The Idiot is the debut studio album by American musician Iggy Pop, released on March 18, 1977, through RCA Records. After the break-up of his band the Stooges in 1974, Pop struggled with drug addiction. Although attempts to get sober proved unsuccessful, by 1976, he was ready to end his addiction. Pop accepted an invitation to accompany his friend David Bowie on his Isolar Tour. At the end of the tour, Pop agreed to join Bowie, also struggling with drug addiction, in moving to Europe to rid themselves of their addictions. The two settled into the Château d'Hérouville in Hérouville, where Bowie agreed to produce an album for Pop. Described by Pop as "a cross between James Brown and Kraftwerk", The Idiot marks a departure from the proto-punk of the Stooges to a more subdued, mechanical sound with electronic overtones. Recording for it began at the château in June 1976 and continued into July. Further sessions took place at Musicland Studios in Munich in August. Bowie composed most of the music and contributed a major portion of the instrumentation. Pop wrote most of the lyrics in response to the music Bowie was creating. The album's title was taken from Fyodor Dostoevsky's novel of the same name, while Erich Heckel's painting Roquairol inspired its artwork. After the album was completed, Bowie began recording his next album Low, which features a sound similar to The Idiot. Low was released in January 1977 and was a commercial success, compelling RCA Records to release The Idiot two months later. Upon its release, the album received divided, albeit largely positive reviews from music critics, with many noting a change in musical tone from his earlier work, which received mixed responses. It charted in the US, the UK, and Australia. It was accompanied by the release of two singles, "Sister Midnight" and "China Girl", in February and May 1977, respectively; Bowie later issued his own version of "China Girl" as a single in 1983. Pop supported The Idiot with a tour in March and April 1977, with Bowie as his keyboardist. Afterwards, the two collaborated again on Pop's second studio album, Lust for Life (1977). Retrospectively, The Idiot has continued to be received positively, with many noting Pop's artistic evolution. However, because Bowie largely created it, fans do not generally consider the album as being representative of Pop's output. It has influenced post-punk, industrial, and gothic acts, including Joy Division.Wikipedia
Wonderful collab between Iggy Pop and David Bowie. Borrowing from some of the best artistic elements of the day to create a sum greater than its parts. Drum sounds borrowed from Joy Division, punk vocals and sensibilities through Iggy, Cold War imagery in the lyrics. This record is simultaneously structured and loose, wild and buttoned up, analog and digital. The sounds jump of the record. Incredibly vital.
Debauched post punk with a nocturnal vibe and lyrics spilling from the artist's subconscious. Although David Bowie gives it both an accessibility and richness it likely wouldn't otherwise have had, Iggy Pop truly gives the record its raw punk energy.
Bowie and Pop are a powerful duo.
I'm into it. It's basically just a David Bowie album I haven't heard.
Another album I’m not sure if I’ve ever listened through in full. But what a blinder! Track after track of cool as fuck raw rock. Loved it!
One of my absolute favorite albums ever. Loose, cool and experimental is what Iggy Pop and David Bowie managed to make this album. Iggy's lines delivered with a punk-ish attitude surrounded by pulsating synths and distorted instruments make everything feel intense and wicked. Absolutely amazing
This album is a testament to the symbiotic relationship that Iggy Pop and David Bowie had in the mid-70s. Both were lost musically and mentally, the collaboration on this album had them bring out the best in each other while surviving the worst. It is argued that this is primarily a David Bowie album but I would disagree as Pop's influence over Bowie stands out in the rawness of much of this record. The dark keyboard and drum sequencing of Nightclubbing would have sounded cleaner without Iggys suggestions and wouldn't have had the impact on so many post punk and new wave artists that heard this album. It is a shame in some was that Iggy moved away from this type of sound later on
Huge iggy pop fan in general. But I really enjoy The Idiot. The Bowie production is felt very deeply. And I think this album itself really shaped Post-Punk into what it became. Iggy is all over Rock. Proto-punk with the stooges and this one. Dude just makes some really solid music.
this is what happens when you mix Bowie, Iggy, Berlin and no heroin. Stay off drugs kids
How have I not heard this before? I loved Lust for Life, but this one had passed me by and it's great. Sister Midnight and Funtime ought to be mainstream rock classics. I guess Iggy just was too far out there to get the mainstream attention he deserves. Jane said 'you can hear Bowie all over this" and she was right, it's almost a Bowie album.
