Court And Spark

What a beautiful album. Again, this is another album I haven't heard before, but I am so glad that I've been able to experience it now. Joni Mitchell's voice is superb, right off the bat I was blown away by her performance and lyricism. The soft piano ballads and jazzy pop tunes are perfectly crafted and emotionally moving. I listened to this album twice, which is something I hadn't done with the previous albums. The song structures remind me of Joanna Newsome, but I think Mitchell does it much better. I felt connected to each story told in the songs, and the way they flowed together made the whole experience engrossing. Favorite track: all of them Least favorite track: none

Well, it's better than her later albums, I guess. But she's a much better poet than she is a singer. And a better singer than she is a melody-writer. I don't know why she seems to hate writing choruses so much. Most of the songs are just unstructured messes that never go anywhere. There's a story that Mitchell herself tells about Bob Dylan falling asleep when she played the album for him. It's funny but it's also understandable. It's a boring slog of an album. I would much rather have read these songs as poems than be forced to listen to Mitchell's wandering warble for an hour.

Before listening: I always imagined Joni Mitchell's audience as the Emma Thompson's character from Love Actually. Tragic, hopeless, alone.../ I started it for the second time and starting to like it at "Help me"/ The more folkish a song is the less I like it./ "Help me" and "Raised on Robbery" keeps pulling me back (even tough the second one is pretty folkish, but has good vibes, so I don't care)/ This is definitely not the Joni Mitchel I was expecting, and when reading a bit about her it seems that I could like her later stuff, when she ventured to jazzier stuff, seems like this was kind of a starting point.

My mom's favorite Joni album. Mine as well. Straight down the middle folk rock Joni. The trademark floating and swirling Joni melodies but this time with more energy Joni. More direct, incisive lyrics from Joni. More compelling jazz Joni. Incredible Joni production in surprising places (end of People's Parties, middle of Car on a Hill). I'd give it an easy 5 but the cringey final scat scat, so instead it's a labored 5. A+

I do not understand the praise Joni Mitchell gets.

Finally! A female artist, and it's the legend herself. I really love Joni Mitchell, I find myself torn between thinking she or Bob Dylan is the better songwriter. Hard to argue it's Bob in the face of "Both Sides Now." I haven't listened to this album before, but it's great. It only has one song that I already knew ("Help Me"), but there's plenty of heat here. I really like the exploration of different genres--Joni dips into jazz on some tracks, then more rock/pop on others. It doesn't always suit her, but her voice cuts through anything. It's a great experience overall and held my attention throughout. I'm looking forward to getting more Joni Mitchell albums, especially Blue. Also, if this list listened to my plea for female artists, maybe it will hear me ask to honor Black History Month...maybe some Jimi Hendrix? Aretha Franklin? We'll see what's in store. Favorite tracks: Help Me, People's Parties, Down to You, Twisted. Album art: Simple and sweet. I like the textured look. Nothing too special, but it looks like Joni herself may have painted that picture. That's extremely cool. 4.5/5

Interesting grunge dive. Can’t help but feel they aped nirvana a bit.

Such overrated artist... maybe she should have been just a poet?

Sorry lady, not interested in the slides from your trip to Paris.

Rating: 10/10 A classic album. Joni Mitchell sounds fantastic, beautiful vocals and great lyrics. This album is absolutely gorgeous. Lush, detailed instrumentation and pristine production. Loved everything about this album, honestly wish some of the songs were longer but that speaks to how amazing this album is. Favorite tracks: Pretty much the whole album but highlights were Court and Speak, Help Me, Car on a Hill, Raised on Robbery, Troubled Child. Least Favorite song: Down to You, a bit too long but still great though.

I love Joni’s voice in the same vein of Chris’s love for Adele. She has such total command over her voice as an instrument, not just in maintaining pitch, but in volume, delivery, especially cadence. I could listen to her sing the verses of Help Me a million times and never get tired of it. On top of her second-to-none vocal talent, the music is interesting enough. This album, IIRC, is about when she begins a pretty full dive into more jazz. Extra star for real guitar, drums, and tasteful horns, but it won’t let me add a 6th star.

