Fifth Dimension

This album was uninspiring enough that I can't even be bothered to write a proper set of listening notes.

An OK psych folk album, but there is just no reason to have 5 (!) The Byrds albums on this lyst, considering the criminal number of omissions.

FIVE STARS An all-time classic and a personal favorite of mine. Up to 1966, The Byrds had enough assets in their game to consider they had already established the perfect formula in their very first LP, *Hey Mr Tambourine Man*, and that there was no reason for them to veer off-course three albums in after the success they had. That formula is that cliché most listeners still associate The Byrds with today: use Dylan's shortest, catchiest tunes, cover them by adding melifluous vocal harmonies that are complete u-turns from Bob's rough, nasal timbre and inflexions, wait for those covers to hit the charts, and then cash in. Of course, you could still replace Dylan with Pete Seeger and The Bible (see "Turn, Turn, Turn"), traditional tunes or everything in between. But in its core, the formula didn't change a bit. Not that individual members of the band were frauds and impostors as they performed those skilled transformations. Coming themselves from the US folk scene, they had learned how to translate those folk staples into a more pop-oriented language, but thanks to their original background, they could also instill those rendition with a much-needed sense of authenticity. Both serious and commercial, folk and rock, The Byrds were at the crossroads of everything the sixties were all about. With Gene Clark, The Byrds also had a main songwriter in their ranks, admittedly, and the covers were interspersed with originals, too. But even if Clark seemed like a competent songwriter in his own right, this didn't fool audiences. As influential as The Byrds were on the overall sound of the mid-sixties, they were first and foremost seen as performers. And it was never a problem. The sixties going as fast as they did, it soon became one, however. Especially when Gene Clark left the boat at the exact moment when true authorship started to become a huge plus for pop audiences on both sides of the Atlantic. After Clark's departure, Jim McGuinn and David Crosby had no choice but to step in and increase their songwriting output. That some reviewers have considered that the two guitarists were still in the process of learning the ropes of that trade in 1966 is a little baffling given how the originals on this album could easily be deemed superior to most of Clark's endeavors. The original songs shine throughout the whole LP, leaving many earworms in their trail, from enticing opener "5D" to the John Coltrane and Ravi Shankar-inspired "Eight Miles High", a cryptic track (partly written by Clark before he left) about soft drugs--a tune logically banned on the radio--often quoted as the the first psychedelic rock song ever penned. *Psychedelic*. The word is like that magic carpet on which most of the band members sit Ali-Baba style on the album's front visual. It is a promise to fly to outer worlds of the mind, a promise that's also in keeping with the Sci-Fi themes in some of the songs. "Mr Spaceman" is for instance a tongue-in-cheek country-rock pastiche of sorts referring alien abductions. And the fifth dimension of "5D" is one inspired by Einstein's foray into theoretical physics, not lysergic drugs, contrary to audience's expectations at the time. But such misunderstanding is not necessarily a betrayal of what the song--and the album to which it inspired the name--is all about. Open your mind. Feel that awe (and possible terror, too) when the gates of perceptions are blown far wide. As hackneyed and cliché that philosophy may read today, what's impressive about the album is how fresh, effortless and spontaneous the results of that preliminary foray into a new world appear today. That pop freshness is partly explained by the fact that the Byrds were instigators of that psychedelic trend, and not mere followers of it (the rougher and more garage-oriented version of that trend exemplified by The 13th Floor Elevators came out in the exact same year, for instance). And like many other instigators they were not necessarily understood as they should have been. Short yet insistent bridges and breaks with reverse-tape-recorded guitars, raga-like flourishes and other sitar-inspired riffs abound during the record. The move was challenging for general audiences, yet The Byrds took their chances, catching some fans and even music critics off-guard. The covers were also more interesting and riskier than anything that the band had ever attempted (no Dylan anthem to be heard there). It's a risk that paid off, generally speaking, and nowhere did it pay off more brightly than on that mysterious musical rendition of a poem by Turkish poet Nâzim Hikmet, a quite obscure reference for western audiences. "I Come And Stand At Every Door" is indeed as hypnotic as it is slowly powerful, yet never does it come off as a pretention dirge, so beautiful its intricate harmonies are. At its core, it is a miniature lesson in patience and meditation, one that Crosby would use to great effects again in his own song "Everybody's Been Burned" on the next album. But it's mostly one of many tracks on the album that manages to transcend tts sixties psychedelic context to become something a little more timeless than that, and one can only regret Crosby didn't *really* explore this trend further later on. Obviously, opening your mind also encourages a spaghetti-at-the-wall approach. Even as recently as the last ten years or so, some critics have indeed complained of the topsy-turvy nature of this record marking the Byrds' transition from folk-pop translators of Dylan's repertoire into psychedelic adventurers. But complaining about any lack of cohesiveness here might be missing the point, since the twists and turns in the tracklisitng are part of the appeal here devised for receptive souls tired by standardized listening (and thinking). It's the sort of standard The Byrds had actually set upon themselves during the earliest part of their career, and one can guess they were tired, too. Fortunately, it didn't take them long to find a way out. After *Fifth Dimension*, The Byrds would even use what they had learned from the recording of this preliminary masterpiece to great effects on their two next records, often heralded as their very best. I sometimes wonder why those records, which are a bit of a mess themselves, are never judged as harshly as *Fifth Dimension*. Maybe it's because it takes *more* time for certain minds to open, and that contemporary critical reaction only caught up with The Byrds once Crosby was out of the picture, namely with *The Notorious Byrd Brothers*, leaving the two previous LPs with a more "difficult" critical reputation. But the magic carpet started flying here, with this very album. And to this mind also tired of standardized thinking, it has never flown more beautifully than when it soared like this to the lysergic skies, and beyond them. Number of albums left to review or just listen to: 971 Number of albums from the list I find relevant enough to be mandatory listens: 11 (including this one). Albums from the list I *might* include in mine later on: 7 Albums from the list I will *not* include in mine (as I think many others are more important): 9 Albums I might not be able to judge (some might end up on my final list but it's because I recognize how culturally important they are): 2]

