In A Silent Way

Meh. This made me feel like I was on hold with my insurance company

A masterpiece of creativity; not just the act (all albums do that, I suppose) but the feeling, the process, the thrill. Tune in and tag along as Miles & co head to destinations unknown, laying their tracks as they go, their reach just far enough ahead of their grasp that they don't fall off. Not that the journey feels precipitous, heading for the end of an unfinished bridge, oncmoing train, or slathering mouth of a recently landed outer-space monster. And that's because of THE crucial detail: we're following Miles, who's following his nose, which is the nose of a genius. So unless you're a genius (unlikely, no offense) you ain't felt nothin' like this before.

Miles Davis was smack in the middle of a period of profound transformation musically speaking when In A Silent Way Came Out. Inspired by his young drummer, Tony Williams, Davis was steadily abandoning the advanced harmonic underpinnings of jazz and emphasizing rock and R&B grooves in his music, putting him in the vanguard of the first wave of jazz fusion. The main thing he kept from the 2nd great quintet (Shorter, Williams, Davis, Carter, Hancock) was how the tunes themselves were just templates meant to be fleshed out in performance, and that is the case with a vengeance on In A Silent Way. The first tune, Shhh / Peaceful is 18 minutes and 15 seconds of one chord and a groove. It doesn't get any more basic than that. The only reason it works is because of the musicians: Miles Davis, Herbie Hancock, Joe Zawinul, Tony Williams, Chick Corea, John McLaughlin, and Dave Holland are seven of the greatest musicians to ever pick up an instrument. Each one is a monster player, composer, and band leader in his own right. Even so, there is precious little grandstanding on Shhh / Peaceful. Instead, the musicians weave around one another gracefully, painstakingly building the groove and providing peerless atmospherics that, in hindsight, sound almost proto-ambient. It's a little like slowly turning over the Hope diamond watching an ever changing light show through the facets. The other cut, In A Silent Way, starts with John McLaughlin stating the bucolic folk like melody over an open tuning on guitar. Originally, McLaughlin used Zawinul's jazzy chord changes, but Miles kept goading McLaughlin to go simpler, simpler. Finally, almost as a joke, McLaughlin went with an open E major chord and the rest is history. About ten minutes in, the R&B groove of It's About That Time kicks in. The band swings like crazy before ending the album with a reprise of the main theme. It's hard to overstate how successful Davis is here. On his first attempt at a communally based, performance driven, open ended rock and R&B influenced music, he comes up with a stone classic, only equaled and arguably surpassed by Bitches Brew a year later.

This was chill, but not too chill. Jazz fusion wasn't as bad as I expected, and the brass instruments really shone through without having an irritating timbre. Also, the cat really liked it. Curled up like the roundest little cinnamon roll.

This was just 40 minutes of kinda nothing? I have to give it at least 2 because it wasn't outright bad and I could hear there was talent behind it... but 40min of what sounded like an improv jazz interlude was a bit much. 2/5.

This is probably one of the most ignorant things I could ever say but I genuinely reckon that if I knew how to technically play a trumpet then I could do what Miles does here. Inane.

I just can’t do this. Improvisational jazz is the oil to my water. The first couple minutes of In A Silent Way is my favorite part of the album.

Excellent album. Excellent moods. Seamless movement from expression to expression and every instrument contributing in a way that makes them each stand out on their own and yet somehow simultaneously get lost in a blend that is something infinitely more than the sum of those parts. Something approximating the music a rat might hear when they trying cheese and grapes together.

2 songs. 38 mins. flex

Man, this 1001 albums thing is getting me to reconsider jazz. Maybe my mood was right today...on another day I might have complained that essentially they're noodling around a couple of themes for 20 minutes, but the word that kept coming to my mind was CAPTIVATING. Both pieces just evoked certain moods and I found myself transfixed throughout my first listen. Time went by faster than I expected - I was actually surprised each piece was over, even though both clock in at almost 20 minutes (can't believe they recorded this thing in a day). Again, maybe I just caught it on exactly the right day at exactly the right time, but it connected with me. Second listen (a little more background this time - I had work to do!) was just as enjoyable and I was again surprised when it was over. Gotta give it a 5 for that captivating feeling. Wow.