Joni Mitchell's voice is such an elixir for the ears. Very expressive and dynamic, with the perfect mix of vulnerability and cool aloofness. I could listen to her sing a shopping list. But the songs here are mostly elaborate monologues of experience and emotion. It's pretty hard to make those kinds of song work, but her voice brings them alive. The music is good, with interesting jazzy additions to the folk palette - but really it's all a backdrop for the voice. The final track is impeccable vocal jazz performance, and I would love to hear a whole album of that. Overall, this album doesn't quite reach the soaring heights of Blue, and I don't really like how it takes a sharp turn in sound for the last three tracks (though they are still good tracks!) so I have to give it a 4*.

This album was so BORING. It wasn't actively *bad*, but I just didn't care about it.

Easily the most accessible Joni album I've heard. I prefer her jazzier albums with Jaco but that takes nothing away from this one. Really enjoyable listening.

Legendary singer/songwriter, beautiful music, absolute masterpiece.

How can you not love Joni

I was gonna give this only 4 stars but I don't think my mom would ever forgive me if she found out, so I'm rounding up.

I could listen to this every day.

Incredible melodies and lyrics. Not typical pop music at all. Interesting jazz influences and flourishes. Joni Mitchell is a genius. Every song is an interesting adventure.

It’s a testament to how great Joni Mitchell that this can be a perfect album and still not my favorite by her

Folk, guitar moving into some jazzy flourishes. She knocks it out the park again. Best Tracks: Court and Spark, Raised on Robbery, Twisted

Another high note in a very specific genre (that basically has a one woman sub genre in this particular performer). About perfect, if you like this kind of thing (which I do)

Like a lot of Joni Mitchell's music, I choose to like this album. She doesn't always make it easy for me to like it and in other hands a lot of these sounds and pretensions would seriously irritate me. A lot of these songs have parts I really like and parts I really don't like, often right after one another. I share a home with one or more people who seriously hate her music. So I have to be strategic about when and where I listen to it. In fairness to my housemates, Joni Mitchell's a bit of a musician's musician, I think, and that you'll hear a lot of people like Jimmy Page waxing poetic about her amazing guitar playing, but not a lot of non-musicians waxing about her. I think that's part of why she largely been forgotten over the last 20 or so years. Free Man In Paris is supposedly about David Geffen, who was her manager at the time and during a trip to France together was bitching to her about having put up with random calls from temperamental artists at all hours but in Paris where no one could reach him he was finally free and could relax a little. That's one tune I like all the way through without any major irritations. But my favorite story about Joni Mitchell and David Geffen was the time when he drove her to Woodstock and they got stuck in traffic and ended up just camping out in a motel room and watching the festival on TV where she wrote her song Woodstock that her boyfriend Graham Nash made famous with CSN a year or two later.

This is the second Joni Mitchell album in about a week. They're also not on Spotify cause she "stuck it to the man". So I'm honouring her wishes and not listening - the only time I'll do so in this project (because fuck mean spirited "hippie" boomer cunts like her and Neil Young). Thankfully I know how much her music sucks anyway. So here's a 1/5 and I hope this sets a lovely precedent where I never have to hear her awful wailing again.

at its best its female madman-era elton john written by a 14 yo girl who just went through her first breakup standing in for taupin. at its worst it sounds like joni mitchell. boring, repetitive instrumentation. trite, on-the-nose lyrics. i actively hate it. closing track was particularly insulting

I’m sorry…why haven’t I been listening to Joni Mitchell? Her albums on this list, so far, have been *excellent*. On Court and Spark, her voice, as always, is beautiful and unique, the instrumentation is varied, lively and engaging. Her blend of folk and jazz manages to be both soothing and invigorating, with flourishes of ambitious sonic textures and experimentation. What an excellent album.

Easy 5 even with the awful last track (that I since discovered is not by Joni at all!). Her voice sounds "softest" here compared to the other '70s classics although the songs are far from "pop". Great album

Another neglected purchase on my hard drive, I may have skimmed off the opening, Broadway-esque piano chords, not in the mood. Silly me, this is very good, and I'm finding it hard to sum up why. Am tired and a blizzard arrives tomorrow, and I imagine this record would be good, conversational company for it. The instrumentation is superficially super normal and actually deeply weird. Free Man in Paris's Paris is a little Emily in Paris; it is still a good song.

