Walking Wounded

Perfect for when you want to feel what it was like to try on jeans at the Gap or Banana Republic in the late '90's.

Everything but the fucking will to live after listening to this God awful piece of shit. I don't understand how they're on this list twice...at least. I recognised track 2, so good for them. If this was a footballer, itd be Emiliano Sala.

Tracey Thorn's career is so varied and rich. I was surprised by the subtle, minimal electronica but it works really well. It's a satisfying contrast to her haunting vocals and leaves me feeling some kind of way. I'm really impressed with how such a drastic shift in instrumentation doesn't feel like a lark, but a fully realized vision that's also alive with a sense of discovery. I can hear how this record bridges singer-songwriter and British house music in a way that has influenced a lot of millenial pop music that followed. Favourite song: Before Today

Back when I was in college, there was this dude who would come into the bar I worked at on a Friday night and play fucking 10 Neil Young songs in a row. He would also hit on girls by doing magic tricks. I remember how angry I got every time he made me listen to an hour of Neil Young because I was just trying to have a good time, and he fucking made me listen to this sad, soppy fuck who writes nothing but songs that sound indistinguishable from each other and never seemed to enjoy a happy moment in his entire like. Fuck that guy, and fuck Neil Young. 2/5

Never heard it before this but what a great glimpse into a special time in British music. Drum and bass mixed with trip hop and ethereal vocals. Immediately connects bands that I was listening to at the time such as Faithless (Dido's voice is very similar), Portishead, Tricky with this crossover album.

How lucky am I to have the opportunity to listen to all of this great music and appreciate artists that I may or may not have gotten to know if it was not for this 1001 list. The only number I think that I have heard from this duo is Missing - The Todd Terry remix, which is a classic dance hit in my mind. I like this album and it is very relaxing and for lovers of artists such as Air, Groove Armada or Massive Attack kind of music. If I was playing at Stella Polaris I would definitely play this.

90s chillhouse? Fuck yeah

This is why I love this random album generator-I had never heard this all the way through. Tracey’s voice is beautiful, and the music is perfect. Definitely now a favorite album of mine.

Ok, so a few pages back I said "I also rate EBTG. None of their albums are a total smash, but there's always something interesting happening that I can enjoy". I retract my statement, because upon revisiting, this one is their smash. Within a few years, they'd got from folk, to jazz-pop, to indie rock, to synthpop. Now they slide effortlessly into the downtempo/trip-hop craze. Tracey Thorn had featured on Massive Attack's second album with great results. Cynical people might say they were just changing their sound to chase whatever seemed popular. But the results don't lie, and this album has a great carefully managed electronic palette that doesn't sound cheap and dated like the work of many other "pop turned synth" artists. Thorn's vocals gel so well with that sound. "Mirrorball" is a weak link, and the two remixes included on the original album are doing nothing for me.

This opens with a stunner, and stays highly engaging. That's something of a surprise given the DnB bones. Perhaps I'm biased against looking at anything from the genre as masterful, because this comes close. I get a lot of the same feelings I got from Jessie Ware's latest (and in that case I 100% have a positive disco bias). There's a gentle ebb and flow, but Thorn's vocals carry the record. Can't say, however, that they would sound as nice over any old beat. The third-act introduction of acoustic instruments is extra poignant: It reinforces the tone of the preceding songs while demonstrating the collaborative nature of the duo's sound. Lingering on that sound instead of turning to remixes would have been it for me.

EBTG basically pioneered the English downtempo drum and bass sound and everyone but EBTG were influenced by their lounging in the coffee shop style. Although this doesn't have anything as good as their big hit Missing you, the first three songs set the mood nicely. However I found my attention lagging for the rest of the album as the drum and bass in every song started to meld together.

“Walking Wounded” by Everything But the Girl (1996) Electronic jazz/pop, chiefly interesting for its innovative and highly contrasting sound textures, but limited by the underwhelming melodies, with their restricted tonal range and and performed with an airy reverb-enhanced voice to match. Heavy emphasis on synthetic drums and bass lines, dynamically stark. Lyrics show moments of cleverness, but seem detached from the music, as if musical compositions and lyrics on each song were two separate projects This is done to an even comic extent on “Good Cop Bad Cop”—really funny, with Thorn lazily complaining about her bad feelings while Watt is making little fart sounds on his gizmo, assisted by his favorite speedy snare roll thing. I laughed my butt off. Some electronic sounds are used rather frequently, as if Watt needs a bigger bag of tricks. Not unpleasant to listen to, but nothing profound here. I bet it sold well in Japan. 2/5

not a fan of 'easy listening' type music, I want my music to challenge me, hurt me, surprise me on a walk with a shank in the back etc. what's the point otherwise

Surprise album that I really enjoyed

Amazing record. Massively influential. It’s a proper night time-driving album.

