Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" ("The Girl from Ipanema") and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Getz/Gilberto is considered the record that popularized bossa nova worldwide and is one of the best-selling jazz albums of all time, selling over one million copies. It was included in Rolling Stone's and Vibe's lists of best albums of all time. Getz/Gilberto was widely acclaimed by music critics, who praised Gilberto's vocals and the album's bossa nova groove and minimalism. Getz/Gilberto received Grammy Awards for Best Jazz Instrumental Album, Individual or Group and Best Engineered Recording - Non-Classical; it also became the first non-American album to win Album of the Year, in 1965.
I have fallen head over heels in love with Brazilian music in the last few years and it's partly due to 1001 periodically putting me back into contact with it. This has an all star lineup with Joao Gilberto, AC Jobim, and, the real scene stealer, Astrud Gilberto. Not to mention the smooth sax fingerings of Stan Getz. A finely balanced blend of jazz and Bossa Nova.
This sometimes verges a bit too on the "easy" side of easy listening; I wish it had just a bit more bite to it. But what can I say, it's a classic for a reason... something about it just Getz me.
5.0 + Makes me feel like I'm enjoying a well-blended cocktail at some ancient courtyard bar, candlelit and not too crowded. It's a breezy summer night filled with possibilities.
It's unfortunate how many people just consider this "elevator music." There aren't too many better albums to put on while drinking coffee on a Sunday morning.
"American 20-something returns from overseas trip and plays this album for friends as if she didn't just spend a month vomiting on historical landmarks and having sex with strangers in pub toilets".
"Bland cafe in 'endless suburbia' part of city sets self apart by playing Girl from Ipanema on repeat, as do the other 5 cafes on the same block".
"Entire fucking Gilberto family appears on dumb 1001 albums list in show of author's desire to appear worldly, despite pathetically miniscule knowledge of music outside the Anglosphere".
"Amateur music critic narrowly avoids death by boredom as dull, waify hotel cafe jazz album reaches 39th minute and ends".
2/5.
A sort of Bossa nova gateway drug. I wasn’t around in the early 60s but this record probably had a similar effect on me as it did to many others at the time. Dipping in to a bit CTI jazz and coming away with a newfound interest in Brazilian music. Very cool. Can imagine myself listening to this, sipping a caiprinha in a piano bar with the beautiful people. Then realise that I’m a pale, haggard, middle aged man from Glasgow who has no right to be there.
First, Getz comes in too loud on "The Girl from Ipanema." I realize he was the star of the show, but the mix should have been done with more subtlety.
As a whole, this is a perfect album to have on in the background of a laughably overpriced, “artisanal,” cocktail bar. Can’t you just picture yourself watching flies fornicate on the window surrounded by hipsters in full affectation mode trying to pretend this music isn’t a snooze-fest every bit as boring as they are. Get out your drool bucket as this album is auditory Nembutal.
For me, music like this offers a time capsule/teleportation to an idyllic space of music that's easy going and relaxed but has enough harmonic and melodic complexity to keep it interesting and mysterious. It's a bit of a gateway drug to Stan Getz, Astrud Gilberto and Antonio Carlos Jobim - one I gladly fall into every time this sort of music comes around.
If I could change one thing, I'd compress the tenor sax down - 's a bit loud.
Absolute classic bosa nova. Layed back vocals, beautiful and stripped back melodies, saxophone recorded so closely you can hear every valve and breath. Crack open a bottle of wine and make dinner to this. Must listen.
If there was an essential bossa nova album this would be it. Or at least a very strong contender. Easy 5 stars.
Especially the time of listening my city has been raining for the last 2 weeks. This brings Copacabana vibes and lifts the spirits somewhat.
At first I was going to give this a really solid 4 because it was a really pleasant listen throughout and I especially liked the saxophone solos. However, after listening to it throughout the entire day, I realized that this was a rare jazz/bossa nova album that transcended simply ambient listening and became something I actively enjoyed for 40 minutes straight. Girl from Ipanema was a great start to the album and it kept up those good vibes throughout.
