90

This would be perfectly adequate if I were on ecstasy in an abandoned warehouse or condemned townhouse and wanting to dance while some dude who brought his dog, who is very chill, keeps trying to talk to me about like, deep stuff.

This album has some of the most complex and beautiful drum programming you are likely to ever hear. Makes you wonder what happened to not just these guys but to the scene as a whole. After a masterpiece like this which is truly blueprint for that big sound that everybody attempted to immitate. Check out 'Cobra Bora'. Just when you think it has done it's thing, it takes off to another level. Pure techno jazz of the very highest order. An absolute masterpiece from start to finish. This is more apparent now than ever before and although to the untrained ear (or novice) this may sound dated, its only because of those big stadium sounds (as used on ie. Cubik) that will make people think this. Unaware to them, It was these guys and more to the point, this LP that came above all, first in line with that sound. Think again. This is a classic of monumental proportion and defines that year not just by title alone but to hear it, is to go back to the finest techno music of that that year, 90

very weird it is actually pretty entertaining

like Tubular Bells on speed

I listened to this album for 39 minutes and now I'm clinically insane. I worry for the people who seek this out voluntarily. Best track: Magical Dream

5.0 - When it comes to enjoying electronic dance records, I generally have a spotty history. I'm not sure what constitutes excellence within this genre but for me it has a lot to do with balance between a handful of variables. First is tone: is there a balance between light and dark, heavy and floating elements? Second, is there the right amount of surprise, familiar and unfamiliar? Third involves the beat: how well does it come together? Does the beat sound canned and cheap? Does it sound cool and tasteful? I realize as I'm writing this that there's a certain alchemy to dance music that I can't presently articulate. And I can't pinpoint exactly why this particular album puts me in a joyful trance where other electronic dance albums I've listened to have failed, sometimes miserably (see "Fat of the Land", "You've Come A Long Way Baby", "Darkdancer", "Exit Planet Dust"). But I do know that I'm fully engrossed and my brain is happy.

The thing about, Revolver (for example) is it doesn’t matter what year it is or what drugs you’re on, there’s just good music on there. Yeah, they were on acid, yeah it was ground breaking for the time but I can listen to it today and simply enjoy the songs. I feel like without the context of the year and the drugs, 90 by 808 State isn’t very engaging to me.

If a crappy C-movie was made music. First one I can't finish.

God so much of this is cliche now but they invented it

I generally like this as it stirs up a fair amount nostalgia for this aesthetic. The fact that this came out in 1989 simply blows my mind. I can't think of any electronic music from that year that is as sonically dense as this, balancing samples, synths, and drum sequencers so fluidly. I have newfound respect for their place in the evolution of electronic music. Kinda prefer the Utd. State 90 version that starts off with Pacific 202.

Pacific 202 and 808080808 are just banging, but the rest just get a head nod here and there. Solid, but nothing outstanding or timeless.

as far as dated dance music goes this was pretty good

A seminal album that I haven't listened to until now. Absolutely ahead of its time and has so much soul for a record that is completely electronic.

I remember listening to Pacific 202 and Cubik in the mix on Dave’s Dance music (CKLN) while we were unpacking & hanging pictures after moving to Toronto in 89. Compared to the so-called techno and acid-house that was all the rage (in the UK anyway) at that time, 808 State was more melodic. More songs verses tracks. The album gets off to a great start, but fades a bit at the end. The song Cubik was included on the North American release of this LP so I'll add 1 point for that banger.

Oh snap haven’t heard this in ages. Had a cd single off this one. I am transported back in time from the first few beats. Wow this is a trip. It’s still so good. It’s the Hacienda, the Limelight. It’s old Broadway, the subway, the street hustle, the art, the rent parties. It’s the world before the internet. Before electronic and club music went mainstream. I can smell the steam from the smoke machine on the dance floor at the Palladium. When the rest of the world was listening to New Kids on the Block, this was happening in the club. It’s still so good.

Quirky, catchy, and solid beats, especially for the time.

