Abattoir Blues / The Lyre of Orpheus

A fun-sucker whose big ideas - as suggested by the title and horrifying run time of this one - are limited to the morbidly dramatic and lyrically mirthless. I didn't find a single line to grab on to. Occasionally the looming morbidity is effective - thuds reverberating in a tomb - but most of the time it feels like a 6-part documentary delivered entirley to camera by a single sad presenter. Docked a point for taking up so much of my life.

Nick Cave

An amazing double album. So nice to remind myself of it’s greatness. Nick’s voice is incredible and the range of tracks, lyrics and vocals are second to none. I’ve previously heard ‘My Beautiful World’ described as the most perfect track ever recorded. It’s hard to argue against that.

O Mamma! I was always a fan of Nick Cave, but I never bothered to listen to his full discography, which I'm starting to feel like a massive, massive mistake. Abattoir Blues / The Lyre of Orpheus is an amazing double album. First song, "Get Ready For Love" caught my attention, but third one, "Hiding All Away" cemented its position as one of the best albums I have discovered on this website. This album has a certain great quality - it sounds like a band you have always known, but at the same time it feels extremely fresh, because for some reason I didn't listen to it before. Also, big thanks to The Bad Seeds, with Warren Ellis at the top. The more I listen to his music, the more I fall in love with it. And the quality of music on this double album is really amazing,every song feels like an adventure into unknown. But there is one thing that is unparalleled - Nick Cave's lyrics. "The Lyre of Orpheus" is now one of my favourite songs, his ability to create a story and make it almost immersive is extraordinary. I think I'm not allowed to make any more mistakes, one quiet evening I will listen to the whole discography of Nick Cave and The Bad Seeds. No more excuses, I need to witness more greatness!

Wow. The first time I've ever really connected with him. Tastefully loud, full of energy perfectly arranged, beautiful harmonies, very weird but very cool lyrics. It's all beginning to make sense.

I love music that feels raw and passionate. There's such a draw to stuff like Amy Winehouse's black album or Adele's 19 or even some Johnny Cash where you can feel the pain the artist brings from their real life into the song. I'm not going to find myself singing any of these songs while doing the dishes, but listening to songs 2-4 is an experience you can feel in your soul. Music like this demands that you turn it up, close your eyes, and imagine yourself in a dark living room clutching a rocks glass of bourbon on the last night of your life. It's perfect for solo listening through headphones at volumes that will permanently damage your hearing. And you should, you should feel permanently damaged by this passion behind dark and brooding music.

The Gospel according to Nick Cave.

I really like Nick but the last album of his I got was in the late 90s.  This is really quite good. He starts out by kicking you in the teeth - I'd be disappointed if he didn't. The shift from the Abattoir to the Orpheus disc is hard to miss as the string of ballads floats out. I prefer that he did this rather than mix the ballads amongst the charged up tunes. It's reminiscent of the many Buddha Bar double CD releases that labelled one CD "dinner" and the other "dance". You might be in the mood for Nick's ballads one night so you can choose the disc that gives this. And if you're in the mood for a kick in the teeth, Disc 1 is waiting. 

Im currently convinced that Nick Cave can do no wrong. Im always amazed by his ability to create powerful moods with his music.

Wow! Wasn't sure on first hearing, but by the third play I was hooked. Well worth investing some time into this. Almost avant-garde but still proper musicality. Brilliant.

Interesting concept album. Fees evergreen style-wise; alt/classic rock feel, dark vocals. Hits hard but not too gritty.

Sometimes we were really into this and thought it was great. Other times it wasn't quite hitting. Ended up somewhere in the middle.

harry potter song

Where did this come from? It's like a journey through shadows and light. The lyrics hit. The dual nature of the record blends raw intensity with gentle introspection and it stands out. It reminds me of Leonard Cohen’s moody storytelling and Tom Waits’ raw energy. This really grew on me and stays with you.