A beautiful, calming, relaxing and soothing album. I love her melancholic voice. If I ever organise a coctail party in a hot summer night close to a beach this album will be played for sure.
Was this the second or third album 1001 sent us that had The Girl From Ipanema? The male and female vocals on this version are excellent. It’s hard to believe this was the first time Astrud sang professionally.
This album was made only five years after the bossa nova genre started. It’s hard for kids like us to have this perspective. The music on this album is very quiet but it moves. I like Steve Getz’a soft almost whispering sax on The Girl from Ipanema and a couple of other songs on this album.
The best elevator music on the market.
This is an amazing album, incredibly well produced and sounding so damn smooth and nice. There are simply no rough edges to be found on this.
Ideal music for Sunday Morning Jazz Club.
Banger. The Girl From Ipanema is an all timer earworm melody. And the rest of the album is great too. I'm fascinated by music that can be engaging to listen to or sit perfectly in the background. This music is timeless for me. Another excellent selection from the generator. 5 stars all day.
This album is a memory to me. Walking down 26th to meet my mom at work and really hearing it for the first time. Every note is in it’s place, every musician holds up their end of the bargain, but to me Astrud’s voice is the star. Not to discount João’s.
What a lovely little album! Bosa nova has been hitting my ear right recently. i am curious - is this the first ever iteration of girl from impanena? Album is great, can have it on repeat in the bg of a party or at work and everyone would be happy. loving it. feels like a sigh.
When I was a kid, my father would play guitar and sing "The Girl From Ipanema" to me. He passed away in 1980. Today would have been his 87th birthday and this was my Album of the Day. Happy Birthday, Papai.
I have heard The Girl From Ipanema maybe dozens or hundreds of times, but I didn't know this was THE album where it was first featured. I liked it a lot. I'm already thinking of driving along the coast listening to this, and I can't wait to do it.
The band's wink is quiet, but proves subtle instead of weak well into the era of streaming through headphones. Getz/Gilberto is a small-space jazz album, but there still is space. The music works almost anywhere, provided it doesn't have to overwhelm anything. The opener contains the largest note of expected beauty, which flits around the rest of the tracks. Each offset just a bit, each suggesting the easiest of landings.
I never tire of Girl from Ipanema. I've loved it from the time I first heard it on my transistor radio as a kid. AG's voice is so exotic and foreign. It's amazing that the single sat on the shelf for a year because the producer insisted on removing "Ipanema" from the title.
These days, I have a better appreciation for Stan's warm saxophone solos. I'm sure a lot of jazz purists in '62 would have dissed him, comparing his mellow and simple sound unfavorably to Coltrane or Sonny Rollins, but it fits perfectly here.
I've never been fond of male samba or bossanova singers (the Brazilians specifically) because their voices are a bit delicate for me, but again, it adds to the overall mood of the album.
Contrary to popular belief, bossa nova evolved inpendently from Jazz, emerging from samba in the mid- to late-fifties. Nevertheless, on this album we see these styles collide with Gilberto (guitar), the "father of bossa nova", working with Gets (sax) with cool jazz roots. The result is a work that will introduce the world to bossa nova and create several songs that will ultimately become jazz standards.
This is a great album, I enjoyed the listen. Considering its ongoing and historical importance, this was an album well worthy of inclusion on the list.
Decades before anyone ever utilised the word ”chill” as a musical genre this surely has to be the template of this very description. An album to just put on and simply forget about all the shit that is going on in the world today. Getz was the definition of chill & cool.