Another jazz album that shows how little I know about jazz. I'd probably give this a 2.5 if I could. Don't know why, but I found it rather annoying at parts. Sorry jazz fans.

An enthralling listen. Even if you don't know/care about its legendary status as the first jazz-rock fusion album, you will enjoy the music.

Nope. While I guess I can appreciate the technical ability on display here, it's not, on any level, an enjoyable listening experience. Both tracks (because there are only two) are repetitive, atonal, empty of melody, and utterly lacking in structure. Saved from a one-star review because the musicianship is good. Too bad they didn't put those skills to better use.

When it locks into a groove, this is fine stuff. But there's too much mumbling around for this to be a fun listen. I always thought Miles was overrated and this does nothing to change my mind.

I don’t understand jazz. This sounds like a 40 minute warm up

Miles the Magnificent

Ethereal, spare, transcendental. Jazz but not Jazz. Ambient textures, moods over melody. A masterpiece in minimalism that continues to influence. Its ground breaking cut and paste production stitched together by Teo Macero was ahead of its time, much like this album. Bitches Brew would send out musical shockwaves across the world six months later, but all the elements of that record, albeit more restrained, were present here first.

I ended up listening to 5 hours of Miles Davis. Smooth music

I CUM

This is a beautiful, dreamy album. It's one of his first forays in jazz fusion and it's a winner. I've listened to it enough times to know that this Aussie gives it five bags of Pods out of five.

Do I have to do this? Yes, I will do this. This is the album that changed my life, and that still surprises me anew every so often. Of the many things I have learnt (thus far) from In A Silent Way, the most influential was the presence of the edit as a live instrument. The raw material was recorded in a three hour session; Miles and Macero did not rearrange it as much as reconceptualize it, conjuring something that clearly belonged to the source but said something different altogether. One gets the sense of working through a maze in the dark: there is a destination, but experimentation, muscle memory and optimism are the only things that can take you to that end point. It is an exaggeration to say that if I had to chose my Desert Island Discs, I'd take eight copies of this one. But I would be quite happy with this alone, should it come to it.

Very Jazz. Really enjoyed it. Great background music whilst I work. Must revisit. It was a soundscape.

If there’s any artist that isn’t built for this challenge, for a “first, quick listen” it’s Miles. Dylan, Prince and Bowie qualify too, and they all have one thing in common: a long and illustrious recording career, but a sense, sometimes a passion, to reject following a creative path expected of them by fans and/or their record label. True artists with a “I don’t give a fuck” personality that is driven to follow their personal muse, even if it meant commercial pain. In all these cases it’s led to some transcendent work, multiple times over the course of their careers. Miles is probably the gold standard of this approach, literally changing the course of Jazz at least half a dozen times over his lifetime, almost to the point I was intimidated about diving deep into his discography…it was almost too overwhelming. Then I saw this Netflix documentary, and it changed everything for me. I “got” Miles, and it really opened a doorway into his music and more. A year in and I’m still discovering SO many special moments in his music, and I haven’t even gotten past his mid-fifties output, he was so prodigious. So the 4-rating is simply that I need more time to dive into this masterpiece from his Electric Era. I’m patient: the joys to be gained from getting to know his art is more than worth it 🍷🍷🍷