29/10/2020 Listened in block room - talking to Jake Really enjoyed this album, way more than I thought I would. Early DnB influences mixed with vocals. Song repeatedly singing "are you happy being single?" attacked me personally. Almost a 5 but not quite.

Wow, this was a really nice change of pace! Very cool ‘90s music, the vocals reminded me a bit of Natalie Merchant, the overall sound reminded me of Massive Attack. Really dug this, very chill all the way through. Favorite tracks: Before Today, Single, Walking Wounded, Flipside, Mirror Ball. Album art: The picture is pretty simple, but the text elevates it significantly, especially the Japanese characters. I was expecting some kind of vaporwave type project based on the cover, and honestly it’s not too far off. 4/5

A very elegant album. I had their first (US) release from ’84 and while I liked the acoustic & jazzy feel, I think they were smart to move to this down-tempo, D&B sound which as all the rage in 95. The singles are good, the lyrics are bleak and I like the cover. It fades a bit after Walking Wounded and after two listens, I would have given 3 stars, but somehow, I managed to listen to the opening 6 tracks a third time.

Coffee table drum & bass with smooth female vocals over the top - what's not to like? I only really know that "Missing" song from EBTG, so this was surprisingly trip-hoppy. I really enjoyed it! Fave track - the title track I think. "Single" was also great.

I think above average in general. Some of it reminded me of ape escape for some reason, which is never a bad thing.

Listenable 90s English techno with a nice vocal. Simple arrangements, lovely chord progressions, beats very much of that era. Tracey Thorn's voice here is as rich and lovely as ever. I don't think this phase of EBTG's career really touches the more jazz-pop stuff they made back in the 80s, which now seems a lot less dated than the techno. This album was pleasant enough to listen to, but overall unremarkable. Fave Songs: Wrong, Before Today, Walking Wounded

This was fine "easy listening chill out" music, but I was just really bored. Someone else's review said that now they know what it was like to try on jeans at banana republic or gap in the 90s and that's TOTALLY the vibe. Not my cup of tea and the first song I really enjoyed was the one that autoplayed AFTER the album was over. Not a good sign.

90s UK trip hop is poor

Well, you've managed to surprise me once again with how terrible this band is. I had almost forgotten. I have no idea how they managed to get on this list, let alone twice. I feel like we're all being punk'd. Please, for the love of god, do not let them be on here a third time.

Suena noventero y supermoderno a la vez. Avantpop y trip hop revolucionado, casi house en ocasiones. Para volver a él en cualquier momento, pega con todo y da muy buen rollo siempre.

contains everything but what was advertised, subpar shit tbh. 10/10

Need this for next break up

super chill easy listening

Love it!

I enjoy this quite a bit, I could really imagine vibing to this on a rainy drive.

Smoooth

Aw hell yeah. I love Everything But The Girl and just a few months ago they announced a new album (maybe tour??). I love trip hop and EBTG is one of the first bands that introduced me to the genre.

Yes! This was the first Everything But The Girl album I ever listened to and I still absolutely love it through and through. I don't even recall why I chose to play it in the back at work back in my HMV days, but on a whim I did and I've been glad ever since. Extra nice to have this one come up now as their latest single was by far my most listened-to song of January, and I still can't get enough. The opening trio of songs wins me over and draws me right in. "Wrong" and "Single" are probably my two favourite songs on the album. The only stumble for me is "The Heart Remains a Child" - I don't hate it, but I don't love it either. Makes the album more of a 4.5 for me than an outright 5.

I DID NOT EXPECT THIS TO BE SO GOOD???

9/10 I can’t decide if I like this more or less than Idlewild they’re both so great but in really different ways

A fave

Loving it right off the bat... great beat, her voice is butter....I'm totally in Love ❤️ and, I still am at the end, I'm so excited I found them !

Was already somewhat familiar with this dudes from a song on Eden (I Must Confess) which appeared on my discover weekly at least 5 or 6 years ago and ended up in my Jangle playlist. Had no idea that album was all the way from 1984. Anyway, I'm glad I had that point of comparison because this album that came 10 years later demonstrates some serious range and ability to adapt - Walking Wounded sounds so so different but equally as good. This is like a full on triphop masterclass. Beautiful production, heartfelt writing. Very tidy stuff.

One of the best albums so far

🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

High-end dance club music, very sultry.

This is so my thing and I liked it a lot!

