L'Eau Rouge

Ok so it's like if a French Pink Floyd and 9 Inch Nails had a baby? But also the baby kind of sucks.

I wanna get off the boat Mr Wonka

Someone on here stated this album was like a mix between French Pink Floyd and Nine Inch Nails, then rated this album a 2, as if that was a bad thing. I thought that it was great.

Trés Reznor

Angry French with his angry buddies pounding on their synthesizers. If I ever become crazy and lock someone in my basement, this will be on the playlist. From that moment on; they will know my pain.

What is THIS? Creepy, atmospheric orchestration under a growling baritone frontman, en francais? Count me in.

You never know if you truly like something until you try it, and now I can say with confidence that French industrial rock songs about period blood are not for me. Best track: Les enfants

if tom waits were to have been born french and scored a high paced low budget slasher

i'm summoning ALL the patience my body has to offer, i WILL listen to this in its entirety. well it payed off around 4 minutes into the first song so that's great haha this is much more my thing. second song is going to be a banger can tell from the start. i love this so much lol this is so exciting. the title track is great too ugh. i got curious about the lyrics but i'm having trouble finding translations :( i'm used to listening to music in languages that i don't understand but lyrics are normally more easily available D: found rough translations for a couple of songs so that's better than nothing. vocals aside, the last two tracks sound way more like my idea of music from the 80s lol they're pretty different from the rest of the album. well i'm done, i enjoyed this a lot and i saved pretty much all songs so i'll probably just come back to the album.

Pretty sure this is what Ministry would sound like if they were French and Al consumed more Brie than heroin. In other words, I enjoyed it. (But kinda missed the heroin.)

Creepy, atmospheric, macabre, and definitely pretty unhinged at times. Really matched a piss-poor mental state at the very beginning of the year, on a horrible gloomy January day. I've gotta say I quite liked this. Feels like a French-language Rammstein in parts. Honestly I wish Halloween was coming up soon because this would be a perfect soundtrack for it, and I feel like this would be an experience to see live. Favourite: La fille de la mort

I think this might confirm that I have the worst taste in music (at least in liking what other folks like). I absolutely loved this. The instrumentation is incredible and the production is so good. I have a feeling that not speaking French is a bonus because I suspect the lyrics are pretty dumb but prog rock Nine Inch Nails in French was not something I expected to love so thoroughly.

Really cool French industrial. People here have no taste, this album is great. It sounds like Rammstein or Ministry.

Even though I couldn't understand the lyrics I still understood the music. Great stuff.

Gritty, Dark, and Circus/Cabaret. I fucking love the vocal delivery, grooves, and backing noise.

This record reminded me of when former football commentator Gerald Sinstadt and I took a cricket bat to a bag of kittens. What a day. We went back to mine for a Happy Meal and then both licked out my mum. Gerald commentated throughout. Well... when he didn't have his mouth full of course. My word she had an ungodly amount of anal warts.

This album is kinda awesome, but at the same time, I'm good listening to it only once.

Ok, so there's noise rock and punk and black metal and industrial, and then there's this. This album was actively painful to listen to. This is p harsh, but the only reason it will be memorable will be from the scars left from listening to it.

Had not been listening to this album for many years but still like it just as much. The way the songs are built up. The sound. It is alll great. Industrial music that does not sound ugly.

When I saw this, I groaned, French, average rating of 2.3...is this another Serge Gainsburg. I was wrong, I loved this, French industrial metal...ie French Rammstien, sign me up

