Close To The Edge

While revered as a high-water mark for progressive rock, its dense, sprawling arrangements and lengthy compositions felt overindulgent and difficult to connect with. No wonder punk happened soon afterwards.

yes

The Lord Of The Rings of music

Third (and last) Yes album I get on the list, and it only confirms my opinion of the band : love the music, hate the vocals. I'm totally on board with the prog side of their work, and they're clearly competent and creative musicians with a lot of original ideas. The mix of organ and synth towards the end of the first track was really trippy (psychedelic medieval synth pop ?). It's like a more intellectual, but also less fun, version of Queen. Unfortunately, I have the same gripe as with their other albums : I can't stand Jon Anderson's voice. His quasi-falsetto annoys me, and his delivery always feels weird and affected, preventing me from really getting into the music. So yeah. This is an album I enjoyed parts of, truly ; but I probably won't come back to it. 5/10

the only fault i find is the weird long intro

This is a well-crafted prog rock album, and I really enjoyed the musicianship on display. There's clearly a lot of talent here, but at times it feels a little too self-indulgent.

Slightly overwhelming to get into, but goddamn it works! "Siberian Khatru" is beautiful.

I get up! I get down! This was my absolute favorite play-it-twice-a-day album for a while when I was a stoner teen. And despite not having listened to it is at least 40 years, whenever I’m doing some kind of environmental work at a lake the line “in and around the lake, mountains come out of the sky” appears unbidden, which tells you how deeply embedded this record is in my brain. And hey, the first 18-minute track is really pretty good, isn’t it; I love complicated music. The guitar, bass, and drums are so good, and the vocals with their usual impenetrable lyrics, while somewhat annoying work in most parts with the music. The band’s timing is impeccable, and it’s fun to concentrate on one instrument at a time, like hey what is happening with the keyboard there, as Wakeman just plays one very high note over and over for about 5 minutes. The second track “And You and I” isn’t quite as appealing to me; it’s feels sappy and overwrought, with poor Bruford stuck to playing drums like “thump… thump… thumpa thump” and the synth going all romantic and noodly. But the guitar and bass save it as much as they can, and it turns doomy near the end, so I guess it’s ok. The final song “Siberian Khatru” feels like arena rock only with weirder time signatures, which I like. I think it’s probably the most appealing song on the album; it’s tighter than the rest, and I like the interesting repeating words and percussion happening in the middle.

One of my all-time favorites; timeless, beautiful, and technical.

Pretty good - had only really heard America before - but interesting an original sounding

I wanted to go on a quest listening to this ring. Like for some mystical sword or a ring of power. 5 out of 5 Dark Lords agree.

If I had to pick one album as my favourite album out of my whole collection, one perfect album, it would always be Close to The Edge. I play it so often that I was convinced it had already come up in this list, but of course it hadn't. Three flawless pieces come together for 38 minutes of complex, intriguing music. The title track itself, their longest piece at the time, is for me their greatest achievement. Its beautiful intertwining sections and ethereal lyrics are something I never tire of. Side two, with the more acoustic, folk influenced 'And You And I' and the belter 'Siberian Khatru' is something I get equally ecstatic about. I've got three versions of the album, today I'm listening to the 2003 Rhino edition with its selection of bonus material. Utterly joyous.

Alldeles för långt

I liked and you and I Kinda outside my usual listening but it’s nice

My third Yes album. When I saw the cover, i braced myself for everything - after liking Fragile but finding it overall to patchy and finding The Yes Album to be a complete disaster. So to my surprise, I really enjoyed Close To The Edge. I felt like they finally committed to the Prog style they wanted to do since the start, but somehow always broke with more traditionally structured songs and just weird stuff that makes me question the band as a whole (seriously, I am still wondering why Cans and Brahms had to be on Fragile) Close To The Edge now has fully committed to being overly long and self-indulgent songs that just have a good flow between their parts and grab my attention again and again. The title track here is mind-boggling in its hubris but somehow pulls it off - it insinsts upon itself, one Peter Griffin might say. So yeah, on this album they finally managed to match their creative drive with their talent as musicians. Of course it's not perfect, I think And You and I is the weakest link here and just an inferior song compared to Close to the Edge, but Siberian Khatru makes up for that. Of course this album is still vocally challenged and Yes's voices don't really carry these songs or unveil the full album potential a powerful vocal track could have on these mini-operatic songs. But hey, all the other parts got significantly better, so a win is a win. And maybe I should go and grad that Hermann Hesse book now.

Ok

Better then the most of the ones from the '70s.

Fine, some nice instrumentation but didn’t move me. I pushed through this. Fav track: Siberian Khatru

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I give zero fucks.