Nick Cave departed a little from the Singer-Songwriter style he made in the years prior and returned to a little more Art and Alt Rock with a little more experimentation as well as some of his old Punk Blues. The album is incredibly diverse with inspirations and ideas some of which work great while others leave room for improvement. It features some of the best songs that Nick and his band every released as well as a song that became unforgettable by being a part of the seventh Harry Potter movie. The albums first part: Abattoir Blues opens with 'Get Ready for Love', a noisy and punky introduction with a lot of energy and anxious lyrics that make this not only a theatrical and epic opening but a loud one as well. Many people love this song just for that and I do too... the first half... The song is with 5 minutes not the shortest but the repetition of certain themes and sounds make this a little stagnant after a while which ultimately harms the whole enjoyment. It's still a pretty good song but they should've just cut it after the bridge. After the epic intro, 'Cannibal's Hymn' takes a more laid back but haunting direction. It's full of weird noises and lyrics that are both incoperated into a great arrangement and a simply perfect chorus. It's an incredible song that shows how Cave can write dark and haunting lyrics but package them in something more melancholic while keeping the ominous atmosphere that the text needs. I love this song but I wish he'd made the verses a little more musically interesting because they feel kind of left over or forgotten. It's a great song nonetheless even if it slightly missed the chance to be incredble or even perfect. 'Hiding All Away' is the definition of Post-Punk. The inclusions of some Noise Rock as well as the Gospel-like vocals really make this an anxious listen full of tension and great performances both musically and vocally. The lyrics are dark and have some "evil" sprinkled in the delivery. The chorus/bridge is a perfect release of the tension that was build and lets the song go on for so long without feeling boring. I love this song so much and I am certain that this is the first perfect song on the album. The first half of the first part closes with 'Messiah Ward', again, a more relaxed song with some nice influences and mainly great lyrics. The song doesn't start so interesting but the more it builds up the more interesting it gets and the moment the pre-chorus starts the song has a deserved place here. The songwriting is so great and the chorus is simply but effective. It's a great song but like with Track 2, this would've needed a little work on the verses, musically and vocally spoken. One of the album's biggest highlights, 'There She Goes, My Beautiful World', keeps the Gospel inspired vocals while being a fast and incredibly fun piano driven alt-rock song. The lyrics are such a good mix between funny and loving and the chorus is catchy and just f-ing relatable. The song is just one of the most energetic and passionate songs in Nick's whole discography and having this kind of quality is just amazing. Definitely a perfect song. The next song 'Nature Boy' is another really well and lovingly made song with a great flow especially in pre-chorus and chorus. The lyrics blend nostalgia, darkness and hope in a pretty motivational way and the verses with the piano are some of the best on the album. An equally as perfect song as its predecessor. The title track of the first half 'Abattoir Blues' seems to be pretty beloved by many but I never got the song. It feels weaker and pales in comparison to most of the album with the lyrics and especially the way they are presented. It's just a pretty average song with some Trip Hop influence on the drums. The "oh yeah" Gosepl parts are the only thing not making this completely boring. Luckily, 'Let the Bells Ring' is a slight step up by featuring one of the best choruses on the entire project. It's so raw while keeping a certain ominous and twisted feeling to it. Instrumentally, this is pretty standard but the way it builds the tension towards the chorus and then keeping it dense is just done in the best way possible. I really love this song even if some parts do feel a little bit too rough around the edges and that not in the best way. 'Abattoir Blues' closes with 'Fable of the Brown Ape', easily the worst song on the entire album. It is boring and when it isn't its annoying. Nothing redeeming or interesting or edgy or experimental about it. Just not good. And the "epic" and "grand" chorus doesn't work because it doesn't build up or anything catchy. It is just loud and annoying. Yeah, I might be a little too harsh on this one but to see Nick do something like this is simply disappointing. The second part: 'The Lyre of Orpheus' opens with its title track. 'The Lyre of Orpheus' is a dark and twisted new interpreted version of the Orpheus tale. This song is dark, ugly and full of bluesy Punk that makes this one of the most Nick Cave moments on the album as well as one of the best. This is a true masterpiece in every sense of the word and my personal favourite song on the album. It's just so damn good. Following one perfect song, Breathless comes on with a more Pop and Folk inspired sound but Nick and his band are still able to pull it off in the best way possible. The avant-garde flute at the start, the dreamy and nearly children music like sound of the song (watch the music video it literally is about some damn rabbit family) and Nick's lyrics are much less dark and actually pretty soft and cute and full of love. 'Babe, You Turn Me On' continues the incredible run of songs with even more Folk and actually a little Jazz-inspired drums. This style does fit Nick surprisingly well and once the chorus starts the whole thing starts fitting together even better. The lyrics are some of his best on the album especially when it comes to the chorus. It's not as good as the two before but it still is an incredible song. The rock returns with 'Easy Money'. It's another perfect song. The piano and the vocals fit the sound so well and the way it starts the chorus which is again perfect, is just incredible. It's sentimental and slow like a late night romantic dance but in the best way possible. I love pretty much everything about the song which makes it even crazier that this isn't even a Top 3 song on this part of the album. Wow! The second half of the second part starts with the fast paced 'Supernaturally' which not only has a great flow and chorus but also some pretty great vocal deliveries and lyrics that fit perfectly. I just think that it might be a little streched towards the end and the chorus and verses just don't work as much anymore but I still love this song a lot even if it's not perfect. "Hey-Ho, oh no no no!" What a great and funny line. 'Spell' on the other hand is pretty boring all throughout. It's not completely uninteresting but it is a significant drop in quality. The lyrics don't work as much, the Gospel chorus isn't as great as it maybe could've turned out and the overall structure of the song doesn't change and stays in the same basic way the whole song. It's an okay song but he could've scrapped it and no one would care. In comparison, 'Carry Me' is a great song because it is. It's nothing too crazy or incredible but it is a great song. It is does have stylistic smiliarities with the closing track and kind of builds towards that final epic with a lot of tension here but outside of this tension and the Gospel chorus, the song just can't hold what most of this part has on average. But it is pretty much on a level with some of the songs right at the start of the album. The album closes with 'O Children', a song featured in Harry Potter. But here it closes the album with the most emotional song here. The lyrics are tragic with many possible interpretations. It builds up over the span of five minutes until it releases into a sentimental and emotional height that releases emotions in me that I didn't even knew I had. What a perfect song to end an album with. The Lyre of Orpheus > Abattoir Blues favourites: The Lyre of Orpheus, O Children, There She Goes, My Beautiful World, Hiding All Away, Breathless, Nature Boy, Easy Money least favourites: Fable of the Brown Ape, Spell, Abattoir Blues Rating: strong 8 to light 9 https://rateyourmusic.com/~Emil_ph for more ratings, reviews and takes

