Haven't listened to this in a minute, so I'm looking forward to hearing how it sounds now.
Yep, "Wesley's Theory" starts it off with a solid bang. Great use of George Clinton in a song that doesn't sound like a Clinton clone.
And, Interludes. Still ain't so interested in these, but they're not awful.
"King Kunta" still sounds like The Coup in every way.
"Institutionalized" still not a suicidal tendencies cover but I love it. Most things on this album are an homage. Bilal and Snoop help realize that feeling here.
"u" has some great Kamasi runs
"alright" is more than that, featuring some more great Kamasi runs. the band is just great on "to pimp" no doubt
"for sale" the second interlude is seemingly a different interlude. it's a complete song. or is it? neither interlude so far sounds like the 90s interludes that kendrick is probably alluding to.
by "momma" this album feels like a continuous stream. the songs are different enough but are connected by a vibe and sometimes by an instrument
"hood politics"/"how much a dollar cost" engages this connection specifically. these 2 seem to be the album highlights
oh wow, haven't listened to this in decades. this was one of my earliest musial loves and i can't wait to hear how it's aged for me
"purple haze" is a classic for a reason. not the origins of heavy, blused-based riffs but one of the most perfect expressions of it in the late 60s. im not feeling or hearing anything new in this listening as the song is part of my dna. i still love it
"manic depression" see above. additionally, i really love mitch mitchell's drumming on this track. on the entire Experience run, but just so, well, manic on here
"hey joe" again, see above. nigh a perfect song, though we're a few songs away still from that, "hey joe" is a top 20 cover in my ears.
"love or confusion" should get more love than it does.
"may this be love", the waterfall song. almost the most beautiful song on the album.
"i don't live today": still heavyish and the darkest song so far
"the wind cries mary" they most perfect pop song by jimi. while i've not heard it in decades, i could listen to it forever
"fire" i probably heard this a year or two before the rhcp cover.
"third stone from the sun" is the first tune that sounds like its own thing on the album. it's jammier than other songs and includes some studio tricks and experimentation.
"foxey lady" became yet another cultural touchstone from the album, covered multiple times. i didn't think i was going to enjoy listening to this again, but it is a really great song. far superior to the covers i've heard (special shout out to the kinnison cover as it came out around the same time i first heard AYE. teenage memories)
"are you experienced" the piano, backward masking, and overdubbed guitars are in top form here. i love jimi's playing on this song. it is, without any doubts from me, a perfect album ender.
another one i've not listened to a while, but i know it will rank 4 or 5 stars. just amazing songs start to finish here
"eleanor rigby" is still just a perfect pop song. beautiful and melancholy
"i'm only sleeping" is a, well, sleepy hit. it's one of those songs that's a clear response to _Pet Sounds_, and that's to this song's benefit
"here, there and everywhere" is a great, longing love song. it sounded a little dated at its time, but now it sounds timeless.
"yellow submarine" is often written off as a novelty. it really isn't. whimsical, tuneful, enjoyable. give it a listen
"she said she said" is a perfectly fine blues-based pop song. not the greatest beatles song but still fine.
"good day sunshine" continues the blues-based pop song tradition, but paul's playing and singing really brings this song into greatness. that chorus is rightful beloved by the masses.
"and your bird can sing" is a top 5 beatles song for me. there is nothing revolutionary about it, but the interaction of them all is in full swing here. just smart songwriting and playing all around
"for no one" paul's interplay between his voice and piano is solid here. also, french/english horn almost always=great pop song in my ears
"doctor robert" is a song. i like it because one of my best friends is a literal doctor robert
"i want to tell you" is almost dissonant at times, mainly due to that bouncing piano. it's kind of gloriously weird
"gotta get you into my life" is pure pop perfection. this version is outstanding, but i still prefer the earth, wind, and fire cover. give it a spin.