This album is a great lesson on the importance of song selection and sequencing. I was linked to the US version Utd. State 90, which is significantly different than the UK version. The US version is missing one forgettable track (The Fat Shadow) and it includes 5 additional tracks. The UK version starts off with two of the weakest tracks (Magical Dream and Acodia) while the US version opens with one of the strongest (Pacific 202). All 5 additional tracks on the US version (Boneyween, Kinky National, Cübik, Revenge of the Girlie Men, and State to State) elevate this album. I’m rating the US version, which is at least a 1 star boost from the UK version.

Exhaustively polished dance music, especially for a record that came out pre-1990. There are hints of electronic music to come everywhere, and the sound design still blows a lot of modern projects out of the water.

Except for the parts that sounded like the alarm on my phone, I very much enjoyed this. Fun dance grooves with tiny melodic surprises.

Got aware of Graham Massey and his electronic band 808 State through Björk, since the man co-wrote the music of "Army Of Me" and "The Modern Things" on *Post*. *90* was released six years before that, and listening to it, it's not hard to understand how groundbreaking this record was for the whole acid-house genre. Lush textures and adventurous forays abound, and 808 State rarely dig the same groove twice. Which, in this particular genre based on *repetition* is rather commendable. So just like what LFO (another act harbouring a Björk collaborator) did to darker, more minimalistic strands of "house music" when they released their debut *Frequencies*, Graham Massey and co. accomplished something extremely valuable in the field of electronic music. They made it sound vital AND digestible in an album format at the same time. And that's quite a feat when you're playinng those styles. The highlights on 808 State's subsequent albums (*ex:el*, *Gorgeous* and the criminally underrated *Don Solaris*) are even *more* impressive, by the way. Unfortunately, the tracklisting on those later records is also admittedly bumpy--always with a few outlier cuts that are far from matching said highlights. In comparison, *90* is a much more cohesive and *tight* listen. Each track perfectly flows into the next, even if *all of them* explore very different moods--you're never quite sure of what you can expect, and yet the left turns still make a lot of sense. So yeah, why shouldn't we select this one? I still think that compared to *90*, the first half of *Don Solaris* is near-perfect, though. Give it a listen if you're interested in electronic music in the broadest sense of the term. For that last LP 808 State released during the nineties (not counting B-Sides and remixes compilations), the band went far beyond acid-house--they also successfully tampered with abstract hip-hop, pop-rock, drum'n'bass, big beat, steel drums and steel guitar samples, among many other things. The second half of that 1996 album loses the stellar momentum built up in the first, hence why you can't call this other LP *cohesive*. Yet the sounds on it aged a little better than the ones on *90*, I think. *90* still had one foot in the eighties, you see (it's sort of implied in the title, right?--this record references the decade to come, yet it was still released in *1989*, mind you). It's nice that 808 State pointed the way forward, yet they couldn't *fully* get rid of a few "clichés" here and there. At least, the album sounds less "dated" than New Order's *Technique* or Johnny Marr and Bernard Sumner's *Electronic* project. When referencing that particular British "genre" (and the years said genre thrived), anthology lists always quote those two albums. *90* is rarely quoted, though, and honestly, it is clearly a notch above both of those records. Which is why I'm glad Björk made me know this album and the band that released it. You can always count on her and her insatiable quench for interesting collaborators to discover other great artists. 3.5/5 for the purposes of this list of essential album, rounded up to 4. Which translates to a 8.5/10 grade for more general purposes (5 + 3.5). Number of albums left to review: 287 Number of albums from the list I find relevant enough to be mandatory listens: 315 Albums from the list I *might* include in mine later on: 175 (including this one) Albums from the list I won't include in mine (many other records are more important to me): 231

Overall I really like it. There are some groovy beats and the drum machine work is exceptional. I’ll say that the music gets a bit ambitious and not all of the concepts land. As a whole this is very genre defining for the time and holds up today as a period piece of electronic house/trance.

