Music made by committee for hairdressing salons.
Beyoncé (often stylized in all caps) is the fifth studio album by American singer Beyoncé. The record was released on December 13, 2013, by Parkwood Entertainment and Columbia Records. Developed as a "visual album", its songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark, intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom. The album's initial recording began in New York City, where Beyoncé invited producers and songwriters to live with her for a month. During extensive touring the following year, the album changed as she conceived of creating a visual accompaniment to its songs and resumed recording sessions with electronic producer and rock musician Boots. Their collaboration led to more sonically experimental material, which combined contemporary R&B with electronic and soul music. Throughout this period, the album's songs and videos were composed in strict secrecy as Beyoncé devised an unexpected release. Beyoncé was released digitally on the iTunes Store without prior announcement or promotion, and debuted at number one on the US Billboard 200, earning Beyoncé her fifth consecutive number-one album on the chart. The album sold over 617,000 copies in the United States and 828,773 copies worldwide in its first three days of sales, becoming the fastest-selling album in the history of the iTunes Store up to that point. According to the International Federation of the Phonographic Industry (IFPI), Beyoncé was globally the tenth-best-selling album of 2013. The album was reissued in November 2014 as part of a platinum edition, along with an extended play of new songs, and has sold over 5 million copies worldwide. Part of the album was promoted on The Mrs. Carter Show World Tour during the 2014 legs. Beyoncé received widespread acclaim from critics upon release who praised its production, exploration of sexuality, vocal performance, as well as the album's surprise release strategy which was subsequently replicated by many artists. In 2020, Beyoncé was ranked 81st in Rolling Stone's 500 Greatest Albums of All Time list.
Music made by committee for hairdressing salons.
Uggghhhhh. I can't with this crap. There's no merit here. Beyoncé seems like more of a product to me than a person. When a massive team of people does all the work and you just show up to sing, I mean, where’s the artistry in that? It just feels so manufactured and artless.
I would like to thank whoever lent Beyoncé Knowles-Carter a copy of Yeezus, and I would also like to thank Jay-Z for pretty clearly having outright psychopathic dick game. BEYONCÉ is an erotic, playful, and personal—well, as personal as something with like 30 writers can be—record with a sound that gleefully defies expectations. There's some pretty sexy shit on here, but what grabbed me most was how much fun she seems to be having on the microphone, confidently busting out Lil Jon & the Eastside Boyz references, I-run-this-shit chest beating and barely-disguised, Prince-esque sex rhymes in-between examining her self-image and serenading her newborn daughter. The second half can't keep up with the runaway momentum of the first (barring ***Flawless, it sounds more like what I expected going into the album, bland Drake feature and all), but this was a damn fine surprise overall. Key Tracks: Haunted, Blow, Partition
Really? Beyonce? Christ, ok. aaaand it was just as shit as expected. Just r&b that sounds like it was made in a factory. Because it was. Naturally there are about 10000000 outside writers per song. Why does the music press pretend this shit is a personal statement about anything? Like oh yeah this really came from her heart.... and the hearts of about 500 dudes. 1/5 get the fuck outta here.
I never really understood the hype surrounding Beyonce, sure she has a good voice, but I tend to think her massive appeal and commercial success is more attributed to Beyonce the "product", rather than just the music. I'm always suspicious when you hear about an artist's personal life just as much as their music. I hadn't listened to her music more than what I've been force-fed on the radio and music videos and she is what she is. A above-average singer, with an above average hype machine behind her = the greatest singer of her generation...yeah, right.
This album is incredibly pretentious without the chops to back it up. I just think about how she acted like she invented the idea of a surprise drop... the same year that Bowie and MBV did it.
HAHAHAHHA FUCKING SHOPPING CENTER MUSIC LMAOOOOO. Da mi se sluša ova glupača ošo bi u arenu centar, a ne bio na ovoj stranici.
Not every part of the Beyonce package is to my taste. She's too musical theatre at times, too breathy and others, and sometimes just too darn slow. But grandiosity is her metier, and this trades artlessly in the language of significance from front-to-back. She sends a lackey to fetch Drake and Frank Ocean, reduces them to the prupose she has in mind, then flicks them back out the door. She's one of just a few artists who can pull off such pomposity. Maybe the only one of the current era. What keeps her grounded--like down and diiiiiirty grounded--is sex! sex! sex! "I can't wait till you get home so you can turn that cherry out" is great. But it's the way she replicates foreplay and climax in the pop song structure that makes this soar. And Partition may be the most accurate musical interpretation of a shaking booty ever.