In a Silent Way is Miles Davis' most underrated album. Most people point to Kind of Blue or Bitches Brew but for me this is his best album by far. Although it contains only two songs (both made up of two parts each, so actually four) but they are filled to the brim with some of his best playing, ideas and composing. Additionally, he changed his sound into a more Psychedelic Jazz-Fusion style and got new artists into his band to roll out that new sound. One of them is the legendary John McLaughlin but also people like Herbie Hancock, Chick Corea, Joe Zawinful and Wayne Shorter meaning this thing is an absolute powerhouse. And they created an absolute masterpiece that blends Jazz Fusion with a very atmospheric and often dark sound that still has a lot of diversity and as well as soothing and mellow passages. The album starts with 'Shhh / Peaceful' which takes up the first half with around 18 minutes of playtime and brings in a mix of the established Modal Jazz sound he's been doing for a decade together with the new Fusion ideas as well as a bit of Avant-Garde playing here and there. On top of that it all follows the very Cool Jazz additude that makes his career and playing so poignant in the first place. The track starts with the sound of an Organ around which more and more instruments get together and just play a ton of lovely melodies and ideas around a certain theme. It just flows from one instrument taking mainstage presence into the next with all of them feeling like they work together beautifully. Sometimes a little bit weird or Avant-Garde but this is Jazz of course it'll be a little bit weird here and there and this is really not that strong here which is a good thing because I think that too much Avant-Garde would disembody the atmospheric nature of the track. After certain ideas are established and the guitar takes the the centre together with the electric piano, the song really starts with the psychedelic influences and creates a beautifully hypnotizing effect that pretty much lasts for the entire duration of the song. There are such beautiful moments woven into all of it that it not only makes a perfect night time album but often just a great album to appreciate the calm moments of life. And everytime Miles Davis returns with a beautiful trumpet improv it really filps everything over and shows a new side of the song but in a different light and angle. And the song goes back and forth it returns in a split of a moment back to the theme at the start and again gives same ideas a different light with the same atmosphere but all different and with even more psychedelic sounds until it returns to the start once again and let's Miles himself finish this song by building some intense tension that is released slowly by a more and more quiet playing from everyone. This entire song is simply perfect! The second side starts with the title track 'In a Silent Way / It's About That Time' of which that first part is composed by Joe Zawinful which plays out very calm, nearly Ambient but full of beauty especially with the guitar that transitions into Miles' trumpet. I think that this guitar/trumpet part right here at the start sounds exactly like the album cover art looks like. After this "intro" it suddenly changes its pace very fast and turns into a more energetic and more Avant-Garde playing that with the Jazz-Funk influences feels totally different than the start of the track. After it calms down and settles into a more atmospheric sound which is still more energetic than the title part, it again turns into a calm and hypnotic listen that beautifully transitions between the different instruments and playstyles including a wonderful guitar passage that very much embodies this first wave of Miles' Jazz Fusion adventures. But of course the sax, the pianos, the organ, the rhythm section and Miles Davis all do a wonderful of giving this part incredible life and love that really pays off with the way it's structured and flows from part to part. And although I still love this part, it is definitely the weakest on the album. It then transitions back into the Ambient beauty of the title part with less rhythm, mainly driven by the piano, organ, guitar and the trumpet to finish the track which again, is absolutely beautiful and definitely a perfect song as a whole. favourites: Shhh / Peaceful, In a Silent Way / It's About That Time least favourites: none (If I had to choose a part: It's About That Time) Rating: decent to strong 10 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

Wow, this album is stellar. Two tracks, the musicians all seem so in-tune with each other, but it all feels so relaxed and original. (This list is really getting me into Miles I guess?) 4.5/5

A hypnotic album that sits at the end of one era and the beginning of the next, while remaining its own thing.

Life is a river, and you can either yield to the currents or kick against it. Miles knows that, and finds that by yielding to the currents you wind up down all manner of tributaries you never expected to go down, and drift past sights you’d never have the time to notice if you’re kicking. And anyway, you all end up at the same place downriver anyway. It’s the journey isn’t it? Suffice to say, I loved it.

Nutty album. Low 5 from me

5.0 - If “In A Silent Way" sounds like the onset of sweet slumber, "Bitches' Brew" is your feverish nightmare. I hear many similarities between the two records - the echoey trumpet, the interplay between electric organ and guitar, the approach to composition involving the stitching together of recordings from different sessions. Whereas BB rejoices in chaotic explosions and jagged textures, "In A Silent Way" floats in a gentle and hushed dreamscape.

...I somehow thought this would be boring. Amazing!!! I feel like I'm listening to Pink Floyd for the first time again. That trumpet is godly. I get why people like Jazz now. SO MUCH SOUL IN THIS. Had me grinning like a maniac.

Going into this album preemptively knowing everything I did about Miles Davis, this album was pretty much exactly what I expected. There was only 1 thing about this that subverted my expectations; I loved it. The idea of listening to two 20 minute long instrumental experimental jazz songs was daunting, but wow it was great. Somehow it manages to remain interesting all the way through and keep my attention without being annoying or repetitive. I also love how immersive this album feels, there are very few albums out there where I can just sit down and listen to them, I almost always have to be doing something, even if it's small. But with this, the music is so immersive that I can literally just sit down and listen to it and not feel the need to distract myself with anything. Which is especially impressive considering that this is also in instrumental album.