I’ve been thinking about why the 90’s electronic records on this list don’t really resonate with me. It’s not because I think the music is bad or uninteresting, necessarily. It’s because most of them have not been very dynamic. I get it, it’s dance music designed for a night of dancing and drugs and fun. No problem with that. It’s that there’s no real ebb and flow in the songs. They kind of start, keep the same tempo, the different parts of the instrumentation always repeat at the same volume and are played at the same velocity. It feels mechanical, but not a good way. I don’t know… This ended up being a lot of words just for me to say, “this album is alright.”

> leftism shit

Nr. 45/1001 Magical Dream 3/5 Ancodia 2/5 Cobra Bora 2/5 Pacific 202 3/5 Donkey Doctor 2/5 808080808 2/5 Sunrise 2/5 The Fat Shadow NR Average: 2,29 Not my Kind of music

I have a soft spot for a lot of these sounds. People like Aphex Twin would take this and iterate on it. So I see this album as important, but not necessary amazing. Probably very cool if you were into this when it came out tho

2/18 Can't wait till I get a car. Standout Tracks: Cobra Obra, Pacific 202, Donkey Doctor, 808080808

tum tum

Never heard of this group or album before and really loved it.

Not as good as Underworld but not far off. Early 90's Manchester Techno? Yes please

Takes me back to listening to the House music radio station with Hans on GTA san andreas

This album is basically the musical equivalent of the frutiger aero aesthetic. It feels way ahead of its time. If someone told me this came out in 2004, I would not have been surprised. An album wayyyy ahead of its time with some profound influence on techno, edm, and even hip hop. On top of everything, the music in Neon White completely copies everything good from this album. Best Songs: Magical Dream, Cobra Bora, Pacific 202, 808080808 Worst Songs: Donkey Doctor

I just always thought of 808 State as the Pacific 202 band, and little more. But this is a great album, and Pacific 202 actually proves to be one of the weaker tracks.

Now THIS I can really jam to. 808080808 goes hard af, "Sunrise" is pure bliss, and "Cobra Bora" sounds like a 90's Sonic stage. That's good stuff right there.

Awesome, the influence on a lot of electronic albums in the 90s is obvious.

This era of electronic music is still refreshing in 2023. In fact, it's amazing what 808 State could do with much less technology. This album is a classic of the state of the art in 1990.

Really great and clearly very influential

Classic beats.

Right up my street - excellent album

Instant tech house banger 5/5

You threw enough British electronic albums at me, I was bound to like one of them eventually.

Dritfett! aldri hørt om

Almost worth it for Pacific 202 on its own, but there are other great tracks here. I like.

Banging electronic music

I absolutely love this album. It's a nostalgic trip back to a time when electronic music was truly unique, with each artist having their own distinctive sound. Unlike today's EDM scene where many tracks sound alike, the artists of this era, including 808 State, maximized the potential of their equipment, often limited by what they could afford. This album showcases the creativity and ingenuity of that time. While I understand why some may give these old-school electronic albums low ratings, to truly appreciate them, you had to have been part of that era and understand the cultural context of the time, as well as what was happening in the music scene.

9/10 - Absolute banger of an album. I enjoyed almost every song on this. This is exactly the pre-edm electronic music that I love. Every song had something new and it changed as the songs went on which was so cool. I loved the way that the songs evolved. Overall a great album that I will listen to more.

This was sick. Easy listening during the work day. Would prob put it at 4.5 but fuck it I'm going 5!

6/18/24. Great discovery today! Not sure why, this gives me a Daft Punk feel where a certain electronic album resonates with me, and a lot of time I cannot explain why. The grooves are infectious!

I think that because these guys fall into a hole somewhere between pop, new wave, dance, and electronic, that they’re often overlooked. It’s so,e of the liveliest, most fun music I know! Perfect for partying or chilling. I’m a huge fan in general, and I think this is their masterpiece.

4.5/5

great

Techno classic

I loved this! Good stuff. I'm listening to it again for the third time.

Classic slice of Mancunian techno.... ticks all the boxes including nostalgia!

it's an above average house album, the sound design is pretty unique, and the drum sound on the first couple of tracks is pretty good. kind of ethereal.

Funky and cool. Good work music.