Look, I'll be the first to admit this isn't my scene, ok? But this ... thing ... is so unrelentingly synthetic and repetitive that it hurts my soul. I get the motivation behind it which is why it doesn't get a fully failing score. Bey wanted to git duurty. Sure. Maybe hire some studio musicians next time instead of just a stack of producers, though. Because, despite the vocal and lyrical talent, it's just frikkin' boring.
There's a lot of variety in the music, Beyonce always sounds the same. It might be a nice variety if you liked any of it but for me it's just messy. Beyonce loves a lick out. Sometimes a man chats. French woman also likes sex. There's a child on this. I don't get it
It's modern mainstream pop music... These pop people are always kinda funny to me. They're like full grown adults most of the time (I guess she was ~32 when this was released) and they have to sing these ridiculous songs ("Blow" comes to mind) and dress in these crazy outfits all the time. Sure, she's only 32 at the time here and maybe "Can you eat my skittles?" and "Turn that cherry out" are actually the artistic statements she wants to make... Regardless, the lyrics on this album are just ridiculously cheesy. Whatever pays the bills I guess.
vapid drivel, some of the worst music in a long time
Overhyped, overproduced, self-indulgent pretentious tosh!
Another one of my faves. I hadn't actually listened to this album in a while. It's starting to sound like a product of its era, the synth-pop sounds of the early 2010s. The entire album is a masterwork, telling stories of horniness, womanhood, motherhood and other delights. "Flawless" is such a tune and it takes me back to the summer of 2013/2014, when waking up like this was my goal in life (and still is, tbh). I also like that Beyonce kind of invented the "surprise album" era, gifting fans with no just a full album but also fully realised music videos for each track. "Drunk In Love" is also a fab track but I cannot emphasise how much of an absolute perfect tune "Flawless" is.
no no no
Not great
Drunk in love, yall
Creó que nunca había escuchado esta joya. Siento que no me quedó de otra más que ser que ser simp por Queen B. Me gustó todo el disco la verdad, pero llevo un par de horas escuchando Mine con Drake, va directo a mis canciones favs de los 2010s. Mood: I woke up like this
I should listen to more Beyoncé
Love me some Queen B
This album is a monster of singles, and at the same time so cohesive. This is one of the things that separates Beyonce from other similar artists. I think the thing that pushes it up to 5 is Partition/Yonce.
Queen Bee sounds fine but too many of the songs are fillerish. When she hits she absolutely KNOCKS IT OUT OF THE PARK. For me though it’s an inconsistent listen. There’s a lesson in there that Beyoncé learned in later releases with far better flow and function.
It’s impossible to deny the talent behind this album, but it is very much the definition of “not for me”
Beyoncé has an amazing voice but this album did absolutely nothing for me, I already forgot everything about what I listened to
Highly overrated in my opinion. It's fine but not gonna go out of my way to listen to this again
This sounds like the most expensive album I've ever heard. Hundreds of cowriters and producers involved and it stops it from being cohesive. Obviously she has a great voice but does nothing for me
Considering she's the biggest recording artist in the world, nobody I've asked has ever been to name 5 Beyonce songs. I've asked a lot of people. I'll try to do it myself now... Crazy in Love (from like two thousand and fucking three) Erm...The put a ring on it one Erm...Halo? I can only think of Destiny's Child songs now..... Nope
this album is particularly gash. its a mish mash of shitty current rap styles with beyonces trademark warbling over the top with bags of #sass because #slay #queen. fucking awful from a loathsome dick head.
