Immigrés

The sound of being at a late-night backyard party illuminated by string lights on a hot summer night with a glass bottle in your hand. Really fun, and has no bloat at all.

Not the type of music i would usually listen, but i loved it. The production is really good, all the drums sound fantastic and the vocals are wonderful.

“Immigrés” by Youssou N’Dour (1988) Gipsy Kings, meet Bob Marley. The West African country Senegal is the grand exception to the dictum “The worst thing you can be is a former French colony”. And Senegal is perhaps is the world’s best hope for an exemplary and peaceable Mohammedan nation. Out of Senegal comes N’Dour (one of Paul Simon’s collaborators on his album “Graceland” [1986–percussion on “Diamonds on the Soles of Her Shoes”]—Simon may have “appropriated” African musicians, but it sure didn’t hurt their subsequent careers). N’Dour is an able vocalist who has assembled a sizable team of performers in this rhythmic treat. This is your horizon-expanding opportunity to enlarge the musical palate. The lyrics to the opening song “Immigrés” playfully give sage advice to those who are contesting a disputed election: Have a cookie and get over it. I laughed out loud. However, I was unable find any other lyrics online (too bad—they are in Wolof, I believe, and are essential for seriously assessing this work), but the real substance of this album is the colorful and exciting instrumental work, especially percussion. The four tracks are multidimensional, well-composed, evocative, and extended. Sorry, I had to give up on “Taaw”—I could never find the groove. Play this as background music while you work, and you’ll not only be efficient, but you’ll also be eager to wrap your arms around a world of music. Who could ask for more on a Monday morning? 3/5

This album is awesome. The songs were long but never got boring. Consistently fun throughout.

Really good music. This is the type of s*** that I want when I started listening to a list of albums like this.

THIS IS AWESOME

Almost halfway through the list, and the "Other" origin is consistently rated higher than "UK" and "US". A bit surprising to me, but especially the picks from Africa have been excellent, and Immigrés from legend Youssou N'Dour is no exception. A perfect blend of percussion, bass and synth.

sacré bleu!

I quite like world music, so I enjoyed this one.

The African entries on this list are mostly top class. This album by the former Senegalese minister of tourism is no exception.

Very pleasant listen. As with much African music, I can't quite put my finger on what I do and don't like.

Decent world music, interesting to hear once but that's it

Oh, this is wonderful. Joyful, richly arranged, musically gorgeous songs. Youssou N'Dour has really found the sweet spot where traditional Senegalese sounds blend perfectly with hints of Western pop, funk and jazz. The synths are actually pretty restrained and balanced for that era, so I don't know why anyone would single them out for criticism. Overall, this is really splendid. Fave Songs (All songs, from most to least favorite): Taaw, Badou, Immigrés/Bitim Rew, Pitche Mi

Really liked this! Don't have much to say, it was groovy. 9

Fun rhythms, fun melodies and instrumentals. This is such interesting, moving music!

Great experience getting some exposure to Senegal, but I still find it absurd to randomly throw in world content into a list of popular genres.

Im a fan of juju music and I am surprised that King Sunny Ade didn't make this list. However, this album certainly rivals his best work. Great record. Amazing voice and great instrumentation.

Brilliant, of course. 5 stars.

Awesome sound. I loved it; my cats loved it.

went absolutely crazy on this one. excellent instrumentals, catchy riffs and infectious rhythms. excellent excellent work

Big beautiful groove

I was not familiar with this particular album, but I really love Youssou N'Dour, so this particular assignment came as a "heck yes!" for me. As mentioned in a prior review, it's a bit hard to rate albums that aren't in English because I can't compare songwriting when I don't understand the lyrics. But dang, I love the SOUND of this album. The drums are amazing, the layers of guitar and brass, the sound of the vocals. Just wonderful. Wikipedia tells me that this album was criticized for the use of synthesizers? I like the synth sounds! So there you go. Love it. 5/5

Great world drumming album!

Fun, upbeat, different to what I would usually listen to. Honestly thoroughly enjoyed listening to this short album.

Awesome album

Joyous. I saw him on Peter Gabriel’s “So”tour in 1986. Became a huge fan. This is a great album!