Exit pop stars The Byrds, enter psychedelic folk rock pioneers The Byrds. Very very good.

A little sloppy and a lot trippy. Eight Miles High is maybe the most 60s song there is. Interesting to hear a song with anti-war lyrics about Hiroshima and soon after a weird rendition of the gunning-down-my-woman song Hey Joe (so much cowbell).

Je croyais pourtant avoir été clair dans ma critique de la semaine dernière au sujet des Byrds et de leur incapable leader Gene Clark... Je vais donc devoir me répéter. Gene Clark et sa bande de joyeux singes n'apportent aucune plus-value à la musique. Ils reprennent un coup l'air de La Marseillaise (cf Eight Miles High), plagient ensuite le bon vieux Jimi (cf Hey Joe) même si ce dernier n'a sorti son tube que l'année suivante, et se permettent de clore leur album avec deux morceaux indisponibles dans votre zone géographique. En résumé, un immense foutage de gueule.

That was a fun slice of time. Way more varied and sonically interesting than I would have expected. Hey Joe was a pretty wild cover.

Folk, blues and traditional. Fairly bland, felt a little like a contractual obligation album.

Fine, I guess.

Ho lala this week album selection is refined to my psychedelic tastes. LSD and carpet ride is all I have been aspiring to my whole life. Loved this album very much. So very mystically 70s!

Awesome - hadn't heard Mr Spaceman in ages! Love that guitar tone.

only tambourine man but this is betta

Not sure I’d consider this an essential Byrds record, “8 Miles High” is the pretty clear standout, and the singles are also highlights, but the version of “8 Miles High” on their 1970 record, (Untitled)/(Unissued), is probably the version to hear - they jam it out and play with an intensity that few of their peers, *cough* The Grateful Dead *cough*, could ever hope to match. Sorry for the coughing…the pollen is really bad this year. …and if you listen to that version, be sure to follow it up with the next track, “Chestnut Mare”, which, metaphorically speaking, is one of the weirdest songs ever written. 5D isn’t a “great Byrds album” for me, it’s a good one, for sure, but they hadn’t really transitioned into psychedelic folk/rock quite fully yet and I’m not sure 5D rises to the level of “must hear”.