This list is selling out
No hay mucho que decir. Creo que es mi disco favorito de Beyoncé, no hay skips prácticamente y hasta la edición platino me parece que sí aporta. Beyoncé en control de tantas cosas, un control que no ha soltado en discos posteriores, su voz tiene tantos matices y las melodías, pegajosas y envolventes, se acoplan muy bien a ella. Favs: "Drunk in Love" (y el remix, muy bien, con su eterno enamorado: Kanye), "Blow", "No Angel", "Rocket" y "Superpower". 10/10
This is the album that really turned Beyoncé into the mega star she is today and it’s easy to see why. Almost everyone song was a major hit and they’re all good. Plus features from the biggest artists of the decade, especially if you swap some of the originals for the Deluxe remixes
This is a pretty damn epic album, which does explain some of the worship given to Her Majesty. There were a couple of times my arms almost went up in the air in praise. We all knew she could sing, but here was a real VOICE. Anyone who can sing an ugly word like "ass" the way Beyoncé does in the opening line of "Rocket" is truly a virtuoso (virtuosa?). I almost felt overly voyeuristic in the more erotic numbers because they were so personal and intimate. But I suppose that goes for all of the emotions expressed in this album as well. "Pretty Hurts" is quite a message coming from someone who we all just sort of assumed reigned over the world with effortless beauty. The video is pretty gut-punching. And speaking of videos, I note that this album was meant to be accompanied by all the videos (I never saw an "Audio Only" warning on an album), but I was only able to sample a few today. It was time well spent.
Undeniably catchy and killer crisp production. Not sure where the album ended since the platinum edition was all Spotify had for me. I was gonna complain about how every song is just unending sexual euphemisms but that would make me seem like “old man yells at cloud.”
Until today, the only time I ever listened to Beyonce on purpose was when I was learning to play Redemption Song so I was searching for live covers and found a version with her singing while Eddie Vedder handled the guitar. I quite liked that cover but I was never attracted to her own music; although from what I can see on this album, she doesn't write any of what I just called "her own music". I was expecting to hear some "poppy" songs, as might be typical for someone so popular but there aren't many here. I guess one positive thing to say is "At least it's not pop." Perhaps there is some magic in the lyrics which I didn't really pay attention to on my first listen. Since Charlie Watts passed today I'd rather play some Stones than spend another hour listening to this album to see if the lyrics justify a higher rating. Even if the lyrics are top shelf, they aren't her lyrics so I'm not sure they should move the needle higher.
Album die mij niet compleet aanstaad omdat het niet mijn genre is. Wel enkele bekende hits erop zoals drunk in love en partition.
I mean it's the queen of pop for the 21st century. I get that this was an event when it was dropped but again, it's just more bland R&B - at least the production is interesting that's what saves it. Just. Best Tracks: Pretty Hurts; Drunk In Love (feat. Jay-Z); Partition
A resplendent, beautiful minge, that you would be proud to eat your dinner off. Although I would eat every last crumb that would drop out of her vag and treasure it forever, her music doesn't really send my tastebuds into ecstasy. A rather bland and bitter relish smacks against my lips and leaves a nasty taste in my throat. Her beef lips, rubbery and ferocious as they may be, cannot mask the foul stench of her mediocre beats and limp lyrics that pour out of this unappetising banquet. A feast to forget, but a fanny full of flavour.
duh
five stars
About as sexy as pop music gets.
Amazing, as expected
very good obvi
I love Beyoncé
Epic. This was Beyoncé becoming a queen. This was the transformation.
WOW! There’s a reason she’s Queen Bey. Incredible album that tells incredible stories. Absolutely amazing!
Smooth, sexy, powerful, and empowering. I feel like kicking the patriarchy's ass today. More so.
I don’t listen to Beyoncé much…really just when a tunes pops on the radio or something. I found some songs quite pretty and some quite sexy. Her voice is so smooth and can really draw you in.
should have won album of the year at the 2015 grammys, it's insane I still have to pick my fave song because it changes each time like she's so sick for this excellence
Yeah this album slaps.
A game changer
Oh goodness I hope I like this. I feel like Pretty Hurts is trying to making a grand statement and I'm missing it. Okay, HAUNTED I get. Powerful. Geeze. I don't know if I've ever listened to a more danceable album. I expected vapid pop. The time changes! The key changes! The production value! wow. Haunted, Flawless, XO, Jealous, Blow, what a a great album!
Wonderful
One of my favourite albums ever.
Just more evidence that she's one of the greatest of all time.
Marvellous
yeah this is one of my favorite beyonce albums for a reason. just hit after hit, and some really great producers doing some of their best work. also, it alone is the reason why albums release on fridays now instead of tuesdays, which is a fun fact.
Great at every turn. I was expecting this an album to feel a bit dated (it is already ten years old). But it doesn’t at all. “Rocket” is now far and away my favorite Beyoncé song.