Loved it, magical stuff.

It's difficult for someone my age to hear this without expecting Paul Simon to jump out from behind a door, but it's a lot of fun, and nice to imagine dancing in Senegal rather than clearing six inches of snow from the roof of the car.

Man, you see “1984” and “world music” and you’re instantly prepared for something with absolutely horrible, dated production. Well, I was wrong, and I’m big enough to admit when I’m wrong. The songs aren’t flashy, but when they settle into a groove and just build upon that groove, expanding it outwards, it’s really enjoyable. I quite like this, a very pleasant surprise.

Very pleasant listening. Unfortunate that it was storming today as this should be listened to in the back yard at a barbecue.

Not really sure how to rate this one, so I'll give it a three. Add a half-star because I'm pretty sure that Morrissey hates it. Take that, Moz!

Music like this is why I do this project. Immigrés doesn't introduce me enough to N'Dour's catalog but sure motivates me to looking more into it. 3.5/5

It was a new experience for anyone who primarily listens to American or English music, and a good foot in the door.

No. 292/1001 Immigrès/Bitim Rew 3/5 Pitche Mi 3/5 Taaw 4/5 Badou 3/5 Average: 3,25 Not my absolute favorite, but this was a fun and interesting listen.

Could use more Paul Simon.

Really interesting to hear Senegalese music. Throughly enjoyed it to begin with but couldn't listen for too long

Nice change. Can feel the 80's in this one.

Not something I would usually listen to, but pretty good. Good musicianship.

Instrumental is nice but the vocals are not my type.

Nice enough vibe but I don’t really enjoy his tone.

2.5 | No me terminó de convencer. Aprecio que esté bien hecho y que su calidad de compositor y mezcla con ritmos es correcta. De hecho hasta humor tenía para algo tipo Afro Beat, pero no me terminó de cuajar. Si lo comparo con algo como Fela Kuti siento que al menos en este disco Fela gana de calle facilmente. Quizá es la instrumentación, se termina escuchando con las partes electrónicas medio... apagadas? No estoy seguro pero simplemente fue un disco que vino, se fue y no encendió mucho en mí, aunque se escucha tecnicamente correcto. Para ser tantos ritmos africanos algo le falta de caracter.

This is straight up Senegalese music. Lots of percussion/African band sound. 4/10.

trust me, this is not an album you need to hear before you die.

Radio gazelle

cincazo

I was aware of Youssou N'Dour because of "7 Seconds," his collaboration with Neneh Cherry, which was a pretty big hit in the UK. I remember bleating along to his line "A meeeeliion voices" on the school bus but as much as I mocked it, even at the time I knew it was like nothing else on the airwaves. Back to this album: it sounds great, it's so layered and wonderfully produced. Neneh made the right choice.

You really can't help but move along, it's involuntary and forceful participation! It is so incredibly groovy while also being very, uh, cultural? I don't know how describe it without sounding like a white lady experiencing her first luau. It's very refreshing, but more the sort of thing i'd expect to hear in the background while drinking cocktails on holiday or at a restaurant, somewhere it's still hot at 8PM and the sound of the music has to cut through a busy venue of happy and energetic people. I can't imagine myself ever playing this in my house, but I just know i'd say "oh I love this music" while grooving with my shoulders at my table and taking another heavy sip if I were on that holiday. But it's too good for just that, the production is incredibly layered and intricate. There's a really good mix of modern/traditional instruments and a heavy bassline through the whole album, which I love. Electronic elements mixed with exotic (I hate that word) percussion - it's fantastically fun and intoxicating, really. Can't resist grooving along. The gap between most and least favourite, for me, is very small, the whole package is very good. Most: Taaw Least: Pitche Mi Rating: 5

A pretty impressive record! I liked it a lot.

det här var otroligt gött. 4 låtar, 35 minuter senegalesisk eufori. ge mig det i mitt blod.

I love when world music pops up on this list, and I love Afro-pop. What a treat to hear something from the early stages of the genre. Must-listen #124

Fantastic world beat jam session

I loved this. It made me so happy.