**Album Review: L'Eau Rouge by The Young Gods** --- **Introduction** Released in 1989, "L'Eau Rouge" is the second album by the Swiss industrial band The Young Gods. Known for their pioneering use of samples and a distinctive sound that blends elements of industrial rock, electronic music, and classical influences, The Young Gods crafted an album that has been influential in the industrial and alternative music scenes. This review delves into the lyrics, music, production, themes, and influence of "L'Eau Rouge," providing a comprehensive analysis of its strengths and weaknesses. **Lyrics** The lyrics on "L'Eau Rouge" are predominantly in French, adding a layer of mystique and exoticism for non-French-speaking audiences. The themes explored are dark, introspective, and often surreal, with poetic imagery that complements the album's sonic landscape. Songs like "Charlotte" and "Les Enfants" tackle themes of innocence lost and existential dread. "Charlotte," for instance, is a haunting narrative of love and obsession, with lines like "Charlotte, je t'aime à mourir" ("Charlotte, I love you to death"), capturing the intensity and destructiveness of infatuation. "Les Enfants" reflects on the purity and corruption of youth, using stark contrasts to emphasize the loss of innocence. While the lyrics are compelling and rich in imagery, their effectiveness can be somewhat limited for listeners who do not understand French. However, the emotive delivery by vocalist Franz Treichler ensures that the emotional weight is still conveyed. **Music** Musically, "L'Eau Rouge" is a groundbreaking work that defies easy categorization. The Young Gods utilize sampling technology to create dense, textured soundscapes that incorporate elements of rock, industrial, and classical music. The opening track, "La Fille de la Mort," sets the tone with its aggressive guitar riffs, pulsating rhythms, and dramatic orchestral samples. This blend of raw energy and refined orchestration is a hallmark of the album, showcasing the band's innovative approach to composition. Tracks like "Rue des Tempêtes" and "L'Eau Rouge" highlight the band's ability to merge heavy industrial sounds with melodic elements. "Rue des Tempêtes" features a driving beat and abrasive guitar samples, juxtaposed with atmospheric synths and haunting vocals. The title track, "L'Eau Rouge," is a masterclass in dynamics, building from a quiet, eerie intro to a powerful, cathartic climax. The instrumental "Pas Mal" provides a moment of respite, with its minimalist piano and ambient textures, demonstrating the band's versatility and willingness to explore different sonic territories. **Production** The production on "L'Eau Rouge" is both a strength and a weakness. Produced by Roli Mosimann, the album's sound is characterized by its clarity and precision, allowing the intricate layers of samples and instrumentation to be fully appreciated. The meticulous attention to detail in the mixing and mastering process results in a rich, immersive listening experience. However, some critics argue that the production can feel a bit too polished at times, potentially diluting the raw energy that is a key aspect of industrial music. While this polished sound can make the album more accessible to a broader audience, it may alienate purists who prefer a grittier, more abrasive aesthetic. **Themes** "L'Eau Rouge" delves into a variety of themes, many of which revolve around existentialism, the human condition, and the interplay between innocence and corruption. The album's exploration of these themes is both thought-provoking and emotionally resonant. Existentialism is a recurring motif, with songs like "Charlotte" and "Les Enfants" contemplating the nature of existence and the inevitability of suffering. The title track, "L'Eau Rouge," can be interpreted as a metaphor for life's inherent chaos and unpredictability, with its shifting dynamics and unsettling atmosphere. The interplay between innocence and corruption is vividly depicted in "Les Enfants," where the purity of childhood is juxtaposed with the harsh realities of adult life. This theme is further explored in "Longue Route," which speaks to the journey of life and the trials and tribulations one faces along the way. **Influence** "L'Eau Rouge" has had a significant impact on the industrial and alternative music scenes. The Young Gods' innovative use of sampling technology paved the way for other bands to explore new sonic possibilities, influencing acts like Nine Inch Nails and Ministry. The album's blend of rock and electronic elements also helped to bridge the gap between these genres, contributing to the development of the industrial rock genre. The band's willingness to experiment with different styles and sounds has inspired a generation of musicians to push the boundaries of their own music. The emotional depth and complexity of "L'Eau Rouge" have also resonated with listeners, making it a touchstone for those seeking music that is both intellectually stimulating and viscerally impactful. **Pros and Cons** *Pros:* 1. **Innovative Use of Sampling:** The Young Gods' pioneering approach to sampling creates rich, textured soundscapes that are both unique and compelling. 2. **Emotive and Poetic Lyrics:** The lyrics, though primarily in French, are rich in imagery and emotion, adding depth to the music. 3. **Diverse Musical Influences:** The album seamlessly blends elements of rock, industrial, and classical music, showcasing the band's versatility. 4. **High Production Quality:** The meticulous production ensures that the intricate layers of sound are fully appreciated, creating an immersive listening experience. 5. **Thematic Depth:** The exploration of existential and philosophical themes adds intellectual weight to the album. *Cons:* 1. **Language Barrier:** For non-French-speaking listeners, the lyrics' full impact may be lost, potentially limiting their emotional connection to the songs. 2. **Polished Production:** Some fans of industrial music may find the production too polished, lacking the raw, abrasive edge that characterizes the genre. 3. **Niche Appeal:** The album's experimental nature and dark themes may not appeal to mainstream audiences, limiting its commercial success. 4. **Dense Soundscapes:** The intricate layers of samples and instrumentation, while impressive, can sometimes feel overwhelming or cluttered, potentially alienating some listeners. 5. **Emotional Intensity:** The dark and introspective nature of the album may be too intense for some listeners, making it less accessible for casual listening. **Conclusion** "L'Eau Rouge" by The Young Gods is a landmark album that has left an indelible mark on the industrial and alternative music scenes. Its innovative use of sampling, emotive lyrics, and diverse musical influences make it a compelling and thought-provoking work. While its polished production and experimental nature may limit its appeal to a broader audience, its thematic depth and intellectual rigor ensure that it remains a significant and influential album. The Young Gods have crafted a sonic journey that is both challenging and rewarding, inviting listeners to explore the darker recesses of the human condition. "L'Eau Rouge" stands as a testament to the band's creativity and vision, cementing their place in the pantheon of industrial music pioneers.

