I generally hate listening to Bob Dylan sing, but I ended up appreciating this album. Easy to see this being groundbreaking in 1965. Probably won't listen again, but glad I listened once.
Appreciate, probably won't listen again. Followed along with lyrics for the full album. Effective presentation of pain and anger.
Well, I don't love the Smiths. Interesting commentary though
Engaging and interesting. Already liked some of these! Very visual storytelling. Lots of outlaws.
Crazy diversity in one album. Favorite track - Genesis. Made me want to go dance for 3 hours, which sadly was not an option at 7pm on Thursday. Will listen again.
Sunny opening and very listenable funk throughout. Songs were different yet cohesive. Fun, would listen again!
Fun jams! Good to have a live recording in this mix. Favorite track: Twistin the Night Away
From the first minute, I couldn't wait for this album to end. Vaguely patterned noise ("atmospheric," if we're very generous) with whiny, cliche emo lyrics. M62 Song was the only redeeming track because it sounded nothing like the rest.
There's something to be said for a miserable-yet-uplifting tone, but that thought does not save this album.
Interesting and engaging, if a bit repetitive (caskets are referenced how many times?). Introspective, reflective, almost a plea for empathy. I appreciated the coherence and clear arc of the album. Some neat instrumentals in there.
Bangers all the way through and super fun to revisit!
The layering of sound achieved here is still modern and fresh. Lots of artists still chasing and building on these ideas.
I would LOVE to see this live; the light show/storyline would be insane. Super enjoyable, will listen many more times!
I liked several of the songs on this album, but not sure I'd listen again (except in a very cynical/depressed moment). Lyrics are incredible, and I'm a sucker for a voice like Cohen's. Musically though, quite esoteric. Highfalutin, even.
Love me some Depeche Mode! Knew the singles from this album, and realistically that's all I'll revisit. They're terrific though, and the instrumentals included in the remastered 2006 remaster are good listens too.
Some great songs on here (Partition, **Flawless) and lots of playful, sexy, woman-centered and reflective themes. As incredible as Beyoncé's voice is though, so many of these songs fell flat for me. I'll stick to enjoying her hits as they come up on the radio or in playlists.
Interesting music to wash the walls to!
If this is the kind of thing you like, it's good. For me, mall music. I would probably actually like some of these songs if they had different (punk-ier) music.
Is Busy Bodies supposed to be satire with it's holier-than-thou not-like-the-other-girls stance? Also, unexpected use of the n-word, so that has aged poorly.
Fun, catchy, 60-y. What a breath of fresh air after Elvis Costello! They found the balance between social commentary and music for joyful music's sake. Not usually a fan of super long jams, but Sex Machine was a great listen.
Yes please! Strange and interesting, creepy, varied, driving, excellent use of orchestration. Still sounds unique and modern. Another one of those vocalists whose voices I can't get enough of.
This one's so close to a five! Great instrumentation, funky, and takes a positive and spiritual perspective on serious topics. Lots of modern artists taking cues from this album: Kota the Friend and Childish Gambino, for two. A bit cheesy and too long though - could have cut at least two or three meh songs.
Favorites are Mr Wendal, Raining Revolution, and U.
Can't believe I've never purposefully listened to Elvis before. Great sound and lyrics. Favorite track: "True Love Travels on a Gravel Road."
Musically, this is a real 5-star album. But boy do I wish it was about something else! What is it with French artistes and young teens? I won't be able to enjoy revisiting this the way I'd want to.
This album was so confusing. Some really fantastic rock, jazz, and orchestral moments, but I felt like I was listening to the soundtrack to a movie that I didn't know the premise of. 60% of lyrics were incomprehensible. Super long songs with many different concepts and vibes. No idea how to rate this.
This one's got everything! Love Iron Man, and the drum groove in Electric Funeral is unreal.
Her voice is arguably more important as an instrument than as a lyric delivery system. "Help Me" is amazing! Some of the jazzy bits were really lovely, but many of these reflections are a better fit for a therapist or friend than for an album.
Couple solid classics, but also drags on at times. Lots of same-y sounds, which is a lot over 13 songs
I know there's so much talent here, and this album has some shining moments. Great transitions, and when it grooves, it grooves. That said, jazz is not my jam.
I only almost hated myself for listening to this album. I might even enjoy Pump it Up or Living in Paradise if I heard it on its own in public.
Pretty varied within her genre while definitely, definitely sounding like Joni Mitchell. Favorites were Harry's House/Centerpiece and Don't Interrupt the Sorrow.
Would I listen again? Probably not. Did I enjoy listening once? Absolutely.
Creative and great use of layered, orchestral sound. Amazing flow across the album and some really enjoyable tracks. Favorite by far was The Man Who Sailed Around His Soul. Also good: That's Really Super, Supergirl; Ballet for a Rainy Day; Season Cycle.
I expected to like an emo indie album more than this. Really liked Susan's House, but nothing else stands out.
Fantastic. They kept it moving and interesting for nearly an hour! Amazing sampling and melodies. Smart lyrics and driving instrumentals. Fav track is What's Golden.
Some of the instrumentals and backing vocals were good! Nevertheless, I called it quits about halfway through the album. Wtf was Childz Play?? I'm confident that I didn't miss anything.
Incredible album. Amazing flow throughout, with socially/politically/personally poignant lyrics. For me, this one falls into the trap of other long albums and I lose the thread, but it always comes back together. Masterful use of many styles. I could listen over and over.
I was not necessarily in the mood for Neil Young but I can see why there's hype for this album
Dramatic and strange, but not in the way that I actually like. Many of these tracks would fit in a bad Phantom-inspired musical.
I feel vaguely guilty for subjecting the cat to this album.
Really tight and together, but where are they going?? Message in a Bottle and Walking on the Moon are hits for a reason
I liked the psychedelic, almost new-wave sound, but nothing here really stood out. Favorite track was The Lightning Back.
Short and sweet, really solid classic rock album. Tapers off toward the end but starts super strong with Back in the Saddle and Last Child.
Previously only knew Blur from Song 2, and very glad I was pushed to expand that today! This is really fun and varied with plenty of wry-bordering-on-cynical Britishness. Enjoyed the first handful of songs (through and even including Bank Holiday) more than the subsequent ones (honorable mention to the final track).
OG sadgirl music and very chill. Intro is still by far the best track, enjoyed revisiting Crystalised too.
