Album Reviews

slaps

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I could do without all the extended bass solos, in all honesty some of them sound like a kid just plucking away. I'm convinced the guy was just going to town and the rest of the trio were trying to make sense of what's happening. Albums like this are why I'm not a jazz guy. Clearly talented musicians but it just never gets off the "we are kicking around ideas to see what sticks" stage for me.

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I enjoy Cars of course, but I thought the album as a whole was a little repetitive and couldn’t get into the entire album. I recognize the significance of Gary Numan pioneering the 80s synth pop movement, so I give it stars for being original, but I had higher hopes with what I knew in Cars.

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I mean it’s so good. Especially, In the Ghetto and Suspicious Minds.

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Standard 60s folk music with a slight edge. Overall enjoyable

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Remains one of my favorite no-skip albums.

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Ich würde ne solide 3 geben aber wegen One of us müssen es 4 sein

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Love this album saw them love twice a decade a part. Hard to capture the magic..girls love kt

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Brilliant.

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Is there a score less than 1 star

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Har en god del filler, men de gode låtene gjør opp for det. Hadde glemt hvor kul 19-2000 er. Sterk 3

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Kind of glum but I still enjoyed it.

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More experimental, less rock than other stones albums. Enjoyed it, less hits than others. 3.5

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ac/dc without the personality and some questionable lyrics was briefly enjoying it at We Are The Roadcrew -> Fire Fire but that moment of fun immediately got put to a halt by Jailbait. ew

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Again a little corny for me not my thing

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Impossible to rate, and borderline unethical to reduce to such a thing as a "star rating". As a historical record and document of music history, the "American Songbook" records by Ella are indelible, iconic, monumental. Listening to this all at once though is overwhelming and near impossible to digest. Some of the songs, obviously, are better than others, but I wouldn't lose a thing. As for Ella herself, I love her, of course, but I do prefer my jazz singers to have a bit more grit in their voices. She's almost TOO perfect. This (and the rest of her American Songbook records) are all but required listening for anyone interested in the history of American song. Fuck it, five stars, not because it's a perfect "album" per se but because is, without reservation, an album you need to listen to before you die.

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Want to start off by saying that this is not the music that I typically listen to. However, it is very melancholic, but at the same time, hopeful and outgoing. Instrumentals are a little lazy and not creative. Lyrics sound like they have a deeper meaning that just what the words are saying.

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Not the best Steve Winwood hits bur an enjoyable listen for people named Carly

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Got already

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- I don't support Zionists and SAers. - Lucikly, I also find the music pretty boring - it just doesn’t move me, except for small parts like the sudden melody in Snowblind, and Laguna Sunrize is a pretty break from the aggro vibe throughout. I honestly don’t remember any of the album after listening to it (other than Changes, I guess, which is pretty enough, but the "cat-hat-sat" style lyrics take me out of the vibe). I wouldn’t reach for this album again, even if it wasn’t off the table because of Ozzy. - The solo guitar work is pretty great, though.

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don't care

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I hadn’t listened to this album in a while. It’s great though.

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I surprisingly love everything about this.

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A sequence of absolutely classic songs and amazing lyrics. The perfect soundtrack for your post-break heart maladies.

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Ugh electronica

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Sounds like I'm at someone's fucking funeral. Boring shit that shouldn't be on this list. Almost fell asleep listening to it. 3 / 10

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One of THE albums of the 90's, and helped define 90's music for a whole generation.

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Corporate Disney Rock Sucks

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This is a really great album. Frank has a lot of really great albums. Music is magic. Back in the days of paper maps me and a buddy would go find undeveloped hot springs in northern Nevada. I drove, he navigated. Lots of road trippin' listening to Van Morrison, Tom Waits and Frank. If you're ever around Austin, NV and you're so inclined, take an evening to visit Spencer hot springs, crack open a Sam Adams Summer Ale, light up a cigar and listen to Frank's Summer Wind for me. Like I said, music is magic and this album swings.