Interesting album. Some great sounds and very experimental. Liked the mix of French and English and the different styles put together.

Industrial that I love because it is not just a single approach, references are pulled from older cabaret music and expressionist art. I have seen them live back in the early 90's and they were fabulous. The Kurt Wiel album is also very good.

This was a fascinating industrial/cabaret album, I adore the atmosphere! Some of the songs were a little repetitive for my taste, but I liked most of them.

Älskar plattan och älskar dessa schweizare. Ägde maxisinglarna från skivan. Fick mig att köpa "plays Kurt Weill" också fast den var ju inte lika bra.

- "wtf" - me after the first song - "W T F ?" - me after songs 2-14 - this album sounded like a weird combination of bad French rock and a Disney film soundtrack - needless to say, it just did not do it for me

Been meaning to listen to these for 40 years. I wish I hadn't waited. I would have loved them even more in my teens.

Before Rammstein there was The Young Gods! This album influenced many of the industrial bands you know by name and other than the rosters of their label PIAS (Play It Again Sam),Wax Trax! Records, Nettwerk Records, and 4AD, not many bands quite sounded like THE YOUNG GODS' L'EAU ROUGE. If their vocals had been performed in English, they probably would have been even more influential. Favorite tracks: "Rue des tempetes", "L'eau Rouge", "Ville notre", and "L'amourir".

What the duck is this? And where can I get A LOT more of it?!? Fuck yeah this is like industrial metal with Moody edges. New fan here. I can't believe this was 1989! It sounds middle 90s to me.

L'eau rouge (French for The Red Water) is the second album by industrial band The Young Gods. It's considered their masterpiece and received many accolades. The music is dark/gothic industrial rock with symphonic elements. Many audio tracks were used giving the feeling that an orchestra was backing the band and the production was awesome at keeping everything in check. This unique album combined many things from multiple genres to create an amazing experience for the listener. From the first track, you will be absorbed into another realm of bleak vaudeville that refuses to let you go until the final note of the last song. Such an interesting album like this deserves to be listened to.

Is this brave? Or stupid? Can’t decide. It’s like the weirdest pub band I can imagine! French industrial synth rock? Who the fuck knew! I’ll come back to it a few times before deciding for sure but at the moment it’s a solid 3. Some will adore this, many will loathe it!

On réalise rapidement lors de l'écoute que la grammaire française et la bonne prononciation des mots de la vie courante n'est pas la priorité de ce groupe suisse.

Bizarre. I found this simultaneously repugnant and entrancing. Flitting from some sort of mad euro-thrash metal to the avant-garde (at times very much like Tom Waits - except in french, which really doesn't help). I must have played the whole album 4 or 5 times so far but I'm still no nearer to understanding what's going on. I don't even know if I like it or not. It just sits there, demanding to be played (again) and that way madness lies. I'm quite disturbed, both by it and how it makes me feel. I'm going to try never to play it again and to forget I ever heard it.

"L'Eau Rouge" by The Young Gods is a puzzling blend of industrial rock and experimentalism that ultimately falls short of its potential. Released in 1989, the album's heavy use of distorted guitars and electronic textures creates a dense and abrasive sonic landscape that may appeal to some listeners but feels overly chaotic and disjointed to others. While tracks like "Skinflowers" and "L'Eau Rouge" showcase moments of intensity and innovation, much of the album feels repetitive and lacking in direction. The band's attempts to fuse genres often result in muddy arrangements that fail to leave a lasting impression. Overall, "L'Eau Rouge" is a challenging listen that may only appeal to fans of avant-garde industrial music.