After weeks upon weeks of banal and trite classic rock per usual, and the occasional "one-hit-wonder's arbitrarily chosen album" on this list, this album was such a breath of fresh air. Every song on here feels richly produced, wonderfully sung and performed, and feels like an early precursor of the future deeper house and darker electronic music to come since this album's release. Thoroughly enjoyed every song here and I'm glad I did. I was so tired of giving out scores of "1" and "2' on this site week after week that I was getting close to abandoning this list entirely. Glad to see there are some good, lesser-played albums hiding on here instead of the typical "Beatles / Radiohead / (Insert classic rock band here)" which have already been praised to death

chill vocals over a the mid-90s precursor of break beats, liquid dnb, and house elements with glitch elements mixed in make this an easy listening album and perfect vibe for the workday.

I've never heard of this band or album before, but I'm very intrigued based on the description of the album. Oh, I really like this first song, "Before Today." What a great, chill sound. I love the beats, and those vocals are fantastic. "Wrong" is really great too, for all the same reasons. That voice sounds familiar though. This reminds me of The XX, maybe that's it? No, I've heard this voice before. Oh wait, do these people sing that 'I miss you, like the deserts miss the rain' song? Oh wow, I had no idea that was them. I haven't heard that in a long time. I always thought it was kind of boring when it first came out, but I dig it now. Who did I think sang that? Some sort of Paula Cole or Sophie B. Hawkins type? I digress... I a had great time listening to this album. The overall sound is really enjoyable, and in addition to the overall sound, there are plenty of wonderful little details too take in as well. There's definitely a mood that permeates the whole album, but I never felt like things were repetitive or boring. The musical arrangements were fantastic, and I loved how EBtG put their own stamp on the trip hop sound. The vocals were great as well, and Tracey Thorn will now be on my mind when I think of vocalists that I really like. This was a great discovery, and another reminder of how much fun it is to go through all of these albums.

Very beautiful. The instrument combination, production and mixing is expert and entrancing.

WALKING WOUNDED EVERYTHING BY THE GIRL This was the Ear Candy of the 1990s. Sounds as direct, moving and sensually erotic as it was then. Do Listen to their earlier stuff to understand how this is amped up and repackaging of the earlier ‘acoustic’ and raw recording style. Earlier EBTG remains, for me, some of the sexiest sumptuous music there was. Sunday morning music that would make you grab your lover and gently sway and dance them back to bed. Her gorgeous vulnerable, wonderfully pure, and soothing voice and their original feeling lounge-but-not-lounge bossa-nova infused vibes are the thing. And this techno version of the is just a pop-translation that got chart success. I'm not judging... I liked it too.. Back then, all up-to-date people of good taste had the (previous) “Amplified Heart” album. The cultivated chill out set. “Missing” was the name of the sexiest and most propulsive track - it was all about YEARNING. Some fortunate and hard working genius bastard hit the magic formula with a remix of MISSING and the result is massive chart success and this album.... As they confess in the final collection of remixes, it was time to “adapt or die”..maybe they were told. I don't know the story. I do see how their acoustic sound risked slipping to oblivion after having a minor moment, after working at it for decades. But I remember for a few wonderful years, this music was at all the summertime parties and we felt good, and groovy and sexy when we heard it. So happy to rediscover them here. So yeah, I'm so grateful and happy they're here to represent in this list all that was right and bright from that era - a shining musical moment in the world. It was ear candy. And great love making music. True. And the success of on acoustic pair who did beautiful art together. Go listen to their early stuff. In pairs. OMG YES. sigh.

Very chill and easy to listen to

Actually dug it a lot. Good beats and mood, nice to chill to. Give it a re-listen someday to favorite some songs.

Very ahead of it's time

Good for late night or a rainy day.

Solid 90s female vocal techno/house.

Decent - definitely very 90s

Good vibes

I really enjoyed this album. Was not expecting it to be as synthy as it was but I liked that. Reminded me of some other bands currently so almost a timeless sound. My favorites were Before Today and Wrong. Interesting album cover. I'm assuming it's the lady who sings the songs but the band would indicate no women were involved so there is a paradox.

Remember my cousin listening back to this in like 2001... I was never big into DnB but this album is so sweet, it's like a mix of the chillest Aphex Twin beats or Shinichiro Yokata with some soft singing Annie Lennox. Fucking rules. And holds up.

Welkome afwisseling!

This was a slapper, really enjoyed it. great beats and tone

This was good.

Super fresh sounding when released, little bit of drum n bass bandwagoning but still a top drawer album

The combo of the rhythm and Tracey Thorn's voice via a pop record is pretty magical. Some great songs here, I look forward digging into this more after consuming the limited Marine Girls material. Fav songs: Big Deal, Before Today and Single.

90's Techno vibes in this British album. Downtempo and chill pop music that feels like it should be played at the end of a long night out. Glad I discovered this album!

I really enjoyed this album, I should start using the notes because I can never remember what to say

Hard to pick favs because they're all pretty similar. // Favs: Flipside / Big Deal Score: Decent 4

Indeed a classic.

