Sep 14 2020
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Fishscale
Ghostface Killah
4
Sep 15 2020
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E.V.O.L.
Sonic Youth
3
Sep 16 2020
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Sheer Heart Attack
Queen
3
Sep 18 2020
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Ogden's Nut Gone Flake
Small Faces
2
Sep 21 2020
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Here Are the Sonics
The Sonics
9/10, punky, garage, dark, rollicking, scratchy
5
Sep 22 2020
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Graceland
Paul Simon
9/10
5
Oct 07 2020
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At San Quentin
Johnny Cash
5
Oct 15 2020
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Rumours
Fleetwood Mac
Classic, harmonies off the chain, true classic
5
Oct 21 2020
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Fisherman's Blues
The Waterboys
7/10, when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed
3
Nov 10 2020
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The Idiot
Iggy Pop
8/10, pretty great Bowie album and a nice left turn for Iggy. OG China Girl is best
4
Nov 17 2020
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Violator
Depeche Mode
9/10, Definitive New Wave classic, fantastic songs, all killer no filler
4
Nov 25 2020
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american dream
LCD Soundsystem
9/10 sad, back with a vengeance, some of the best tracks they've made, some that's samey
5
Nov 27 2020
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Heroes
David Bowie
9/10, better than Low. Iconic, great sounds, his best.
4
Nov 30 2020
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Highway to Hell
AC/DC
5/10, a good time, but nothing about it really sticks with you. Middling at best
2
Dec 22 2020
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The Velvet Underground
The Velvet Underground
8/10, absolute classic
4
Dec 23 2020
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Never Mind The Bollocks, Here’s The Sex Pistols
Sex Pistols
7/10, seminal punk album, lesser than it's peers, but still incredible and remains visceral to this day. EMI is the best track.
3
Dec 25 2020
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Kid A
Radiohead
9/10, Seminal Radiohead album, and the best, what cemented them as the greatest modern band within recent memory
4
Jan 07 2021
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Brown Sugar
D'Angelo
8/10 smooth, buttery smooth, smooth, I feel made love to by D'Angelo's pure, primal, non-toxic, sexual, raw smoothness
4
Jan 19 2021
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461 Ocean Boulevard
Eric Clapton
5/10, good grooves, good solos, good riffs, decent record, but no spectacular song that stands out, quite dated
2
Jan 20 2021
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Cross
Justice
5/10, average. Some good tracks, but doesn't stand out from particular era of electronic music
2
Jan 28 2021
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Different Class
Pulp
8/10, beautiful, and grimy. Class, and sex. Grand, and quiet. Operatic, and boozy.
4
Mar 14 2021
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Vulgar Display Of Power
Pantera
1/10, not my thing
1
Mar 16 2021
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Tubular Bells
Mike Oldfield
5/10. Pt. I is absolutely fantastic, but falls off a large amount in Pt. II, overall a worthwhile album, and worth returning to, but not as consistent as I'd like, perhaps to much to ask of prog
2
Mar 22 2021
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Meat Is Murder
The Smiths
4/10, decent, gloomy, preachy, but undeniably the Smiths
2
Mar 25 2021
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The Score
Fugees
8/10, fantastic production, aged ridiculously well, with inspired turns from all the performers, doesn't feel especially 90's, and is well worth a spin
4
Mar 27 2021
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Crosby, Stills & Nash
Crosby, Stills & Nash
3/10, Rather forgettable, and did not stick with me in the slightest
2
Mar 29 2021
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Juju
Siouxsie And The Banshees
5/10, Seinfeld effect, ahead of its time, but done better by it's progenitors. Some standout tracks, but not enough to save it
2
Jun 21 2021
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Fun House
The Stooges
Grungy, pretty good 6/10
3
Jun 25 2021
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Another Green World
Brian Eno
Some real standout ambient tracks, but all the vocals haven't aged as well 7/10
3
Aug 08 2021
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Trans Europe Express
Kraftwerk
8/10, spacey, repetitive in the best way possible, very forward thinking, very good. v good.
4
Aug 12 2021
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Stardust
Willie Nelson
6/10, good covers, but not incredible. Frontloaded and conceit fades throughout the album
3
Nov 30 2021
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Blood Sugar Sex Magik
Red Hot Chili Peppers
7/10, really grew on me as I listened, fantastic riffs, truly excellent, not quite my thing, but so we'll made I like it.
3
Dec 01 2021
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Teen Dream
Beach House
8/10, this is what I want my dreams to sound like. Ethereal, easy, calming, mournful, and floating into nothing
4
Dec 02 2021
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Suicide
Suicide
3/10, dated, flat, uninspiring. May have been groundbreaking in '77, but sounds flat to '22 ears. Some good concepts, but not utilized well. this album may be a grower, but it's sure not a shower.
1
Mar 04 2022
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Fragile
Yes
5/10, I was initially excited for the concept of this website, but I'm repeatedly discovering the flaws of the 1001 albums list, the sheer proliferation of forgettable dad rock. Yes is fine, it's an okay band, but fuckin' hell, a genre besides rock exists, this is easily the most bland-of-its era tripe to exist. 4/10, bad ideas are extended ad-nauseum, while the good ones are cut short, this is a snoozefest disguised under a prog label. 3/10, it just gets worse as it goes on, I don't think I've ever been less interested in a band, ah yes another track of jumbled instrumentals and pained singing, 2/10 is my final. Thank God rock is dead.