It’s always an exciting day in this household when one of the lowest rated albums on the site gets recommended. I’ll wonder to myself, “Is it truly bad (Kid Rock’s “Devil Without a Cause”) or is just outside of the comfort zone of the users of this site (Lightning Bolt’s “Wonderful Rainbow)?” Half of this kind of sounds like Nine Inch Nails circa Broken, the other half like a Tom Waits score for Cirque Du Soleil, all sung in French. If those things appeal to you…enjoy the madness. It ain’t for me man, but I’ve heard worse albums on this list.

Not my thing. Impressive for 1989 tho.

Constipated Frenchman trying to beat his best time.

Not great, but not offensive. Some great theatrical moments in the early going. Not something I'd return to.

okay industrial rock. I probably won't listen again.

I don’t mind it being French. I do mind it being shit.

Fucking shit

Parts of this reminded of the boat tunnel scene in Charlie and the Chocolate Factory. It got weird, dark, a little creepy, and altogether unpleasant.

petica jer sam jako ugodno iznenađen! čak mi ni pederluk jezika (fr*ncuskoga) nije uspio pokvariti dojam. pjesma "šarlot" - vrh!

faktaa on nyt se että ensimmäisen biisin salamyhkäisyydessä tajusin että tulee olemaan 5 star... sitten kuuntelin 3 biisiä eteenpäin... teema pysyy samana ja kuullostaa hyvältä.. sitten nukahdan... tämä on incredible... ja joskus saa saattaa loppuun.. ei nyt.. copy tradetaan oulu..

Really intense and you don’t have to understand French.

I thoroughly enjoyed this album! Great tunes, and I loved the lead singers voice.

Gotta love how it takes about halfway through the first song before this album tells you just how industrial it's going to be. This album fucking ROCKS! Sounds like a parody, but is played so straight it still sounds menacing. Love the mix of the strings and horns with the super industrial sound, and that absolutely GUTTERAL voice is the cherry on top. I'll throw this one in the "never would have found on my own" 5 star collection

Listening to this has me saying sacré bleu like Blacque Jacque Shellacque. And sometimes I'll throw in an omelette au fromage for emphasis. A little industrial goes a long way for me but this is enjoyable with just enough quirk.

Unique and cool sound.

Bold, unique, I’ve never heard anything like it. Wow.

Really taking you somewhere. Scary. 80’s Scary movie chase scene (Rue des tempêtes.) Charlotte is folksy. Grissley voice. Jumps between vibes in first 5 tracks. Les enfants has some gutteral vocals that could be in Dune. There is toil and grind and the triumph of the masses in there too Fav Track: La fille de la mort, Charlotte Least Fav Track: Lounge route Ratings: Personal /5 Critical /5

Felt like a French god

Warum hat mich dieses Album so fasziniert? War es die französische Sprache? Oft war es ganz schön schräg und schrill. Dann hörte man drehorgelartige Musik und wilde Orchestrierungen. Dann klingt die Stimme wie Tom Waits, der dann auch Death Metal singen oder krächzen kann. Das alles war so spannend, atemberaubend. Ich kann nicht anders: das war die aufregendste Musik seit langem für mich.

Well crafted industrial music is hard to come by. I guess I should have looked in Switzerland. This was a genuine treat and exactly the sort of thing I was hoping to find. I can understand why it’s a little out there for some folks, but it worked for me

5/5. An atmosphere of futuristic wasteland is the best way I can describe it, like a broken down ice cream truck stuck in the middle of a forever sandstorm. Dark industrial sounds with rough and heavy vocals with great rock style samples throughout. I want to explore this world they have created but would know I have no way of surviving in it. Just awesome stuff, no flaws. Best Song: La fille de la mort, L'eau rouge, Longue Route

great

A brute force mash up of industrial, rock and electronic with a dark cabaret feel. The singer sounds like an angry Tom Waits at times. The songs walk a tightrope between accessibility and utter chaos. Not knowing what the lyrics are may actually work in its favor, as the voice becomes just another instrument. Initially intrigued, I find myself liking this a lot.

One of the best albums I listened to in the last years. Different style but similar listener satisfaction compared to Monika Roscher's "Witchy Activities And The Maple Death" and Bloodywood's "Rakshak".