Beyoncé fans don’t play bruh. This wiki page is FAT. Loving this so far. XO is the first track that’s meh to me. Not bad just seemed a little flat especially compared to the rest of the album. God damn the remixes and bonus tracks are heat, I feel like it’s rare for the deluxe tracks to ever be good. The kanye feature 😍😭 First time I wish I could give half stars. Easy 4.5 A couple misfires but besides that it was really great. Imma give beyonce her flowers cause I get it now
Pretty Hurts is a lackluster tracks because of the hook, but I am digging the sonic landscape queen B is putting out. Haunted and Drunk In Love are killer, though I think Jay-Zs verse in it is weak. Blow rocks, No Angel is an impressive vocal line but I'm not taken with the song. Partition is fine but Jealous is so good. Rocket is so good! She is so masterful in her control of rythmic dissonance. Heaven is minamilist lyrics wrought to devasting effectiveness. what a killer record.
Great lively record
utter perfection.
Smokin' hot. 5 stars.
A defining and landmark album both for the artist and for how albums are released.
Iconic, love her and it’s awesome to hear a song like Haunted turn into Renaissance 10 years later. Crazy crazy
"Music made by committee for hairdressing salons" says that other review. There's some truth to that hilarious negative take, I'm not gonna deny it. Yet if that's the case, that means that Beyoncé's salon is the most extraordinary hairdressing salon that has ever been built on the surface of this earth--with inviting nooks and crannies where all sorts of fun and kinky stuff may happen ; with lush decorations and night club lights that can elicit the most relaxing bliss in your mind or conversely thrill you enough to dance all night long ; with endearing memorabilia hung on the walls relating to Beyoncé's life course from Houston to New York; and with time-travelling portals transporting you to the most fascinating hip places, from NYC to Paris--all of this run by young nymphs and ephebes doing all they can to make you feel comfortable. This sort of salon is worth visiting, at least once. And if you can get a fresh haircut around your elated ears in the process, it's a win-win situation, clearly. More specifically, and all metaphors about hairdressing salons aside, this album is a playful exploration into groovy styles of all stripes : R'n'B, electronica, soul, hard funk, hip hop... The first three tracks create a perfect first act: opener "Pretty Hurts" displays effective soul-infused earworms from get-go, with quite interesting turns of phrase lambasting "perfection-at-all-cost" ; the Timbaland-produced "Haunted" is a nocturnal gem, with a simple melody that eventually turns into epic proportions, with many sonic details suggesting a cyberpunk, Bladerunner-like landscape found in the most expensive sci-fi flicks ; and "Drunk In Love", produced by the same Timbaland and Pharrell Williams, and propelled by a weird, Eastern-flavored sampled vocal hook, offers a shameless and immodest peep into Queen Bey and Jay-Z's intimacy--which could have turned out ridiculous if the music wasn't so sexy. After those three tracks, Mrs. Carter shifts gears several times, loses the thread at some other points (a flaw that's found in all of her last three blockbuster LPs--indeed written by committees and therefore a little haphazard as a result)... and yet she always gets back on her feet somehow. "Blow/Cherry"--with that striking one-liner about "turning cherries out"--foretells the post-disco endeavours of *Renaissance* ten years later or so. "Partition/Yoncé" is a two-part snapshot about lust and celebrity whose narcissitic impulses are redeemed by its dark yet pristine EDM flourishes--amazing how the digital basslines slap in this record, by the way : my hi-fi system is not high class, and yet those bass frequencies rumble like in almost no other record in my collection. As for "Jealous" and "XO", they are pop jewels that could have actually been expanded way beyond their short time count. In between those highlights, there's a couple of more meandering or demonstrative-for-their-own sake compositions (including one with a featuring by Drake where he somehow manages not sounding *too* ridiculous, lol). Yet fortunately, the last act is as strong as the first. *Flawless* is an trap-inspired, bombastic partytime dirge boasting about "perfection" with opera-like vocals in the background (maybe in a part-ironic fashion, just as in "Pretty Hurts"--given the snippet concluding it). "Superpower" is a subdued, "doo-wop 2.0" ballad that goes to interesting minimalistic places. And "Heaven" and "Blue" are other heartfelt cuts whose straightforward simplicity (foretelling the more intimate moods of Bey's next LP *Lemonade*) make them both memorable and endearing. Everything after "Blue" on Spotify are bonus tracks that are part of the record's "Platinum Edition" (mostly remixes and some extra featurings by Nicki Minaj and Kanye West). Nothing essential there, except from "Ring Off", a lively yet quite subtle number dedicated to Beyoncé's mother after the latter decided to part ways with her husband. So how should I grade this? 4/5? 