1
Mar 06 2022
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In The Court Of The Crimson King
King Crimson
7/10, proggy! fun! I feel that most people listen to this because of POWER and it ends up being really good in its own right!
3
Mar 07 2022
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In A Silent Way
Miles Davis
8/10, Davis definitely perfected jazz fusion with later releases. Yet as a first foray however, this shows a precocious level of competence and confidence of vision. Electrical striations dance around Miles while he's breaking in feverish licks on Shhh/Peaceful.
In a Silent Way broaches mournful melodies before descending into a whirlpool of strumming, electric tensions before an all time great rhythmic break at the 13 minute mark. We then return to the contemplative afterwards, calmly bidding adieu with a coda and final moments of quietude. An album worth popping in on a productive Sunday afternoon
4
Mar 27 2022
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More Specials
The Specials
6/10, an especially weak first half gives way to an experimental and really fun second half that completely saves the album. The conventional ska of the first half is rather milquetoast, and led me to rolling my eyes repeatedly, but the dynamism that Jerry Dammers brought from “Sock It to ‘em J.B.” And on shows the energy and experimentation saved for the later tracks
3
Apr 04 2022
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Central Reservation
Beth Orton
This album feels like going out for the day with your mom for a day when you are 7, and while you've long since forgotten what you did, you remember what it felt like. Being softly cradled and warmed by some soft and immutable force that you'll never be able to articulate, but one we've all felt.
Beautiful use of Orton's soft, slight and occasionally wailing voice. The arrangements are never dense, but soft and ones that lull and lightly pull you to keep listening. Like soft pirouettes in a slowly dying house.
Beth Orton gives us rest in the quiet in-betweens of life. These simple memories that we are forgetting, but somehow it feels comforting to do so. Childhood ended, we've moved on, but that deep yearning never will.
(7/10, may end up as an 8 if I keep listening)
4
Apr 06 2022
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Hearts And Bones
Paul Simon
A bit confused at the inclusion of this album into the 1001 albums list, as overall this is a slight, blasé album that provides little besides some decent lyrics and pedestrian music clichés of the 1980's packaged into one convenient album.
Most interesting ideas are cut short but some are left to flourish like on the excellent Late Great Johnny Ace and Train in the Distance. Overall it's hard to dislike this album, but I'd argue even harder to love, a skip if there ever was one
2
Apr 10 2022
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Reign In Blood
Slayer
metal has never been my thing. I suppose there’s a certain level of artifice present within the lyrics and presentation of bands like Slayer. Songs like Angel of Death and Postmortem simply feel performative to me in terms of lyrical content. Maybe it’s more a rejection of the genre clichés than the music itself for me personally. It's competently made music, well put together and a pleasingly brief in a satisfying way. I simply have no wish to ever listen to it again, but am glad I did if only to gain insight into a genre I still have no draw towards. 6/10
3
Sep 02 2022
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Architecture And Morality
Orchestral Manoeuvres In The Dark
The New Wave crashed and reverberated through America in the 80's, and became the Cold War of the British Invasion.
Listening to albums like this, it's hard not to see why. The rattle, humming and texture of the album belies the novelty that was synth-pop's first breaths. It's a masterful experience to listen and hear the sound cascade over your ears in "Sealand".
There's a distinct, and odd, warmth to every track bleeding through the frigid synths. OMD not only created a blueprint for the later 80's, but also it's first bonafide masterpiece and balances open soundscapes and tighter, shorter tracks.
As a big fan of synth-pop and New Wave, this is an essential listen for all those passionate about the genre 8/10
4
Oct 18 2022
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You Want It Darker
Leonard Cohen
From the ripping and spectral opening track, Cohen establishes one of the finer albums reflecting on his own imminent mortality. Ever the poet Cohen looks into his past as a generation's troubadour indelibly tied with the death's coming.
His voice is aged and creaky, weight is felt with every line. Meditations on nascent spirituality and lovers felt fill the album on this finely crafted first piece of a diptych. Thanks for the Dance is well recommended as a listen following as it completes many ruminations here.
8/10, this and Blackstar by Bowie are the greatest albums written around mortality of this generation.
4
Oct 22 2022
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Homework
Daft Punk
While I feel that Daft Punk didn't fully realize themselves until the warmer human sounds of Discovery. They paid their dues and put in the homework (heh) of crafting tight and near immaculate house music.
Few artists have been able to achieve commercial success and artistic integrity like Daft Punk, from the cheeky origin of their name, iconic robotic alter-egos and music that sounds like two obsessives working their absolutely hardest to perfect their craft.
House music isn't my thing, and I'll fully admit that the singles off the album remain my favorite, the whole album is made for a sweaty dancing mass, not casual listening, and for those purposes it excels. The craft that would exemplify the rest of Daft Punk's career is burgeoning and can be clearly heard. The driving synth lick from "Da Funk" is instantly addictive, the auditory hypnosis of "Fresh", the T H U M P I N G through the entire album and introduction of the robot voice as an instrument on "Around the World"
Yet these ideas, while great, are simply stretched out a little too long, a byproduct of the era and genre, but too my ears it's still a smidge archaic and a bit more brevity would improve the album on a whole. Some tracks like "Phoenix" and "Fresh" are just too sparse for my taste and would benefit from being filled out a smidge more.
Overall a 7/10 album, Homework is simply a victim of Daft Punk's later success and I'd simply overshadowed by what was to come. It's well worth visiting however to find the gems here from the beginning of one of the greatest musical projects of all time.
3