"tomorrow never knows" is one of the best album-enders of all time. _revolver_ shows why ringo's drumming is often unfairly maligned, this tune in particular.
not Ray's best (but i'm not typically a fan of these big band arrangements unless they're by Duke). However, "Alexander's Ragtime Band" is absolutely sublime.
the ballad side is the stronger side ("just for a thrill? "am i blue"? c'mon!) with "come rain or come shine" rightfully heralded as an eternal classic
i hope ray's modern country soundz is on this list. that is some great stuff
another pretty perfect record for me.
if this is a "weak" 5, then "blonde is an even stronger 5. I hope it's on here as well.
i could go song-by-song about how amazing this album is, but "pyramids" is all i need to point to. it is 10 minutes of brilliance, one song broken up into 3 perfect parts. just stunningly good
part of electronica's takeover of numerous musical traditions in the 00s, this is a decent album. having the lineage of one of brazil's most famous musicians probably helped bebel out here, but she is also legit talented. nothing on this album is essential, but nothing is bad either. "bananeira" is the standout track here, a strong mixture of bossa nova, funky bass, and electronic music
there's a reason _american beauty_ continues to be the main dead album people know. it's fantastic. three songs from this show up on the remarkable tribute album _deadicated_. may need to listen to that again after this listen
"box of rain" is a beautiful mid-tempo folky-rock song
"friend of the devil" is forever perfect
"ripple" ditto
"truckin'" is a classic rock radio staple for a reason
without listening to this again, i'm confident it'll earn the 5-star rating. i love a lot of sly, and this album is just stunningly good.
"stand!" was reportedly sly trying to make a poppier sound, something anyone could easily dance to. he accomplishes this, and he also keeps his social commentary in the forefront
"don't call me n*****, whitey" keeps that social commentary blazing hotter in the forefront
"i want to take you higher" still has one of the filthiest bass lines in rock and soul music
"somebody's watching you" has that infections electric piano ringing in my ears while that urgent, scratchy guitar line runs under the piano
"everyday people" is a brilliant pop song, full of fun and ideas. and it lead to a great reimagining by arrested development.
"sex machine" provides some breathing room, a moment of little to no vocals where the band can just play for a minute.
"you can make it if you try" ends with another piece of classic soul. just a great record from beginning to end.
another near perfect album and certainly my favorite EWF album. "shining star" is rightfully the most well-known song, but there are hidden bangers on here, including the title track, "yearnin' learnin'" and "see the light". great stuff from top to bottom. if their cover of "gotta get you into my life" were on here, it'd be an easy 5 stars.
this is not a bad marvin gaye record by any measure. it's just not one of his greats. the album is bookended by two legit great tracks: "let's get in one" and "just to keep you satisfied." remarkable tracks, the both of them. the rest of the album is just a bit of a let down in that it's all pretty samey. not much musical or lyrical stretching going on during all this getting it on.
i listened to the shit out of this in 98-99, right before i moved to michigan for grad school. haven't heard it much since then and didn't think too much of the album since. this is mainly due to the annoying ubiquity of "bittersweet symphony," which is an excellent song that overshadows the rest of this, frankly, set of songs that are almost all superior to BS (ha-ha). still love songs like "the drugs don't work," "space and time," and "lucky man." top notch songs all of them. i really love this album when they stretch out into psych rock territory. "the rolling people" and "velvet morning" are remarkable, and "catching the butterfly" sounds like a track from _kid a_ five years before _kid a_ came out. so, just a wonderful album all around
i was 15 or 16 when this came out and hated country music. i was a rock and hip-hop kid. eventually, i learned to love all kinds of country music, dwight included. his mid-to-late 80s stuff is just so damn good.