Classic

When "Notorious Byrd Brothers" came around as album #13, I had of course heard of them and their Tambourine Man but I'd been largely ignorant about who they were and what they actually did. Some jangle pop folk rock, no? That album ended up in my favourites. So does this, even more so, because I've also since realized how much I like David Crosby ('Notorious' should have been a 4 probably, but I don't care, this isn't a contest). Bottom line: when The Byrds were like *this*, they were possibly the best 60ies band that side of the Atlantic.

Amazing, loved it <3

Really solid folk rock album. I enjoyed this immensely. Rest in peace David Crosby.

Kinda shouldn’t be as good as it is.

Very good harmony and rhythm. Really liked this one!

That was sweet! Such a trip!

The Byrds is another band I grew up with and loved. Memorable Bob Dylan covers included My Back Pages and Mr. Tambourine Man. Fifth Dimension is the first Byrds album that did not include a Dylan cover. However, it does include some traditional songs such as Wild Mountain Thyme and John Riley. The progression from the traditional songs to songs like Eight Miles High and Mr. Spaceman is what makes this album stand out. The Byrds' experimentation and innovation may have helped generate the Psychadelic Rock genre. However, they always kept their folk rock roots. The harmonies of McGuinn, Crosby, and Hillman are beautiful. It is no wonder that Crosby, Stills, and Nash followed with great harmonies. Finally, McGuinn's 12 string Rickenbacker adds to the signature sound of the Byrds and is in evidence on this album.

PREFS : 5D (Fifth Dimension), Wild Mountain Thyme, Mr. Spaceman, I See You, What's Happening ?!?!, I Come and Stand at Every Door, Eight Miles High, John Riley MOINS PREF : Captain Soul

Du bon vieux rock qui s'écoute tout seul

This popped up on my screen and for a brief moment I was ecstatic! I hadn’t imagined that this list would acknowledge The 5th Dimension… Wedding Bell Blues! One Less Bell To Answer! Up Up and Away! I had thought that the closest I’d get to this was the Laura Nyro album “Eli and the Thirteenth Confession” album we had some time ago where we heard the original “Sweet Blindness”. Never mind… This is Fifth (not 5th) Dimension by The Byrds. Oops. This was quite good. Pretty much what I expect from The Byrds by now but I really liked it. The bonus tracks were pretty great too. Still, I can’t help but think one could trim down those five albums from The Byrds to make room for The 5th Dimension.

So many recognizable songs that stretch pop in new directions. Great time.

Yes

Really good 4.7 stars

Great

I like this album quite a bit, it's one I listened to semi frequently before I started the 1001 albums thing and it's one I'm going to continue listening to after. It's fascinating to listen to music from a birth of a genre and that's exactly what you get from 5th dimension with psychedelic rock. Tropes that would become staples are first taking shape here.

absolute genius. 1966 and what a blend of voices and harmonies, rock, folk and some Shankar inspired sounds... Thought provoking and hopeful lyrics. Love it

The Byrds had such an amazing sound. It’s sad they weren’t around too long. Their harmonies were so pleasant and their style was such a beautiful blend of folk and rock. I loved this album!!

Fifth Dimension represents a pivotal shift towards psychedelia, blending folk rock with experimental sounds and introspective lyrics. Released in 1966, it features standout tracks like Eight Miles High and Fifth Dimension, showcasing Roger McGuinn's distinctive 12-string guitar and the band's harmonious vocals amidst a backdrop of innovative studio techniques. Despite initial mixed reviews, the album has since become a landmark in psychedelic rock, influencing generations with its adventurous spirit and musical exploration. NUMBER OF BANGERS - 9 STAND OUT TRACK - What's Happening?

A fantastic album, just an absolute joy to listen to

There is such a thing as 1D chess, 2D chess, 3D and 4D most well known. But The Byrds were out here playing 5D chess, way back in 1966! From beyond far out, they proved themselves to be less interpreters of the increasingly mercurial Dylan but as the more consistent American rock band of their age (Beach Boys notwithstanding), giving us indelible gems that not only became emblematic of their era but also stood the test of time. Fifth Dimension is an important step forward.

I think the band has a really cool sound on this album and it really foreshadows a lot of 90s alt-country. They're working withing the folk rock framework, but adding a lot of really interesting elements and taking it in new directions. Highlights for me are the title track, "Mr. Spaceman", "What's Happening!?!?!", and of course "Eight Miles High". Second side of the album isn't quite as strong as the first -- I'm not super high on their version of "Hey Joe", but overall, it's probably my favorite Byrds album.