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This shit slaps, just like I heard it when I was in high school. I remember I had a cassette tape someone burned for me, it was like 74 minutes on each side. One side was this album, the other side was Evil Empire. But plant me smack in the middle of the group of people that didn't pay attention to their politics or care about them. I just liked the anger, the guitar...it is music to have on while you're lifting and working out. It's just hard to take their politics seriously and it was hard to take their politics seriously back in the day. I remember some magazine article where these guys were out golfing...the hypocrisy was just evident from the start. And while I'm sure these guys really believe the shit they're yelling about, they're just cartoons, especially Morello and De La Rocha. They built their identity and messaging on anti-capitalism and anti-corporate power while becoming hugely profitable, major label stars that sold out arenas. They Raged Against corporate exploitation and then sold tickets through Ticketmaster and Live Nation at prices that the working class couldn't afford. Yeah, they've donated money, yeah they protested Ticketmaster at one point but at the end of the day they used the system. They signed with a massive corporation in Sony and always claimed some bullshit along the lines of "we're using their money to spread anti-capitalist ideas" which was just fucking hysterical. Sony didn't sign these guys because of their ideological messages, they did it cause RATM made them a shit ton of money and you don't subvert capitalism by becoming a platinum selling band inside of it. Morello lives a really comfortable, elite life. The rest of the band members do, too (De La Rocha's house that went up for sale a few years ago is very nice but not over the top extravgent, I will give him that, but it was still 3 million) but Morello's a bit above the rest. It doesn't invalidate their beliefs but it's hard to take their moral high ground seriously. There's no personal sacrifice here. In their own way, they're completely safe. They felt somewhat dangerous in the 90s and were always loud and angry about US imperialism, capitalism and policing. They are consistently quiet on authoritarian left-wing regimes, labor abuses in countries that are aligned with their preferred politics and censorship when it comes to their side. I will admit that they've donated millions to activist causes they believe in, they've platformed radical politics since the start, they've never pretended to be neutral on anything and I think they've read the books they put in their albums instead of pretending to have read them. That all said, the self awareness is lacking. They exist inside of capitalism but they think they're morally superior while they rage from the penthouse that overlooks the machine. It's a band that rallied around being dangerous to power but always embraced it, especially when it suited them best. Now... what they should have done was adopt the philosophy of Ian MacKaye. MacKaye didn't just say anti-corporate things, he designed his entire life and career around never having the message and behavior be in question. MacKaye is the anti-RATM. No major labels. Ever. He never had to explain that contradiction because he never got there to begin with. He capped ticket prices for decades. Never gave in to festivals...it was always 5 bucks. It was a moral obligation and he never strayed from it....and he never needed Ticketmaster. Yet, he still sold hundreds of thousands of records. Toured a shit ton. Influenced a lot of bands. He never went to sell out arenas, he never made the luxury leap, he never bought the big house and the fancy car. MacKaye's politics weren't slogans that he tapped into whenever he felt like he needed to...it was DIY or don't do it, keep prices low for all ages shows, no corporate sponsorships, no gouging on merch. He just opted out of the system/machine instead of trying to play some sort of a game that RATM did. RATM chose maximum exposure, mass culture reach...MacKaye chose sheer autonomy and limits. Neither of these ways are invalid or bad, but one avoids hypocrisy completely. If RATM went the MacKaye way, fewer people would have heard them, they might not have been icons and they wouldn't have filled arenas. But no one could roll their eyes at them. So...yeah, I hate their politics. I'm not reading Howard Zinn, I'm not reading Marx, or Guevara or Alinsky or Chomsky. And a big reason why I never wanted to, even as an idealistic teenager, is that in 1996 when I saw RATM's reading list inside of Evil Empire, I just rolled my eyes. So why am I giving this a 5? It's music to lift weights to. As much as they don't want to be lumped into this category, it's music for football players and they had to have known that when they were making it but they did it anyway. It's great rock music, maybe even slightly innovative rock music, it takes me back to a time where I'd blast this album, not give a shit about their politics, understanding that the guys were making the music were hypocrites and realizing that most people are. And that's the lesson to be learned from RATM, it's not revolution, it's not anti capitalist politics...the lesson to learn from RATM is that most people are hypocrites.

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When this came up as my album of the day I was less than thrilled. This isn't what I want for Sunday morning dog walking in the cold rain and snow. Well, I couldn't have been more wrong. This is outta sight. Who knew I would enjoy downtempo electro dance pop so much? Quick aside, I try to not call people out for their reviews but come the fuck on, comparing her cover of American Pie to war crimes and human rights violations. It's a 4 minute version of a folk rock classic, not dropping bombs on women and children. Criminy, take a breath and actually listen to what you're saying. But anyway, this is another prime example why Madonna has been one of the most successful artists of all time.

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Based Oliver Cromwell.

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i’m convinced this guy doesn’t like quality vocals when it comes to music. just continuous off brand orgasms to titillate his auditory thirst. i’m quenched from whatever foul tasting beverage i’m being served. QUENCHED!