Wonderfully insane French rambling nonsense - I loved it! Hundreds of different styles and feelings, all with a cheeky nod to silliness. Great fun, and a great album

Hm, per the description they're an industrial band? Okay. That would be wonderful, but the beginning of this first track is not very industrial. When i think Industrial I think KMFDM, NIN, Ministry etc. I do love French music though so even if it's not that kind of Industrial I can still dig it. I love that I can understand some of these lyrics. Thanks Duo Lingo. Their Spotify bio says they were pioneers of Industrial Punk so I'm still holding out for something amazing. Oh snap, nearing the end of this track and it's beginning to show promise. lol. Okay this did become exactly what I wanted it to become. I gotta say this is pretty fucking great. We've all heard industrial German bands like KMFDM, and Ramstein, and you'd expect that from German. But French!? French is the love language. So to hear these dark, growly French lyrics is a new experience for me. Refreshing! Super diggin this. I hear some Nitzerebb influences in here as well as Skinny Puppy. This album quickly climbed to 5 stars!!

Hmm, do I like this? It gets real metal in places, sometimes reminded me of what Laibach in French would sound like, and there were even a few times I thought of Tom Waits, and then back to the metal. I may not play this at parties, but I enjoyed listening to something quite distinctive today. Thank you.

A terrifyingly off-kilter French vampire boardwalk amusement park. A perfect soundtrack for a remake of The Lost Boys.

tupakkaa vetänä ranskis... jaha heti kun vähän kiinnostavampaa niin 2.31 ratinki. oikeesti aika vitun hyvä album, industriaalia..ei edes paljoa, ei ole koneiden tärinää ja vasaroiden kalinaa tarpeeksi.. INDUSTRIAL on genren nimi .. ja tylsimmätkin thrash metal peruspoppi sektiot on parempia kun kyseisen genren mainstream bändit. toivottavasti muitakin epäenglanti kieliä kun espanja/ranska/saksa on täällä piileskelemässä jossain heh... monet biisit liian lyhyitä, voisi olla enemmän kuin eka biisi... kuuntelin 2 kertaa suoaraan.. la fille de la mort

I Listened To This A Month Ago. Gimme Something New please

idk yet

French nightmare fuel - enjoyed lots

theyve created a brand new human experience and when its not a brand new human experience it just reminds me of 2003 killing joke (i havent heard any killing joke from before then so idk how different it is) so far 1001 shows off some fun metal albums and i get to learn more about my own tastes

It starts out like you're having a bad acid trip with a french carnival barker yelling at you and that's before the thrash metal kicks in. This album is kind of a mess and all over the place but I actually liked it and it was refreshingly unique. Extra star for how wild this was

When I was a kid, I had this PlayStation game called “Sled Storm” which was a hyper-stylized snowmobile racing game. On of the races was this multi-level track that would wind through a demented, slightly surreal, nighttime circus world. Lots of misfiring pyrotechnics, evil clown obstacles, and some sort of race announcer yelling through speakers suspended around the track. This album reminds me of that experience. Much like I do for baroque pop, I locked the fuck in when the opening song started out with a demented circus style loop and a raspy, belty lead singer. Total personal bias, these things just always grab my attention. But I think if you’re willing to wait out the slow first half of the opening song, almost any listener will be super engaged with how the track transforms into a crazy, noisy collage. I think my highlight on here is “Longue Route” for how much is sells out with the loudness and noise, a couple cool airy sound effects, and a very good loop at the first half of the song. But honestly it’s hard to pick out one favorite, as this one of this albums best qualities is how well all of its pieces work together - songs different enough to stand out from the others, but all very cohesive in creating a very specific ambiance. I’d love to see what the production and recording process was like for this record. There’s such a unique mix of looped instrumentation and samples, almost all with some reverb or post-processing effects added to make it all sound like it came from the same centralized recording location. Lastly, this album leaves me wondering about a few things. Would I have enjoyed this as much as I do now if this were one of the first albums we had on this list, or if I listened to this at a much younger age? Maybe, but probably not as much. This does require some active listening ears. Did the language barrier help or hurt here? I don’t think it hurt, but I’m not sure it helped either. Am I giving out too many 4’s lately? Also maybe, probably. I don’t intend on listening to this record ever again, at least for leisure. But I really did get a lot out of this album. I have a tremendous amount of respect for this album, for using instrumentation we are all familiar with in a completely unique way. The Young Gods interpretation of how to make music, and their composition/production process, all deserves a 4/5.