this is the only Zappa that i have on vinyl. it’s amazing how frank moves between freak out music with its weird time signatures, odd instruments, and even odder sound effects. at times, this sounds like any other 60s album musically, but lyrically the anti-love songs and parodies of 50s and 60s music set frank apart
15 days into this challenge and i have had the first artist that i've not heard of before (i hope this happens more often). this album is miraculous. i should be working, but i can't stop listening to this. i will seek out more of his stuff after this
with ~990 albums left on the list, i'd be surprised if i've listened to another album more than _synchronicity_, an album i've had in some way since i was 10 years old (so for 43 years now). i doubt i can be too objective here, save for "mother". this album's 4/5 because of that song
another 90s favorite of mine. while _animal rights_ is the moby album that i prefer, there is some marvelous music on here. the re-release including the b-sides is also a good listen
another of the 1001 albums i don’t have to listen to in order to rate. but i listened to it with no complaints.
the album not only injected west coast, 90s rap with samples, but is just stunning and perfect on its own
one of the jazzier zappa albums i've heard, and it's really damn good. not as weird as "freak out" or "joe's garage", for example, and a better listen for it.
another album that i loved a lot in the past, but i don't know how this will hold up for me.
it's still pretty damn great power pop. and yeah, it's still great. my early ears are still alive in this old head
talk talk's final three albums are good to great, in ascending order of release.
this is their final album as a poppier new wave band. they excelled as a poppy singles band, and the songs on "spring" are great songs. you also get a little sense of where they're going with the 8-minute album ender, "time it's time".
another new album for me. i've listened to ibrahim a little bit before, but this will be some new sounds.
"tuang guru" sounds like ibrahim at his most coltrane, which makes it fine but not amazing.
"water from an ancient well" is a masterpiece. were the album as strong as this piece, it would be an easy 5 stars. the second half is the stronger listen. however, i really don't know how this album makes this list. so many other ibrahim albums to make this and african jazz albums overall could be on here. just puzzling
i don't think i've actually listened to this album in its entirety, and i'm glad to have done so finally.
what i've learned is that the s/t song is the weakest on the album, even though it becomes pretty awesome during the last 2ish minutes when the strings and rumbly bass come in.
"cecilia" is still fun and "the boxer" is still the best "famous" song from the album.
"baby driver" is a pretty good song though easy enough for me to forget it.
"the only living boy in new york" is still my favorite s&g song. just remarkable from beginning to end, and "why don't you write me" is a damn good follow-up to it.
"bye bye love" is needless. why is it here?
"song for the asking" is a solid ender but still a little forgettable. perhaps album-enders are there because many stop listening by that point? i don't really know for sure
i hope bjork's first four solo albums show up here, but i doubt they will be.
_debut_ is a great, great album. by _verspertine_, her fourth solo album, she had solidified herself as an avant-pop genius.
the standout track for me is still "one day," a marvelous bass-heavy dance pop gem of a tune.
then there's the weird, dissonant sax to open the almost equally great "areoplane," in which she performs some truly odd delivery.
"the anchor song" is a lovely, lovely piece of pop jazz. just wonderful delivery and strong ending to this amazing first record
this is my favorite calexico album. no contest. still one of the best live bands i've seen and look forward to another show in the future, but they are just not much of an album band.
_feast of wire_ transcends their studio weaknesses and provides an almost perfect experience, beginning to end.
"black heart" is a special kind of amazing on this album. it's kind of what they tried to on earlier albums but just didn't get the feel right. they nail the strings and stripped down acoustic jam band feel here. it almost feels like portishead meets uncle tupelo's acoustic stuff and is just brilliant.
p.s. their covers of the minutemen and of love are also outstanding recorded tunes
another 90s one i've not listened to in a while. buckley is a very talented singer and guitarist. i wish we had the chance to hear him once he had developed his own voice and sound. so much of _Grace_ sounds like led zeppelin. he would have found his voice, eventually.
