Paul's Boutique

IF I WERE TO WRITE A FULL REVIEW IN ALL CAPS, AT FIRST IT MIGHT CATCH YOUR EYE AS YOU SCROLL THROUGH THE LIST. IT'S A COOL EFFECT, ATTENTION-GRABBING, IMPOSING. BUT THEN AFTER A FEW SENTENCES, IT QUICKLY BECOMES TIRESOME. LIKE I'M SHOUTING AT YOU. THAT'S A BIT WHAT LISTENING TO THE BEASTIE BOYS' VOCALS FEELS LIKE. THEY QUICKLY BECOME REPETITIVE AND IRRITATING, WITH LITTLE NUANCE OR DYNAMIC RANGE. IT'S A GOOD JOB, THEN, THAT "PAUL'S BOUTIQUE" HAS SO MUCH GOING ON BEYOND THAT. THERE'S SOME REALLY INNOVATIVE USE OF SAMPLING GOING ON HERE, WITH THE WHOLE BAND SEEMINGLY MINING THEIR PARENT'S RECORD COLLECTIONS FOR INSPIRATION AND COLLAGING IT ALL TOGETHER. IT'S POSSIBLY THE ONLY HIP-HOP BOOMERS COULD ENJOY, BECAUSE THE BEATLES, ZEPPELIN, HENDRIX AND FLOYD ALL MAKE BRIEF APPEARANCES. "EGG-MAN", "THE SOUNDS OF SCIENCE" AND "HEY LADIES" ARE THE BEST TRACKS IN THIS REGARD, WITH WELL ACCOMPLISHED SAMPLING AND A TRULY DANCEABLE ENERGY. HOWEVER, THE SUITE AT THE END FEELS DISJOINTED AND ROUGH, LIKE IT WAS COBBLED TOGETHER FROM SOME OUTTAKES. OVERALL, I ENJOYED HEARING SUCH A LANDMARK ALBUM IN HIP-HOP. BUT JUST LIKE THESE ALL-CAPS, THERE'S ONLY SO MUCH OF IT I COULD TAKE. A little more chopping down and experimenting with different flows and delivery would have done wonders.

Somebody greatly overestimated how long I'd like to hear a bunch of white kids shout brags at me.

Though I would consider Hip-Hop to be one of my least favorite genres, I believe Paul's Boutique is an absolute gem. Every single track on here is packed with fitting samples, witty lyrics, raunchy and edgy rap, great pacing and extremly catchy bass riffs. Besides "Car Thief", I think every track on here is an absolute staple in this genre, and Paul's Boutique thus deserves a 5/5.

Nestled on my shelf between the Beach Boys and Beatles the Beasties serve up somatic pleasures as intense as anything by either of those groups. Not only do they apply the art of sampling in a rap setting as gleefully and adoringly as the existing non-rap apotheosis in 1989 (Double Dee & Steinski - DJ Shadow still to come) they sublimate themselves into the music as rappers to put it front and centre. Aside from an occasional "I was making records when you were sucking your mother's dick" and "Homeboy throw in the towel/Your girl got dicked by Ricky Powell" they dial back the lyrical happy-slaps and bear down on nonsense raps that lack a clear beg, mid 'n' end because their main function is rhythm not storytelling--propulsive forward motion via constantly evolving narrative. All highly conceptual, so shout out to the album's packaging, which eschews track titles and presents the lyrics in an unpunctuated block on one side of the liner notes and an extensive panoramic of a New York street with not a B Boy in sight on the reverse. Except wait, is that one of them ogling the camera on panel three? Or is it just a random? All of which is to say their mission--accepted and completed--is to melt into a wall of sound whose main purpose is to make you shake your rump-ahhh. Now shake away.

