My 1001 Albums Journey

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2.81

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1058 albums remaining

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1970

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Electronica

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5-Star Albums

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Albums

You Love More Than Most

Album	You	Global	Diff
Microshift Hookworms	5	3.02	+1.98
Heaven Or Las Vegas Cocteau Twins	5	3.4	+1.6
Getz/Gilberto Stan Getz	5	3.66	+1.34
All Things Must Pass George Harrison	5	3.81	+1.19
Crossing the Red Sea With the Adverts The Adverts	4	2.97	+1.03

You Love Less Than Most

Album	You	Global	Diff
Definitely Maybe Oasis	1	3.53	-2.53
Fetch The Bolt Cutters Fiona Apple	1	3.2	-2.2
Floodland Sisters Of Mercy	1	3.05	-2.05
evermore Taylor Swift	1	3.02	-2.02
G. Love And Special Sauce G. Love & Special Sauce	1	2.73	-1.73
Can't Buy A Thrill Steely Dan	2	3.72	-1.72
90 808 State	1	2.7	-1.7
Buenas Noches From A Lonely Room Dwight Yoakam	1	2.6	-1.6
Hot Rats Frank Zappa	2	3.36	-1.36
Brilliant Corners Thelonious Monk	2	3.33	-1.33

5-Star Albums (5)

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Popular Reviews

G. Love And Special Sauce

G. Love & Special Sauce · 1 likes

1/5

Half-assed, uninteresting blues with a huge amount of cultural appropriation injected into it. No redeeming qualities whatsoever.

4-Star Albums (5)

1-Star Albums (7)

All Ratings

808 State

1/5

The perfect example of why I hate most electronic music. What separates this from the worst electronic album? I played 30 seconds before my wife, who can listen to anything, said, Wow, that’s annoying. Yep, well said.

Who's Next

The Who

4/5

One of those albums where you recognize every track you hear. This plays like The Who’s greatest hits. Loved it, and I’m not a big Who fan.

Brilliant Corners

Thelonious Monk

2/5

B-52's

The B-52's

3/5

Predictably cooky and zany. “Lava” is the only song I hadn’t heard before; otherwise it’s a nice walk down memory lane and that’s all.

Floodland

Sisters Of Mercy

1/5

I always worried that I could have been a great Goth in the 1980s because I loved the Cure. After listening to Floodland I realized I dodged a bullet. This is so predictably Goth - every song in a minor key, every chorus sung in octaves, choirs, vocals sung in a creepy commanding tone. I feel like I just listened to an alternate Lost Boys soundtrack.

Endtroducing.....

DJ Shadow

3/5

I didn’t hate it. But I’m not sure what makes this album great. It’s great music to work by, but in saying that I have no recollection of anything on this album after several listens. It doesn’t even go in one ear and out the other. It just permeates the air and doesn't dare challenge you or please you in any way.

Permission to Land

The Darkness

2/5

Queen after 10 years of meth abuse.

Crossing the Red Sea With the Adverts

The Adverts

4/5

I’m torn. Punk isn’t supposed to be this good, this polished. “Gary Gilmore’s Eyes” has innovative chord progressions and hit the UK top 20! It could be a little raunchier and amateurish, but I’ll take it.

evermore

Taylor Swift

1/5

I’m starting to think that Taylor Swift is actually AI generated. Her melodies seem manufactured with no phrasing, no aim and no purpose, and they’re instantly forgettable. Listening to her songs is like staring at the soulless eyes of the animated kids in The Polar Express. Just creepy.

Pink Flag

Wire

4/5

If you’re expecting 180 bpm thrashing for 60 minutes, you’ll be disappointed (although there are a couple of songs to get you sweating). Wire has some surprises, and you can hear seeds of grunge pop up some 15 years before it officially hatched. These guys are definitely influential and were actually looking to help punk evolve.

Kind Of Blue

Miles Davis

5/5

I’m not a fan of jazz, and in trying to understand why Kind of Blue is good I got lost in modal music and bebop. All I know is this music evokes pleasure - a conversation between players that’s relaxing and free. I didn’t know jazz could be this satisfying.

Ritual De Lo Habitual

Jane's Addiction

3/5

Better than expected, especially after the first two tracks which were just noisy. But then it gets interesting - syncopated rhythms, the almost prog Three Days, and the classicBeen Caught Stealing redeems it. I doubt I’ll go back to it, but it gives me a newfound respect of the godfathers of grunge.

Slayed?

Slade

2/5

TIL that Quiet Riot was a Slade cover band. I heard this album back in the 80s when quiet Riot copied them - screeching, rabid guitars, etc. There are some good musical ideas but they get lost in Noddy Holder’s nails-on-chalkboard voice. Hard pass.

