I can understand from the get go that grindcore isn't for everyone. However, I will say that despite the influence, it certainly shows that it's very early, and is very rough around the edges. Will I say that it's truly awful? No, but I will say that there is indeed some room for improvement. I will say for the positives though that some of the instrumentation is great, real headbanging stuff even on a first listen. It's the rest of it that irks me. The fast sections just seem like a "let's see how fast we can go" with no room for melody or sense of timing. And thr vocals, despite having 2 different people, sound like a south park interpretation of death metal. If the record as a whole was a bit slower and more melodic, I would say it's a must listen regardless of genre. Other than that though, it's really only a recommendation for those that are brave enough to expand horizons, or for those who are already into the grindcore scene, and looking to see where it started.
Steely Dan is an artist to which i need no introduction, having listened to multiple albums already, such as the Royal Dcam and Aja. However, countdown to ecstasy is a new experience, as it was one that i hadn't got round to. I will say however that it lives up to the standard set by their later works, whether it be the catchy refrain of Bodhisattva, the jazzy and comforting instrumentation of Razor Boy, despite talking about losing everything, or the sunset vibe that comes across on Pearl of the Quarter and its story of seemingly unrequited love (Do note that the normal streaming version is slightly higher pitched, but you can find the original on sites like YouTube). The drumming throughout the album is also impeccably tight, and deserves a mention by itself. Its only downside is the fact that it never got a major radio single, and as such, isnt nearly as recognizable as Aja, Pretzel Logic, or Can't Buy a Thrill. Otherwise, it is very much worth the listen.
From one banging album to another. Seeing this come up on the rotation when the site revealed it to me triggered an audible joy, as I've heard no shortage of good things about this album, but my turn has now come to experience it for the first time, and as such my expectations are high. Right from the get go, its an absolutely high energy, bombastic experience that also provides a deeply insightful and sometimes sardonic social commentary from the perspective of the black community. Not every song is on the up however, as songs like "u" have an anger that really feels like it comes from a place of struggle. The sampling of various genres, like jazz, hip hop, and even some funk all blend together in a way that won't leave your head any time soon. And as for the lyrics, Kendrick has some absolutely fantastic bars, as well as some memorable lines such as "Bitin' my style, you're salmonella poison positive", and "Milk the game up, never lactose intolerant" from 'Institutionalized'. And the guest musicians? Are used in ways that well and truly make use of their strengths, such as Thundercat's bass work, or the lyrical capabilities of Anna Wise. Don't even get me started on the beats, as they carry so much of the album on their shoulders, such as the classic beat from "Alright", the funk of "King Kunta", or the upbeat pop sounding rhythm of "For Sale?", which not only helps to convey the message of its lyrics, but also changes to further convey the message that lays within it, just under the surface. As it stands, it is deserving of both the critical and commercial acclaim that it has received over the past decade, which considering the fact that it's held up as long as it has is yet another compliment to the record.
A fantastic album, with immensely clear instrumentation where it is easy to pick out individual parts. To boot, it is an amazing album to relax to, or to make anything you are doing feel way fancier than it probably is. The only problem that anyone might have with it is if you aren't into instrumentals, as there is not a single word on the album. However, for someone like myself where instrumentals are toward the top of my list, it fits right at home.
The perfect accompaniment to a summer picnic. Also drew comparisons to Gladys Knight, Karen Carpenter, Marlena Shaw, and Carole King during my listen, which is certainly not bad company to have by any stretch. Definitely will listen again
Infectious catchy from the start. A very much feel good album that highlights the strengths of disco in the mid 70s. Not quite sure what them Swedes were smoking, but must have been some good stuff, especially with some of the instrumentation, such as the bassline on "When I kissed the teacher" (in spite of its now questionable lyrics), or the powerful synthwork on the title track. Even outside of the hits like "Dancing Queen", "Money Money Money", or "Knowing Me, Knowing You", the rest of it is genuinely solid stuff. Give it a listen if you get the chance
I do my best to keep an open mind when listening to the albums presented before me, but this was one that was unexpected. I'll say there is some good stuff, but for the most part it feels like listening to a hospital room. Very sterile and inoffensive.
A fantastically raw and refreshing album that perfectly captures the 90s sound, as well as the personal experiences of Alanis. As far as I'm concerned, it is a no skip album that deserves to be listened to at least once by anyone worth their salt in music. Even during my first listen, I was eagerly awaiting the next track in anticipation of what was coming.