Definitely loved some aspects of this (and Yes in general) but sometimes glam and psychedelic rock is a bit too avant-garde for my tastes.

Close To The Edge - Yes (1972) ⭐⭐⭐⭐ 7.75/10

This is not good. Prog rock is not my go to, but his voice gets very whiny very quickly. 3/10 Top song... Total mass retain (I guess)

I had to listen to this twice just to make sure I got it all, and man, does the first 3 minutes of the title track not get any easier to listen to the second time? I quite liked it after that part, though I couldn't commit to adding any of the 3 tracks to any playlists considering they are virutally playlist length in & of themselves. Listening to this fully convinced me that I am still VERY undecided as to whether I even like prog. However, I gained a hell of a lot of respect for Bill Bruford. Unfortunately, I'm going to have to give this a middling rating (despite its awe-inducing sprawl) since it is an impractical listen. Favorite track: Siberian Khatru

I really really hate prog

Not the biggest prog fan, but I have liked this album for a long time. Close to the edge is such a titanic track. The second one is pretty great too. Not as wankey as other british prog like Genesis, 4.5 rounded up Heard before? Yes Owned: Yes, 115/457 (25%) Will I get: Already have

There is something about Yes that I have always enjoyed. Not sure I would seek it out again, but it was a solid listen.

Prog rock-another genre I just don’t get the appeal of. Rambling tracks, discordant melodies. Meh

I'd lock into a groove and blink and realize I'd missed three movements. Spins: 1 Playlist Additions - And You and I

I know some don't like prog rock, but personally I love it. Whether its 70s/80s prog rock like Rush, Genesis, Yes, Pink Floyd, or 90s prog rock like Queensryche, Dream Theater, or others, give me all of it. So it was no surprise when I really liked this record. Strangely constructed, no doubt, in that it only has 3 tracks which have a bunch of sub songs in two of them. That said, the key and time signature changes in this are amazing. Is it complicated? Definitely, but that's kind of the point. It demonstrates the amazing abilities of the band. And You and I is definitely the highlight, a masterpiece of musicality. Not a perfect record, but getting there.

when I saw that the first track was 18 min long, I knew this album would be 3 stars max

(10/10) Arguably Yes's best album, it's beyond perfect.

Complex arrangements but I really enjoy listening to this. And you and I is probably the most accessible track. Great Yes album.

Loved the last song. First two felt like generic yes music. Nothing that especially caught my ear

Blown away!

This album was my introduction to prog rock, its so good. I love albums with a short tracklist. 5/5

Grævla kult album, 3 lange sanger som endre seg veldig mye, det føles litt som ein film, og det blir aldri repetetivt. Meget fornøyd

Mid

Amazing prog rock. Jon Anderson great voice!

Couldn't get into this. Just annoying

just meh for me 2/5

I didn't used to understand this one quite as much, but no this is pretty easily one of the best prog records ever made. This could be an EP of just the title track and it would STILL be one of the most important prog records ever, but adding the other two only enhances the significance.

Its more yes. I like them well enough i just dont like the format. 30 minute songs are not easy for me to focus on. Amd even then there are good parts and less good parts. Its hard to differentiate. To split them up. Its has good ideas and less good ones too. Its kinda mixed bag in the way. Im ok with it generally though

The book 'Siddhartha' is better, though this is pretty good. Suitably weird for Yes release, but unfortunately the best snippets of sound end up a bit buried beneath the rubble in these long tracks. Nice listen though and some impressive work on all instrumentation. Fav tracks: The Preacher, the Teacher

12/10/2026 This was a very strong contender for 2 stars... because it is pants! Spotify listeners: 4.9 Million

naja, bin wohl zu jung um diese art musik zu verehren.

Sicher bedeutend.

I can’t listen to too much of this…..

I’m close to the edge of turning this off. It’s not bad, but the more and more I listen to prog rock the more indulgent the entire genre starts to seem. It’s an album that screams “LOOK WHAT I CAN DO” rather than trying to put together a consistent musical idea.

Whoa… what an opening track! It made my 18-minute metro ride feel epic. This is exactly the kind of prog I like, especially on a first listen: dynamic, unpredictable, without necessarily being pompous or overly technical. My affection for Yes is growing considerably, with that growling bass and those cleverly integrated offbeats. Well, as usual, there are five minutes of spacey noodling and some annoying choirs, but I can live with that. “America,” among other things, also gets me excited. A rich and enjoyable prog rock album, ultimately not quite as adventurous as it seems, but one that works very well as a whole. Not a masterpiece, but I’ll definitely come back to it.

This felt redundant and unnecessary.