Vocals like Cher, but better music in the background. Actually really enjoyed this, good music to work to.

Some chill groovin so far. Definitely a breakup album, melancholy not angry.

Really enjoyed this album. I was familiar with the singles so it was cool to go through and listen to the less popular songs. Love the balanced use of acoustic and electronic instruments. A great album to listen to with headphones… when all else fails, just concentrate on the haunting melodies and lyrics. A great find!

Nice easy listening, good for background, lounge music. Some great lyrics

Very easy listen with atmospheric vocals and instrumentation. Great for a listen with the lights off or on a night drive. Relaxing in the best way

Good album with some great tracks

Любопытные ребята, мб пробегусь еще по их дискографии.

Slightly generous 4 maybe, but I like how this seems to naturally fuse pop with 90s electronic music. Very of its time, but feels authentic

Really liked this. She has a great voice.

I acc like

Damn this is not what I expected at all. This is awesome. I really wish I'd listened to all of it before. Concrete high 4.

Rating: 7/10 Best songs: Hanging tree,

I'm into it

Excellent

8/10

It's easy to see the artists that were influenced by this sound over the years.

This is a really nice listen. Played is several times while working today and it seemed ideal for keeping the stress levels down and productivity up. The smooth songs kept making me think of Sade with a dance vibe. Really chilly 90s music that I’ll be happy to hear again.

I really enjoy the Everything But The Girl tracks that I already know, and always intended to expand my library...so glad that 1001 compelled me to do that today. This album's tracks have that electronic, dance style is what I know (and like) from EBTG. So, I enjoyed the groove throughout the day.

I've always loved the song "Missing," but I never dug deeper into Everything But the Girl. I should have. I love Tracey Thorn's voice and I love the music with her voice. I would have played this a lot.

Love the woman's voice, and the playoff between that and the beats is fantastic.

I hadn't listened to EBTG much before and was pleasantly surprised. I loved the electronic production of this album, and it caused me to dive back into some of my 90's drum-and-bass favorites. It has a good range of sounds but nothing that really jumped out at me as a must-repeat-listen track.

Vanmetið band. Gott flæði í plötunni, vel áhlustanleg.

Quite trippy, but quite good

Chill

Mid-college album for me in Northern Arizona enjoying the Southwest and definitely finding all the clubs between Houston and Phoenix. This album was highly relevant for a couple of months in '96 starting in Texas for me and then carrying on for a few years. And a lot of events occurred with its birth that were terribly exciting. It calls up girls in leather catsuits and limos and other things that won't now be transcribed in detail from the thankfully analogue experiences of then to the digital AI superstructure of now. Needless to say, a wonderful pacifying album for some extremely interesting times. I know every song of this like the curves of Schnebly Hill Road or the vintage 70's couches of East Flagstaff or the Kingfisher's bar in Tucson. Mmm. This was a ground-breaking album that erupted and shattered the late grunge era of that year with a fresh sound. And this sound has basically persisted for decades in some genres though never as good as the first time. There is no bad song on this album. Wrong is my favorite with wherever you go I will follow you, but also Mirrorball is a hot track. Bringing back almost a bit too many memories!!

This album most successfully showcased Tracy Thorn's rich vocals in moody yet engaging tracks. One of the defining albums of 90's British electronica.

Heerlijk, weer helemaal terug midden jaren negentig. De breaks zijn niet zo sterk als Roni Size of Goldie, de zang blijft wat vlak (het is geen Lamb) maar de combinatie van synth-tapijtjes, zalvende zang en amen-breaks is in bijna ieder nummer sterk. Meer persoonlijk misschien maar de simpele four to the floor van Wrong is dan eigenlijk het zwaktebod binnen een album waarbij je continu tussen kabbelende achtergrondmuziek en gesyncopiseerde botsende junglebeats alert blijft. Heerlijke flow.

EBTG have a simple formula and it works - blissed out beats, beautiful vocals, a smart of d&b drums. There just enough variety to keep the album interesting and I confess I kept expecting each track to break into their smash hit Missing (Not even on this album) but an enjoyable and satisfying record.

Tremendously cool. Sort of a forgotten classic.

This didn’t quite click with me the first time but hearing it now the electronic makeover gels well with their signature mellow sound. Just goes to show what repeated listenings can do

Swagnb

So, so, so far beyond Idlewild that it's hard to believe it's the same artist. I loved this trip-hoppy, downtempo, drumnbass vibe.It fit perfect for this rainy, foggy day.

Very cool album! Bit of a poppy Portishead. Interesting listen.

8/10

I really liked this. The woman is the voice on some Massive Attack tracks and I love her voice. Definitely a relisten for me!