Utterly bizarre. Weird rambling speech over punky violins, mad subject matters. Sometimes you hear an album and you have no idea if it’s genius or madness. One star? Five? Who can tell?
Fear and Whiskey is the fourth studio album by English rock band The Mekons. It was released in 1985 and marked a dramatic shift in their sound following a short hiatus. It is universally viewed as their masterpiece by fans. It is credited as being the first alternative country album, as it blends the band's previously-established punk rock style with a country music sound. The album was initially released by Sin Records to significant critical praise and commercial success. However, due to Sin's small capacity for production and distribution, the album then remained largely unavailable until it was rereleased in 2002 by Quarterstick Records, a subsidiary of Touch and Go Records. The musical style represents a sharp break with the group's previous work, as fiddle, steel guitar, and harmonica are included, but the instrumentation of punk music is also present, particularly on the energetic "Hard to be Human Again". Tom Greenhalgh, one of the primary creative forces in the Mekons, commented that as he listened to a great deal of country music in the early 1980s "pretty soon the difference between the three chords of country and the three chords of punk became blurred." The album closes with a cover of Leon Payne's "Lost Highway". The album's lyrics describe a dark scenario of a community struggling to retain its capacity for joy and humanity through a devastating war. Rock critic Robert Christgau described it as "a sort of concept album sort of about life during wartime".
Utterly bizarre. Weird rambling speech over punky violins, mad subject matters. Sometimes you hear an album and you have no idea if it’s genius or madness. One star? Five? Who can tell?
Best Song: None. Worst Song: Chivalry. What in the 8-bit cowboy is that background instrumental? Overall: I will be surprised if there is a worse vocal performance on this list. This sounds like your milquetoast colleague who always wants to go to karaoke, so you assume they must be able to sing, but when they get on stage they just start loudly talking with the music. And it's interspersed with amateur theatre? Even better. This album is one of the 1001 ways to tell that you've actually already died and you were sent to the bad place.
I'd like to think that there are hundreds of subgenres of music, and with this list being only 1001 long, the best 1-10 albums of any subgenre are represented here. If this album isn't right at the bottom of this particular subgenre then god help the rest of the albums. Jesus Christ.
So you're telling me that a British band did in 1984 what Viagra Boys did on In Spite of Ourselves in 2021, for a whole album, with copious violin, and I didn't listen to any of it until today? Put this directly in my veins, stat. I don't care if it stops holding up eventually: This is exactly for me and there's an entire discography and several relistens ahead. Fine food for my imagination.
I was brought up on a diet of fear and whiskey. My old man used to beat me black and blue, then douse me in whiskey and set me alight. It was an exciting time to grow up and sculptured me into the well-rounded human I am today.
Occasionally threatens to be really good. But sadly never materialises. Most sounds like a band failing to be interesting but succeeding at being annoying
just not in to diddly dee punk. as soon as the fiddle turns up i lose interest. i used to play football for the bolton irish centre in the north of england celtic supporters tournament. after the football they would hire a function room and there would always be a fucking diddly dee band on and all these english people would sing along to these irish republican songs because they support a scottish football team that has something to do with ireland. all a bit weird and has probably put me off it even more. i'd like to thank buckfast for getting me through that nonsense. the americans seem to bum this kind of irish punk too. fucking history nonces.
A British group that decides to defy expectations by laying fiddles, harmonicas, and country guitar hooks onto a punk-rock foundation should be praised and applauded when it is done as spectacularly as this. Although the war-time themes of the songs would expect you to have a brooding, dark tone, the songs are actually really fun and catchy. I never thought I would hear an album like this, it's an underrated gem. Favorite Song: Country Least Favorite Song: Psycho Cupid
never heard of this act but really enjoyed this album. normally “british pub band” is a tough sell but it works
Oh ya, this is right up my alley. Like the Clash but with a fiddle. Very reminiscent of The Pogues, and a slight attitude of Johnny Cash. There are a couple more strange avant garde type songs that were misses for me. But overall, this is a very fun, well written and ahead-of-its-time punk folk album. 4/5 Favorites: Chivalry, Hard to Be Human Again, Last Dance, Lost Highway Least Favorites: Trouble Down South, Psycho Cupid,
I honestly didn’t think I’d like this one, but I did! I guess the whole country punk thing is up my alley.