I’d say it’s up there with her best pieces of work (I prefer The Hissing of Summer Lawns more though)

It's like a well-executed, yet unflavored custard. Pleasant enough but there's no point in eating it.

not available on Spotify?

I didn't realize I hated Joni Mitchell so much. It's one of those names I've heard a bunch but never listened to.

Joni Mitchell? More like moany shitshow.

Gorgeous, Side B is a bit weak though.

My favorite of her albums and that's saying something. Brilliant songwriter and wonderful singer.

Longtemps restée dans l'ombre de son petit-fils Eddy, Joni Mitchell n'en a pour autant pas moins de talent. C'était d'ailleurs prévisible. Je m'explique. Une fois que l'on a compris que Joni était une femme et non un énième gonze, on se doute que l'album sera bon puisque à l'exception de Patti Smith et sa crête iroquoise, aucune représentante de la gente féminine n'a obtenu moins de quatre étoiles de ma part. Et cet album les vaut bien.

great full band and piano, riffs can be pretty fun to listen to

a very intresting mix, nice deep lyrics, love the mesh of the different elements... i expect this to age well, specially the uniqueness of the jazz pop sound which im excited to try in diff contexts. a very strong 3.

I enjoyed it, she has a really nice voice, and very poetic lyrics. To me, the lyrics actually gave off strong Taylor Swift vibes, it’s the stories she tells and vulnerability in the way in which she talks about her emotions. Her and Swift may be decades apart in their age and musical careers, but they have the same inner emotional landscape driving their song-writing. Well that’s my take anyway.

I sense the talent but it's just on the verge of tipping me over into really liking it

This was better Joni Mitchell than The Hissing of Summer Lawns. Still not my style, but much better.

Folk Music. :/

This wasn’t terrible but it’s not for me. Something about her style or voice just makes every song sound the same. Needs to throw a chorus in every once in a while. 2.5

Can be tough-going Joni. When she's great she's super-brilliant, eg River, Both Sides Now, but the jazz-folk fusion can be a bit grating. This album, for me, was more of the latter.

Joni Mitchell is a polarizing figure for me. I enjoy her folky stuff more than her easy listening jazzy style stuff.

Couldn’t find it on Spotify and in the end not overly mad about it. Deedle deedle deedle

I really liked her voice, but the songs are a bit too generic and flat. I'm sure the lyrics are meaningful but I couldn't be bothered to pay them any mind because of this.

meh, just not really my style

A bit meandering and winding in places; middle of the road. Good album for dinner parties.

2 Joni Mitchell albums in 3 days, am I in purgatory?

Hated this. Unfathomably dull.

Realised after one hour that the album was over and that I wasn't listening to anything. Completely forgettable (for me) and even more astonishing if you see the (good) ratings it got on release.

Girls just wanna have fun but this album does not let that. It's so boring except the Twisted song.

I feel like this is what divorced cigarette moms listen to.

This is a slow burn. Music and lyrics of great sophistication which gradually reveal their power and depth. Beautiful and mysterious from start to finish.

already aware of ms Mitchell, a true bible. twisted could be an anthem today.

Beautiful lyrics and voice. What's not to like?

5/5

Classic.

Joni Mitchell has really grown on me. Her music is so intricate

Hell yeah I love Joni Mitchell

Arrancamos el casi mediado de mes con esta artista bellísima, de la que escuché todo su trabajo hace unos años atrás. Es increíble cómo la suavidad de la voz de Joni Mitchell relaja, hace que uno baje un cambio. Su forma de cantar es hipnótica. Narra. Relata historias. Un disco pop, folk, jazz. Un equilibro bellísimo de todo eso. Favorite tracks: Help me, Down to you. Gracias por el regalo de comienzo de semana. Hasta mañana

Joni Mitchell has one of the greatest voices I've ever heard. And the songs on this album are just beautiful. The album has an effortless natural progression, each song is well written and is a beautiful trip.

