Getz/Gilberto

I have fallen head over heels in love with Brazilian music in the last few years and it's partly due to 1001 periodically putting me back into contact with it. This has an all star lineup with Joao Gilberto, AC Jobim, and, the real scene stealer, Astrud Gilberto. Not to mention the smooth sax fingerings of Stan Getz. A finely balanced blend of jazz and Bossa Nova.

This album feels like a summer day with gentle breeze

A haiku: bossa nova nice but gets 5 for drummer's name: Milton Banana

This sometimes verges a bit too on the "easy" side of easy listening; I wish it had just a bit more bite to it. But what can I say, it's a classic for a reason... something about it just Getz me.

5.0 + Makes me feel like I'm enjoying a well-blended cocktail at some ancient courtyard bar, candlelit and not too crowded. It's a breezy summer night filled with possibilities.

Me and my girlfriend did interesting things in the back of my car to this Best song: The Girl from Ipanema

It's unfortunate how many people just consider this "elevator music." There aren't too many better albums to put on while drinking coffee on a Sunday morning.

A sort of Bossa nova gateway drug. I wasn’t around in the early 60s but this record probably had a similar effect on me as it did to many others at the time. Dipping in to a bit CTI jazz and coming away with a newfound interest in Brazilian music. Very cool. Can imagine myself listening to this, sipping a caiprinha in a piano bar with the beautiful people. Then realise that I’m a pale, haggard, middle aged man from Glasgow who has no right to be there.

Solid jazz/bossa nova record. Can get kinda repetitive, but still a fun listen nonetheless.

"American 20-something returns from overseas trip and plays this album for friends as if she didn't just spend a month vomiting on historical landmarks and having sex with strangers in pub toilets". "Bland cafe in 'endless suburbia' part of city sets self apart by playing Girl from Ipanema on repeat, as do the other 5 cafes on the same block". "Entire fucking Gilberto family appears on dumb 1001 albums list in show of author's desire to appear worldly, despite pathetically miniscule knowledge of music outside the Anglosphere". "Amateur music critic narrowly avoids death by boredom as dull, waify hotel cafe jazz album reaches 39th minute and ends". 2/5.

I know this is iconic and legendary. I know it's smooth and cool and sexy. But I just found it to be boring today. 🤷‍♂️

Absolute classic bosa nova. Layed back vocals, beautiful and stripped back melodies, saxophone recorded so closely you can hear every valve and breath. Crack open a bottle of wine and make dinner to this. Must listen.

For me, music like this offers a time capsule/teleportation to an idyllic space of music that's easy going and relaxed but has enough harmonic and melodic complexity to keep it interesting and mysterious. It's a bit of a gateway drug to Stan Getz, Astrud Gilberto and Antonio Carlos Jobim - one I gladly fall into every time this sort of music comes around. If I could change one thing, I'd compress the tenor sax down - 's a bit loud.

If there was an essential bossa nova album this would be it. Or at least a very strong contender. Easy 5 stars. Especially the time of listening my city has been raining for the last 2 weeks. This brings Copacabana vibes and lifts the spirits somewhat.

At first I was going to give this a really solid 4 because it was a really pleasant listen throughout and I especially liked the saxophone solos. However, after listening to it throughout the entire day, I realized that this was a rare jazz/bossa nova album that transcended simply ambient listening and became something I actively enjoyed for 40 minutes straight. Girl from Ipanema was a great start to the album and it kept up those good vibes throughout.

A beautiful, calming, relaxing and soothing album. I love her melancholic voice. If I ever organise a coctail party in a hot summer night close to a beach this album will be played for sure.

Cool music to just chill with in the background, but not my main vibe.

First, Getz comes in too loud on "The Girl from Ipanema." I realize he was the star of the show, but the mix should have been done with more subtlety. As a whole, this is a perfect album to have on in the background of a laughably overpriced, “artisanal,” cocktail bar. Can’t you just picture yourself watching flies fornicate on the window surrounded by hipsters in full affectation mode trying to pretend this music isn’t a snooze-fest every bit as boring as they are. Get out your drool bucket as this album is auditory Nembutal.

I guess someone had to write "The Girl from Ipanema". This record did nothing for me. The horn sounded weird through out.

Was this the second or third album 1001 sent us that had The Girl From Ipanema? The male and female vocals on this version are excellent. It’s hard to believe this was the first time Astrud sang professionally. This album was made only five years after the bossa nova genre started. It’s hard for kids like us to have this perspective. The music on this album is very quiet but it moves. I like Steve Getz’a soft almost whispering sax on The Girl from Ipanema and a couple of other songs on this album.

