Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio.Wikipedia
Excellent jazz. I don't know enough about jazz to say what makes it so great, but I know enough about music to say "I Enjoyed This Album."
Howard: Never do that to a man in a jazz trance. I was deep in the juju then. Vince: Science teachers and the mentally ill, that's all jazz is for. Howard: Take that back you electro ponce. Vince: I hate jazz Howard: You fear jazz
Swanky and stanky. The Picasso of jazz. Rock on Thelonious.
This album is incredible. Thelonious is a genius and it’s on full display here. This is the type of album others strive to make. Every track is perfect. But special shoutouts to the opening track (brilliant corners) and the closing track (bemsha swing). This album fits every mood and every emotion. Top tracks Brilliant corners Ba-Lue Bolivar Ba-Lues-Are Pannonica I surrender, dear Bemsha Swing
Monk has such a recognizable style on the piano. He sounds clumsy, like he’s mis-hitting the keys. The songs seem to speed up and slow down – sometimes they actually do, as in the title track – but it’s more often the effect of his playing. He’s a great composer and many of his songs have become standards. This is an all-star line-up. I particularly like Sonny Rollins on tenor who is a good replacement for Monk’s go-to guy, Charlie Rouse, who’s timbre I never liked for some reason.
I have heard of Thelonious Monk, but have never listened to an album. What a treat! Honestly, the first few bars of the first track had me concerned that I would be in for a bumpy jazz ride. But shortly into the album I realized that my first impression was incorrect and it was smooth jazz sailing after that. I found myself tapping my foot and bopping my head and imagining sitting in a dimly-lit (smoke-free for my comfort) jazz club enjoying a martini or a single malt whiskey. Just a delight!!
Monk is a legend, love putting his music on on a lazy Saturday afternoon while reading or cleaning
I love the name of this album because every corner of it that you look at shines like a diamond. A hard bop masterpiece and Monk's most famous record, "Brilliant Corners" is beautiful and complex, showing his ability as a jazz composer focused on unconventional structures and african-american references. It presents an artist at his creative peak, with a band full of great names like drummer Max Roach and tenor saxophonist Sonny Rollins. An essencial jazz record and an epitome of what jazz was like in the mid 1950s.
this list has really forced me to listen to some excellent jazz albums, i’ve found a real appreciation for the genre i wouldnt have expected. i still feel like i dont know enough to critically rate jazz, i just sit back and enjoy it. i really sat back and enjoyed this album though.
Just brilliant. Superlative playing, incredible mood, creativity sparkling off the record, the joy of the feeling is being there to see something birthed into being. Unsurpassed.
“Brilliant Corners” by Thelonious Monk (1957) Never heard this album, but I’m marginally familiar with the progressive jazz of Thelonious Monk. These instrumental compositions are intricate and alluring. Monk’s progressions are very accessible to those who are not familiar with New York jazz of the mid-twentieth century. His virtuosity is to be heard in his flourishes, arpeggios, and scales. Melodies on this album seem to exist as a mere framework for jazz riffs, producing a nice 50s bebop feel. A very broad definition of harmony, especially for 1957. Listen for simultaneous adjacent chromatic notes on the celeste on “Pannonia”. They might sound like flubs until one begins to hear the patterns. To get a good taste of Monk’s piano work, check out “I Surrender, Dear” (which I think should have been the opening track, to give the album some forward momentum, but okay . . . ). His technique is accomplished, with crisp execution (perhaps too staccato), but lacking in dynamic variation. Compare with Earl Hines, Oscar Peterson, and Herbie Hancock for a timeline of jazz piano. Monk is not quite in their league, but he’s very good. Saxophonists Sonny Rollins (alto) and Ernie Henry (tenor) unquestionably display talent on this album, even if they are frequently not quite in tune with one another. Several pleasing solo breaks by sax, bass, and drums. This is a fine album, well worth a listen. 4/5
Brilliant corners is simply a brilliant album. Monk's style may be off putting for some with his crunchy dissonant, off kilter dissonant piano playing, but therein also lies his genius. Allstar band. Highlight for me is Bemsha Swing.