Day 28 of Albums You Must Hear... When Beastie Boys released their debut album, Licensed to Ill in 1986, an album that would go on to sell 10 million copies and become the first rap album to top the Billboard album chart, Rap music had finally began to cross over to a broader audience. Along with Beastie Boys, Def Jam also introduced legendary acts such as LL Cool J, Run-DMC, and Public Enemy. Due to conflict with Def Jam, Beastie Boys would only release one album under the label. When the time came to release their sophomore offering, Beastie Boys had began to lose a bit of their momentum in the eyes of the public, yet expectations were high. Not wanting to be known as a one hit album wonder, Beastie Boys had inspiration to break away from being known as the novelty of “Frat Hip-Hop”. In 1988, no longer having the unique rock inspired production of Def Jam co-founder Rick Ruben, Beastie Boys linked up with production duo, Dust Brothers for their next album Paul’s Boutique. Sampling is as hip-hop as graffiti and break dancing. It’s an art that takes expert timing and next level creativity. Paul’s Boutique is a master class in sampling, maybe only second to De La Soul’s 3 Feet High and Rising. Nearly the entirety of Paul’s Boutique music is all samples, chopped and cut so well that you will miss more than you recognize. There are over 100 songs sampled on this record, 24 on the last track alone. If you listen closely you can hear many clips from a wide variety of artists like, The Beatles, James Brown, Bob Marley, Johnny Cash, Sly and the Family Stone, Led Zeppelin, Alice Cooper, The Eagles, and that’s just naming a few. The 80’s was the Wild Wild West of sampling before the lawyers and litigation made it an extremely expensive luxury for artists. (Still can’t stream that De La Soul album, largely because of this). While Licensed to Ill is a legendary album and put Beastie Boys on the map, and has more recognizable songs, the depth of Paul’s Boutique is sonically more satisfying to me. I found myself lost in the dense and craftiness of all the sounds that underly the lyrics. I find it difficult to pick my favorite songs because I liked them all so much. What are your favorites from Paul’s Boutique? Please share your thoughts, memories and opinions!!

If you ask them, the Beasties will tell you that Hello Nasty is their best album, which makes sense being that it's their most mature, most diverse showcase of their musical talents. Ask nearly anybody else, though, and they'll direct you here, because it's, you know, their best album. The B Boys are cultural sponges, and both records do a great job of showing that in their own ways, but Mike D, Ad-Rock, and MCA are at their absolute best when they're bouncing off of each other multiple times within a single bar and rattling off left-field references like a musical Family Guy cutaway, and I cannot imagine a better fit for that than what the Dust Brothers pull off in their production work on Paul's Boutique. There's a lot of ground being covered here: Lookin' Down the Barrel of a Gun has a refined (read: less embarrassing) take on Licensed to Ill's metal influence, more than a few tracks are downright funky, and Johnny Ryall even throws in some bluegrass. What all these beats have in common (beyond being dope as shit), however, is the rampant sampling, which builds a scrapbook of sounds that plays perfectly off of the irreverent, reference-laden lyricism. Paul's Boutique embodies the record store scrounging, anything goes spirit of hip-hop, and that it sounds as good as it does is almost a bonus. Key Tracks (B-Boy Bouillabaisse is cheating): High Plains Drifter, 3-Minute Rule, Car Thief

SO. MUCH. SHOUTING. grating vocal delivery aside, the production on this thing and the sampling is just surreal, if feels dirty giving this a 3 but man those vocals, the sampling and beats and all that jazz is a fucking 5 though

Good background music. Shite foreground music.

I've never been a fan of the Beasties because of their shout-rap, their gaudy party anthems and the fact that white boy DJs at CKCU, who would never think of playing rap, played Licensed to Ill to death. I was therefore pleasantly surprised by this LP, especially the highly entertaining sampling/production. It sounded like it couldn’t be the same guys, and it wasn’t - it was the Dust Brothers. And they still shout.

The samples alone, good lord. What an album

5 stars. Can you think of a more surprising second album? Licensed to Ill was largely an unserious party rap/rock record that had massive success. This album was an effort to move away from that and to be a bit more serious. That said, this album arrived prior to their later "enlightenment" so it still has some of the things that hadn't aged particularly well in License to Ill. From a production standpoint they got lucky as this album snuck in just prior to the changes in copyright law that would have impacted the heavy sampling. A year or two later and this album could have never happened.

Paul's Boutique is both a perfect album and one whose feats can never be recreated. Truly 1 of 1, and maybe the greatest hip-hop record of all time.

Love the samples, dislike the lyrics.

I recognise the Beastie Boys' originality. I'm well aware of them breaking new grounds in so many areas. But I just don't like their music

If there was an instrumental version of this album, I'd probably love it. It looks like you can find some of the instrumentals on Youtube. They're great. The Dust Brothers do not disappoint.

So amazing and under-appreciated

I don't listen to Beastie Boys nearly often enough.

GOAT

What a masterpiece, I can't believe that I hadn't listened to the whole thing before now. The samples, the production, hot-potato hand-off rhymes, the ridiculous lyrics--you could listen to this for years and not catch everything.