Not at all what I was expecting. The Punk element is much less obvious, and the Country element more prominent, with fiddle and everything. There’s also a fair amount of dissonant noise at points. The song I found myself drawn to most was Last Dance, but I’m biased towards songs about looking for small pieces of meaning in random moments of life, especially those involving love and/or empty dancefloors. A teacher I had at uni once mentioned that I wrote almost exclusively about the ‘poignancy of the random moment,’ and I get the sense of that in Last Dance. I also love the detail of singing ‘You were waltzing’ in a song that isn’t a Waltz, especially when the band have proven that they could do a Waltz previously on Flitcraft. I’m enjoying it more on a second listen. The dissonant noise parts are less prominent than I had realised. I think they’re unusual enough that they take focus from the rest of the album which is, if anything pretty standard Country Rock fare, played with a Punky attitude rather than instrumentation. Now that I know what to expect, I like this a lot
Actually liked this. Will need to relisten to it sometime.
false
Really good album loved it lots.
really enjoyed this. great production on the album too
Yeah liked that. Four stars possibly just because it's new to me.
Sons diferentes, interessantes e muito bons
Medio punk así gracioso. Sin más.
Pretty good
Not bad at all actually
interesting, proboably should listen more before id give it a final rating
BOMB
A tale of 2 completely different sides to an album. The first side is decent (first song is great and Hard to be Human is very good), but the second side is quality alt-country cowpunk, and definitely worth the listen.
Someone’s drunk uncle recorded an album of himself doing karaoke at the pub.
One listen sufficient. There is a reason this didn't get released widely in 1985. Not shocking, but not good.
Je tenais à m'excuser pour la faute de syntaxe que j'ai commise en rédigeant ma critique de l'album de Gainsbourg. Ça n'arrivera plus.
Not for me.
Haha, that was fun, but like in a really bad way
The info for this album said it was punk & country. Just because you suck at making music doesn’t make you a punk band. Really thought the bad fake American accents were a really great touch.
I think they just gave some microphones and instruments to a bunch of random people in the underground at 2 am and hit record. The "singers" might have some ideas about what notes are supposed to sound like, but I'm not entirely sure. At first I thought they opened with the worst song on the album, but somehow it just kept getting worse.
Woof. The vocals in this first song are atrocious. If the rest of the album follows suit, this is going to be a tough one to finish. "Hard to be Human Again" was a welcome change in the sound once it started playing. Not my favorite type of music, but seems like it's much more in this band's wheelhouse. The rest of the album had a couple of other spots that piqued my ears a bit, but it was overall a relief to finish the album and move on to something better - I think there's a very good reason that some of the songs had less than 7K plays on YouTube Music.
just because an album is weird, doesn't mean it should be on this list. all the elements are decent enough but they do not work together at all. the singer is especially terrible, no singing, just talking and raising or lowering his volume occasionally
You have to be pretty into British New Wave to find this band, and it shows. Probably a good deep cut for someone into that scene, but not for the average listener.
Kinda sounded like Fred Armisen doing an 80s uk punk band skit
Sounds like Morrissey, terrible.
I had never heard of Mekons and am glad that I have. I have a feeling they may start making the rotation in the up coming new year. An interesting mix with country influenced music in behind the music at the forefront. Happy new year!
Loved it. one of those albums you can't explain why :)
I really enjoyed this, it’s weird and I haven’t heard much like it, which makes me like it more! Adding punk influence to any other music genre makes an album sound like heaven to me. Fav songs: Psycho Cupid, Darkness and Doubt, Last Dance Least fav songs: I liked them all
I knew nothing of this album...or band...went in cold. And... I think I reaaaaaally like this. Added the whole album to my playlist. A weird mix of British Punk and folk/country meets a early David Lynch film? I don't know...but I liked it. saying 4.5 but giving it 5 stars.
im literally obsessed with this album, the clamor! the fiddle!! 10/10 i liked every song on the album 😔
This caught me by surprise. The singer is rarely on pitch and the drum machine is overbearing. Somehow it is post c&w and post punk at the same time. Yet there is a ton of charm here and I love it for its sheer creativity and effort.
It’s Cowpunk—what else could you want?
Really good album. Country elements are strong and not half-assed. Musicianship is top notch, and the lyrics were good but hard to follow. This album was a joy.
This album was sick. Take some folk/bluegrass/country and chop it up with a bunch of hypnotic drum lines, add some punk, then finish it off with some wild songwriting. Every song was so different. You go from Trouble Down South, which is a punky bluesy freaky number to Psycho Cupid, which is a totally futuristic desert cyberpunk trance. This is the exact weirdness that I like doing this list for
This had me reaching for so much other music as so many 80's & 70's elements (XTC, Police, even They might be giants, early Pulp). So thanks for the discovery, that's why I'm here!
Muss ich nochmal an einem ruhigen Abend mit Whiskey hören aber gehört definitiv schon zu meinen persönlichen Neuentdeckungen.
I normally don't like this type of music, but this one is just sloppy enough to appeal to me. It's closer to Meat Puppets and The Waterboys than it is from The Pogues or whatever, which is a good thing.
Awful. What a waste of time. Some of the music was okay but man… those vocals were some of the worst we’ve had on this list.