_sweetheart of the rodeo_ is my favorite byrds album, but they didn't make any bad ones. and they made a few great ones, including this one here.
this is not the RM album that I tend to return to, and i'm asking myself why is that the case? this album is full of such weird goodness.
i've only ever known hanoi rocks by who they influenced. _back to mystery city_ is a marvelously strange concoction of punky, pub rock, even a hint of goth with its keyboards, all slathered in glam rock. i don't know if i'll ever listen to this again, but i won't rule it out and will listen to other stuff by them. i was skeptical when i saw this as today's album, but i left as an interested listener
a perfect album? yep, at least as close as one can possibly get to one. "respect" gets all the, uh, respect, and rightfully so. the standout track here is the title track.
"do right", "save me", "a change is gonna come" provides one of the best 1-2-3 punches in pop music
i loved this as a youngin. now it bores me. this is too much of a prince rip-off, and i was probably less bothered by that decades ago.
"perfect way" is still pretty good, though.
"flesh and blood" is some pretty good brit ska
oh, like i need to listen to this to rate it. hands down their best, and those final 3 songs are the perfect album-enders. i was happy to listen to this yet again
i wanted to try to find enough holes to state that this album is not as good as all the hype, but it's impossible. with the exception of "birthday" it's almost all bangers. even though i find "revolution 9" unnecessary, it is not uninteresting. i appreciate the weirdness of it.
i did love being reminded that "helter skelter" and "revolution 9" are essentially punk songs
ugh. i've never liked her voice. this is painful.
songs and music are fine. but, that voice
one of my absolute favorite 90s albums. let's hear how it held up for me.
six songs into this twenty-two song epic and, yep, still love it. "speedy marie" is still my favorite track. there are sixteen songs remaining to change my mind
"sir rockaby" is also still a fav.
man and then "freedom rock". it's just bangers one after the other
"ole mulholland" starting out like a new order song. love it.
another favorite 90s listen. i will probably always love this album, and it is good to hear it again in the context of this project. catchy tunes, goofy weirdness, and a great ballad-y song in "here". just great from beginning to end.
"summer babe" is a top 5 single of all time for me.
A story. In the mid-90s, I was at Washington State University. I walked along the Glen Terrel Mall through campus many times a day over those years. Holland Library is on one end of the mall. A small family of evangelicals appeared frequently near Holland, preaching things that one would likely think of as evangelical: premarital sex, substance abuse, and abortion all as sinful, devilish behavior. One of their shticks involved the preacher’s wife, Sister Cindy Smock (why can I remember their names 30 years later when I can’t remember why I walked into the kitchen?), pushing her fingers hard through a condom to show how easily they break. Persuasive.
I stopped occasionally to listen to the Smock family but usually just brushed them off. One day, Brother Jeb and Sister Cindy were out railing against the influences of popular culture, music especially. This is when I won myself a personalized copy of Brother Jeb’s jeremiad, _Who Will Rise Up?_, when I correctly answered the name of Big Brother & the Holding Company’s first album. _Cheap Thrills_ is the answer. He gave me the book and went on to preach against the influence of an album that was almost 30-years old at that point.
It's probable that Brother Jeb thought I was a soul lost to the hippie drug culture that his mind still fixated on. The reality was that I had worked at music stores for the previous seven years and had sold and stocked thousands and thousands of albums, including albums by Big Brother & the Holding Company/Janis Joplin.
I had never heard the album, only knowing “Piece of My Heart,” the classic rock radio staple from the album, until today. _Cheap Thrills_ is today’s 1001 albums to listen to. It’s . . . a snooze. Joplin’s vocals and the music are old hat by now, white people making money from black music’s past.
i had never heard this one before. it does not disappoint. psych goodness from beginning to end. "elevation" is an 11-minute epic of noise and debauchery
not my favorite album by fiona, but it is still amazingly good.
christ, another one(two) that I do not need to listen to but gladly will. wall-to-wall absolute bangers across these two discs
Took 41 days for hip-hop/rap to appear on the 1001 albums (still no metal).
From “?” to album end, this probably deserves 5 stars. I’ll evaluate once I re-listen to this later.