OK, so they're the French version of Rammstein. Gotta say this is pretty damn good metal for something from 1989. I never would have guessed they were contemporaries of Metallica if I hadn't seen the year. The weird stuff doesn't always work and I don't love the vocals (although I'm not sure why I find them inferior to the two bands mentioned above), but other than that this was pretty good. 4.2

from the deepest pits comes a dramatic and almost alien rock album, unlike anything i've heard before. mostly in french, this album is mechanical and almost villainous. pairing orchestral samples and drum machines with deep guitars and gravely, sinister voices, this album is an acquired taste. at first i was put off by the sound, but the more i listened the more i liked it. if you like nine inch nails, but you're a classy victorian lady, you'll enjoy this one a lot.

Billy Idol meets Def Leppard meets Leonard Cohen meets Jacques Brel with a little Rob Zombie thrown in. Didn't understand anything other than the words L'Eau Rouge. Surprise 4 star.

I actually... love this? With experimental music, I feel like you often either love it or hate it. And this is right up my alley. It mostly consists of repetitive drums and samples and frantic vocals, but they're occasionally interrupted by amazing riffs and melodies. I think this album strikes a perfect balance between being atmospheric and exciting, and I actually enjoy this kind of approach a lot. It didn't overstayed its welcome and was never boring. The only song I didn't really like was Charlotte, but it's only 2 minutes. Definitely not the finest work of experimental rock I've heard but great nonetheless.

Damn son. What a start to my day, this is sick. I definitely enjoyed this, this is Somme good industrial for sure.

This is why I signed up for the generator. I’d never heard of The Young Gods before and based on the reviews, I would never have sought this out (even the good ones didn’t make it sound like my cup of tea) but I really enjoyed it. Who knew I liked Swiss industrial rock with a dash of the theatrical? Not me.

The Real Young Gods - Len Houmous & Ken Chutney c1960. 4.2

The scrawled slab of stone plunges into red water as the industrial minded Young Gods refine and improve upon the sample-based soundscape of their first record. Nearly every song on here can be considered a peak in the fusion of pure electronic and rock that isn't diluted by pretentious histrionics. May these young deities grow wise in age. Favorites: La fille de la mort, Rue des tempêtes, L' eau rouge, Longue route, Crier les chiens, Les infants, Pas Mal.

tönt na funny bis jz? STRINGS WS BAUT UF ES BAUT UF hahahaha ich lieeebs, nüt zum immer wieder lose aber gad als erfahrig findi la fille de la mort uuhuere geil rue des tempêtes soooo over the top, aber bin gad richtig ide stimmig (riese bass) charlotte chli "ruhiger" haha longue route eifach mrga metal ja er het keis engelsstimmli und au keini wo ich ständig wür welle freiwillig ghöre aber es passt gad also ih mim chopf isch de franz treichler en riiiese tubel mit dere dreckige stimm les enfamts findi jz recht arsch ABER ICH HANS ALBUM GRUNDSÄTZLICH RECHT FEST GLIEBT WNL ich wirds jz nümme hüfig lose gahn ich schwer devoo uus aber s isch unhinged, weird und aggressiv, also es 4i.

To me this sounds like an early prototype of Rammstein .... except French

Sick this. Despite what some philistines in this group would have you believe, noise rock can be good (take notes Liars and Einstürzende Neubaten). The album reminds me somewhat of Swans earlier/darker stuff but has some rockier riffs that complement it well and give it a bit of groove. Longue Route sounds a bit like Butthole Surfers. So it’s a bit of a heady mix, but one which works for me. It can be quite intense but has some light and shade in there, so isn’t as unlistenable as some of the other records we’ve reviewed here (Prince). It’s gritty but also very French, which isn’t a juxtaposition you get a lot, but it’s one which works on this record. Best Tracks: Longue Route, Rue des Tempêtes

wild listen! was very bouncy bouncy nightmare before christmas vibes

Oddly compelling. I've heard the band name in passing before, but never listened to them. It's weird, but I enjoyed it a lot.

Went into this with low expectations and was blown away. Starting off like a haunted cabaret, this quickly becomes a thumping industrial noise fest, with incredibly varied and powerful vocals. Drops off a bit towards the end, but the first two thirds or so is a blast

A dramatic flair Metal rhythms, punk inspired French high art in rock

No me esperaba para nada que sonara como sonó. Tiene una mezcla de sonidos y estilos agradable, ya que va cambiando y no se torna aburrido.