Impressive to make an album that I like nothing about. Not the music. Not the vibe. Not the vocals. Nothing.
I really don’t know why I hadn’t listen to this before considering Bowie produced this during my favorite period of his. Loved it.
Spooky, which fits well for spooky season. I can hear Gothic and Industrial undertones that support and artsy direction from a punk background. I really liked this.
Solid album. Absolutely love China Girl especially. It was surprisingly experimental in its use of synths and atmospheric style compositions. I can also see why Iggy Pop is clearly an important pre-cursor to punk music.
Iggy makes a Bowie album. Fascinating.
fuuuuuuucking hell more wonky 70s shit, i think it's pretty safe to say this is the author's favourite era. fuck it off. 1/5.
There was that one song I didn’t want to change halfway through.
I didn't like this album. Something about the dissonance they used and the singing made this album hard for me to listen to. Not my cup of tea. Favorite song: Tiny Girls Worst song: Nightclubbing
What a freaking record.
no lust for life but
Absolute mad cunt of an album, didn't realise Bowie did so much on it too, and china girl *chefs kiss*
Qué goce escuchar esta colaboración Bowie-Iggy. Lo disfruté mucho, varias cosas que suena a Blowie pero también con la particular voz de Iggy. En definitiva, sí se nota distinto a los otros álbumes de Iggy que ya han pasado. Aunque todas las canciones me gustaron, destacó "Sister Midnight", "Nightclubbing" y el final "Mass Production", una chulada 👌🏼. En fin 10/10.
Uno de mis discos favoritos. Dum Dum Boys da mucho miedo.
Great album, few bangers in there I didn't know was iffg pop
A a long-time perennial favorite. Listened yet again because it's so good.
This ode hit it on the head. I really liked it much more than his (I assume) layer heavier stuff
An unexpected 5. Every track added to the playlist
an unexpected gem! Very Bowie-esque
A great album I've never discovered before! It's got a nice gritty underground vibe and a cheeky mashup of all the best parts about this era/style of music in my opinion. Super varied and interesting. I love his description of a cross between James Brown and Kraftwerk. I never knew this backstory about Pop and Bowie moving to France together but it's brilliant.
No surprises that Bowie produced this mater piece. Incredible album, perfectly weird without being totally inaccessible. Nightclubing and Dum Sum Boys arey highlights.
This was haunting and so atmospheric
I had no idea that I liked Iggy Pop. Smashing!
It's amazing how this seems to sit perfectly on the precipice of the 70's and 80's, using the best out of both worlds. And yet, it also seems like it is current and relevant today.
The second album, after Lady Soul by Aretha Franklin, I've been motivated to buy after listening to this. Really its the fourth of Bowie's Berlin trilogy, or rather the first, and that's reason enough.
Wow. I didn't know how Bowie Iggy's Bowie album was going to be. I've been mad generous with the 5* reviews this week, but it looks like that run is going to carry on today! I didn't even know China Girl was a cover! Everything plays like Glam on antidepressants, which sounds better than the simile does. The drums go big, the emotions go flat and resigned. It woooorrrrrks!!!