Yep. 5 stars
it's good. not great. that's their follow-up album, but this is good
it's a pretty great album. it's not gonna make you interested in glitch pop if you're not into it.
i find this worth it for "kicks" alone. a great album-ender
bob’s best. “concrete jungle”, “midnight ravers”, “slave driver”, and “kinky reggae” are the best among a slew of other great songs.
probably another perfect record, another one from my childhood cassette days, but i've not listened to it for at least a decade, probably when the 30th anniversary edition dropped.
i had forgotten that she covers "when you were mine", and it is a pretty great cover. google's gemini claims that prince wrote it for lauper, but he wrote it for _dirty mind_, which came out 3 years before SSU.
also, "time after time" is still one of the absolute best pop songs ever.
still love that dirty synth bass in " she bop".
i had totally forgotten that "all through the night" was a hit single, but how could i have forgotten? it was all over the place.
and some skank-y guitar for "witness".
i do love that there's no "she's so unusual" song title, but there is the "he's so unusual" skit.
and the b-52s adjacent "yeah yeah" ends the album. yep. still perfect
p.s. why wasn't "right train, wrong track" included on the album? it probably worked better as a b-side (and she does howl a lot like cindy wilson, so maybe the b-52s were already referenced one time) to "girls...", but it is such a good song
ugh. it's dance pop, so make of that what you will. it's mostly fine but nothing more. "royals" was a good song. it's not on here
okay, another one that i'll begrudgingly listen to as a way to remind myself that it's perfect
the title tells us what winehouse is doing. she gives us a nigh perfect take on old r&b, funk, reggae, and soul. this is just stunningly good. it’s too bad that the autobiographical nature of the album was too much for her
so happy the boards are on here. _geogaddi_ is my typical go-to with them, but this is one of the best debut albums of all time. happy to dig back into this work
my favorite of theirs by far
it's a good album. it's a little samey, but drake was great at what he did.
Not my favorite EJ album, but this is a fantastic album, and I’m sure it is not the only EJ on the 1001.
That opening ARP on “Funeral For a Friend/Love Lies Bleeding” still gives me chills. The “Funeral” portion reminds me that EJ is one of the founders of progressive hard rock.
The original “Candle in the Wind”, found here, is the superior version. Admittedly, part of that is probably my disdain for worshiping the royals, but it’s mostly because it’s just better musically to my ears. The “England’s Rose” version is a staid piano ballad-y take. Not my thing.
Also, “Bennie & the Jets” = eternal jam. We do have to slog through the triteness of “Saturday Night’s Alright for Fighting”, but that leads us to some utter brilliance: “Social Disease” and “Harmony” just make a banger ending.
as i've never been much of a white stripes fan, i never listened to jack's solo stuff. a mistake? this album is quite good. "missing pieces" has some really cool keyboards going on and begins the album strongly.
i think i understand why this album is on the list, but it's not my fave. "phantom of the opera" is rightly heralded as a classic, but it's really the only one here that is. i'm not in the paul di'anno camp, and his vocals are partly why I don't like their debut that much.
still a classic. a bit same-y throughout but still great music
i think the _saturday night fever_ sdtk. is the closest i've come to listening to a bee gees album until today. it's some pretty great pop music with lots of emotional ups and downs. i do like their disco stuff ("tragedy" remains an eternal gem), but i think i prefer them in this baroque pop vein.
"it's just the way" is some magnificent beatles-esque pop.
as far as megastars go, adele is a pretty amazing one. "hello" is pretty boring and staid, but "send my love" has something magnificent going on with it.
I only knew the groovies as a great punk/new wave band and had never heard their bluesier stuff. This is the best record the Stones never made. Really top-notch stuff, and I can certainly hear how they truene into more of a punk band.