Yay

So much of what came after this was an imitation. This is another one of those albums that could be released now and still be a sensation. Goddamn her singing is so, so pretty. Not my usual style, but I really like this a lot. It’s flawless.

Ms. Mitchell proves once again why she's hands down the single greatest songwriter to ever exist. And I will die on that hill. From the jump, this album has me mesmerized, constantly asking, "How in the HELL did she even come up with that?" It's truly not fair that someone can be this creative. There are turnarounds on this album that somehow make no sense and perfect sense at the same time. It shouldn't work, and that's the frustrating but amazing part.

Through a fruitful fusion of folk introspection and jazz sophistication, Court And Spark balances commercial appeal with artistic depth and emotional vulnerability with musical ambition, showcasing a songwriter at the height of her powers yet still reaching for more.

I may be a bogan tradie Aussie bloke but fuck me dead I love a bit of Joni Mitchell

Fucking beautiful, I love Joni Mitchell. Blue might be the more talked about album but this is her crowning achievement I reckon. Cinematic jazzy poppy masterpiece

One of the greatest writers of our time, and probably the only white woman has an understanding of “the black man’s experience” ✊🏾

Its this and hissing of the summer lawns for me. But this is just lovely

Good tunes, i really mess with Joni

This was one of my mom's favorite albums and I listened to it in our house all though my childhood. I really enjoyed revisiting it today.

would’ve been a 4 but since this is maybe the first woman musician we’ve had in a week, and before the last one many months, gotta be a 5. love you Joni

Not quite a 5, but rounded up to a 5 - great variability, kept me interested - some bangers for sure - never really listened to her music bc I had a preexisting thought that it was boring but I’m glad I was wrong!

I’m only starting to get into Joni Mitchell album so hearing this early work was great. Her voice at the time was amazing as were the lyrics. Great album

Mitchell's voice is on display at its most beautiful on this album. Help Me is a perfect example of both her range and her songwriting prowess, she has the power to jerk a listener around with her arrangements in a smooth and almost inevitable way and is probably the best song on the album. Hallelujah to the oddball harmonies and resolutions in Free Man in Paris and Down to You. The storytelling journey is especially strong in songs like Car on the Hill, and the piano breakdowns leave you wanting more. She is also exceptionally dynamic in a way that I don't hear often. I adore the jazz influences and arrangements on songs like Just Like This Train and Twisted (Twisted is just plain jazz, no pop nowhere). Raised by Robbery is the black sheep of the album, it's the biggest thematic departure. To me it's by far her most "standard" rock 'n' roll song, from the more "roll" days of rock. She does a great job but I probably wouldn't like her as much if she stuck to this genre, it's not where her arrangement style thrives. I see other peoples comments about her obviously being a poet first and songwriter almost as an afterthought. I agree with this for parts of the album, like People's Parties and The Same Situation. That said, her lyricism is groundbreaking and more than compensates for the poetic focus. Her phrasing is unusual as a result, but I think that's a plus. I don't see how this is supposed to be a pop album, or a folk album. Its jazz fusion if anything. Overall, I definitely needed to hear this before I die.

This has been my favorite Joni Mitchell album. Great lyricism as always but this also felt more rythmic and upbeat than other albums I’ve heard like Hejira. The pacing was great and there weren’t any particularly weak tracks. Favorite songs were: Twisted Raised on Robbery Just Like this Train Free Man in Paris 10/10

This is the album that Jimmy Page and Robert Plant often mention when they talk about their admiration for Joni Mitchell. I personally prefer "Ladies Of The Canyon" from this period of her career, but this, like all of her albums, deserves at least 5 stars.

Beautiful. Jazz-like vocals on top of Americana/folk instrumentation. Perfect morning album.

Joni has such an amazing voice. I recently saw a YouTube video of her singing live in 2022. 79 and she can still pull it off, gave me goosebumps. Great lyricist, great poet, great singer. A nice album. I’m going to have to go and listen to more of her albums today, and because she reminds of Karen Carpenter I’m going to listen to The Carpenters and Neil Diamond as well. (Then on to some Megadeth🤘🏻)

CONSTANT STRANGER YOU'RE A KIND PERSON YOU'RE A COLD PERSON TOO one of my favourite Joni album.