As a casual listener of Iggy Pop over the years, I really would not have guessed that Iggy had this kind of album in him. It's exceptional, probably the best he's ever done. I love it more each time I hear it. David Bowie's fingerprints are obviously all over this. It has a lot of the markers of a late 70s Bowie album, the disciplined use of repetition and dissonance, the little touches of soul. But what Iggy brings to the table is his punk sensibility, as well as his trademark authoritative, yet detached vocal style. He also wrote most of the lyrics, which were dark and surprisingly artful. It's a collaboration that really works, one I don't really want to stop listening to. Fave Songs (All songs from most to least favorite): China Girl, Mass Production, Baby, Nightclubbing, Funtime, Dum Dum Boys, Tiny Girls, Sister Midnight
Classic from the Godfather of Punk
Lou David Pop
omg his voice is amazing
Welcome to Iggy and David's perverse nightclub cabaret, filled with freaks, ghouls, industrial automatons and other sorts of monsters of all stripes. It's a fun place, where you can have... a "Funtime". At least if your idea of fun is to get spooked by a twisted Iguana whispering bizarre stuff in your ears. Instruments here do not so much "play" as they grind, croak and wince (Bowie indeed had a great turf to play in here so as to prepare for his infamous "Berlin Trilogy"--a.k.a. *Low*, *"Heroes"* and *Lodger*). A clear outlier, "China Girl" rises high above the other tracks in terms of melody and sheer emotions (what a finale on this one--as good as Bowie's later version is overall, the latter's ending is not as intense as in this original version). As for the rest, heartfelt emotions are not in Pop's agenda anyway, so we can't blame him for painting his imaginary venue in all shades of black instead. In terms of relative flaws, maybe the middle of side 2 is *a little* underwhelming ("Dum Dum Boys" is probably too long, and "Tiny Girls" and its saxophone are quite inconsequential, as moody as they are). But everything else radiates with a dark, ultra-violet light. Especially "Nightclubbing" and the insanely tense and brooding closer "Mass Production", aptly named when you get lost in its proto-industrial waves of noise. To put it in a nutshell, it's easy to understand how this record influenced the likes of Joy Division, Killing Joke or Nine Inch Nails. 4.5/5 for this one, rounded up to a perfect grade. Number of albums left to review: 727 Number of albums from the list I find relevant enough to be mandatory listens: 135 (including this one) Albums from the list I *might* include in mine later on: 65 Albums from the list I will certainly *not* include in mine (many others are more important): 74
5/5. Not a bad song on this. At least on first listen. Might go down later but it was really good.
Man, there's a lot to like in this record. I kept hearing things that reminded me of later groups like Oingo Boingo and Jesus and Mary Chain. I will for sure be playing this again.
As others have said, this is like listening to a new David Bowie album without Bowie's vocals. Delightfully weird, it has that Bowie charm throughout. It doesn't overwrite 'Lust for Life' as my favorite Iggy album, but it's a great predecessor.
There is very little music that is greater than the music Iggy and Bowie produced together.
Excellent greasy off-beat punk. Nightclubbing is excellent and made the Trainspotting soundtrack famous. Lots of lovely little gestures to Bowie blood but the energy is very Iggy. Interesting, groovy, slunks along in a gravy strut. The production makes the album sound like you are overhearing it from an adjacent room which lends the whole experience an air of cool I can really get into.
This is exactly the type of weirdo Eno/Bowie-esque sound I'm into. Definitely a departure from the sound of the Stooges, this album is more experimental, artsy, and electronic. I've always loved Nightclubbing & I have a feeling this will become one of my favorite listens going forward. 4.5 stars
Really great album! I felt like this was just another record made by David Bowie and lo and behold, it is produced by him. Even Iggy's vocal sounds like a slightly more used and tired Bowie. So this is already a very big positive. On the other side we have great instrumental music. It's not a classic rock, trying to fit many riffs into a short song. It's more bluesy, melodies are stretched over minutes of the songs, and they create amazing atmosphere, quite on par with best Bowie's albums. I have never heard any of the song on this record, but that's not really a surprise. Tracks aren't necessarily radio friendly and neither of them is a hit per se. But altogether, when listened in the most cliche way possible, with wine, on a sofa, under a blanket, it's incredibly great piece of music. Another favourite to add to collection.
Good for vibes
Sometimes listening to 1001 albums you get an album that is simply incredible (and one that you have not heard before). Iggy Pop's idiot is such an album - weird, dark, punk rock with almost pop-punk infused sounds about twisted partying and popular culture haunts you throughout the album. I absolutely love it. Highlights for me - China Girl, Nightclubbing, Sister Midnight, but really, it does not have any bad songs.
This is one of my favorite albums - I went through a period where I mildly obsessed with David Bowie's Berlin Trilogy, which this album is a precursor. China Girl is absolutely fucking epic. I knew Nightclubbing from the Trainspotting soundtrack, but only grew to love it more when I got into this album. I can't be objective in my assessment since I have loved this album for years, but I hope you enjoy it as much as I do.
GOAT Pop Punk
8/10, pretty great Bowie album and a nice left turn for Iggy. OG China Girl is best
Excellent exemplification of music at late 70s. Also discovered that China girl wasn't only Bowie's! Really enjoyed this album.