Strange Cargo III

William Orbit

3/5

Not displeasing.

Getz/Gilberto

Stan Getz

5/5

What a joy - accessible jazz with predicable rhythms and a soothing vibe that left me wanting more.

Foxbase Alpha

Saint Etienne

2/5

Why?

The Soft Bulletin

The Flaming Lips

3/5

The Flaming Lips are like Joy Division. I love every note and beat of the instruments and am mesmerized until the lead singer opens his mouth. Wayne Coyne sounds like someone at a karaoke bar - not even trying to hit the right notes and almost makes the music sound like a joke.

Buenas Noches From A Lonely Room

Dwight Yoakam

1/5

This made the list before 1993’s This Time? This album contains no new ideas and contains every musical cliche that makes country music such a caricature of itself - the same chord structure, same bass line, same fiddles. I was predicting the chord changes and melodies before Yoakam even sang them.

Heaven Or Las Vegas

Cocteau Twins

5/5

What a joy to listen to in the midst of this wasteland of 1000 albums. If you ever encounter someone who doesn’t understand how music can have feelings, play this for them and let them get lost in the ethereal vocals and echoing guitars.

Definitely Maybe

Oasis

1/5

My hatred for Oasis centered on the attitude of the Gallagher brothers. It took one listen of Definitely Maybe for me to realize I hate their music too. Phil Spector had his wall of sound; Oasis has a wall of noise punctuated by the brothers’ incessant whine. Any interesting musical moments come courtesy of the Beatles. I always thought the failure of Britpop in the U.S. was due to the “Britishness” of the music and lyrics, but no, it’s just annoying noise.

G. Love And Special Sauce

G. Love & Special Sauce

1/5

Half-assed, uninteresting blues with a huge amount of cultural appropriation injected into it. No redeeming qualities whatsoever.

Deloused in the Comatorium

The Mars Volta

4/5

What a pleasant surprise. What at first sounded like sheer anarchy started growing on me; it was as if Gabriel-era Genesis Ike up from a coma in 2000 and was really pissed. While I may not listen to it again, I applaud the workmanship and concepts.

Van Halen

3/5

Three solid stars. Three stars in spite of David Lee Roth, who ruins every song he attempts to sing. You can hear the arrogant timbre in his voice and it instantly lowers the credibility of every Van Halen album until 5150.

Microshift

Hookworms

5/5

What a strangely addicting album. It’s odd yet grounded; modern yet retro. I found myself drawn in to the hypnotic, harmonic and repeating motifs in this, where everything sounds new even after the fifth listen. Wonderful.

Urban Hymns

The Verve

3/5

What starts as a promising change from the wall of noise that usually accompanies Britpop/shoegaze - the desperate “Sonnet” is particularly poignant, as is “The Drugs Don’t Work” - Urban Hymns dies halfway through due to uninspired music and too much formula. Add to that the annoying ubiquity of “Bittersweet Symphony” and you have a pretty forgettable album.

Brutal Youth

Elvis Costello

2/5

Elvis Costello’s songs always sound like he put five too many musical ideas into each chorus and verse. It’s complex without any real reason and sounds computed instead of expressive. And this album, released in 1994, sounds exactly like his earlier work with the Attractions.

NEU! 75

Neu!

4/5

This more than Kraftwerk influenced the synth pop bands of the 1980s. Such beauty and simplicity and repetition. This isn’t cold Europop at all.

Fetch The Bolt Cutters

Fiona Apple

1/5

This is performance art, not music. I feel I should be snapping my fingers and wearing a beret at someone’s open mike night. It’s like everyone has made this silent pact that she’s really bold and experimental without looking for the music. I couldn’t finish this pretentious garbage.

Can't Buy A Thrill

Steely Dan

2/5

Reminds me of Trump’s Oval Office - lots of shiny things that look impressive but serve no purpose. What few musical ideas that exist are covered up in layer upon layer of instrumentation. No but Add Donald Fagen’s annoying voice and you get musical braggadocio that I now believe punk was rebelling against Steely Dan, not prog rock.

All Things Must Pass

George Harrison

5/5

Obviously a classic. Yes, it goes on for too long and might have been the greatest album ever made had it been one disc. Yes, Phil Spector’s production is distracting and bloviating at times. But this is such a pleasing part of the evolution of George Harrison, proving that he had a lot of good stuff in the can while the Beatles were still recording. This just feels magical, Beatlesque and epic.

Hot Rats

Frank Zappa

2/5

I feel like I need to listen to this live in a big field with 500 people smoking pot around me. It’s one long jam session in different movements. It Must Be a Camel is the only song that sounds composed; the rest just sound like they’re being offbeat just because he’s wacky!