I'll admit that when I read it was a disco album inspired by LGBTQ life in New York, I was intrigued and most certainly curious about what it could be. Turns out that what it is is fantastic. With a good balance between disco influences and upbeat poppy tunes, it certainly has enough positivity to go around, and with songs that sound inspired by George Michael and Robbie Williams, it is more than catchy. Even comfortably numb, while not a great cover, is a decent song as well
A wonderful album. Aretha comes out swinging with Respect as the opening track, but keeps hitting out of the park as the album goes on, with tracks like Drown in My Own Tears, and the bossa nova styling of Don't let me lose this dream. Overall, a fantastic listen, and i could only imagine what it would have been like in 1967 listening to this for the first time
Good background noise but nothing more. It is said that he who has never tasted grapes cries sour, and while I'm glad I tasted them, it's not something I'll actively come back to
Some incredibly blues and hard rock with the vocal talents of Rod Stewart, some fantastic bass work from Ronnie Wood, and of course the sublime guitar from jeff beck. A rather enjoyable album, but I feel there is something missing that prevents it from getting that fifth star. Can't quite put my finger on it
A stunning album from start to finish. I knew this album would be good, but wasn't expecting it to go quite that hard. Stewart Copeland, Andy Summers, and Sting really do go all in for this one. A must listen if you're at all interested in 80s music
Somehow I had 3 back to back 80s bangers so far, including this album. Even outside of the usual discussion points like head over heels, everybody wants to rule the world, or shout, there is some fantastic stuff hiding around. Tracks like "The working hour", "Broken" and "Listen were certainly favorites of mine. All in all, it is one that was very much enjoyable.
A genuinely wonderful album, with plenty to enjoy for those that like Bob Dylan and Bruce Springsteen, or those who enjoy ambient music
The vibes are impeccable. A perfect album for driving down a country lane to have a picnic, or sitting on the porch as the sun is setting with an ice cold beer in hand.
It was certainly an interesting listen, and caught me off guard. I genuinely think that it could be better after listening to it a few times, but for a first go around, it gets a 3. If I could give a 3.5, I would as thats a more accurate reflection of the record.
Influential? Absolutely. Has it been done better? Also yes, especially the style that Bon Scott would later embody on songs like "Big Balls", and "The Jack".
A fantastic metal album, capping off the 80s era of Metallica. Fantastic songs, such as One, Eye of the Beholder, and To live is to die
This is without question the hardest album to rate, due to it being so wildly different from most if not everything else in the list. With that being said, it's hard not to respect the fact that they made something they wanted to make, regardless of critical or commercial success. Add to that the fact that once you get over the initial shock of it all, and start listening to individual parts, you can clearly tell that it's not only a well rehearsed band, but one that has some good stuff hiding away amongst the chaos. That does not by any stretch make it an easy listen, and its reputation is well earned.
It truly made you think about making the most of your life, whilst also making you think you were about to drop the best skateboarding tape of the 90s. A fantastic album with great drums and similarly good bass work. Definitely worth the listen.
While it may be seen as a great album for others, and there were some good melodies in there, it didn't hit that same level for me as other albums I've listened to so far. It's not a bad album, but it's one of the few I've listened to in this project where I could not for the life of me listen to it in one sitting due to getting almost bored.
I had heard plenty about Neil Young and Crazy Horse, but had never really got into it. However, I am now starting to wonder why it took so long. Cinnamon Girl is a great way to start off the album, and I for some reason didn't put two and two together when it came time to realize that Neil Young wrote it. (I always thought it was someone else). Either way, it was a very enjoyable listen, and definitely caught me off guard.
I haven't really listened to shoegaze all too much, but upon listening to this, I was pleasantly surprised! It has some great guitar work, and on some songs the vocals are also pretty good. I could definitely see myself getting blasted on some quality ganja to this, or just to escape the outside world for a while. Would definitely listen again, and might have to check out more of their work.
Truly one of the best debuts in music history, not a single bad or even filler track on it. With tracks like communication breakdown, how many more times, and dazed and confused being personal highlights for me. Everything just comes together so we'll here, like John Bonham's thunderous drums, Jimmy Page's roaring guitar, Robert Plant's soaring vocals, and finally, John Paul Jones' rock solid rhythm keeping everything in check. I will happily come back to listen to this one
I'll admit that I was mostly familiar with Elephant, I had never listened to anything outside of the usual hits. However, this was a rather enjoyable listen. A musically stripped down record, where it feels as though it is literally two people just banging out some rough tracks in the studio, with tracks like "I think I smell a rat", "Hotel Yorba", and "We're going to be friends" being personal favorites. I could see myself coming back to this one later on, but not nearly as frequently as other albums I've listened to so far.