I loved it. The percussion was on point, and the rhythm had a captivating flow. The keyboard elements gave it so much color and texture. A very beautiful and lush album that was worth every minute. I'm so glad I came across this album, and I'm definitely keeping track of this one for future enjoyment.

After this banger, I was disappointed when I skimmed the rest of his catalog. But this was a treat to listen to!

The album is both short (4 songs) with long individual songs. I need to listen to more.

This is so sick. The production is fantastic but not distracting, it really lets the musicians shine.

Feels like I've just entered the toilets at a fun African restaurant, and life is good

hullunkurinen hulvaton vibes (funny language) on muuten hyvää musiikkia tämä. sanoisin jopa ehkä että ei ole olemassa sarjaa afrikkalaista talletusta koskaan julkaistu joka on yhtä jatkuvasti mahtavaa tai historiallisesti tärkeää kuin maatoiminnot.. emt onko ehkä järjetöntä sanoa mutta... piru sentään se on minun välitön mielipide tästä!!! hmm vai onko... noh... ei, ei! en nyt ala vääntelemään sanoja vaikka kuinka PSYKOLTA ne kuulostaakin, pysytään nyt vankasti omamme päällä.. ja joo viis kautta vittu viisi eiköhän se ole selvää, albumi alkaa jo vahvasti mutta lähes kokoajan paranee. neljä biisiä ja 34 minuuttia, eikä yksikään tulenpalava sekunti ole pitkästyttävä, suatana sentään pitche mi

Really enjoying the vibe and groove of this

The music you find on Youssou N'Dour album Immigrés makes the person who is listening get up and move.

Love, love, love. I forst discovered Youssou N'Dour in the 80's. I always considered him the "Bob Marley" of African music. His voice, the music is all just an amazing marriage of beautiful sound.

I love the interplay between strings, percussion and voice here, with twists and turns around every corner!

what an album!

Beautiful and vibrant!!

there is absolutely no significance to whatever the random generator throws at me, so me getting a rly great record for my day 100 milestone isnt crazy, but it being my first easy First Listen 5/5 of the entire project does feel a lil extraordinary. ive been listening a lot lately to the black saint and the sinner lady, an absolutely unhinged musical accomplishment that combines a wide variety of disciplines into something that feels so effortlessly singular yet also in conversation with so many strands of history. i am far less familiar with the styles and cultures being mixed here, but even after just one listen it feels comparably vibrant and unstoppable, channeling the most color and complexity possible into pure gut-level dance and emotion. the feelings sliders are thrown way towards joyousness, togetherness, and healing. i have no idea how u even start to make music like this. i should explore a lot more west african pop whenever i feel the mental capacity for such a task

Loved this album. Have no idea what he’s singing about. But that really helps to emphasize how great the music and melodies are.

4.5/5

Can't get fresher than this

This album took me by surprise. I knew the voice thanks to Peter Gabriel. Blown away by this album and instantly became a favorite

This is the stuff. Never heard of Youssou and probably never would have without the album generator. This is why I'm here. Pitche Mi is standout for me. Nice separation of instruments, lots of good grooves. Just exactly perfect for an early Sunday morning.

As good as World Music gets.

Can tell from the first 10 seconds that I’m going to enjoy this. The sound mixing is wonderful. Really balanced. Loving this.

Youssou N'Dour is a Senegalese singer and bandleader. His strong, soaring voice is the central feature of these upbeat, rhythmic tracks. He was featured in a Peter Gabriel song, "In Your Eyes," which catapulted N'Dour to international fame. Touring with Gabriel gave N'Dour a chance to perform world-wide. Immigres is an album N'Dour released just before becoming a star, and is a good sample of the music N'Dour made relatively early in his career. These are infectious, danceable songs with universal appeal.

Muhkeaa soittoa

Didn’t know what was being sung but it really doesn’t matter. This album has great energy and has a little of everything instrumental wise and at a high level.