Banger. The Girl From Ipanema is an all timer earworm melody. And the rest of the album is great too. I'm fascinated by music that can be engaging to listen to or sit perfectly in the background. This music is timeless for me. Another excellent selection from the generator. 5 stars all day.

thank you Stan Getz, vibes immaculate as always

As soon as this album was generated I knew it would be a good one. So incredibly feel good and chill. The guitar, the saxophone, the vocals. Perfect

This album is a memory to me. Walking down 26th to meet my mom at work and really hearing it for the first time. Every note is in it’s place, every musician holds up their end of the bargain, but to me Astrud’s voice is the star. Not to discount João’s.

I’m a sucker for bossa and this is a perfect entry into the genre

Really great. High fidelity. Great early morning music. Very soothing and calming. Will replay a whole bunch.

What a lovely little album! Bosa nova has been hitting my ear right recently. i am curious - is this the first ever iteration of girl from impanena? Album is great, can have it on repeat in the bg of a party or at work and everyone would be happy. loving it. feels like a sigh.

When I was a kid, my father would play guitar and sing "The Girl From Ipanema" to me. He passed away in 1980. Today would have been his 87th birthday and this was my Album of the Day. Happy Birthday, Papai.

Perfect album. I will be listening again and again!

I have heard The Girl From Ipanema maybe dozens or hundreds of times, but I didn't know this was THE album where it was first featured. I liked it a lot. I'm already thinking of driving along the coast listening to this, and I can't wait to do it.

The band's wink is quiet, but proves subtle instead of weak well into the era of streaming through headphones. Getz/Gilberto is a small-space jazz album, but there still is space. The music works almost anywhere, provided it doesn't have to overwhelm anything. The opener contains the largest note of expected beauty, which flits around the rest of the tracks. Each offset just a bit, each suggesting the easiest of landings.

I never tire of Girl from Ipanema. I've loved it from the time I first heard it on my transistor radio as a kid. AG's voice is so exotic and foreign. It's amazing that the single sat on the shelf for a year because the producer insisted on removing "Ipanema" from the title. These days, I have a better appreciation for Stan's warm saxophone solos. I'm sure a lot of jazz purists in '62 would have dissed him, comparing his mellow and simple sound unfavorably to Coltrane or Sonny Rollins, but it fits perfectly here. I've never been fond of male samba or bossanova singers (the Brazilians specifically) because their voices are a bit delicate for me, but again, it adds to the overall mood of the album.

Goat album älskar bossa simple as

Vie, vie, vie vie ... VIE!!

Is there any music more soothing than this? I think not.

The fusion works for me , it’s smooth ambient and often beautiful . It’s different than most of the albums on here which makes it stand out and it doesn’t quite have the highs that some of my top rated albums do but it works … I can have this on and get through a hour of coding feeling peaceful

Deeply enjoyable to listen to. Suggested soundtrack to painting rocks or eating leftover spaghetti.

I like jazz

Quite literally the perfect record to relax with after a long day’s work.

Chav sex after party music.

Album incredible, indescriptible, de sumo cuidado, amor por la musica y sentimientos perfectos que solo el jazz y en este caso el jazz de Stan Getz y Joao Gilberto solo podrían conseguir, amor por todo lo que esto representa, uno de mis albums favoritos de todos los tiempos. simplemente Bozza Nova.

Perfect. It's a filthy hot summer day and this slid through my evening like a balm. Only ever heard it in in compilations before but as a single piece it's excellent.

If you're old enough to remember, this album changed music in many ways back in the '60s. And...there's no music more seductive than bossa nova.

I love this. It’s a perfect relaxing Sunday morning vibe. It’s so beautiful, her voice, the piano, the saxophone tone is otherworldly. It’s just gorgeous and I loved listening to it. I think I’ve actually heard this entire album before! I at least have listened to the girl from ipanema because I mean who hasn’t. But it’s silky and smooth. The perfect late night or early morning album.