One of my favorite albums ever. If I remember the 33 1/3 correctly, the dust brothers recorded all the samples on the album (104 of them, according to Wikipedia) directly to tape, meaning they’d have to rewind the tape and line up the timing exactly right to layer another sample or vocals on top of it. The care that went into this production is incredible. And they almost got sued by the Beatles, so they’ve got that going for them. Favorite couplets: There’s more to me than you’ll ever know / And I got more hits than Sadaharu Oh Washing windows on the Bowery at a quarter to four / ‘cause he ain’t gonna work on Maggie’s Farm no more I’m doing 120, plowing over mailboxes / radar detector, to tell me where the cops is Cash flow getting low, so I had to pull a job / found a nice place to visit, but a better place to rob Because it’s all high spirit, you know you got to hear it / Don’t touch the mic, baby, don’t come near it Because I got more stories than JD’s got Salinger / I hold the title and you are the challenger

7/10. Had some really fun moments, but an entire album-length session of listening to their voices is a lot.

This album is an insane powerhouse of sampling and just pure confidence, but not in a way that comes off as smug, rather something more fun to be around that knows its hot shit and you agree. Nothing like this could be made today, and even if it was, it would cost millions to clear, and ain't no way there would be a whole song of Beatles samples. Despite it being a party album through-and-through, just like Licensed to Ill, it has a new sense of maturity to it that comes with the expert level production and flow of each verse that's shared so perfectly between Mike D, Ad Rock, and MCA that it doesn't have the choppiness issue many rap groups tend to have. Everything here is so professional despite how loose it is, and it just feels like the pinnacle of hip-hop in the 80s. Everything changed after this record, sadly for better and worse, but the fact that we got something so funky just in time really feels like a gift more than anything. Flaws include that it feels a tad long, and due to its nature it can feel repetitive tonally, but the change-ups instrumentally are well worth seeing this album through, especially with some of the best beats coming from the last stretch in B-Boy Bouillabaisse. I can now see why this is considered Beastie Boy's crowning achievement.

The Beastie Boys make fun music with great production. You can just feel the connection between all the boys. There's also some pretty innovative production through sample choices and the beats that they rap over. I can see the influence in modern rappers like Denzel Curry's production. Best Songs: Egg Man, Hey Ladies, What Comes Around, B-Boy Bouillabaise Worst Songs: Johnny Ryall, Shadrach,

Masters of sampling. This album is often overlooked.

I can easiliy speak in absolute terms for this one: It's the worst album I've ever heard! Having said that I should probably add that I only listen to albums that I immediately like, so I never would have listened to this in the first place. Although I don't like HipHop or Rap in the slightest, I have to at least give them some credit for the quality of some of their sounds (and I'm not talking about their singing). My favorite part of the album is at 25:40 - that intermission at the halfway mark genuinely surprised me and made me laugh, giving me enough mental strength to listen to the rest of this "music".

Certainly pushes the boundaries of hip hop. Worth the listen.

Really enjoyed. BB are a solid group I've been meaning to listen to. Really upbeat and fun listen. Lyrically sound but kinda cheesy, but I think that's the point.

Simply one of the greatest Hip-hop albums ever created.

One of my favorite albums! Best use of sampling; Beasties are pioneers!

Long time Beastie Boy fan - one of my favorite albums...not at first but really embraced it over time.

This whole album is kind of a fever dream but in a good way. Don't think I'd actually heard any of these songs before...but liked them all! Fun to have shorter songs

You know, I said License to Ill was the BBoys at their best, but this may be better. Their sampling game is on point here, and a lot of their most juvenile lyrics have gone away. I'm not sure if this deserves a 5, but I gave License to Ill a 4, and this album is definitely much better than that. SO IT MUST BE.

One of the greatest hip hop albums of all time? Yep. Best Tracks: Shake Your Rump, Egg Man, Hey Ladies

To all the people who are like “tHeY’rE jUsT sHoUtInG??”: 1. I’m sorry, are we in a library or something? 2. As resident of the Tri-State Area, I can tell you with 100% certainty: They are not yelling, they’re just from New York. 3. Really? Your biggest criticism is that they are shouting during this upbeat and raucous party music? Go listen to the National or something…

“It’s a trip, it’s got a funky beat and I can bug out to it”

It was alright, it's not really my kind of music but it kept me entertained throughout. This is the first time I've listened to any music from them and I get their appeal but as I said, it's not really for me.

I guess instruments can be replaced by a mouse. And this was technology 30+ years ago. I didn't get through the entire LP. After 5-Piece Chicken Dinner I figured they couldn't possibly do anything better so double clicked an early demise to Paul's Boutique. (The B-Boys must understand that the mouse giveth and the mouse taketh away.) While I couldn't finish the job, I still think  that this album is a lot of fun. I hate to say this and wouldn't want the word to spread, but I liked it -  kinda - a little bit - sorta - maybe.