Outrageous! What a record! Absolute education in how to blend 4000 musical genres and make them all harmonise perfectly! Completely took me by surprise! 4.7

N'Dour takes the jazzy relaxed open feel of 70s West African Golden-era of Afro-Cuban rumba (from his Star Band de Dakar days) and opens it up. This album lowers the role of the guitar and makes space to incorporate more Senegalese musical traditions (the interwoven griot-style vocals, the wide range of hand drums and the talking drum) and for some smooth jazz sounding horns/keyboards. The horns are great, but the keys, combined with the very 80s production and the bass tone in particular, do give this a very corny dated feel. Along with Salif Keita's, N'Dour is one of the cornerstones of the whole Putomayo world music 'genre' and forged a sound that would become the somewhat stultifying generic default for West African musicians seeking an international audience, combining glossy global sheen with the authenticating use of local instruments. But here in its nascent stage, there's plenty of energy and excitement to the music, and even the corny keyboard sounds have an endearing nostalgic wistfulness to them.

Jeg lå og vippede mellem en 4'er og en 5'er, for jeg ved ikke, hvor ofte den vil komme på i fremtiden, men jeg blev simpelthen i for godt humør til at rate den andet. Fantastisk instrumentation, interessant stemme, rigtigt sommeralbum

Just amazing. Put this on right as I headed out to walk the dog, and what a great listen on a nice breezy 63 degree (F) morning!

Really fun sound. I had never heard this before, but I love this kind of thing. Great party music.

This was super sweet. I loved it. Awesome vocals and I loved the rhythms and guitar work. Cool stuff

I know nothing about this at all but saw on Spotify that this dude was on "In Your Eyes" by Peter Gabriel and that's how the larger world population found out about him. I can get quite into African music because it's so different to so much else, and I am enjoying this from the first chords. This rules. It's catchy while still being strange and meandering.

Joyous! Superb voice, superb rhythm. Been watching the AFCON 2024 and the crazy scenes, so this feels timely. sadly for Youssou, Senegal got knocked out. My awareness of him extends basically to 7 Seconds, so this was lovely to hear his earlier, more traditional work. Although I understand it was criticised for using synths. Well they aren't intrusive to my ear. I guess when they come in halfway through Taaw they arguably take away more than add to the rhythm, but otherwise. This is just a delight, uplifting and fantastic from start to finish. Obviously I haven't a scooby what he's singing about, which is a shame, as from what I can work out he's a sound geezer. I didn't want Badou to end, 5 minutes wasn't enough!

Enjoyed all of this album very much, had never heard it in full before. No wonder western musicians were queuing up to collaborate! Will certainly be listening again. I can't think of anything I'd change so in the absence of 9 out of 10 I've rounded up. 5 stars from husband, too.

Beautiful music

This was great! I loved every moment.

Beautiful album from the former minister of tourism for Senegal

Joyful, catchy and easily a relisten

Familiar funkiness with some greatly influential African twist. You can see N'Dour's fingerprints across so much, and that's a good thing.

This was a great listen. This was perfect to have on while I'm doing what needs to be done. Lots of very subtle percussion in the background gave the tracks some extra depth.

Loved it. I really want to go to Senegal in the meantime I'll listen to big Youssou.

Wow, this viscerally takes me back to my childhood. Sub 10 - maybe 6 or 7? My very first media device of any description, that was mine rather than the family's, was a crystal radio kit. You pushed the components into a perforated cardboard circuit board, wired them up, connected a wire to a radiator to act as an antenna, and listened through a little ear piece that looked like an old fashioned hearing aid. It had no power source of its own, and seemed like magic to me! It was not capable of picking up too many radio stations, but one thing it reliably picked up quite strongly was a show playing world music that sounded a lot like this. Probably the first music that _I_ sought out for myself, rather than was just passively exposed to. Fave track - "Immigrés/Bitim Rew" I guess, but the whole album is lovely....

Че за кайфарик

What an incredible tenor

Loved it

I hate to use the same one-word-description two times in a row (the previous being Fugees' The Score), but this is simply: Wonderful.

Interesting! The song structures are meandering and surprising, the sound quality is excellent and the entire record has a sound and a vibe that is new to me. I have to admit that the voice somewhat dampens my enthusiasm, but that's because of me.

Excellent

Fun listen! The production was really good and I liked how the energy stayed high throughout.

Great instrumentation. Funky and groovy with very cool lead guitar parts. Obviously I don’t understand the lyrics but that’s ok.