I don't know why this album is part of this list. It's not good, nothing special, and as far as I know, has not been a great influence on anyone.
This is more a bar band album than a top 1001 album.
The '80s country punk thing is almost cool, but the singer sounds shitfaced drunk
So I have never really explored the Mekons, but a band I loved in high school - Too Much Joy - had a song called "If I Was a Mekon" and it made me curious about them. What little I had heard before today didn't do much for me so I didn't go any farther. This will be a good opportunity for me to give them a proper chance. Listening now, and on paper this sounds like something I SHOULD really like - it has rock, country(ish), and punk(ish) elements, which is what features in a lot of the new music I like today. But I think it's the vocals that bother me. And the production sounds very 1985/flat/muted to me. I've read that this band was great live and I bet they were, but this particular studio work doesn't do it for me. I got all the way to track 9 ("Last Dance") before I thought, "OK, I like this one."
I like experimentation, but this felt messy, and that he style of singing, which was really popular back then, doesn't help. At least I could feel that they tried to do something different, but still feels a bit like every other british rock album from that period of time
Tried…..just couldn’t get into it
Wasn't for me :(
-nothing about this really stood out to me or spoke to me idk. it was not bad but it was not really “good”. the whole time I was listening to it I was sorta just thinking “yup that’s definitely music” -there are definitely worse albums, some even on this list, but I fear this one did not really leave much of an impression either way -Favorites are Chivalry and Darkness and Doubt
Camden, Fiddles, Guinness, are they even of Irish descent, I dunno. It's fine but I'll never listen to it again.
Not that into this one. Was pretty uninteresting. 2/5 Won’t listen again
It's actually remarkable how similar all of these post punk/new wave English bands of the 80s sound like. I will give it to these guys though, this is unusually bad. It's one of the shortest albums I recall listening to now 860+ deep and yet it still manages to find a way in being too long. Weird violin and "singing" all throughout. 3/10
Largely passed me by. Rather inoffensive, but no real reason to listen again. Darkness and Doubt was fine, I hated Psycho Cupid, but quite liked Trouble Down South.
not for me
Oh wow. I really could not keep up with all the directions this album was going The first song sounded like Morrissey’s tired uncle drunkenly trying to assemble a Casio in the back room of a saloon. The second song was like the soundtracks of three different Film 4 original cop movies were playing at the same time. The third song was… actually kind of normal, but then the fourth song was like drinking in a tiki bar in Eastern Europe where everything was inexplicably in slow motion. The second half of the album is a bit more of your standard 80s fare, and then the closer is a really fun country ballad (with a violin solo that sounds exactly like Sound of Silence) I’m fresh out of similes but long story short this was horrible yet also somehow endearing. Wouldn’t recommend, would listen again - could be a 1, could be a 4, giving this a confused 2
There were a couple brief moments where a song would start to trend towards being not completely awful. Or maybe it was when I just couldn't be bothered to pay attention
Punk but wasn't feeling it
I like the early stuff from the mekons more. I found this to be a bit of a chore even with the short runtime. Don't dig the folksier arrangements.
There is a long-running comedy panel game on BBC radio where one of the tasks is to sing the lyrics of one song to the tune of another. That sprung to mind listening to the first track. The second sounded like an out-take from Jeff Wayne's "War of the Worlds". The start of the third gave me Supertramp vibes then went punk. Then the album just got weirder. Not for me 1/5.
It comes across like a novelty act, but without being funny. I couldn’t wait for it to be over.
Na az ilyenek miatt kezd bele az ember ebbe projektbe. Hallgattam volna valaha country-punkot magamtól? Nem. Jobb zene ez mint az előzó album? Nem. Megérdemel egy ötöst, amiért ennyire bizarr és kreatív? Igeeeeennn.
Fookin' brilliant.
Man oh man. So back in the 90s, I used to listen to a band, Too Much Joy, with a song called "If I Were A Mekon." Back then, I didn't know what a Mekon was, and I knew I wasn't quite as cool as Too Much Joy. But now I have heard The Mekons. And I'm not a Mekon. So I can't say I'm cooler than TMJ. But I too wish I was a Mekon and so maybe I'm now on par.
Country and punky and gritty. Love it!
British Pop-Punk-Country Twang fusion thing. Cool! I like it. Sometimes reminds me a little of The Clash or maybe The Pouges (but better). Some songs have a sea chanty or maybe an Irish Trad sound. I didn't care for the two spoken word songs but the rest was great! Cool find. Never heard of them before and hope to hear more.
I kinda love the country / punk rock fusion and also how obviously British they are. Totally dig the fiddle too. Though a bit strange and a little messy and chaotic at times, it all just works somehow. I’m a fan!
Mekons go country, which just means another great Mekons album, 80s classic. score: 10/10.