Comedy Rap. Not interested.

- love the jammyness of the syncopation - vocals kinda give musical theatre rap - some rlly cool percussion parts w woodblock and bongos

It says something that my favourite track on this album is a 23 second skit that's basically only samples with 2 lines of vocals. Not exactly my style but a good album nontheless. Apparently it's been very influential in rap/hip-hop world and I can see why.

Ah, so I see where KidRock got his inspiration now. You know, I didn’t hate this, but so many of the songs just sounded the same to me. It didn’t really inspire me. It wasn’t so bad that I couldn’t make it through, but it just really isn’t my thing.

Were the Beastie Boys lame or cool? I can't tell . The internet says they're a rock bank.. what!?

Overall an entertaining album, definitely overstays it's welcome. The vocals are pretty different from most other music I've listened to but I appreciate the beat on most of the songs. Also some sick Dylan, Hendrix, and Cash references in there.

Probably my least favorite of their albums I have listened to. Some catchy bits but there were a few I outright skipped and nothing was that memorable. Shake your Rump was the only one I saved. And cool album cover, I've never seen a busy New York street corner as an album so very inventive and creative.

I was under the impression I was really into Beastie Boys so I went in with expectations high. Disappointed with the rhymes, disappointed with the rhythms. This ain’t the hip hop I’m gonna turn to in the future.

im not enjoying this at allllll. what are they doing.. nice transition into the third track. okay, lyrics are fun sometimes. the psycho song in egg man was fun. high plains drifter: music is great but i cant with their whiny voices. okay im done and the previous sentence applies to the entire album basically. didnt hate it but i wouldnt want to listen to it again.

Man I dont think I liked this one at all. This kinda hip hop not my thing. Funky for sure, just not my funk.

The style of this whole album just wasn't for me. I'm torn between 1 and 2. I was gonna be generous, and actually, I will be, I made it the whole way through

I like that this project makes you listen to music you wouldn't normally listen to. So I understand that this album is basically constructed from samples which is cool and quite clever. I like to that it's fun and would probably appreciate it at a house party or something of that ilk. I'm not really keen on rap, like don't get me wrong it's ok for a song or two. Would I choose to listen again? Probably not, sorry.

Not for me. having heard Ill Communication back in the day, and hating it, I'll always been told that subsequently they evolved into a serious, more mature and credible act, but hadn't heard anything by them. Just listened to this, better produced yes, but still shouty white boy rap.

Kinda corny and annoying

I think...I think I might hate the Beastie Boys. Well...I hate their music. Which actually is pretty upsetting for me, because they all seem like pretty good dudes, and I wish I liked their stuff.

Better than Ill Communication, but not by much...

Paul’s Boutique by Beastie Boys (1989) I listened carefully to this album from start to finish, and I read through about half the lyrics, and I tried to discern all the one hundred eleven credited samples. It sure seems like these guys are having a good time. The sampling is intricate and wide ranging, with more than a few snippets that are recognizable from other popular recorded music (from Led Zeppelin to Johnny Cash), sometimes entertaining, sometimes distracting, always worth researching. All this is laid down over heavy but un-evolving beats and musical grooves, providing background to the dominant yelling of the three male ‘vocalists’. If it’s not high art, it’s certainly a well developed craft. For those who are in on their party scene, I suppose it’s good fun. But for those like me who aren’t part of that scene, it rather evokes a regret that we weren’t invited. 2/5

This one was leagues better than the other two Beastie Boys albums we had the misfortune to listen to. Now, leagues better means 2 stars instead of 1 in this case. But I actually listened to the full album while only skipping half of 2-3 songs. That's a really massive improvement over the other two B-Boys albums!

You know you’re listening to art when they say ‘humpth dumpty was a big fat egg’ Some cool rhythm bits buts cannnnootttt enjoy this type of vocals. Somewhat enjoyed ‘looking down the barrel of a gun’.

Can’t listen to it - really not a fan

Sounds like a lot of noise, they aren't good at rapping either. Extremely repetitive flow and rhyming scheme. The sound and everything is grating and repetitive. Struggling to even listen to the whole album. Extremely overrated. This stuff is genuinely bad.

Whiny is the best way to describe this

Quite like the music until they sing

I suffered through it. I tried to see what people like about this. The rhythm, the rhymes. But for me, the voices are annoying, the topics are not interesting, and half the time I was trying to decipher what they actually meant by this phrase or that--usually unproductively, sometimes with regret.

Honestly, don’t know if I can get through this one. Beastie Boys have never really been my thing, or my dad’s (I feel like it’s dad music). I never listened to them growing up, so they don’t elicit any feelings of nostalgia, which I think is the only way I would appreciate this album.