Perfect for a summer Sunday

Love the ez listening,

Gooodd

## In-Depth Review: *Getz/Gilberto* by Stan Getz & João Gilberto *Getz/Gilberto* (1964) stands as a landmark album in both jazz and world music, credited with launching the global bossa nova craze and forever altering the landscape of popular music. This review examines the album’s lyrics, music, production, themes, and influence, while also weighing its pros and cons. ## **Album Overview** - **Artists:** Stan Getz (tenor saxophone), João Gilberto (guitar, vocals), Antônio Carlos Jobim (piano, composer), Astrud Gilberto (vocals), Milton Banana (drums), Sebastião Neto (bass) - **Producer:** Creed Taylor - **Release Year:** 1964 - **Notable Tracks:** “The Girl from Ipanema,” “Corcovado (Quiet Nights of Quiet Stars),” “Desafinado,” “Só Danço Samba”[1][2][3] ## **Lyrics** The lyrics on *Getz/Gilberto* are understated, poetic, and rooted in the Brazilian tradition of painting vivid, romantic images of Rio de Janeiro and its people. Most tracks feature lyrics in Portuguese, with select verses in English, notably sung by Astrud Gilberto, whose gentle, untrained voice lends an air of intimacy and authenticity[2][1]. - **“The Girl from Ipanema”:** The most famous track, with lyrics by Vinícius de Moraes and English adaptation by Norman Gimbel, tells a simple yet evocative story of a beautiful woman walking by, capturing the bittersweet longing of the observer. The lyrics are direct, painting a scene of idyllic beauty and subtle melancholy. - **“Corcovado (Quiet Nights of Quiet Stars)”:** This song offers a vision of tranquility and romantic contentment, with lyrics that evoke peaceful nights and quiet love. - **Other tracks:** Songs like “Desafinado” and “Só Danço Samba” play with themes of love, longing, and the joys and frustrations of romance, all delivered with a light touch and poetic brevity. The lyrics avoid overt political or social commentary, instead focusing on personal emotions and the beauty of everyday life, often through a lens of gentle nostalgia[4]. ## **Music** The music of *Getz/Gilberto* is the album’s most celebrated feature, blending the rhythmic sophistication of Brazilian samba with the harmonic complexity and improvisational flair of jazz[5][2][6]. - **Bossa Nova Rhythms:** The album is a masterclass in bossa nova, characterized by its syncopated, understated rhythms and gentle swing. João Gilberto’s guitar playing is central—his right-hand technique provides a subtle, percussive pulse that is both intricate and relaxed. - **Melodic Simplicity and Chromatic Harmony:** Antônio Carlos Jobim’s compositions are marked by simple, singable melodies set against rich, chromatic harmonies, creating a lush but accessible soundscape[4]. - **Stan Getz’s Saxophone:** Getz’s tenor saxophone is lyrical, breathy, and melodic, weaving effortlessly between the vocals and guitar. His improvisations are restrained, never overwhelming the delicate framework of the songs but adding a layer of emotional depth and jazz sophistication[5][6]. - **Vocals:** João Gilberto’s vocals are soft, almost whispered, embodying the bossa nova ethos of subtlety and cool detachment. Astrud Gilberto’s English vocals, particularly on “The Girl from Ipanema” and “Corcovado,” are unpolished yet captivating, her accent and phrasing becoming an iconic aspect of the album’s sound[2][1]. - **Instrumentation:** The arrangements are minimal, with piano, bass, and light percussion supporting the core trio. This sparseness allows each musical element to breathe, contributing to the album’s intimate atmosphere[6]. ## **Production** Produced by Creed Taylor, *Getz/Gilberto* was recorded in just two days, yet the results are remarkably polished and organic[2][6]. - **Recording Quality:** The production is intimate and transparent, with a natural warmth that highlights the interplay between musicians. The balance is superb—vocals, saxophone, guitar, and rhythm section each occupy their own space without crowding the mix[6]. - **Studio Ambience:** The recording captures the sense of a small room, with close-miked vocals and instruments that make the listener feel present at the session. Subtle details, like the resonance of the bass and the gentle brushwork on drums, are rendered with clarity[6]. - **Minimal Overdubs:** The album’s live-in-the-studio feel is a testament to the