4.5/5? The "writing-as-a-commitee" nature of this album often yields great results, but it's also probably the root cause of the few underwhelming moments in its middle section. Yet if you took away those underwhelming cuts, you'd still have a great album with a pretty satisfying length. My best guess is that the only problem Beyoncé has as an insanely rich artist curating and partly writing all these songs is that no one in her entourages dares question some of her choices, hence the "all-in-the-pot" nature of her LPs. But honestly, it's a very minor flaw for anyone interested enough in modern African-American music. I'm gonna round up my 4.5/5 grade to a perfect 5, then. Number of albums left to review: 381 Number of albums from the list I find relevant enough to be mandatory listens: 281 (including this one) Albums from the list I *might* include in mine later on: 146 Albums from the list I won't include in mine (many others are more essential to me): 199
The amount of 1 star reviews with ignorant as fuck comments this album got is appalling to me. People calling it 'Department Store' or 'Hair Salon' music.... are you for real? This was the first album where Beyonce stopped caring about number 1 hits and just did what she wanted to do creatively. She has continued this trend in her career ever since. Also folks saying other people do all the work and she just shows up to sing.... literally watch 5 minutes of any documentary about her and you will see she is one of the most hardworking women in the industry. She's a perfectionist. She has final say on everything and is an incredibly savvy businesswoman. This isn't even my favorite album of hers and it's fine if this isn't everyone's cup of tea....but to completely dismiss it as 'top 40 pop' is absolutely ridiculous. Drunk in Love and Partition are two of the most iconic songs of the last 2 years without a doubt. Where are all my girls and gays at ffs
Don't think this is perfect, but the highs are so good and it's such an ambitious piece of work that it's hard to justify any less than the full 5
Rating: 10/10
Each album of Destiny's Child / Beyoncé solo always contained a couple of killer songs but I always struggled to listen to their albums in one go. This album is different - it is great from start to finish.
This transcends generations. A great album.
🎤let me hear you say heyy ms. carter 🗣️ hey ms. carter🗣️ 🎤say heyyyy ms. carter 🗣️heyy ms. carter🗣️
I mean...its beyonce
cool
Surfbword This album is full of bangers, don’t try and fight it. Not sure there’s a miss on here. Fave Tracks: Pretty Hurts, Drunk in Love, Blow, Jealous, XO, Blue 4.8/5
So. Many. Bangers.
I see what all the hype is about.
Really great. Beyoncé has the kind of vocal agility I dream of — I feel like she can do anything with her voice, strong like Adele or floaty and dreamy. And it was fun to have a modern one. Side note, for some reason I thought Beyoncé made wholesome family music, but I guess not. 9/10
Big beats with heavy bass. Good intro clips and rap interludes. Strong range demonstrated with vocals and styles rap, soul, r/b. Impressive features and remixes on platinum edition. Pretty hurts, drunk in love, Jealous, flawless, heaven, ring off
because i'm a broken person i have a hard time appreciating glossy, expensive, and frankly *talented* pop music when i can instead listen to some clanking, lumbering, uncomfortable song that makes you work for the relief of the melody. basically what i'm saying is that beyonce isn't someone whose music i had ever had any real impulse in pursuing, assuming it to resemble her earlier pop career. i guess all this time she's been making surprisingly exploratory neo-r&b that sounds like if if you gave carpenter brut some ketamine. i don't know how this happened and i don't know why i was unaware of it before. on a lot of levels this is really not my thing, and i wouldn't seek this out but it's kind of the ideal outcome of exploring music outside of your wheelhouse; this is not an album for ME and yet it impressed the hell out of me.