Was very happy when this popped up. I grew up with the Byrds and love this - great music, vocals, harmonies.

Folk rock, psychedelic rock. Lovely harmonies, a very calm and peaceful album. I really liked the atmosphere of the songs, just mellow and almost hypnotic. Incredible guitar work, with drums and bass really flowing together. Pretty cool learning that this album is thought of as the first psychedelic album ever released. Also worth mentioning that this album as produced masterfully, everything is so clear when it needs to be, my only gripe is that it's mixed where pretty much each instrument is panned to one side or the other. And it doesn't stay consistent either. That aside, everything about this album was beautiful. Absolutely loved it all. Might listen again, I think visiting this bands other albums would be cool as well. 4.5/5

Cool

great

i love byrdsmaxxing

Had never listened to the Byrds but I really enjoyed this ablum! A mix of styles and sounds, but all a great listening experience

Now you’re talking.

Psicodelia na dose certa, a guitarra do Crosby garante o envolvimento da viagem entre o folk e blues.

Loved it

Great album with some of my favorite tracks

Wunderbarer Gesang, könnte den Byrds stundenlang zuhören.

I honestly love David Crosby the more I listen to him. Hell yes to the tightness on display too.

New favorite Byrds album of the book so far! I'm clearly way too young to be making this declaration, but this album must have been considered ahead of its time...I'd actually probably suspect most Byrds albums are considered as such. I never realized how important they were to music until this boom though. Favorite track: Eight Miles High

Great guitar work here. Harmonies slick as always. The more Britishy folk vibes are here. Would have given it 4 but giving it 5 cause the haters made me love it more.

Psychedelic folk by some of the greatest. Love it.

Top echelon stuff, this. A touch of absolute genius, when it comes to arrangement.

Los Beatles de California, muy crema

I enjoyed this. Not perfect but a fern good listen.

7/10. birb. Their version of Wild Mountain Thyme was a bit lame, actually

Classic album

Sci-fi themed, psychedelic Byrds? Love that, although the songs towards the end got a little dull.

Very Beatles like. Digged a couple songs more than others.

This actually wouldn’t be my first choice of a must listen Byrds album, but it was still great

"Eight Miles High" Released: March 14, 1966 "5D (Fifth Dimension)" Released: June 13, 1966 "Mr. Spaceman" Released: September 6, 1966

Pleasing to listen to, sounds like a cross between Crosby, Stills, Nash & Young and Bob Dylan. Simple arrangements, but nice melodies.

Way ahead of their time. I still prefer This Mortal Coil's version of "I Come and Stand At Every Door" though. Not my favorite psychedelia, but still obviously a seminal record. David Crosby, man. David Crosby. Obviously McGuinn is an uttery genius too.

I really like the guitar tone and their use of vocal harmony. It's almost like a more rock-y Simon and Garfunckel.

4.75

Robert Pollard and Peter Buck both owe Roger McGuinn royalties.

I enjoyed this and should listen again

Surprisingly interesting album…

I love the psychedelic. Eight Miles High says it better than anything else. The rest of this albums is a bit all over the shop. Mr Spaceman delivers. The two extremely folkie tracks are folk classics : John Riley & Wild Mountain Thyme, which Dylan would perform at the Isle Of Wight Festival 3 years later. They both sound great here. The cover of Hey Joe is unnecessary, just like every other version apart from Jimi’s. Could have been a better slbum if Clark hadn’t left the band. But Eight Miles High was his departing gift. The Byrds never came to Australia, but I saw McGuinn, Hillman & Clark at the Regent in Sydney in 1978, & was not disappointed.

Amazing.

As always a enjoyable album, good runtime, easy listening, what's not to like

Not bad.

It all sounds so familiar – the chiming and jangly guitars, the countrified frills, the dreamy lyrics, the tension between mellowness and a druggy sort of edginess – that it’s hard to remember how new it must have sounded in the mid-60s. It sounds so much less dated than much else from this era. One likes their take on “Rider,” an often dull and flavorless ‘60s chestnut.

Trying to trick reviewers into giving them five stars by having "fifth" in the title - but it won't work on me! Pretty good, certainly better than their other album I have heard, but no better than that.