Wow, that was way more irritating than I thought it would be.

It's just random yelling over shitty beats.

I did not like this. i had to stop it in the middle. i understand the appeal, but absolutely not for me

hated it. honestly one of the worst albums i've ever listened to. some cool samples, but this was like nails on a chalkboard to me

It’s certainly noise.

Terrible, I listened to about half of it and couldn't stand it anymore.

It sounds like a collection of Smosh songs (2005-2009 Smosh). My recommended music on Spotify is never recovering from this.

Sounded like a bunch of year 7's showing off and trying to be hard I never want to hear this album again 1 ⭐️

I assume is supposed to be clever satirical stuff or an immature joke. Which ever it intended to be was lost on me. It was not remotely funny or engaging. Basically a mess.

For all of the clever little samples, this is just Beavis and Butthead trying to be hard.

The swagger sounds laboured and false. Not my cup of tea.

hip hop

Amazing amalgam of thick beats and the boys at their best. Fave: Three Minute Rule

Never heard a song on this entire album but I was into it the whole time.

Yes.

Yep

Excellent album

Been so long since I listened to this as an entire album. It's better than I remember So many memories...

Absolutely rocked out to this hard.

A classic!

Beastie Boys - Paul's Boutique Love this album 5 Stars

5* for what goes around

5.0 + Foists me back in Brooklyn. I’m rummaging through a mental flea market of strange and oblique cultural references. I’m surrounded by cartoonishly menacing characters but I’m drunk and zonked and clowning with my boys and we’re wilding and we’re one with the whole scene. This album is a non-stop troll party. Too many jokes, stunts and memes to appreciate with one listen. As it happens, this was my fifth full listen and I’m only just starting to make headway. Incredible.

Amazing album. I've always loved it.

I was going to take a star away just because this isn't my favorite Beastie Boys album. However, it has been a while since I've pulled this album from the shelf, and I may have been wrong. This might just by my favorite Beastie Boys album.

I mean. Cmon.

Best sample record ever!

September 23, 2021 Love this stuff for working!

Had this on cassette back in the day. It's where I really start liking The Beastie Boys. They are transitioning out of their earlier sound into something much more complex. Bursting at the seams with samples. Love the flow of the tracks, almost especially when they suddenly smack up against one another, culminating in the collage-like "B Boy Bouillabaisse." The album moves along at a good clip while covering alot of different moods/sounds, but mostly exuding contagious excitement and fun. Wish more contemporary hip hop had this kind of manic ADD energy.

The Beastie Boys follow up their debut album with a record that goes way harder in an urban, hip-hop sound. With clever, well-crafted lyrics, deeper drum tracks, and the greatest use of sampling for any album ever, this record solidified the rap trio beyond a one-trick pony. Paul's Boutique capitalizes on creating moods and moments rather than just being an in-your-face banger record that its predecessor was, which is why I don't think there are recognizable "hits" to the layman listener. Don't let that fool you from thinking there aren't energetic tracks, some of these tunes have the freshest, most advanced production I think an album could have for the 80's. It feels like the Frankenstein's monster of hip-hop with each B-Boy contributing unique and chaotic writing that translated into something beyond anybody's imagination. It's a record that was simply ahead of its time. The ending "B-Boy Bouillabaisse" suit feels like a fire mixtape within an even fuller album, and anybody that listens to rap or hip-hop that utilizes samples can look to this collection as the influential obelisk. Favorite Songs: Shake Your Rump, The Sounds of Science, Hey Ladies, Shadrach Least Favorite: Egg Man

Already loved it

Hell yeah! You can't go wrong with Beastie Boys

All time favorite. I could write a novel about this band and each of their albums. While not mg favorite of theirs I believe it is their most important work.

Five star classic. Both an incredibly fun album and also an incredibly important album in the history of sampling, hip hop, plunderphonics, intellectual property law, etc.

Perhaps their best album, absolutely brilliant. 5 stars.

The best album the beasties boys and a gateway drug for us ol indie fellas into hip hop and electronica back in the day. The bass on this album is amazing and some of the crunchiest funniest ever. The lyrics absurd from egg man to the Bouille bass skits at the end. Barrel of a gun is a thumping rock track and joyride just glorious. I have listened to this album many times and it never gets old. 'Some static started in the pool hall, hit the motherfuckers face with the que ball!'

LOVE THE BEASTIES! Already high on list of albums I listen to so although was gonna try and be objective it's getting a 5

I don't personally care for the Beastie Boys but this album was fun and the production was superb.