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The most widely misunderstood, and overrated, Beatles album. Something I think captures Abbey Road in a nutshell... They originally wanted to name this album Everest, and the cover photo was going to be the foursome on Mt Everest. Instead they named it Abbey Road and took a photo outside the front door of their studio. Despite its recent critical reappraisal, Abbey Road is not the sound of the Beatles at their creative peak. It's the sound of a band running out of gas, suing each other, and lowering their standards. The Beatles were not trying to make any profound artistic statements, they were trying to fulfill their contractual obligations as quickly as possible so they could move on. All 3 songwriters released better solo albums a year or so after this album came out and, clearly, they were saving their best material. I should mention I am a Beatles fanatic (not a hater) and can acknowledge the positives here. There are a handful of remarkably great recordings on this album, best of which is "Something." "Something" is an all-timer love song and one of the most mature, elegant miniature morsels the band ever made. "Come Together" is also quite unique -- a post-psychedelic reinterpretation of 50s rhythm and blues with a signature rhythm track unlike anything the band (or really anyone else) had ever done. But alongside these merits are serious problems. "Because" is a virtuosic piece of work, overshadowed by the corny Moog sounds. (The Moog generally does not work on this album, in my opinion.) Similarly, "Here Comes the Sun" is a great song at its core, but it gets bogged down with its overblown prog rock arrangement. The B-side medley is probably the best example of their misfire and it still shocks me to read reviews from people who think it's some kind of masterful experiment in songcraft. They took unfinished scraps of songs that might have really had an impact if they took the time to work on them (e.g. "Golden Slumbers," "Mean Mr. Mustard"), threw them in the pot with a bunch of other crap, added a Moog and an orchestra, served it up and said bon appetit. John acknowledged many times in many interviews that the medley was pure lifeless junk. And there's a scene in the Anthology documentary where they are re-listening to studio masters of some of the medley orchestration; Paul is absolutely high on his own farts and George looks straight into the camera to say "a bit corny, init?" Yes! It is very very corny. When the theme to "You Never Give Me Your Money" returns as a horn section during "Carry That Weight," I get a full body cringe. John is only half-present on this album and it clearly shows. There are a number of songs he didn't touch, and he didn't even bother showing up to the final recording sessions. He's also, clearly, not sharing his best work -- most of what he wrote on this album had been kicking around since the band came back from India, and Plastic Ono Band (which is a MUCH better album than Abbey Road) was recorded shortly after this. "I Want You" is the closest thing to a proto-Plastic Ono song on Abbey Road, and it pales in comparison to others in its style (like "Yer Blues" or "Don't Let Me Down"). What we're left with is Paul's ego unchained. The medley has his fingerprints all over it, and "Maxwell's Silver Hammer" is legendary in how badly it pissed off the rest of the band. "Oh Darling" is fine, but it's a weak pastiche at a time when a zillion musicians (including John) were doing a much better job of playing with roots rock n roll revival. It's been quite surprising to see this album get reevaluated in the past couple decades by younger audiences who have elevated it to "masterpiece" status in the same way the Boomers latched on to Sgt. Pepper. I'm not entirely sure why this is the highest rated Beatles album on this site, but it probably has to do with the cleaner production standards compared to their earlier 60s albums; in the end, I think most people just want easy listening. All in all, Abbey Road showed the way to the future in 70s rock radio, but mostly by influencing its worst tendencies, i.e. corny prog pop and soft rock. This doesn't sound like a band at the cutting edge of popular culture, it sounds like ELO or Wings or any number of yacht rock bands. But hey, I suppose that's also why a lot of people like it -- ELO sold a lot of records.

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One second you’re enjoying a sophisticated manhattan whilst chatting up someone at the bar. The next, running from the mob through back alleys in a foreign country. Romanic, chaotic and so much tension

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A few years prior to this being released I was living in Long Beach. When I saw the video for Who Am I? I recognized the record store he was on top of. This is obviously a classic of the genre and Snoop is probably the best at the rap game for my money. I'm gonna tell my grandkids to always remember, if you smoke ounces every day, drop the N word 154 times, the F word 62 times and the B word 58 times all while grabbing your dick and your gun, you too can one day be an honorary coach of the US Winter Olympic team. God Bless America.