I only knew the groovies as a great punk/new wave band and had never heard their bluesier stuff. This is the best record the Stones never made. Really top-notch stuff, and I can certainly hear how they truene into more of a punk band.
the second artist i've never heard of before these 1001s, and it's pretty damn good. it's possible to draw a line from stereolab to antennae to veloso. i'm very happy to now be able to make this connection
i forgot how good ELO could be. sure, a little proggy for some, but there is such good stuff happening on this album.
i will finally admit that "clocks" is a good pop song. after one listening, i can't recall anything else from this shlock. songs like "daylight" and "a whisper" are why coldplay are sometimes called radiohead-lite (okay, i always call them that)
it's good enough but dusty is better when doing her own work or working with her own writers. she takes on a lot of great songs here and does them just fine.
My teenage self wasn’t into this album. Teenage selves are often wrong. This is some fantastic pop.
doves is one of those bands i've heard of but never heard anything from. it's alright. i like it well enough but nothing is too memorable. probably won't be anything that makes it into my rotation
i remember enjoying the videos at the time of this album's release. the album stands up as a decent punky-dancey electronic album. it's a little same-y sounding, but not completely.
the non-single stuff i had never heard before was usually the more interesting stuff. "narayan" is particularly good, if not a touch long
I’ve only listened to a little Joan and have always liked her stuff. “Water with the wine” I’ve heard numerous times. All good stuff, it “Tall in the Saddle” is just a magnificent ender
another band i've heard some from but never got into. i dig this quite a lot. love that opening bass line for "introducing the band". really strong album all around
another longtime love of mine. happy to listen to this again as i do so several times a year. the whole thing is night perfect, and "long promised road" is one of my favorite songs ever
miles released numerous 5 star records, and this is almost one of them. it's in the top 10 of his releases to my ears, but plenty ahead of it. this is still essential listening as a defining sound of miles's early years. he hasn't moved yet into his own sound, but he makes some excellent songs here
i think i know why this album is on here, and it is pretty good overall. i don't hear much difference across songs and found myself frequently bored by too many of the instrumentals
another new band for me. always on the lookout for good Afro pop, and this fits the bill. great stuff
another one i'm happy to listen to again. the part of TB that's used in "the exorcist" is great, but the whole thing is a prog masterpiece
haven’t heard this in years and reminded that it might be my favorite cohen album. stripped down, intimate and poignant. It’s a remarkable achievement
i'm still firmly in duke's camp when it comes to these two competing composers and orchestras, but this is quite strong. i'd never heard of this album and am glad to have heard it. it probably will cycle through my ears in the future
rightfully a classic. this is probably my favorite queen album, but that is almost an impossible choice to make.
such good stuff here, and i'm still perplexed that "flick of the wrist" didn't become one of their big songs, at least not here in the US
it's fine. "street spirit" is still a great, great song, but this album doesn't move me like _kid a_ and beyond. _ok computer_ is a big upgrade from this but still isn't radiohead at their best
this will be another perfect album. i should listen to TYM at least once a year. perhaps i will remember to do so after this. there just is not a bad song on this beast of an album.
p.s. the 2021 deluxe version is chock full of great demos, outtakes, and live trax. very worth hearing if you've only heard the original
out of all the laurel canyon biggies, joni is the one who has my ears, but this is rightly praised for its strong songwriting. musically, it is okay but borders on too light for my tastes. i do like king's keyboard work across the album as well as charles larkey's bass work
been years since i gave this a listen. it's still a great album. some of the odder stuff near the end doesn't really work that well as it kinda takes my ears out of the album as a whole, but it's still a top-notch album
yep, another perfect album i'm happy to listen to again.
more perfection. what i love most about this album is how "just like honey" creates the template for the rest of the songs. you hear the same guitars, same bass, same drums throughout, but they build different-sounding songs. "sowing seeds" could be from _pet sounds_ or _surf's up_. "something's wrong" could come from joy divisions _closer_, but both songs sound exactly like JAMC. it's just some really great songwriting and production all around