Sometimes my favorite MD album, always reveals new and interesting elements with each new listen. Until yesterday Bitch's Brew was new to me but not new to me because In a Silent Way is an old favorite cloth. Bitches Brew might be more ambitious and more varied but I still prefer In a Silent Way for its more consistent mood and its the beautiful atmosphere it creates in each song. No brainer; 5

I am not well versed in music theory, or any of that kind of smart music. That being said, there are several jazz albums that I really like, and In A Silent Way is one of them. There's something so lively about the music and perfect about this album that fails to come through on a lot of other jazz "classics" in my opinion. While the mix isn't perfect, it makes the songs feel more lived in if that makes any sense at all. I want to liken it to a hole in the wall that you find walking downtown and enter the most beautiful jazz club with the best jazz you've ever heard. The gut reaction is to live in that moment and take it all in, but since its a live jazz improvisation, you want to get a recording of it, so you put your phone down on the table to maybe capture some of the magic of the moment. Words are difficult. I really enjoyed this jazz album, and I hope you do too. Highlights: 1, and 2.

I can dig it. Some parts are a little too jazz noodling for me but I absolutely loved In a Silent Way. Cool guy.

Jazz init

If peeing your pants is cool, consider me Miles Davis.

The LP mixes are lo g but very worth it. Contemplating putting on my playlist

Wantlist

I find it difficult to write about jazz because the whole world of it seems so untouchable, so magnificent that mere words cannot describe the blood, sweat, and tears put into the records around this time. Miles Davis is, of course, a household name in this regard. His work can be appreciated around the world, and this is an album for the books. It's so simple, yet so much is happening underneath the surface, it's surreal. I can't not call it perfection. Miles Davis is a master of sound. What more can I say?

My copy is a bit worn out, isn't it? I might prefer On A Corner, but this is still ace. Nothing I could say about it that hasn't been said before.

One word: Beautiful

Spacey organ piano trumpet mishmash. A trippy sound and Miles Davis classic. Interesting electronic vibe.

Miles Davis' work is always intriguing to me, and I'm so glad I was introduced to this album. He was always evolving and experimenting, maintaining his artistry at each step. What a treasure.

Jazz de Miles Davis. Vinilo.

I never feel up to the task writing down my thoughts about giant albums like this. What can I say that’s not already been said? In cases like this, I just stay away from all reviews and scribble down my disjointed thoughts as I listen. This album is a music painting. I can hear the colors. The sounds are stroke patterns and wet paint, layer by layer, from the undefined center to the consummate edges.

A masterpiece! Entrancing, intoxicating grooves

Magnificent fusion jazz album. Very atmospheric, music speaks for itself, the reflective melancholic vibe comes through 100%. Miles Davis being genius as always.

Masterpiece. Loved this bad boy for years. I used to drive the wife crazy by singing along to all the instrumental lines.

Lovely and relaxing, o my had ever listened to kind of blue

Big Miles Davis fan. I don't listen to him as much as I should. It's funny how in jazz an album with just two tracks is regarded highly whereas in rock it's regarded as pretentious. Anyway, "In A Silent Way" is always a good one. I like how each piece gets their chance to shine. It's nice to hear the guitar in there along with sax and trumpet. A classic for me.

Good solid jazz listen.

To sanger på ~20 minutter hver? Elsk! Det er lite variasjon på denne plata, men hvert spor baserer seg på enkle idéer som blir utviklet etterhvert som tiden går, og det er spennende å høre hvordan instrumentene hopper rundt den samme idéen. Alle instrumentene får tid til å skinne, elsker hvordan de komplimenterer hverandre gjennom små licks og call/responses. Dette er virkelig musikk som man virkelig må lytte til. Fikk en mye bedre opplevelse av å fokusere på musikken, fremfor å ha den på i bakgrunnen.

Only two songs, but amazing. The sections weave seamlessly together.

Ambiance jazz music for days

perfect

A beautiful album.

Increíble

I LOVE ELECTRIC MILES! The music feels like drugs without the drugs. This period always feels fresh and exciting no matter how many times you listen.

EASY 5++++. Spiritual.