LOVED this, great punk album
80s through back British punk
Oha, was ist das denn? Interessant, originell, kein 0815-Sound, also toll!
A pioneering cowpunk album that may well be the birth of alt country and I love the synth drums.
cool
9/10 absolutely wonderful I truly adored this
Suprised with how good it is
He eivät ole pelkästään keksineet hyviä biisejä, vaan täysin omanlaisensa kulman koko rock-genreen. Olen kahden vaiheilla lauluraitojen rosoisuuden suhteen, mutta koukut, IDEAT, kuuluvat läpi. Levyllä on muutama tasapaksumpi hetki, mutta se ei myöskään lakkaa yllättämästä: bändi kehittelee kantrin ja punkin yhdistävästä duurista huomattavan paljon melodiaa. Kannattaa kuunnella.
Weird mix in a good and bad way. Unique approach.
To the best of my knowledge, I've never listened to an album from these folks... and I'm glad to have rectified that, as I enjoyed this quite a bit. Felt like a fairly wide range of musical styles and yet everything was tied together with a nice firm dollop of flat out weirdness, which I appreciate and enjoy. I look forward to listening to this record more and seeing what else this artist has put out.
Obviously a lot of ideas at work here. Initially I felt that it was more interesting than enjoyable, and I guess I still feel that way…but it’s still pretty enjoyable, especially after multiple listens. I kind of reject the alt-country label, though. Sounds to me like a punk album with clever instrumentation.
An interesting mix that I don’t think was executed as well as the creators had hoped. The more “Irish” this sounds, the better it is, and the back half is much better than the front half. The weaker tracks on this one (“Trouble Down South”, “Psycho Cupid”) bring it down a bit, but the album goes out on a very high note.
This was the first album on this list that I’ve just…never heard of. Never heard of the band, never heard of the album. I’m going in blind…. …and you know what? This is great. I originally thought this was an album from the 90s, then when I looked it up after listening I found it was from the 70s and let’s just say you can see the influences these guys must have had on many other bands. It’s kind of a bit country by way of the M62, a bit punk, a bit rock and roll. It’s in and out in under 40 minutes, so doesn’t overstay its welcome. Adding to regular rotation.
I went back and forth between really loving it and disliking parts (spoken word interludes). Still, apparently groundbreaking and presaged a lot of music i would come to like.
Mighty fine album
A group of Brits doing stripped-down, country-inspired punk with fiddles sounds like an absurd idea. And frankly, it is, but this album is all the more punk for it.
I really appreciate any sort of country-fusion, particularly country rock fusion. This album was fantastic at getting an even blend of country and rock, when a lot of the time albums billed as "country rock" are 90% rock and 10% country. Felt pretty jarring to hear country music sung with British accents though haha. I think they could have done a better job at getting the folk instruments to blend with the electric instruments, especially on Flitcraft. I didn't like their lead male singer's voice at all. Favourite track: Hard to be Human Again
I thought I was going to hate it. It had everything I haven’t much liked about some of these albums. It’s from the 80’s. It’s a British band I’ve never heard of. The singer has that horribly typical British singing voice that sounds like he's a whiny drunkard. It is apparently heralded as a masterpiece by fans of the band. But you know what? Honestly, I thought it was great. Such a great, laid back sound throughout most of it. And even when it kicked up the energy it still never came across as overly aggressive. I don't know what you call this genre, but I've definitely heard it before. Rural folk rock? The kind of music that has that very Irish-sounding violin and folky feel but still manages to have a rock edge to it. That's what this was. With a lot of other stuff thrown in too. And I think that's where it kind of lost me in places. I can see how it's considered a masterpiece. It's weird, it's experimental, it's adventurous and it definitely has a unique air about it. But I think it tries to cover too much ground in such a short time that it becomes unfocused. Listening back to some of it now, I hear so many influences and so many genres that it honestly makes my head spin, and not in a good way. Compared to my low expectations, it gets five stars. But outside of those, it's a solid three stars. So I'll average that out and hand it four stars. Standout Tracks: Darkness and Doubt, Flitcraft, Abernat 1984/5, Last Dance
Weird, unique, crazy and yet listenable. People need to make this kind of stuff or we will all go mad.
Wow - not what I was expecting and surprised I haven’t heard it before.
Country punk before it was a thing. Dig it, will probably go down this here whole rabbit hole.
I had never heard this album and I enjoyed every minute of it. I read that it's the "first" alt-country album but I hear as much folk music influence as I do country, however who really cares the music is challenging and tough and just sounds like it's created by musicians that care about their art. I loved it. 4 stars
Overall a great listen. 3.8/5
thoroughly enjoyed / appreciated / ??? Kinda freaky but layered and interesting to delve into- all the fiddle haters can fuck off
This sounds very familiar to me, I just have had this on a cassette tape but not knowing who it was.