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This album is excellent. If I could change one thing I would take the vocals down a bit and boost the bass. Andy Rourke's bass lines are killer and they're the standout part of this album for me. Johnny Marr is great as always, I really enjoy his playing. I started this project in August of '23 and I've spent a considerable amount of time here since. I've been consumed by music as far back as I can remember and I truly look forward to a new album daily. Thank you Alex for creating the generator and all of the work you've put into it. This experience has been a high point in the last few years.

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Murderer, rapist turd.

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I can’t believe the top review for this record (as of Dec 2023) is from someone trying to use their PhD in Mathematics as justification for not liking hip-hop. Weak.

Oh fuck yeah, now we're talking. Wait no, I swear I'm not being pretentious. This is the lowest rated album on this site because I guess mostly people aren't very fond of German people smashing metal plates together - who would have guessed. But halle-fucking-lujah, this is something this list needs more of. Albums that make you go "well, that was an experience and now I'm a changed man". Nobody is lying on their deathbed wishing they heard more crappy 80s post-punk or late 60s psychedelic rock. THIS is what we all deserve to be listening to as we embrace eternal oblivion. I'm giving this a high rating not only because I genuinely really love it, but also to help Kid Rock move to his rightful place as the actual worst album on this list. Together we can make a difference. Save the turtles.

Brings back vivid memories of when me and my mate Ray went on a trip to Dresden. We met this rotund goth in a bar, head to toe with tattoos and piercings, real filth and after a while took her into the disabled bogs for a spit roast. We were both pumping away in her with Napalm Death on in the background and her wailing "MEIN GOTT" at the top of her lungs. I remember spaffing all over her back just as Siege of Power kicked in. As i shoot over her, she takes Ray's cock out of her gob and says "do you want fries with that?" in a faux American accent. Anyway, we go outside and there's this gammy little geezer in a wheelchair sitting there furious, giving me daggers, because he's had to wait so long, so I lean into him and I go "I hope you have as much fun in there as we just did you little cunt".

Shit like this on the list is both refreshing and infuriating. Refreshing because it is good, fun, interesting, and also not something I would regularly be exposed to! It's why I started this project and keeps me coming back. It's infuriating because the fact that it is included here means that Robert Dimery, the original author of the 1001 albums list is aware that music like this exists. He's clearly aware that there is an entire world of music out there. SO WHY HAVE I LISTENED TO 200 80s BRITISH NEW WAVE ALBUMS AND 200 SCOTTISH ROCK ALBUMS FROM THE 90S??!!?

Back when I was in college I used to go to a bar and listen to Neil tunes and do magic tricks for women. There was a bartender there, he was the best. I loved that guy. Some of the best years of my life.

Back when I was in college, there was this dude who would come into the bar I worked at on a Friday night and play fucking 10 Neil Young songs in a row. He would also hit on girls by doing magic tricks. I remember how angry I got every time he made me listen to an hour of Neil Young because I was just trying to have a good time, and he fucking made me listen to this sad, soppy fuck who writes nothing but songs that sound indistinguishable from each other and never seemed to enjoy a happy moment in his entire like. Fuck that guy, and fuck Neil Young. 2/5

Sorry Boomers/Gen X, I was like 20 when this came out so it's one of the best things to ever happen to me. Sorry it's not King Crimson or whatever.

Rap isn't my preferred genre of music. But I'm a shitty mathematician so I enjoyed this.

I really don't get rap, and I am completely aware of why. I'm a STEM guy, specifically a Ph.D. student in mathematics. Although my verbal intelligence is quite high, it's still about a standard deviation below my quantitative intelligence. Therefore, it should not be too surprising that I prefer melodies to lyricism, and that a genre based on the latter doesn't wow me. I know I'm pretty far out of step with public opinion on this one, but that can easily be attributed to the fact that hipsters with humanities degrees (i.e. extremely verbal-dominant people) are considered the ultimate arbiters of taste for some reason. (Side note: this also explains why prog rock is seen as being for losers.) Best song: Be (Intro), which had a decent instrumental part at the beginning. Everything else just sort of ran together.

Music for incels to wank furiously by

Rage In Favor Of The Machine.

The only enjoyment I got from this was reading the review about the brothers in Dresden and their lovely and talented tattooed friend.

i ain’t listening to all that i’m happy for u tho or sorry that happened

Most 60's groups had three choices: copy the beatles, copy the beach boys, or sexually abuse minors. These guys changed the game and did all three- Four stars!

5: The moustache that appear on Art if you put your thumb on Pauls face on the album cover. 5: The songs.