1/10, not my thing

8/10 smooth, buttery smooth, smooth, I feel made love to by D'Angelo's pure, primal, non-toxic, sexual, raw smoothness

9/10, punky, garage, dark, rollicking, scratchy

9/10

Classic, harmonies off the chain, true classic

7/10, when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed when will we be married molly when will we be wed when will we be bedded in the same bed

8/10, pretty great Bowie album and a nice left turn for Iggy. OG China Girl is best

9/10, Definitive New Wave classic, fantastic songs, all killer no filler

9/10 sad, back with a vengeance, some of the best tracks they've made, some that's samey

9/10, better than Low. Iconic, great sounds, his best.

5/10, a good time, but nothing about it really sticks with you. Middling at best

8/10, absolute classic

7/10, seminal punk album, lesser than it's peers, but still incredible and remains visceral to this day. EMI is the best track.

9/10, Seminal Radiohead album, and the best, what cemented them as the greatest modern band within recent memory

8/10 smooth, buttery smooth, smooth, I feel made love to by D'Angelo's pure, primal, non-toxic, sexual, raw smoothness

5/10, good grooves, good solos, good riffs, decent record, but no spectacular song that stands out, quite dated

5/10, average. Some good tracks, but doesn't stand out from particular era of electronic music

8/10, beautiful, and grimy. Class, and sex. Grand, and quiet. Operatic, and boozy.

1/10, not my thing

5/10. Pt. I is absolutely fantastic, but falls off a large amount in Pt. II, overall a worthwhile album, and worth returning to, but not as consistent as I'd like, perhaps to much to ask of prog

4/10, decent, gloomy, preachy, but undeniably the Smiths

8/10, fantastic production, aged ridiculously well, with inspired turns from all the performers, doesn't feel especially 90's, and is well worth a spin

3/10, Rather forgettable, and did not stick with me in the slightest

5/10, Seinfeld effect, ahead of its time, but done better by it's progenitors. Some standout tracks, but not enough to save it

Grungy, pretty good 6/10

Some real standout ambient tracks, but all the vocals haven't aged as well 7/10

8/10, spacey, repetitive in the best way possible, very forward thinking, very good. v good.

6/10, good covers, but not incredible. Frontloaded and conceit fades throughout the album