musicians’ chemistry and skill, with little need for post-production embellishments. ## **Themes** The album’s themes are rooted in romance, longing, and the everyday beauty of Brazilian life. - **Romantic Idealism:** Most songs explore the nuances of love—unrequited, contented, or wistful. The tone is never melodramatic; instead, it is cool, detached, and quietly passionate[5][4]. - **Idyllic Escapism:** The lyrics and music together evoke an idealized vision of Rio de Janeiro, its beaches, and its people, offering listeners a form of gentle escapism[4]. - **Cultural Fusion:** The collaboration itself is a thematic statement, blending North American jazz with Brazilian bossa nova, symbolizing cross-cultural understanding and artistic unity[2][6]. ## **Influence** *Getz/Gilberto* is arguably the most influential bossa nova album ever released, with impact far beyond its genre[2][3][1]. - **Global Popularization of Bossa Nova:** The album introduced bossa nova to a worldwide audience, sparking a wave of imitations and adaptations by artists as diverse as Frank Sinatra and The Beach Boys[2]. - **Jazz Standardization:** Songs like “The Girl from Ipanema,” “Desafinado,” and “Corcovado” became jazz standards, performed and recorded by countless musicians in the decades since[1]. - **Career Launches:** The album made international stars of Stan Getz, João Gilberto, Antônio Carlos Jobim, and especially Astrud Gilberto, whose debut vocal performance became iconic[2][7]. - **Cultural Impact:** The album’s success bridged cultural divides and demonstrated the commercial viability of non-English-language music in the US and Europe. It also provided a template for future cross-genre collaborations[2][6]. - **Awards:** *Getz/Gilberto* won the Grammy for Album of the Year, a rare achievement for a jazz record, and “The Girl from Ipanema” won Record of the Year[7]. ## **Pros and Cons** | Pros | Cons | |--------------------------------------------------------------------------------------|-------------------------------------------------------------------------------------------| | Timeless, universally appealing sound[5][1] | Some may find the album’s mood too uniform or subdued | | Lyrical, melodic saxophone playing by Getz[6][5] | Astrud Gilberto’s vocals, while iconic, can sound amateurish to some listeners[2] | | João Gilberto’s subtle, innovative guitar and vocals[1][6] | Lyrics lack depth for those seeking political or social commentary[4] | | Jobim’s masterful songwriting and harmonies[4][1] | The album’s brevity (8 tracks, ~35 minutes) may leave some wanting more | | Impeccable production—warm, intimate, natural[6][2] | The overshadowing fame of “The Girl from Ipanema” can detract from appreciation of others | | Seamless fusion of jazz and Brazilian music[5][2][6] | | | Launched the global bossa nova movement, huge cultural influence[2][3][1] | | ## **Track-by-Track Highlights** - **“The Girl from Ipanema”**: The album’s centerpiece, with Astrud Gilberto’s dreamy vocals and Getz’s lyrical saxophone. The song’s gentle sway and memorable melody made it a global hit[2][1]. - **“Doralice”**: A lively, rhythmically intricate tune showcasing Gilberto’s guitar and vocals. - **“Para Machuchar Meu Coração”**: A more melancholic piece, with plaintive singing and subtle instrumental interplay. - **“Desafinado”**: A classic bossa nova composition with playful lyrics about singing out of tune, featuring a memorable saxophone solo[1]. - **“Corcovado (Quiet Nights of Quiet Stars)”**: Another highlight for Astrud Gilberto, whose English vocals convey tranquility and romantic longing[2]. - **“Só Danço Samba”**: Upbeat and danceable, with infectious rhythms and melodic hooks. - **“O Grande Amor”**: A lush, romantic ballad with intricate harmonies. - **“Vivo Sonhando”**: A gentle, optimistic closer, leaving the listener in a state of peaceful reverie. ## **Conclusion** *Getz/Gilberto* is more than just a collection of songs; it is a milestone in music history, representing the perfect marriage of Brazilian bossa nova and American jazz. Its influence is vast, its sound timeless, and its artistry unmatched. The album’s strengths—its subtlety, beauty, and cross-cultural appeal—far outweigh its minor shortcomings. For anyone interested in jazz, world music, or simply the art of the album, *Getz/Gilberto* remains “beyond essential”.