The fusion works for me , it’s smooth ambient and often beautiful . It’s different than most of the albums on here which makes it stand out and it doesn’t quite have the highs that some of my top rated albums do but it works … I can have this on and get through a hour of coding feeling peaceful
My music listening skills are not high enough to rate a jazz album. Kind Of Blue is supposed to be the best. I couldn't tell you for sure if is or not. This is in a similar catagory. Is this the best Bossa Nova jazz album? Is the Mona Lisa a great painting? Is Citizen Kane the greatest movie? Or is this album just one I need to listen to before I die because it's one of the better albums. Are there 5 more jazz or bossa nova albums like this that are better? I have no reference. This is fine to listen to on a rainy day with nothing else going on in your life. I don't hate it... and don't love it. It's perfect music for a cocktail party or lounging around on a rainy afternoon with nothing else going on in your life. My rating will skew more towards the middle only because I have nothing to compare it to... and other than the opening track I don't recognize anything. Also 95% of the album is not in English so I couldn't even appreciate the lyrics.
Delightful background music. Will save the entire album for cocktail hours and date nights. I feel like I’ve heard all of these songs as backing tracks in movies.
a classic of the bossa nova genre which is yet another genre i'm always saying i should listen to more. this is like a warm blanket to me. joão gilberto's soft vocals and stan getz' soothing saxophone are so comforting. what i find most interesting about the development of the genre is how it was in response to the development of microphones, yet only the lower quality ones available in brazil, so it was intentionally cut back, simplified, and arranged differently. the innovation through the magic of buying two of them giving equality clarity to the vocals and the guitar is a novelty as well. nothing really new to say about an album like this but it's one that deserves all the praise it gets.
I feel like I'm listening to this music wrong by not listening to it whilst laying on a hammock with a caipirinha in hand, but this is lovely anyways. The original chill beats to study and relax to. Such a good evening listen before relaxing to sleep. I really do not have much to say about this album, I think it sounds great and I know it's a bit of a "babies first Bossa Nova" due to its ubiquity in America, but there's a reason for that and it's because it's lovely.
For anyone who would like to start their jazz journey, this is one of the main points of entry to the genre. Lovely vocals, charming textures, and great production. It’s a timeless work that earned its place in the “must listen before you die” list.
Very smooth cozy album. This is the album you want to listen to during the Holidays. A glass of bourbon, Christmas tree lit in the background and a fresh layer of snow on the ground.
Gilberto's voice is incredible. Astrud's too. Getz's sax is wonderful. What a wonderful coming together of cultures and styles. An album I will be returning for a lifetime.
Soft, intimate, effortless. Guitar is quiet and precise. Piano glides in and out, filling the tracks out whilst leaving space where space is needed. Vocals are perfect, inviting, relaxing. I can only guess what is being said but im sure its beautiful and romantic. Sax is almost another vocalist in itself, so much emotion in every note. Late evening or early morning. Lower the lights. Close your eyes and drift. A wonderful experience. 9/10
I'm not super knowledgeable about jazz or bossa nova, so all I can say about this album right now is that the songs sound nice. The general sound of the album feels very calm and sweet, and sounds like something that would play in a dimly lit coffee shop somewhere. I also don't know Portuguese thoroughly so I'm not quite sure what is being said. But the instrumentation is very good! I like the use of what I think is saxophone in Doralice. Also interesting that this was half made by an American guy. Bring back bossa nova in 2026 I think.
10/10
Certainly one of the best albums of all time, and probably the most important Bossa Nova recording ever made. Although I will say, this should really be called "Getz/Gilberto/Jobim", but maybe that's just my bias as someone who loves Jobim.
"The Girl From Ipanema" might be the best bossa nova song ever. It's absolutely beautiful, the performances are so delicately dynamic and tight, and that chorus is as catchy as it gets while still keeping it's distinct rhythmic complexity. I love that it has English lyrics, that single choice most likely made the song so much more widespread throughout the world.
It's a 4.7/5 for me. It's not my favorite album ever but it's just so important to this genre that I think it deserves the round up to 5.
Stan Getz and João Gilberto are irreplaceable. I've enjoyed every chart of theirs that I've played, and it really does bring you closer with whatever band you're playing with (if it's the right group)