All I need is a great song … fantastic.
Very chilled album I enjoyed this!
Rating 3-4 stars, I might change my mind after I hear more albums from the generator
All Things Must Pass by George Harrison sounds like he got space from the Beatles, the album
wander around a bit
I’ve never listened to this before, researching a bit about the album, I realised it came out in 1970 (the year I was born), as a triple LP, and was No.1 in the UK for 8 weeks, so was massive. It was pretty progressive for 1970 so I appreciate the sound and creativity of it. Favourite track has to be My Sweet Lord, might predictable but it was is a great single, iconic song, I love it.
I don’t love every track. I felt there was honesty and listened to a few of the tracks a couple of times after my initial listen. 3.5 out of 5 for me
Cloud Nine sounds different to what I expected from them. It is darker and a bit rougher, but I like that. It feels like they were trying something new and not playing it safe.
Great album lyric content? however for its time good
C’est Chic is just a really enjoyable record. It sounds clean, confident, and effortless. Nothing feels rushed or overdone. The grooves are tight and everything feels funky.
I like how relaxed it feels while still being sharp. I put it on and let it run without thinking too much about it. It is stylish, fun, and ahead of its time
Abbey Road feels like a band that knew what they were doing by this point. When I listen to it, it just sounds confident and settled. Nothing feels messy or rushed.
I like how easy it is to listen to. The songs are strong, and the second half really sticks together in a way that still feels satisfying. It feels thought through, even if I cannot always explain why.
For me, it sounds like a great band in a great era, finishing on a high.
Love it !! …. At San Quentin held my attention from the start, I was excited by this choice. I like live albums and this one feels direct and unpolished in a way I enjoy. I did not really know what to expect, but I stayed with it.
I like hearing the reactions and the atmosphere. It sounds real. Cash sounds comfortable being there and that comes through. It is not slick and I would not want it to be.
I enjoyed it because it feels honest and present. 4 stars 😊
This is not really my thing. I can hear the quality in the lyrics and the songwriting, and I get why people rate it, but I find it a bit dreary to sit with for too long.
I respect the creativity. I just do not enjoy spending much time in that mood.
This was a better listen than I expected. I went in a bit sceptical and did not think it would land the same now. It is uneven, but there is enough here to keep me listening.
I still cannot stand Hey Ya!, which puts me on the back foot straight away. Once I get past that, there is more going on than I remembered. Different moods, ideas, and some tracks that age better than I thought.
Not something I love, but a solid listen. Better than I gave it credit for.
Great chilled album loved the arrangements and mix of tempp
Differed listening experience for me, I could listen to this in a bar not my go to, although obviously skilled musicians
I went in knowing exactly what it was going to be, and that is pretty much what I got.
I do not love it, but I do not hate it either. Some of it is daft and over the top, and some tracks have a bit of punch. A lot of it might feel dated now, but I loved many of the singles at the time.
I enjoyed a few moments, then had enough.
Not my usual listen. I played it on out of curiosity more than anything.
What I hear is a relaxed, smooth album that takes its time. The playing is good and the groove is obvious, even if it is not always grabbing me. I respect what it is doing more than I love listening to it.
Glad I heard it. Not one I would reach for often.
Interesting listen, not really for me but I gave it go
Strange Cargo III is very much one of my things. I love electronic nusic, William Orbit and this album just clicks with me. It feels open, melodic, and easy to sit with … very relaxing and chilled vibe.
Listening now, I can hear straight away how it fed into Ray of Light and plenty of other artists. The space, the textures, the confidence to keep things simple. It makes a lot of sense.
Four stars.
Darkness on the Edge of Town took a bit of time with me. It is not flashy and it does not grab you straight away, but it grew on me as it went on.
I like how stripped back it feels compared to his bigger records. It sounds more serious and grounded. Songs like Badlands and Racing in the Street carry real weight without overdoing it.
Not my first Springsteen choice, but I get why people rate it. It feels honest and hard-earned.