Love the sound. Sparse lyrics with droning vocals. Crazy instrumentation with synths.
Lekker relaxed album met de cover China Girl erop. Kan erg genieten van de stem van Iggy.
I liked it. cool album
Great album, don't think I'd ever listened to the whole thing before. Dum Dum Girls was a standout for me.
- Interesting stretched voices - classic rock/ pop - definetly see where it's influenced bowie
Może nawet 4.5
Quite good! A bit dark, and not the vibe I'd listen to 24/7, but definitely worth listening to
Siempre un placer escuchar al Iggy, pero ya fue mucho de él en esta lista, no? XD XD Anyways, tiene unas vibras un poco más sad a comparación de lo super punk que le he escuchado. Creo que la que más me gustó fue Nightclubbing, está sensualona. lol Mood: Iggy llegando a la ancianidad antes de tiempo.
Iggy’s always been a bit of a hero. Some great songs on here and the Bowie presence is obviously strong. Not my favourite of Iggy’s work but still a very solid album.
Otro de Iggy Pop. No quería escucharlo jajajaja pero al final sí me gustó, me parece diferente a los otros que han salido pero al mismo tiempo sí suena muy él
Tunes are a bit slower and more spoken word than the Lust For Life album. Still good though, easy listening. I reckon Mark E Smith from The Fall took a lot of inspiration from Iggy after hearing this. 3.5. Gonna bump it up to 4 cos I gave the last Iggy one a 3 when that was 3.5 too
Some really ominous sounding tracks on this album. I love it! Very different from The Stooges raw punk tunes and different from what his later solo work sounded like too but still unmistakably Iggy
Iggy pop, such an interesting artist. Some songs felt similar to David Bowie songs to me while others were completely different. Overall: was good! I need to listen to more full albums of his.
Great album. You can defo hear Bowie in it. Really simplistic, but very well executed
A really impressive debut solo album. The songs can feel a bit raw & unpolished, but I think that’s part of Iggy Pop’s appeal.
Pretty cool. Sounds like the beginnings of post punk.
Some pretty good jams on here. A few overstay their welcome but overall a solid album.
Mass production is echt ziek Ik ben fan van het album en ga het nog eens beluisteren
We get a more domesticated Iggy on this than on Raw power. Produced by Bowie in the Berlin trilogy era, some regard this as an extension of that trilogy. I dig this one quite a bit.
It veers into the experimental Berlin Bowie (which i'm not so fond of) towards the end, but I liked it for the most part.
Bowies version of China Girl dosent hold a candle to the emotional rawness of this one. The mixture of electronic instrumentation and Iggy Pops raw style makes for a very interesting combination.
China girl is a banger, first time i have heard it
At first I was a bit disappointed this album wasn't more like Raw Power by the Stooges. However, by the second song, I began to really dig what I was hearing. Iggy Pop (and David Bowie) are taking an art rock and pop approach that utilizes burgeoning electronic sounds and folds them into a slower rock format features long songs that are more like mini suites. This album does feel more like a Bowie album more than anything but is extremely effective and engaging.
Way cooler than expected. China Girl? OMG!
Iggy and Bowie hang out in Berlin and record a "James Brown meet Krafwerk" album. Pop's sober, Bowie is out of his mind on coke, milk, sausages and red peppers. That's a good combo. Best Tracks: Sister Midnight; Nightclubbing; China Girl
Pretty interesting album. I haven't listened to much art rock before. No sleepers on this album. Liked the melodies and the mood.
Feels like a raw Queens Of The Stone Age at the start, moves into a big David Bowie section, and kinda falls off a cliff at the end. I listened through twice tho. Its aged well.
Not at all what I expected. Knowing the Stooges I figured that there would be some sort of punk edge to it. That art rock/synth pop vibe was completely out of left field; it sounded almost like a Bowie record. It was a cool surprise though! I don’t think it’s the easiest record to listen to, but I definitely liked it.
This was a nice surprise, learned a bit about rock history when digging in to some of the details.
Love it. Listening to this has made me at least 5% more cool than I was yesterday.
6.5/10 F.t.: China Girl
Cool sound. Makes me think of St Vincent.