Maybe my favorite Joni album. Reminds me of driving to Mwold this was in the tape rotation for sure.

Pre-listening thoughts: FINALLY we are back with a woman. Thank god and it’s legend Joni Mitchell. So hype Post/during listening thoughts: oh this is fireeee. Folky and jazzy in all the right places, and a masterclass in lyricism. People seem to be divided on her voice but I think it is beautiful. This is amazing. 9/10 DID I NEED TO HEAR THIS BEFORE I DIE: mmm no but everyone should hear some Joni Mitchell before they die Fav tracks: no skips but I love Help Me, Car on a Hill, Raised on Robbery, and Twisted Least fav tracks: n/a

Get it twisted. You will never become a generational singer-songwriter. Your talents and efforts mean nothing to a cold, indifferent universe that will send Joni Mitchell to mog the ever-living shit out of you. You think you're safe, hiding in your genre. Sitting there thinking to yourself "I don't make folk rock; she can't hurt me." Then out of nowhere, like she's serving a warrant, Joni kicks in your door and says, "I learned jazz bitch." She proceeds to give you a tight, all killer no filler project. Just spitting hot lead for 37 minutes. Pay attention folks. This is how you blend genres. Sad to see it didn't win AOTY, but if you're going up against peak Stevie, I get it. Joni and Stevie battling it out in '75. Can you imagine? In the year of our lord 2025, I've got to seriously consider if Jacob Collier is going to win a Grammy. We used to be a country. 9/10 Favorite Song: Free Man in Paris/Trouble Child

10/10 Often imitated never replicated. Joni’s songwriting, composition, and storytelling vocals are in full force here. The peak of singer songwriter work here on the levels of Carole King’s tapestry but in its own unique way. Joni could make like a rolling stone but Bob Dylan could never make Same Situation. Favorite Song: Same Situation

Perfect record to drive home to on a Friday night in LA

I absolutely loved it. Stunning songwriter, pleasantly surprised

great

Joni Mitchell has been a black hole for me musically my entire 40 years of life. I had this idea of her as quietly sitting on a small stool, baring her soul, and while I know that that is indeed a part of her bag of tricks, I was astonished to hear the vibrant instrumentation on this album. It felt like this album was built in order to showcase her versatility as a writer of melodies and hooks, and has officially slid into first place on the list of 'Greatest Albums I've Never Heard Before This Exercise'.

Great. Will come back to this 100%. Lovely tunes, a great voice and thoroughly enjoyable instrumental breaks that are written with care.

This album lets you bask in a mood. 5 stars just for being Canadian and making it.

No notes

Hadn’t heard this one, definitely adding to the rotation!

This hit just right for me. Liked it more than my first listen of Blue or For the Roses. Joni my beloved

Another fantastic Joni Mitchell album. I forgot how good Raised on Robbery was.

I liked the atmosphere it created

Great album

A classic.

Joni Mitchell’s Court and Spark is a stunning fusion of jazz, folk, and pop, tied together by her evocative voice and poetic lyrics. The album feels deeply personal, like a collection of snapshots from Joni’s life. Tracks like "Free Man in Paris" and "People’s Parties" showcase her ability to capture fleeting, intimate moments and turn them into universal stories. Her songwriting feels both observational and deeply emotional, drawing the listener into her world. The orchestration is a standout feature, with lush arrangements and thoughtful touches, like the gospel-like choir in Down to You. Each song feels carefully constructed, yet the album retains an unstructured, flowing quality, especially in tracks like Troubled Child, where the jazzy undertones reflect wandering thoughts and introspection. Raised on Robbery adds energy and relatability, while Twisted ends the album with a playful, witty flourish. With its blend of sophisticated lyrics, vivid storytelling, and rich instrumentation, Court and Spark is timeless and captivating. It’s a collection of songs that lingers in your mind long after the music ends. Final Rating: 5/5