Not a jazz guy (not cultured enough) but pleasant to listen to. Jazz always classes up the joint. 5/10
Thank God that's over with. I feel inadequate just saying it, but really, what's it about? It seems to me to be the jazz equivalent of guitar shredding. No doubt technically amazing, but utterly useless to listen to. Music only to those actually playing it. Fret-wanking (or the sax/drum/piano version). Sorry, but the emperor's wearing no clothes.
What I really love in 1950s jazz is bold, clear melodic lines, and the sense of huge energetic possibility kept just under control at a rolling boil. "Bemsha Swing" has this sound and is great. Some of the other tracks are just a little too chilled out, and piano isn't my favourite jazz instrument anyway. But however you look at it, this is an album of amazing quality. 4*
Music from the days when bass and drums had their place, at the back of the stage, and didn't interrupt the main event, which in this case is excellent piano and sax. Sure they pretend to allow bass solos (in Ba-Lue for example) but it's only done as a way to let them get applause specifically directed at them. I'll applaud when I see live jazz and the bass gets the short solo spot but I know, and they know, the applause is really for the work they do the rest if the time keeping the tempo for the principal soloists. The piano and sax work on this album is extraordinary. The title track seems not to follow the mould. There are lots of tempo changes and the parts where the play speeds up must be tricky to pull off. At the end I wouldn't have been surprised if one of them yelled "I got blisters on my fingers" John Lennon style. The drum solo is a little too long for my liking (Some things never change) Listening to I Surrender, Dear makes me wish I could play piano. No instrument can create an all encompassing sound like the piano does and TM hits it out of the park. Pannonica starts like a sound track from a bad movie. To be sure, it picks up with the sax solo. The celeste solo is also cool but only because it's an unusual instrument. It sounds like a xylophone without the speed of play. While interesting, it's best that it does not stay for more than one song since it does not allow the magic that the piano does. Great soloing throughout.
One of the frustrating things about listening to Monk is how difficult it was for him to find sympathetic collaborators. Monk invented an entirely new way of approaching rhythm, harmony and melody that few musicians had either the ability or interest to approach on its own terms. The three that came closest were Coltrane, Art Blakey and Wilbur Ware, none of whom is present on this recording. Monk's rhythmic innovation was to break and subdivide rhythms in unexpected ways, while still maintaining swing. His conception of harmony most likely grew out of what would be considered by most to be a liability, his unusually large fingers, which resulted in what were probably initially unintended chord clusters. Genius that Monk was, he incorporated these clusters into his harmonies and melodies, using puckish humor. The problem is that most collaborators came from a time keeping/ changes background, which Monk had largely broken away from, so there was usually an amusing tension in his music between Monk's intentions and his collaborator's inability to grasp or execute them. Apparently, this came to a head with the title tune, which took 25 unsuccessful takes, after which the producers threw in the towel and just cut together the usable parts. These days, Brilliant Corners doesn't sound particularly difficult or esoteric--I've heard it as background music at Starbucks, for goodness sake! But in 1957, it certainly threw these musicians for a loop. They couldn't execute the head worth a damn and when it came to the solos, they tried to impose conventional logic on Monk's structure, which just sounded silly. While drummer Max Roach takes a conventional approach on the form of the tune, he at least gets into the spirit of the thing on his solo. The more conventional tunes fair better. Sonny Rollins makes a game attempt to follow Monk's logic on Ba-Lue Bolivar Ba-Lues-Are and actually tackles both Monkian rhythm and harmony on the lovely ballad Pannonica. So far this isn't reading like a rave, but Brilliant Corners succeeds in spite of its flaws. The songs, while being unconventional, are memorable and hummable, one and all. And Monk's playing is undiluted magic. I'll take half a point off because of the sometimes maladroit accompanists--if only Monk had played more often with sympathetic musicians like Art Blakey, Wilbur Ware, and John Coltrane--but this is still a great album.
One's reaction to the piano playing is the key determinant when it comes to Brilliant Corners. The opening number is less than convincing, but establishes the meandering style and the basic form used. That form is best-worked-out during the second, longer cut. Monk provides off-kilter tunes which the band wanders through, in several configurations. It's not obviously dense music, but the ingredients are all there. The rhythm section ties the work together for me, with the double bass standing out as melody.