New to me and really good

This went way harder than I expected it too. Rare win for the French language.

Opener La fille de la mort is a multipart bad-trip. Opens with a carnival sounding instrumental that grows increasingly demented through the midsection, before turning to something that resembles a normal/bright structure around 6 minutes. Then the night terrors creep in again in the form of horror movie strings and thumping percussion. All the while punctuated by a deep French throat singing. I'm both unnerved and impressed. Rue des tempetes is built around an absolutely wild sounding guitar loop. Has no right being as much fun as it is. Charlotte is a weird Parisian street song that feels like it could have come from a demented Lady and the Tramp -- honestly pretty solid though. Longue route is like if hitler youth, Megadeth, and Rick Rubin had a love child. And as bad as that may sound the result is actually pretty interesting. Out of the gate I was scared, but this was a surprisingly fun ride. Not something I want to listen to all the time, but this had a TON more depth than I was anticipated from the Megadeth-esq vocals. production was solid, as was the use of looping and sampling throughout. I suspect most won't care for this one because it is off kilter, but for me it is a soft 4.

Some crazy industrial rock with a screaming Frenchman singing, what's not to like about that? This album had some really cool metal aspects to it with some random strings thrown in which I really enjoyed. Makes sense that one of the genres is listed as Symphonic Metal. This was surprisingly awesome especially once the singers crazy voice started to grow on me. The uniqueness of this album really pushed it up. Don't think I would ever listen to this again but for 1 playthrough it was quite a ride.

Dark, Loud, Tight, and very Industrial

good album, enjoyed it a lot

almost every member of this band is credited with "sampler" except for the drummer who is the only one playing an instrument. rly striking and inspiring stuff, tho a lil more in its conception than the actual music, at least for now...the strange Unmoored feeling that comes from building semi-traditional songs out of a sampler can be hard to find a place in on just one listen. still, i literally havent heard anything that sounds like this...the strange theatrical undertone and the menace of the vocal delivery add additional wrinkles to what could just be a one-gimmick band. in its best moments, it feels like the sky is the limit but its also made of bronze and trapping u

Dit is natuurlijk in het Frans, maar het voelt heel erg Duits aan. Het lijkt een voorloper van de stevige elektronische rock. Het is echt wel even wennen, ook omdat ze soms doorschieten met bijvoorbeeld de strijk-geluiden. Soms is het net of je tegelijk met een rock-album een film aan het kijken bent en lijken de geluiden ver van elkaar te liggen. Vaak haak ik af bij dat soort grollen. Maar in dit geval zorgt het dat ik geprikkeld blijf. Best prettig. Ik heb soms wel wat moeite met de zang, zeker als het schreeuwen wordt. Er zijn daardoor onderdelen die ik best een 1 zou geven. maar al met al lijkt dit album met zorg geproduceerd te zijn en laat het mij actief luisteren. Ik kan dit best nog eens opzetten. 3,5 ster.

3.6 I had to give this album a few listens to start to really appreciate it. You can hear the beginnings of industrial music mixed with French sounding music clips. Very interesting once you get into it fully.

4.5 Some of the cream of the first wave Industrial class. I don;t speak French so for all i know the lyrics are about ducks and spiders but it POUNDS hard and gets drunk in a late night cabaret. Plays Kurt Weill is probably my fave YG but this is superb

4.5 stars. I was into this. 80's ish metal that is just experimental enough. At times heard some Rammstein, Motley Crue, and Iron Maiden influences. Standouts are "Rue des tempetes" and "Longue route" and "Pas Mal".

This was a much needed surprise. Chaotic and unpredictable. How have I never heard this before? I can see how Mr Bungle and more specifically Mike Patton was heavily influenced by the intensity of this band. The way the guitars are sampled and manipulated is really creative and at times they reminds me of The Refused or NIN. The hybrid approach of live drummer verses programmed drum machine is an entertaining battle to hear play out. The synths and samples used are so menacing as they bubble up from sporadically placed orchestral string runs to a full on distorted and warped symphony. Even though I don’t understand the language I still love the vocals here. The growls and screams show hints of Tom Waits. Overall I really enjoyed this one.

This is what I'm doing the list for. Nice to hear to some new ideas. Will I listen to again: 100%

French NIN. I really liked it

Grew on me