-really good fam

Surprisingly good

i like

nice beats. best electric/house one so far. dancey dance :)

3.8 perhaps good ambient tunes

Liked every song . Great music and techno beats. Shocked how old it is. Good to workout 🏋️‍♀️ with and have never heard of them before

I like this. Start to end it is good.

I

Enjoyed that - ambient music great to work to and recognised a few of the tunes. 3.7 for me

I like the atmospheric, even vaguely jazzy beats , such as Sunrise, mixed with more conventional elaborations of the old funk-soul sound. (7/10) Favourite Songs: Pacific 202

I get around this energy. Pretty wild for pre 90s

It was a very vibey album. I enjoyed it a lot, even if it had no real "substance" other than interesting instruments, sounds, and samples. Every song is something that I would put on in the background, but I wouldn't really actively listen to any, save for me favorite. Favorite track: Pacific 202

Liked this, great to work to. Would have been fun clubbing in 90s to this

Imagine this was really fun to rave to in the 90s. Would love to get ham and party to this at a festival.

This shit is so acid

Better than I expected, doesn't fall into the massive hit and filler trap as the whole album is definitely a piece of work as opposed to some mashed up half ideas. I'd almost go as far as to say it's worth a listen even if you took Pacific state off it.

Big beats are the best. I enjoyed this while I cooked pasta e faglioli

-"Ancodia" is pretty catchy with the upbeat backbeat and "L-O-V-E Love" line -Nice driving groove in "Pacific 202" -Lots of good grooves and stuff for an electronic album

Excellent, that's the good stuff.

1989 - Techno, Acid house, Electronica, Synth-pop, New wave, Intelligent dance music

Its 808's best album which means it must be very good.

Hated acid house at the time, mainly because all the big kids dressed in weird ghastly coloured shell suits knocking off tabs whilst gurning and dancing crazy style in fields and warehouses. In retrospect, quite an album.

Whoa this was fun. Do I like house now?

Seminal bangers.

Yes yes yes. So retro future. Remembered some of it from my parents playing it back on the day.

Sometimes this kind of music is good and I like it. Often it is boring and repetitive and not all that enjoyable for home listening. This album is not boring, definitely of its time, but quite delightful start to finish. Favorite: Pacific 202

Je m'attendais à rien mais je suis agréablement surpris Prefs: Ancodia, Cobra Bora, Pacific 202, 808080808 Moins pref: Donkey Doctor

Great but I think americans did it better

A genuine rave classic.

La música techno de los 90s seguramente puede encontrar muchas de sus raíces en este disco. La música de los videojuegos seguramente tomó muchos elementos de este género porque a ratos pareciera el soundtrack de algún juego de NES o SNES. Pacific 202, 808080808, y Sunrise lo mejor del disco. 3.5 que voy a subir a 4, porque de lo poco que he escuchado de electrónica, es de lo que más me ha gustado.

Good stuff! Not all was ground breaking but I definitely found a hit

good electronica sound. I liked it. Ahead of its time.

Late 80s electronic album from the UK. Pacific 202 still sounds as great now as it did in the 80s. The other tracks are very good: 8/10 overall

Like the music at the end of an epic boss fight.

Liked it more then expected

This was a lot of fun to listen to. Enjoyed hearing shades of The Hustle and Do You Know The Way To San Jose? on Cobra Bora and Sunrise. Was a perfect accompaniment to an afternoon of housework.

This was some fine electronic music. It had some good rhythm and some engaging samples. I struggle to appreciate why this album is so important to be on this list. But, I didn't mind listening.

I sometimes get bored with electronic music, but this one was quite enjoyable. I loved that it sampled the Hustle.

Really enjoyed this slab of electronica

Stand out tracks - Cobra Bora - Pacific 202 - Donkey doctor

I wish I could go back in time to when dance music sounded like this.

Techno jazz, je pensqis pas ca existait, c’est vraiment pa smauvais .4

Da future

Got me feeling like a fruity little dance floor baby first thing in the morning. Loved this ‘bum

This is one my son would be proud of me for listening to. But, he wouldn't realize I went through a Madchester phase a long, long time ago.