Plenty of riot grrrl rock and music breaking stereotypes about femininity before this, but it's hard to deny this album's influence, even while Hole's career was relatively short. I still don't know how Courtney Love overcame misogyny and hatred surrounding Cobain's death, but she made some great music despite (and probably because of) all the trouble.
I've heard this album many times before. It's not even my favorite Beatles album, but the influence it had and the revolutionary production makes this an automatic 5 stars.
Plenty of riot grrrl rock and music breaking stereotypes about femininity before this, but it's hard to deny this album's influence, even while Hole's career was relatively short. I still don't know how Courtney Love overcame misogyny and hatred surrounding Cobain's death, but she made some great music despite (and probably because of) all the trouble.
Master of Puppets is the best song, no surprise. The opening track "Battery" is pretty fun, if misleading. It's a relatively lean 5:12 with the thicc Master of Puppets following it at 8:35. I think the reason I'm not into more metal is because it's bloated, and I like my songs short. But I appreciate some headbanging materials.
I've heard this album many times before. It's not even my favorite Beatles album, but the influence it had and the revolutionary production makes this an automatic 5 stars.
Big Iron is a banger as well as the epitome of a ballad. Marty Robbins has a lovely voice, and I'm surprised I don't hear more about him since this is the time for crooners.
The result of years of drugs and booze on blues and rock 'n' roll gives us this album, which is kind of brilliant in its appearance of spontaneity. L.A. Woman is perhaps the booziest of the tracks while Riders of the Storm is the most psychedelic. The Doors have been consigned to the hoary halls of "classic rock," so it's hard to see just how strange this album is through those eyes (or so I guess, I wasn't around during this time.)
It's hard to get into jazz, especially when it got taken over by the mainstream and easy listening or smooth jazz became the norm, especially during the 60s. But Charlie Mingus always sounds cool to me, and I can definitely appreciate his artistry, even if I am a jazz noob. He manages to find new dimensions and pathways into the basic melody that no normal musician would ever think of, and it all works as an artistic whole.
Great album. Clear that he was an important artists for bridging blues and rock 'n' roll. Also a great musician and not just a vocalist.
Bunch of spooky bitches. I like it. Great album to kick off Haloween season.
8 Miles High is the best song on this album, though I do like that it's abundantly clear how good they are as musicians on every track. Also, the vocal harmonies are pretty killer.
Haven't listened to Solange's previous work, but I'm guessing this is much more personal. Love the half-mutterings about Black identity and the struggles that go with it but the immense pride as well sprinkled throughout. Also, Cranes in the Sky is a great ballad. Easily one of the best of the second half of the 2010s decade.
Honestly really great. Looks to the older rock tradition with the likes of Buddy Holly (someone he's somewhat aping with his look and the music.)
Missy Elliott is somewhat underrated as a songwriter. She raps freely about some of the more typical things you might expect: money, clout, and sexuality. But there's also a sharp sense of humor lacing her music, which both undercuts and highlights the bragadoccio in interesting ways.
Has a lot more substance than I was thinking. Just knew those as those 'relax' guys, but they actually try to talk about serious issues like the Cold War. Also, pretty solid cover of 'Born to Run.'
Album's great, but yeah Led Zeppelin stole EVERYTHING. The blues part is debatabale, but the song credits definitely.
Great album. Scenes from an Italian Restaurant is the best song on a really strong album. Honestly, Billy Joel screams young boomer or old Gen X to me, and I can never really love his music.