Dinner party, suits and ties, martinis, and a view of New York City. This is the soundtrack.
It's exciting to finally listen to a renowned artist I've always heard of but never spent time with. This one is hard for me. If I let it float into my subconscious, I enjoy it quite a bit and I ride the ride. If I listen carefully and try to figure out what's going on, I'm perplexed. I struggle with the idea that these are "compositions" (rather than pure improvisations) that I would ever recognize when played by another musician. There seems to be a lack of a melody that my brain can hold on to. They sound like random notes playing, and yet I know they're not. It seems pure "feel" to me, and yet I know there's some sort of structure in there. But as a listener, if I just go with the "feel" it usually feels pretty good. Repeated listening reveals more each time. This is just the beginning of a journey I've never had the patience to take. It's cool.
Genre: Hard Bop 4/5 Jazz. A genre so ubiquitous, and one which still so heavily influences the music of today. Truly, there's no better place to start than one of the greatest jazz pianists of all time, Thelonious Monk. While he wasn't akin to some of his more avant-garde, free-jazz contemporaries, Monk fits in his lane perfectly, providing technically challenging jazz, so flawlessly played that it sounds close to the sort of smooth jazz you might hear in a shopping mall. (I don't mean that disparagingly!) Overall, this album is full of great trumpet/saxophone playing, well-played, laidback drum AND bass solos, and it's all beautifully choreographed around Monk's brilliant piano playing. Whether they're slowing it down, or whether they're doubling the time of the same song they started slow, this is a great place to start for anybody looking to see if jazz is right for them. Easygoing, accessible, and a joy to listen to.
Mr. Monk is surely an accomplished player but 45 minutes of winding, seemingly groove-phobic, saxophone solo is trying at best. I shouldn't have to work this hard to enjoy listening to a record.
Y'all would give an album of somebody throwing pianos down stairs for an hour a global rating of 3.3 if it was released in the 50s and had some dapper looking gentlemen on the cover. And yet "Germ Free Adolescents" sits at a 2.97 global rating. We truly live in a society. Actually, I like Trout Mask Replica so I can't complain too much. Enjoy whatever. It's a free country. 1/5 from me.
Great classic Jazz album. Some songs recognized as samples
Love some Jazz!
Go listen to Pannonica right now.
Left you wanting more!
My favorite jazz album of all time
I love Theloniois Monk.
Can’t not give this 5 stars.
Jazz is Monk
Puro jazz, seco y sobrio. Grande.
1957....Magic, baby. I will never oooh and aahhhh with my semantics or musical terms, but this is beautiful.
(Listened to Before) A formative record for me and maybe one of the best hard bop jazz records in existence. Favorite Tracks: All of em Least Favorite Tracks: Nonexistent
Awesome jazz album! Very cool that it is from '57.
Love this album
Хорош, захотел его на пластинке
9/10 great jazz, no complaints other than that I would like some more upbeat tracks. but these slow jams are nice too
I could listen to this album all day. Best in class.
damn, man...why do the awesome ones have to be so short? i'm not sure i've ever heard a monk album i didn't come to love. this one didn't take long - the guy was gone, but holy crap could he play.
Can't listen to this without bringing back memories of my grandad.
Excellent, a jazz classic and wonderful!
Jazz essentials! Feels like I’m in von maur
5.0 + An amazing touchstone from 1957 that was years ahead of its time. Hard bop at its finest. Warm and wonderfully off-kilter at every turn.
Really great example of a great jazz album. Bad jazz is probably the worst music there is but great jazz is the best, and this is undeniably great.
Great jazz album! Easy listening!
Enjoyed listening to this, but was gloss painting so did not give my full attention, but definitely worth another listen.
Awesome jazz. Some great solos, very relqxing
Smooooooth. Drums are impeccable.
Brilliant Corners = brilliant music. 5 🌟
Great TM album in every aspect.
Brilliant Corners is one of the odd ball tunes. Its so spikey and angular, especially in 1957. I love this album just like I love all of Monk's music.
1957! It is really surprising how this sounds as if it were recorded yesterday. Absolute keeper.
piano based jazz
I mean, if you need a jazz album in reserve to play and look cool at that kind of dinner party, this is it.
jazzao muito agradável
It’s Monk! 5 stars! Not my personal favourite Thelonious Monk album, but still a bebop classic.