Yes, I too am Close to the Edge

Around 2010, I was deeply entrenched in a music scene that was wild and crazy and very different than the mainstream at the time. This album was on everyone’s turntables, and now, listening to Close To The Edge again fifteen or so years on, it’s clear to me that the entire scene I was a part of was just trying to remake this album over and over. And frankly, it’s utterly perfect, so I get it.

this really dragged

Sprawling tracks that are far too long and pretentious. Not terrible though

Ticks all the boxes for Yes' complex beauty. Also very concise.

One of the pinnacles of progressive rock - maybe not Everest, but at least K2 or Annapurna. Yes is my 20th most scrobbled artist. I’ve listened to this ablum at least 50 times over the years. Jon gets weird at times, especially later on (and currently), but Steve, Bill, Chris, and Rick more than make up for the weirdness. In fact, they add to it, but in ways I enjoy much more than Jon’s wacky lyrics. Torn through the distance of man As they regard the summit. Near the top of a big mountain of progressive rock for me.

Unexpectedly delightful.

Let the nerds do their thang 🤓

Nothing I particularly liked or disliked.

Nothing like waking up to the second Yes album in three weeks to confirm that there is no God (or if there is, He's out to get me). This does the typical prog thing of hiding little bits that are beautiful and good in the middle of long tracks of the most annoying bobbins you've ever heard. But I'm being a bit churlish – And You and I is lovely, and I like most of Siberian Khatru, which is pretty good going! I just don't like the title track much apart from the I Get Up, I Get Down segment, and it's a long track to get out of the way.

The only Yes album you need to hear. In fact, the only Yes album that remains in my own collection. This is one to sit and listen to with no other distractions. Wallow in it. Perfect prog rock which for once equals the quality of ELP. Roger Dean’s simple green cover was a tease. Inside the album is more of his familiar cliffs/rocks/water landscape artwork. On the CD version there are a few bonus tracks including their cover of Paul Simon’s America which I never really understood but now discover it was a song they used to play at live concerts so decided to release it officially eventually. Having had a quick look at the content of other Yes albums I used to have I must admit at missing “Fragile”. This is a more conventional one with 9 shorter tracks rather than 3 long ones. Possibly more acceptable to those who recoil from the mention of prog rock so worth anticipating when it eventually comes up on this list.

This is really not my type of music. However, I wanted to go into this with an open mind. I think it’s far too easy to judge an album based on initial impressions then not give the rest of the tracks or the album as a whole a fair listen. That being said - the first side I absolutely hated summed up everything I loathe about this type of music. His voice is fawful and I cannot understand why he would even need to sing. I don’t think this type of music really needs vocals. However, side two was MUCH better - I can’t say I enjoyed it or would listen again but I’m glad I gave it a fair try. I quite liked the math rock vibes of the last track but again it just went in too long and ruined everything

The first 58 seconds of the first track, and the droney bit about 10 mins in, were lovely. The second side is a bit better, the acoustic-ey bits are nice, at least until the awful voice comes in.

Owned this one for many years. Big prog fan but Yes have always been in my 'b list'. This is their best album however. 3 tracks..each one fantastic. I think i like them in descending order...title track first, you and i second and then Siberian Khtru third. Wonderful playing and songwriting.

I never really followed these guys much but it's really good to hear them again.

(3/7) I thought it was going to be interesting but the guy's shrill voice reminded me too much of the guy from Rush

Total fan bias, but truly a masterpiece of prog-rock. Sounds, feelings, over the top in almost every category. 1 album, 3 songs. 1-18 minutes long and 2-9 minutes each. Not for everyone, but it's glorious.

i feel like this is a good album, but on spotify its the usual clusterfuck of remasters, deluxe, super deluxe versions where some songs are unavailable and some are in dogshit quality and AAAAA

Couldn’t get into it.

Really enjoyed this. I can see how punk was the response to this

I have to note that there are 3 yes albums on this list. While I think it's important to acknowledge prog when doing a project like this.. man I can't do the vocals. And I like Rush.

hmmm

I didn't enjoy this as much as the last Yes album we listened to. I'm giving it 2 stars, if only because I definitely enjoyed it more than some of the stinkers we've had to endure

Far too pleased with it self. Smug even.

Not the worst prog album I've listened to on this list, but maybe that's because it was mercifully brief? Scraping a 2.

OMG, the worst of all possible worlds, a duplicate day and one star record that I have on vinyl due to the tragic early death of my lovely brother Bill, who generally had impeccable and esoteric musical taste but also an improbable soft spot for “Prog”, we all have an “Achilles Heel” I suppose. Anyway, unlistenably dreadful. Quite as bad as the previous “Yes” LP we were forced to endure. One star. Tom.