I will never complain about having the Byrds. Underrated band that pushed itself in every album. This album is slightly darker in sound than other works, but still a short and sweet 60s pop rock album.

I liked this album, definite 60s sound - reminiscent of the Kinks for me.

-Generally plain psychedelic rock. Nothing mind blowing. -"Captain Soul" is instrumental and they seemed to up the instruments for that -"2-4-2 Fox Troy (Lear Jet Song)" is pretty cool, lots going on in that one. There's the instruments in the left ear, pilot radio chatter/airline sounds in the right, and the vocals in the middle. That's pretty cool. -Overall just barely a 4

some really wacky guitar parts (Eight Miles High) that sound like a small mammal running up and down the fretboard. love the trippy vibes, the 60s must have been fun

A classic psychedelic sound- guessing it's the inspiration for a lot of later work given the year. Somehow, it holds up today. A pleasant amount of variety in each song.

The best Byrds album? I prefer having Gram Parsons in the mix, but this works.

Love it. Funnily enough a song from this album came on straight after finishing the Beach Boys. Again, a really nice album with summery vibes

Ahora sí, algo de The Byrds que realmente me gustó y que me hizo debatir entre 4 y 5 estrellas. Si bien todavía tienen sus momentos de voces en coro muy dulce y armonizado, el resto del disco tiene grandes momentos, en especial un sonido de la guitarra muy rasposa, como con algu de blues pero con psicodelia al mismo tiempo. Entiendo mejor como es que esta banda fue tan importante influencia.

The Byrds continue their jangly folk rock sound but delve into psychedelia, who would popularize the genre. Early usages of psychedelic pop are employed here: cryptic surreal lyrics, beautiful yet ominous singing, raga-structured guitar, and cloudy repetitive instrumentals where everyone seems to do their own thing. Sounds like they're still trying to copy Bob Dylan with the vocals in "5D" and harmonica in "Captain Soul." Some early country rock with "Mr. Spaceman." As a fan of their jangly guitars and harmonious singing, there were only a few songs I didn't care for much. It's a fantastic effort as always. Favorites: Wild Mountain Thyme, I See You, What's Happening, Eight Miles High, Hey Joe, 2-4-2 Fox Trot, Why

funky as hell, video game music typa thing from a AAA trailer for fallout or something.

Var ekki að dansa neitt sérstaklega við fyrstu hlustun, en þessi vinnur verulega á við aðra. Oftast skemmtilegt létt sjöunda psychadelíurokk og ágætlega flutt. Ekkert meistarastykki, en vel áheyrilegt.

Fine record, has a few nice moments of harmony but nothing inherently outstanding.

I didn't know Spaceman was by the Byrds! Loved that song as a child. I really enjoyed this album in a number of ways, folky Beatles like.

Really disjointed, but still a great listen. You've got to be in the mood for a little bit of everything. This is the one where they didn't need Gene Clark (or Bob Dylan). Best track: Hey Joe (Where You Gonna Go)

Such an influential album. Guitars are spectacular

I really enjoyed this one. Quirky and all over the place and very of it's time for sure, but what a time. Particularly like the wild guitar playing on this one.

.

começando a chamar na psicodelia

Excellent.

Ah yeah

I love Eight Miles High - a cracker of a song. And there are some other good tracks there. I'll go back to it.

This album was pretty good but kind of samey to me. I couldn't really distinguish between most of the songs, but I liked the sound. I think this folky kind of rock is pretty cool and I would listen to more of it.

bom album, fortemente inspirado pelos beatles

This is my third Byrds album. It also happens to be the first Byrds album that doesn't rely on any of Bob Dylan's songs. He may not have his songs featured, but the influence is still heavily there, at least early on. Better than 'Sweetheart of the Rodeo,' not as good as 'Mr. Tambourine Man,' 'Fifth Dimension' was an interesting, sometimes psychedelic ride with the Byrds that ultimately didn't really wind up anywhere super noteworthy.

Mom can we listen to The Beatles? We have The Beatles at home. The Beatles at home:

Really enjoyed this one!

Strong start with the title track, and I'd never heard their excellent version of "Wild Mountain Thyme" before. The rest of the album sounds like a Byrds album. Definitely worth listening to when you're in the right mood.

There are some original songs, some are average