A legendary jazz record

nice.... this is so easy to listen to, makes me understand Miles Davis as a thing, so many of his "top hits" are pretty esoteric to come into cold not having heard his foundational stuff. Really happy to be made aware of this one!!!

Infelizmente não consigo ouvir o gênero sem tratá-lo como música ambiente. MAS É UMA BAITA MÚSICA AMBIENTE!!

Esse cara é foda.

Finally, another jazz album, and one that I dearly love. Miles Davis never ceases to amaze me with the diversity of approaches to jazz that he was able to master 5/5

-amazing instrumentals and Davis is outstanding on the trumpet -fav song: both

incredible

Miles Davis, a name associated with jazz greatness even via hearsay puts all rumors to rest here. Truth be told, this is more than jazz. Sure, the elements of jazz are here but this is somehow more. Jazz is highly specific in the type of fan it garners, but "In A Silent Way" seems to reach beyond that. Jazz tends to get lost on most people, this reviewer included, but where this album shines is that there is a constant guide through both tracks that helps maintain bearings. While not the repetitive grandeur of Ravel's "Bolero", "In A Silent Way" keeps to a formula and builds on it layer after layer after layer giving this album a newness at each depth worth exploring over and over.

Really vibey. I got lost in the middle of the songs because they were so great, but the ends of the songs were pretty boring

This is not only one of my favorite Jazz albums but is up there as one of my favorite albums of all time. The mood that is created from the opening organ to the final notes on side two takes me somewhere that I cannot put into words. I say Jazz album because that's how it is categorized (or as fusion) but it's a different entity altogether. I find it unfortunate that this album is usually shadowed by Bitches Brew which follows mainly because it's more experimental and is generally regarded as a landmark in fusion but this album seems to have come from another world or another time. You don't know if it's the future or the distant past because at the same time it sounds timeless. I think 10, 100, 500 years this album continue to amaze people with it's beauty, subtly, and gentleness.

Can’t go wrong with any of this. Driving, chilling, working, eating, partying, unwinding. It’s always a good time to put on Miles.

This album cover must be where Wilf Zaha got his famous pained expression from. the one that says, i'm hurt and innocent and i can't believe someone would do that to me because i'm a saint. the album is more berbatov than wilf zaha. smooth, a bit weird and smoking a cigarello. just like berbatov i like this album more than zaha

Miles! MILES!!

damn good

Very nice. One of my favorites

Oh, this is lush! I could listen to this looped all day. Love those repetitive bass lines that come in and just get everything grooving. Reminds me of afrobeat, a little. Fave track - The "It's About That Time" section of track 2 SLAPS.

This is my second Miles Davis album and I really enjoyed it. Been listening to it off and on all day and it is really wonderful. Turns out a little jazz is a great addition to my life!

Bitches Brew gets a lot of acclaim, but this transition album sees the advent of fusion. Here we can see the development from modal jazz forms to include more blues, funk, and even some rock elements. This album is also more accessible.

Very nice tunes, special for letting the mind go

I love the first song

Masterpiece!

Sat afternoon chill crossword

Beautiful, an album uniquely it's own. Yet another reason for why Miles Davis is such a musical icon

Two tracks totalling 38 minutes or so. Both beautiful, varied, lush and full of energy. Never heard these pieces before, and loved listening to them. Highly recommended

Ничего не понял, но очень классно

Vibey.

moody great rainy day album

Two songs, too good. Generational talent.

Hjkk

Beautiful and mesmerizing. Each time it ended, I just wanted it to start over again. That happened four times.

Sooo good

Like a soundtrack to the best neo noir film never made.

Enjoyable album

Good

Perfect Sunday morning vibes. What a joy

Cracker

Cool jazz!

Awesome jazz album! Only two tracks, which is pretty wild. Highly recommend

Sometimes my favorite MD album, always reveals new and interesting elements with each new listen. Until yesterday Bitch's Brew was new to me but not new to me because In a Silent Way is an old favorite cloth. Bitches Brew might be more ambitious and more varied but I still prefer In a Silent Way for its more consistent mood and its the beautiful atmosphere it creates in each song. No brainer; 5 stars

There was nothing I didn't like, fantastic vibes

Pushing the boundaries of Jazz but still accessible. Mind blowing. There's only two tracks so for this one I only chose one. Best Tracks: Shhh/Peaceful