I preferred this record to an earlier one on the list, The Yes Album. I think unfamiliarity bred more contentment. In addition, The Yes Album had some filler clunkers on it, while Close to the Edge contains three long songs to avoid the issue. I am not bothering to look up the names of the suite like pieces, only the title song sticks in my head due to the chorus. Rather than seeking to shine with individual noodling, I found more of a band approach on the record. Too many Yes songs seemed like cobbled together parts to allow each member to grab the spotlight almost like jazz where everyone gets a solo. These pieces seemed more cohesive, reminding me of the better aspects of King Crimson. The upshot was less of the traits that annoy me about the band, including Jon Anderson’s vocals. Not a ringing endorsement, but more praise than hostility is preferable in a review.

“Yes” to Yes! Good album!

4.5

4.0

Prog rock bloat. Not terrible, but not something I will listen to again.

Fucked with every song, love prog rock. First five stars given to an album I’d not listened to 🤙 Top bops: All, but that was some cover of America

19,9,9分のトータル3曲で一つのアルバム。 まじで、プログレって感じ。そもそもの構成がほかにはないパターンやし、曲自体の流れも他の曲とは全然違う。まあそれは、曲が長いからもあると思うけど。 でも、ぐちゃぐちゃってわけじゃなくて聴いていて楽しい。2曲目と3曲目で、めっちゃいいところがそれぞれあった。プログレはアーティストごとにだいぶ変わるのが面白いですね

I don't know if prog rock is for me. This album in particular sounded very all over the place, which isn't necessarily bad. There were very good instrumental parts and some parts were not so good because of how weird and psychedelic they were. The music is not completely steeped in psychedelia luckily (the rock elements helped with that). The songs are long, and there are only three of them, but "And You And I" sounded the most cohesive and good to my ears.

Kind of a wild trip, and certainly better than I expected from this band. I guess I'd always kind of written them off as cheesy later 70s rock. I'm not sure that is wholly unfair, but these guys are also clearly very talented. They get way lost in experimentation in a way that Rush or even Dream Theater doesn't always. But it's still pretty cool and definitely talented. Just probably not something I'd listen to much. 3/5

Really good prog rock album, I enjoyed this one much more than their previous entry on this list, Fragile. Multiple different keyboard instruments added depth and variety, and getting away from arrangements that sounded like they belonged at a ren fair was a fantastic choice. The album is only three tracks long, but each track is a set of compositions that flow into one another. You could tell these guys worked their asses off recording this, there’s so many interesting layers to it, yet it’s still pretty accessible. Really enjoyed this one, strong 4/5

This is the absolute pinnacle of classic symphonic progressive rock. A band that is perfectly in tune and plays together seamlessly celebrates their artistry across three epic compositions. Needless to say, this is the band’s finest album.

Excellent, ça faisait longtemps qu'il était dans ma liste d'album à écouter et il tombe ici. Je savais que j'allais adorer avant même de commencer. Album génial pas déçu du tout, j'ai passé un super moment

ok très cool c'est genre police mixé aux red hot mais en bien.

They just have great stuff.

Will never get this band

I dig it. It often feels pretentious, but I would definitely throw it on agian.

Overall: 10/10 Despite the fact that Roundabout is my all time favourite song, I think the epicness of Close to the Edge makes it Yes's magnum opus. That song alone is just such an incredible achievement. The other two songs on here are also amazing but man....19 minutes of pure showing off is just so cool to me. Fav Song: Close to the Edge

Meh, very proggy prog

Oh boy here comes a hot take... I honestly believe that the most entertaining song is "Siberian Khatru", as the other tracks I find hard to stay interested through their whole runtime. "Close to the Edge", their most celebrated song and being an almost 20 minutes piece, does almost nothing for me. The parts I find the most appealing are the ambient sections, being these beautiful and big moments created by the synths and keyboards. But apart from that, not really digging the prog rock bits. Don't find interesting the weird guitars at the beginning, the groove moment is just decent and the rest that is not ambient don't even stick with me. The voice I also don't find that great nor inspiring. Then is "And You And I", which great part of its composition is folkish acoustic guitar, which is beautiful to some degree, yet I neither find it super interesting. As a whole, this song is the one I dislike the most, lacking any real part that sounded convincing for me. Finally, there is "Siberian Khatu", and as stated at the beginning, is the song I like the best as I believe it has the best riffs and most playful fun performances, making it a rather joyful experience. In conclusion, an album that I don't really get. I guess I can say that all the changes inside the songs make them entertaining to listen to, but only one of them I do really enjoy.

Amazing playing. Some beautiful bits but the long sections lose me at times.

4/5

Yes

Ik haat Yes, en daar heeft dit album geen verandering in gebracht

prog rock. what can one say?