Bossa Nova is king. Stan Getz’s work here is just as fantastic and smooth as his name.

very nice, liked it a lot

Unironically good

Phenomenal Bossa Nova jazz. Really enjoyed the quiet, and the mood they achieved.

I wasn’t expecting to like this as much as I did.

perfection. love it.

Beautiful jazz by way of Brazil. Great in all the right ways.

This makes me feel good

BRAZIL MENTIONED!!! This is probably the most internationally known album from my country, and it is indeed a national treasure. But here's a warning to the gringos: there's much more to our music than you can imagine. We're not just made of bossa nova, soccer and hot womens hahahahaha

I would seek this album out again for its smooth and calming tones. Goid ol' Bossa Nova

Ah, se ela soubesse

Listen to this at the airport heading to Chicago So far this is amazing and the right amount of jazz I needed 9/10

The perfect album for a warm summernight with cool cocktails and good company.

This album made me fall in love with Bossa Nova. Marvelous and beautiful.

Music genres I didn't think I would like but turns out I love them: Bossa Nova

Magical

Great album that’s easy to listen to and feels cool

I mean, it's just the greatest bossa nova record ever, right? João Gilberto's chill guitar sound is to die for. Listened to this on a cold, rainy, Scandinavian summer morning. Just as God intended.

Peak bossa nova. Easy 5.

A flawless blend of relaxed jazz phrasing and the smooth sway of bossa nova. Rather than defining a genre, this album turns it into a feeling. 𝘛𝘩𝘦 𝘎𝘪𝘳𝘭 𝘧𝘳𝘰𝘮 𝘐𝘱𝘢𝘯𝘦𝘮𝘢 became a global sensation, thanks in large part to Astrud Gilberto’s airy, untrained charm—despite her appearing on only two tracks, she instantly became the definitive female voice of bossa nova. João Gilberto’s subtle guitar and Stan Getz’s lyrical saxophone complete the mood: effortless, intimate, and timeless. A quiet revolution in sound.

INCREIBLE

Cerramos la semana con EL álbum para compartir una cena con alguien a quien uno quiera cortejar. Ya sea para algo pasajero o algo a largo plazo pero para una cita que nos haga salir de la rutina. Increíble cómo éste álbum me hace bajar un cambio, imaginarme una cita con un vinito rico y en un balcón, mirando la ciudad. No quiero decir que me pasó. No, no. Jamás. Solo lo imagino. Hasta el lunes.

Very smooth

very lovely work music

10/10 Bossa Nova, my love…

Very relaxing, I enjoy the instrumentations, the vocals are calming, and even though most of it isn't in English I feel like I know what's going on. It makes me want a cup of coffee in a cozy cafe.

beautiful piece of art

There are two albums my high school band director would always talk about, this one and Kind of Blue by Miles Davis, now I can see why. Definitely one of the better jazz albums I've ever listened to. This feels like a great album to relax to at night. Not to mention all the jazz classics and standards on this album like Corcovado or The Girl From Ipanema.

music for walking on the beach at 7 PM

I enjoyed this very much, so much so I dusted off my air sax .... good Sunday morning vibe.

Very much my kind of thing, will be on regular rotation

Beautiful classic. I remember this being covered on Channel 4 News when Gilberto died.. I think.

At the start of this project, 3+ years ago for me, I didn't care for bossa nova. This is obviously a masterpiece, but I think time has softened my disdain into enjoyment. I love Astrud Gilberto's voice and I love "The Girl from Ipanema" which this list introduced me to.

LOVED THIS ONE IT'S A SUMMER JAM

The OG! Put this on. Fix a cocktail. Prep dinner. Have a jazz cigarette. If you don't dig it youre just taking up space

I can still smell the cardboard sleeve of the vinyl record my folks had. One of my earliest memories of music here and phenomenal album start to finish.

A great album to wake up tom. I was happy to see this pop up in the morning. Love the Stan Getz sound. Although I prefer jazz samba over this I can't find anything wrong with this, hence the 5 star rating.

I feel this album in my body. I hate how Getz treated Astrud and screwed her out of royalties for her indelible contribution.

Heerlijk, wat is Portugees eigenlijk een mooie taal. Perfect voor zomeravond je, of studiesessie die wat romantiseren nodig heeft...

Beautiful bossa nova record. Sun softly glittering off the sea in Rio - bar d'urca, sipping a caipirinha on a hot summer evening, laughter in the background.

Classy and classic

Great tracks, perfect for simple listening, I was working on my laptop and toe tapping along. The classics on this album are really nice.

Extraordinary pleasant. Made me feel very grounded and happy. No notes. Five stars despite Ruth's "elevator music" allegations.

Love this album. If only for The Girl from Impanena. But the rest is great too. One of my favorite jazz albums

Very very good! A consistently chill album of samba/jazz.

Joyful summer dreamy weather, could listen to this all day with the sun above the garden.

Nice

10/10 Perfekt skrivemusikk. Får lyst å røyke sigg og drikke Grappa. Det e for lite softe blåseinstrument som smaske meg i øyregangane generelt i livet.

Classic. Is it elevatormusic or pure genius? It’s both, a jazz-pop masterpiece!

So much chill.

I always love the warm feeling jazz and bossa nova gives me. Although a good chunk of the album is in Portuguese I feel like I understand what is being said perfectly through the soft and intentional singing. I listened to The Girl From Ipanema and just knew that it had to be a hit; that I’ve heard it somewhere. The saxophone solos are beyond superb. I liked Kali Uchis’ version of Desafinado and it’s beautiful to hear it in its original language. Every element compliments the next perfectly. It feels like a rainy night: a perfect time to contemplate while watching droplets fall.

Album excelente