see Bob Marley in 1981 but he passed away at 36 before his tour reached UMass.
An extraordinary album that feels like a greatest hits package. Side 1 is a cohesive mix of slinky midtempo reggae jams, whilst side 2 is anthem after anthem
It is the middle of January, 2026. This album made me cry.
Remembering that this was originally organized to play on an LP record helps understand it. It is in two distinct halves.
The first half is "Natural Mystic" through "Exodus". It is fire and anger at oppression and injustice. An ever burning flame that we have to keep fighting. Keep marching. Keep standing up against oppression. Keep moving forward.
The second half is "Jammin'" through "One Love / People Get Ready". It is pure love and compassion. That however hard the fight is, we can and must still take time to relax and care for ourselves and for each other. Because only Love will conquer Hate.
But that second half is not a different album with a different message. It is the other side of the same fight. Listening to it as a whole, really makes the messages of those songs clear.
Take "Jammin'". I used to think how it was just a chill out, smoke some weed, "no worries" kind of song. Not so. It is a call to rest between the hard fights, and the lyrics make that clear:
"
No bullet could stop us now, we neither beg nor we won't bow
Neither can be bought nor sold
We all defend the right, Jah-Jah children must unite
Oh, life is worth much more than gold
"
It is not naive to the danger and threat. It just recognizes how vital rest and replenishment is to that struggle. We must embody the good we want to bring into the world. Even "Three Little Birds" is really, "Every little thing is GOING TO BE alright." It isn't now. But it will be if we keep the fire burning against tyranny and oppression, and show love for each other.
6/5 stars.
Was listening to this in the car and was a bit underwhelmed thinking it was a little pedestrian. Listening to it again (and again) on my hifi and can fully appreciate the warmth of the record (especially when weather is so foul).