Ruby Vroom is the debut studio album by American rock band Soul Coughing, released in 1994. The album's sound is a mixture of sample-based tunes (loops of Raymond Scott's "Powerhouse" on "Bus to Beelzebub", Toots and the Maytals, Howlin' Wolf, the Andrews Sisters, and the Roches on "Down to This", and a loop of sampler player Mark Degli Antoni's orchestral horns on "Screenwriter's Blues", among others). It also features guitar-based tunes like "Janine", "Moon Sammy", and "Supra Genius" and jazzy, upright-bass-fueled songs that often quoted other material—the theme from Courageous Cat on "Is Chicago, Is Not Chicago", Thelonious Monk's "Misterioso" on "Casiotone Nation", and Bobby McFerrin's cover of Joan Armatrading's "Opportunity" on "Uh, Zoom Zip". On September 12, 2024, the band announced on Jimmy Kimmel Live that a remastered 30th anniversary version of the album would be released on CD and vinyl, which includes bonus songs from the era.
The album sold approximately 70,000 copies, as of April 1996, according to Billboard.
Ruby Vroom is the debut album of Soul Coughing. As a whole this is a better album than Irresistible Bliss, but this one doesn't have a classic like "Super Bon Bon" and it's a bit too long. Still it is full of jazzy and blues rock music that is very pleasing to the ears.
This reminded me a bit of Cake, who I also liked a great deal from this era. Lots of interesting sounds had me several times thinking there was an odd noise in my house - but it was part of the song. I enjoyed this quite a bit!
actually super fun! I really liked this! far from a perfect album, but I always love dynamic indie rock, and it was really cool how sample-heavy this was! 9/10
I heard this back in the 90s and was a big fan then. Still am now.
Incredibly addictive jazzy jams with charismatic, stream-of-consciousness lyrics that feel like poetry. Fantastic sound, great dynamics, excellent upright bass work by Sebastian Steinberg, and eccentric sample work throughout.
I see people calling this completely original and unique, but I'm not convinced that's the full story. In the 90s, there were similar bands doing this kind of genre-blending, especially in Europe. This didn't exist in a vacuum, even if it felt unusual in the American alt-rock scene at the time.
That said, what an incredible stunner of an album. I'm thoroughly enjoying this again, just like I did in my teens. 4.5 stars.
Took a bit to ease into the neo-soul/Tom Waits foundation this LP builds upon, but once I got there I greatly enjoyed the sleazy, backroom clouded with cigarette smoke vibes. There’s just enough gritty rock instrumentation to drive the clubbier vocals and sax and give this LP a distinctly unique feel in a crowded field. Awesome these guys got back together this year, really enjoyed this album and would get tickets for the next round of touring.
I feel like this is probably one of those love it or hate it bands for most, the particular style and quirks of the music and lyrics profoundly irritate some people I know who's musical opinions I value a lot. But I always liked it and at one time listened to this album quite a bit, and I feel like there is some real substance behind the laid-back style.
My preference in Soul Coughing's discography goes to their sophomore LP *Irresistible Bliss*, which is a tighter and more effective album in spite of its (voluntary) ugly-ass artwork. But if *Ruby Vroom*'s full hour had been self-edited a little, especially on its second half, you would have had a perfect debut, thanks to its insane sense of groove, its crazed sampling, its drums and double-bass regalia, and M. Doughty's particularly distinctive voice, in all the senses of the phrase.
Just so you know, the original, non-deluxe tracklist stops after "Janine". But whether you stop there or not, I think you can safely say that a stellar and very original 45-minute LP lies there somewhere. And it's up to you to find it.
3.5/5 for the purposes of this list of essential albums, rounded up to 4.
8.5/10 for more general purposes (5 + 3.5).
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Number of albums from the original list I find relevant enough to be mandatory listens: 465
Albums from the original list I *might* include in mine later on: 288
Albums from the original list I won't include in mine: 336
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Number of albums from the users list I find relevant enough to be mandatory listens: 69
Albums from the users list I *might* select for mine later on: 87 (including this one)
Albums from the users list I won't select for mine: 168
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Emile... Je viens de lire ta dernière réponse. Je vais essayer de trouver le temps de rédiger la mienne bientôt. D'ici-là, ben bonne année
There were a few songs that were very conversational Dada, in my mind. I dug those, like "Screenwriter's Blues".
But some of the songs that were closer to be "songs" just got repetitive and annoying ("Down To This", "Bus To Beelzebub").
I also felt the last two tracks could be a bit shorter.
I get why this was listed by users; it's quite different from some of the other stuff around at that time. But it shouldn't be a mix of annoying and interesting.
Wish I were better able to get past the vocals sounding like an obnoxious mashup between CAKE and Smash Mouth, because there's a lot of very fun things happening in this on the music & production side.
The songs on here that hit get surgically implanted into your brain as permanent earworms until the day you die. Get ready to be hearing "A man drives a plane into the Chrysler building" as you're trying to fall asleep at 3AM.
But it's kind of a mixed bag over all. Probably too long and frontloaded for its own good.
This a a really weird mashup of a bunch of genres. And the singer isn't doing the album any favours. This is a 2, but I'll bump it up a point for at least being an interesting time
I don't know. Some part of me totally embraces the teenage feeling of grooving to this, and the other part files it just under ska for shameful joys of the 90s. It's not Soul Coughing's fault, to be fair, but this just feels so of a time that it feels weird to hear it in 2026. Still, my dislike for my own nostalgia is not a fair way to rate this, so I'll have to split the difference.
Frustrating. There's an art to fusion right? Fuse together a bunch of flavors and the meal may taste like crap. I once ate sushi with pop rocks on it - interesting, unique, but not exactly delicious cuisine. There's some decent individual pieces but altogether it's a dog's breakfast or a sh#t sandwich. I painfully let the album play because if I don't finish an album that's a 1 and I felt like that was too harsh. But I skipped to the end of a few songs.
A different alternative sound that mixes up the genres. To me the biggest drawback here is the singer who just has a sound that slightly irritates me, not sure why. The instrumentals vary with alternative rock and jazz while having some hip hop funk involved too. It’s an eclectic mix but lyrically a sound wise it wasn’t something I’d want to hear again. 5.7/10