An all-time favorite.
So warm and inviting, and then it just twists your ear around, what a genius, what a pioneer. I'll take more where that came from.
Unreal! The best guitarless jazz i've ever heard (as a guitarist nothing can top Wes Montgomery and Joe Pass for me).
This guy's corners are brilliant.
Monk really is a king of harmonies and “good-sounding” dissonances. A masterclass album. Plus, Sonny Rollins is on fire ! Love the whole album especially the wonderful blues Ba Lue Bolivar Ba Lues Are.
this is extremely my shit
Fascinating, remarkable, unique...I could go on and on. So much has been written about Thelonious Monk that writing about this artist is just like writing about anyone who reached the incredibly rare heights of their craft: it just all feels kind of cheap when compared to the real thing. This album is incredible. I'm going to listen to it again and again. What an artist.
Some great Be-Bop on this album, great Sunday Morning music in my opinion. I love "Ba-Lue Bolivar Ba-Lues-Are" "Brilliant Cornbers" (which is a complex masterpiece in my opinion) and "Pannonica" which is a tribute to the "Jazz Baroness" Kathleen Annie Pannonica De Koenigswarter. In fact I love all the tracks on this album. some great Bass riffs from Oscar Pettiford and also great drumwork from Max Roach. Love it and rightfully on this list.
An interesting album especially as it features Sonnly Rollins alongside Thelonius Monk. Monk's style is experimental and makes good use of accidentals while still holding to a recognizable jazz format. A great hard bop album with very interesting changes. I see why a mentorship under Monk was a bit like being stuck in a crucible. The result is undeniable though
Excellent. I love Thelonious Monk but this was my first time for this album. Monk’s playing is fantastic and the whole band is in sync with his off-kilter, stop-and-start style. Really fun to hear them play around the melody. I love in a live jazz performance when you hear the applause after a solo. This is a studio recording but some of these solos are so good, it feels wrong not to hear clapping after them. I found myself quietly applauding a bunch while listening on headphones.
love it!!!!!!! fijne studeermuziek maar ook leuk om aandachtig naar te luisteren
If at first the music seems too discordant and harsh, don’t be deceived. There’s a method to Monk’s madness, and soon the beauty and complexity of each track unfolds in a dazzling display.
I mean, this is amazing. Duh! The opening track, Brilliant Corners, is jaw dropping. The rest is perfect for weekend afternoon mellow chilling out vibes.
Some great jazz. Nothing more to say.
Pretty class. Dos Monos sample the first track on this album, which was pretty unexpected.
Nice to wok by
Started listening - very jazzy. Did not finish.
It's really tough to pick a favorite song with instrumental jazz... The 5 songs on here just kind of blend together into one 42 minute song. I'm not saying it's bad... but just tough to find one that stands out. All in all, I liked it.
Clean jazz is always appreciated
esta chilleable, digerible, casi perfecto...thelonious monk una verga
funky jazz. i like. didn't finish whole album
Good free-form jazz, not a super easy listen but plenty in there
Really enjoyed this - groovy melodies with pleasant sounding solos. Not too difficult, something I will listen to again.
Rett og slett god jazz. mye artig påfunn.
I'm not normally one for jazz in general, but I really loved the atmosphere of this album. Perhaps because if the summer weather and it was the perfect soundtrack.
4/5 -> Melhores: "I Surrender, Dear" e "Bemsha Swing", mas o álbum todo é muito bom
Driving me crazy trying to figure out how/where I know this title track from. I'm a very passive jazz listener - while it's not my favourite music I still do especially enjoy this particular brand/style (instrumental, jazz-trio type). After two full run-throughs I can see why this is on a top list both because it's eminently listenable, interesting, and I've absolutely heard no less than three of these tracks before. Since I'm basic :P if you like Miles Davis Kind of Blue (nearly everyone has heard at least bits of that) you'll probably like this, although it seems a little more bebop/uptempo. It's quite good, I had this as a solid 3 but I think I'd put this as a 4 as I'll keep this one as something to come back to.
Brilliant bit of jazz
Ya like Jazz?