How is this album nearly 60 years old? First listened 25 years ago, still hits. You can almost smell the marijuana in the air as you stare at beautiful Jim Morrison singing through the haze.
chaotic vocals, felt the urge to skip a few tracks, but after a couple of listens it started to grow on me. high energy!
Everyone was right, 1970s rock is fuckin cool.
is there anyone cooler than snoop? i think not.
easy to listen to. mighta gone a little too hard on the back-to-back Beck listening on this day and overstayed my welcome, but I very much enjoyed this one! What an artistic weirdo.
fun back-and-forth at the beginning of track 2. not a major fan of the vocals in general (off key?). the haunted simplicity of Elegia caught my attention every time.
easy to listen to. liked it, but left me wanting their top hit track. atmosphere is vibey, 90s rave.
short and stanky! Born on the Bayou, Penthouse Pauper, and Proud Mary are stand-out tracks for me. The muggy, gravely vocals really and the swagger if the guitar riffs feel incredibly genuine and immersive. Reminds me a lot of Chris Stapleton - white guy sings the blues, and I really enjoyed it!
Generally, just NOT my style. I appreciate the role this band and album have in music history, but it's not something I'll ever reach for. There were a few tracks I really wanted to skip during the first listen, but I feel as though I did give a fair shake and listened twice through. The vocals and vocalizations really bothered me, very out of tune at times and jarring. Although I did enjoy some of the instrumentation, the vocal delivery really killed it for me. Sorry Iggy, it's a no for me dawg.
this one felt just so incredibly blah to me. definitely not something i would reach for. even the singles (So Far Away) are boring and - dare i say - cheesy in a way that's not nostalgic to me. The only track I kinda like is The Man's Too Strong, fun lil country lane with bold guitar and the vocals sound more Bob Dylan-y on this one.
From the jazz flute to an iconic bluesy bass riff to take-me-to-church vocal delivery and disco-era big band exuberance - this album is all over the place in the best way. Needs more cowbell, which I would happily provide. Some of the riffing get a tad long in the tooth and wears out its welcome.
Let's skank! Let's jump! Let's bop around! I'm really digging this! Quirky and groovy, classic ska. This reminds me of so many other artists that came after... B52s, No Doubt, Reel Big Fish, and another one that is on the tip of my tongue, but I can't quite put my finger on... Ashamed I hadn't explored this album before. Like many other Millennials, I had a ska loving period in the mid-90s and this album feels nostalgic even though I hadn't listened before. A couple of the tracks are annoyingly repetitive, but overall I enjoyed the album.
Thoughts on Thom Yorke pre-listen: Thom Yorke is a pretentious, conceited music snob for assholes. After listening to In Rainbows by Radiohead: Wait, Thom Yorke is the singer for Radiohead? hahaha... lil blind spot, I guess. Anywho, the vocals kind of creep me out at times, but I really like the mood and atmosphere created on this album. Each listen brings me closer to floating in the amorphous goo.
first listen: his voice gets on my nerves. i like the piano riffs here and there, fun and joyful. nothing super compelling imo.
I didn't think I'd make it through a second listen, but I stuck it out and gave 'er a go. (pats self on the back) While there are some parts of it I genuinely enjoy, the overwhelming majority just drones on far too long for me to really enjoy it. I appreciate the talent and musicality, but it's a no for me, Mingus.