BEYONCÉ does not quite reach my threshold for a 4-star album. But I want to elevate it from the average stuff I put in the 3-star bucket. Good production and no filler track.
my first Bey :) 2014...was listening to a lot of Sara B, so...this is pretty pop for me, even now i think. I'm not sure how well the audio dialogue works here. now i know timbaland was fairly involved in this really contextualizes it. hate that drake track. ryan tedder wrote XO 🥰 needed to relisten to no angel after seeing Polachek on the cred. (don't really feel it) will listen to some Solange and Kelly R for some supplementals - the Kelly album is too meh for me. now Solange, i had a feeling she's easy to love. 2016 album is my jam
We love beyonce
I got the itunes LP that followed this, Lemonade, after a zillion critics said it was the best release of the year, but it didn't really hold my attention. This one I like. The production is complex and captures many different moods. They get quite experimental at times with samples and some nice dark synthy bits. Beyonce has a velvety voice, the guest singers and rappers spice things up nicely, but she is still the center piece. The lyrics are mature and personal (sex with hubby, for example). Compared to the recent 1001 offer by that other female pop icon whose albums we don't buy (Madonna) I think Beyonce's release is deeper, more rounded and a greater accomplishment (even if you leave out the short films that apparently come with every song).
thicc layered rnb rap pop
Never thought much of her but this was actually a decent album, great combination of pop, r&b and hip hop styles
This album grew on me as I listened to it. At first, I wasn’t enjoying it at all but by the time I got about halfway through I was thoroughly vibing to it. It’s definitely one of the horniest albums I’ve ever listened to and shows why Beyoncé is called the queen. Fav songs: drunk in love remix, jealous, XO
Was surprised by how much of this I already knew and actually liked given that I'm not big on her music
I’ll admit I’ve never been the hugest fan. I respect what she does but the amount of writers and producers who put each song together is crazy to me. I really enjoyed this album more than expected though. Was happy to check it out. Love the production. FAVE SONGS: “Haunted” “Pretty Hurts” “Drunk In Love”
It's not music I would seek out, honestly I don't know much about Beyonce's career at all and I'm fine that way. But the album was quite good, I liked it! Good variety of song styles too, and also sooo horny haha!
Mad sexy. I didn’t vibe with every song on here enough for it to get a 5, but the sheer creativity, personality, and honesty on this record is astounding.
Excellent album de la part de Queen B, n'en déplaise a robparmentiere, adorateur de musique de merde. Ce petit plaisantin n'a en effet relevé de cet album que la briève apparition de son chanteur de merde favori, le denommé Sampha. En effet, il est vrai que l'on peut retrouver Sampha pendant quelques secondes dans le fond sonore, supplier l'auditeur d'écouter son album de merde. Je vous retranscris ses paroles ci-dessous: "S'il vous plait, achetez mon album, ou au moins essayer de l'écouter sur Spotify" dans un français parfait. Cela ne prend pas, nous ne lançerons pas Sampha et attribuons a Beyoné la note de 4/5.
very enjoyable rnb
I thought Lemonade was the best Beyonce album but now I've properly listened to this one it sure has competition. Amazing, wonderful, there is nobody like Beyonce
So sexy. Apart from the bland bits. Rated the deluxe version so i could listen to the flawless remix again. Beyonce is a great singer and her rap is on point. -1* for the dull balad type songs. When she's hype, the album is amazing.
Some deeply sexy songs on here, but it isn't as good as lemonade imo
Sounds good, if sometimes overproduced. 8/10
8/10. Had some rather slow sections/songs, but started and ended strong enough. I can see why people like Beyonce, but I don't see her becoming a personal favorite. The bits of "No Angel" that are super breathy and she halts after every word reminded me forcibly of Stevie from Malcolm in the Middle.
7/10 good album, most of it holds up in 2021 but I think there are a lot of cuttable songs
She's like the Voltron of all the divas that came before - Aretha, Madonna, Mariah - but also, like, a little Prince, a little R&B, a little gangsta rap. She's bad ass. This is not really my go-to genre of music (and I won't pretend like Beyonce was aiming for the middle-aged, straight, white guy audience) - still, this album is a work of art in many senses. Vocally, she's clearly talented. Even though some of the songs don't really have consistent melodies (they're more stream of consciousness almost), it's still interesting to listen to. And, she was clearly going through some shit in her life while recording this - and I was impressed with the honesty and vulnerability on a lot of the tracks. In summation - I'm not sure I "liked" this album, but I enjoyed listening to it and respect it. Credit where credit is due.
Jay Z is a lucky man