A fusion jazz masterpiece that hooks you in from the start of "Chameleon", and keeps holding on until the very end with the hypnotic drums of "Vein Melter". You can tell that the musicians involved are incredibly tight and synced, with every note being placed precisely where it needs to be. If you're not into instrumentals, this might be a tough listen, but if you're willing to push past that (I love instrumentals, so it isn't too much of a problem), you will find a fantastic album.
Having never listened to blur outside of "Song 2", I didn't really know what to expect. With that being said, I was pleasantly surprised to find it was effectively a combination of Syd Barrett era Pink Floyd, The Beatles, and the Kinks, mixed with instrumentation that occasionally reminded me of Soundgarden. Colin Zeal and Star Shaped were 2 favorites in particular
This honestly feels like someone had an anxiety attack, then turned their thoughts into music. It's not unnerving in the sense of it being musically bad (though it certainly doesn't help), but it's just so out there that it puts you on edge. I will say it would make for 2 good things: a musical palate cleanser, and a great way to get unwanted guests to leave after a party thats gone on too long
A beautifully depressing album. Genuinely makes you think while you're listening to it, and I can see why it was nominated for a mercury award. I believe there is too much vibrato (it does not to be on seemingly every note, as that reduces the impact if you ask me) but other than that, it was something that made you slow down.
Looking into the Wikipedia article for this album, and given its name and time period, I figure it would be the latest in a line of weird albums that had come across my proverbial desk. I however was pleasantly surprised to find it was silky smooth jazz, which when I put it on in the kitchen, seemed to calm everything down. 5 stars for vibes alone, but then when you listen to it again and again, you can pick out the individual parts, knowing that each piece of the puzzle comes together brilliantly. Definitely on my list of "Albums to Listen to Again"
I can see the inspiration and influence that this album would have on punk later on, and the covers are decent, but the main thought i get with this album is a resounding "Woooooww!!" by Gerry Roslie, as it is used so incredibly often that you'd think they based the album around it. Otherwise I'd say its a decent listen, but otherwise unremarkable. You have the fuzzy and heavy mixing that would later be used to great effect on other records, and some of the original compositions are pretty solid, though its mostly covers. I wouldn't turn it off, but I also wouldn't be reaching for it either.
One could argue that its a jam session disguised as a concert, and while that opinion may be correct to some, it does not diminish the musicality of everyone involved, from Duane Allman and Dickey Betts ripping apart the heavens with their guitarwork, Gregg Allman with his keyboards and vocals (especially on whipping post, which I'd argue is the highlight of the album), and both Butch Trucks and Jai Johanny Johanson keeping it all together with some fantastic drums. In short, if you want a fantastic live album to hang out in the garage with and maybe have a few beverages with some friends, this would be towards the top of my list
I went into this one with no idea on who or what it would be, but was pleasantly surprised to find it was ambient 90s electronic music, a lot of which is downtempo and quite relaxing. "Harry Flowers" is a standout track, as is the opening track, "Water On A Vine Leaf". Definitely will add to my driving Playlist, as I could see myself covering many miles with this one.
I'm going to start this by saying that due to sentimental value, it is impossible for me to rate this objectively. With that being said however, it doesn't change my score. Every single song has a timelessness, both in theming and in sound production. Songs like "Sail Away", "My Oh My", and "Silver Lining" all sound like they are brand new, even though they came out almost 30 years ago, and his cover of "Say Hello, Wave Goodbye" is so delightful that I didn't realize it was a cover for the longest time. In my opinion, it is a no skip album. Every song on this album is absolutely fantastic and a must listen.
A brilliant album that truly encapsulates ones acceptance of the life they lead, which is made all the more poignant by Leonard Cohen's death a mere 17 days after it was released.
Tim Buckley sounded like a combination of Van Morrison and Allan Clarke, but that is not to his detriment. Its unfortunate that both Tim and his son Jeff would pass on so soon, but both certainly left an impact. Not quite my cup of tea, and there are certainly people who would like it better, but it wasnt unlistenable by any stretch.
