Meh. Not a huge fan. Overall boring soundtrack with a few brief interludes of interest. None of the songs are catchy, most suffer from repetition.
Pretty good! Longer instrumental tracks are the stand out.
Classic Otis Redding. Somewhat impressive and somewhat bland. So influential it has become passe. There's interesting passes here, but a majority of the album falls flat today.
Not very interesting. Only good track was "You And Your Folks, Me And My Folks"
Da Boss himself. So many classics on this album. "Tenth Avenue Freeze Out" is legendary by itself. "Meeting Across the River" might be the only miss on this. While overplayed, "Born To Run" is still good. Boomer? Extremely so.
Beach Boys. What else can I see: "Don't Go Near The Water", "Student Demonstration Time", "Lookin' At Tomorrow", "and "A Day In The Life of a Tree".
Honestly not a bad album. I simply do not enjoy The Offspring. I like the one hit off this album, but this is not my sound.
Eh. Not bad, but nothing stood out. I won't go back to this one. "White Denim"? More like white noise.
I was doubtful, but ended up liking more or less most of this album. It has an interesting spectrum of sound. Nothing totally standout, but a good listen!
Joy Division, can't get in to them. Understand why others like them, but I am not so enthused.
An excellent album, but I simply will not return to much from it. Nothing stands out to me beside being the origin of Iron Maiden. Never dragged though.
First album of these I did not like. Enjoyment was limited. Not very interesting, only song that kept my interest was "Madeleine-Mary".
Good!
Interesting! I have no familiarity with trip-hop. I like the electronic elements. I will likely come back to this one.
Meh. Not my cup of tea. Some interesting electronic work.
Totally above average. I'll come back to it.
Surprisingly enjoyed it! Missing the one piece that pulls it all together, but great album.
Meh. Only track I liked was "Spies". Everything else I've already forgotten.
Honestly, the more I listened to this album the more I disliked it. "Them Changes" is still great, "Tokyo" is sort of funny", but the album is poorly balanced in general. It really only needs to be like 5 songs. The guest features do not save it.
A grand album. The rare case where a single track, "Scorpio" holds the entire thing back. It was a novelty for the time but now it is too much so becomes annoying. The rest is grand though!
Meh. It is alright. I don't see the appeal.
Jazzy.
Why is this album so long? It has aged into being rather corny. Cool at the time, I'm sure, but I only like "The Pros".
Crazy good. Exactly what I never knew I was looking for. Going to check out more by DJ Shadow.
Meh.
I thought this would have aged poorly, but it honestly still sounds good. There's so many tracks better than just "Born in the USA". Inferior to "Backstreets", but still a good album.
Meh. Good background noise. Mostly noise.
Eminem has aged worse than his actual albums. That said, the album's shock factor has decline heavily in the last decade or two. There's gems here but it has lost novelty with age. I dunno. Hard to say.
Bland outside one or two songs. This sort of indie hipster exposure is noe extinct. RIP.
Perfect album basically.
One of the best to ever do it.
Just a touch away from perfection.
Boomers don't want you to know it is middling at best.
Enjoyable. Unfamiliar with this band. Not perfect, but I liked it. Will return to.
Yeah, it is perfect. I still like "My Favorite Things" more though.
Influential, great, but not perfect.
Meh. Sappy, but I liked "If I were You (I'd Be Through With Me)".
Doubtless a bit cheesy, but interesting. The album is pretty relaxed overall.
I just can't get into Cohen. Too little.
Cool!
Meh. I want to like because of the instrumental work, but the singing and punk-ish elements largely put me off.
Meh. S'okay. Lyrics have perhaps decayed with age, but it is still a good listen.
Hesitant between a 3 and 4 hear, but I will rate it on an easy curve.
I mean "The Chauffer" is a five star song. The album? Almost perfection. I just cannot in good conscience give it a 5/5. It though is a legendary 4/5. The most perfect 4/5 ever.
Suboptimal. I barely remember it, but I did not dislike it.
Paranoid and Vol. 4. RIP Ozzy.
I liked it a lot years ago, but time has not be favorable to it in my opinion. Has this sound simply become less and less unique? I feel like Graceland's massive legacy will heavily decline in the next few years.