Split into two parts, a greatly enjoyable collection of songs. Favorites are Get Ready for Love, Hiding All Away, Breathless, Babe, You Turn Me On, Easy Money, Supernatually, Carry Me & O Children.

Glorious, melodramatic, soaked in all kinds of gospel, from the euphoric to the hellfire & brimstone. Fave Track - "O Children", though I resent Harry Potter using it in the soundtrack 😠

This was really unexpected (and I found to be quite unique). Sort of reminds me of Xiu Xiu, but less despair. While it's not my favourite, I highly recommend giving it a listen, and for that alone, I'm rating it a 5.

ебааать, как охуенно... Это всё, чем Коэн должен был стать, обзаведясь полноценной электро-группой. Пока что, думаю, самый охуенный альбом из подборки. Причём он вообще не должен быть таким на бумаге. Ну типа это ебаный рак музыки — двойной альбом, при этом звук у всех инструментов почти всегда одинаковый, вокал тоже не шибко разнообразный, женские бэки одни и те же во всех треках. Но бля, как же идеально нащупана формула (к 13 альбому-то), что можно слушать полтора часа один и тот же звук и не уставать. Помимо Коэна сравнил бы с уже упомянутыми разок Swans, но только абсолютно лисенер-френдли (что немного абсурд, но я так чувствую), есть вот эта арт-энергия, но без песен по полчаса, балдеж же. Также, судя по всему, пластинка идёт в копилку альбомов, которые просто охуенно слушать, бродя по ночному городу (наряду с, например, You'd Prefer an Astronaut от Hum и Le troisième choix от Agora Fidelio). Вообще у меня создалась такая концепция альбома, что он начинается как будто вечером, проходит через фазу ночи и примерно в начале второго диска перетекает в утро, но всё-таки последние песни (особенно божественные Easy Money и Supernaturally) немного сбивают впечатление. Хз даже, что ещё говорить, оче мощная работа (хотя, конечно, под настроение). Ник Кейв в принципе был одним из исполнителей, ради которого я пошёл на этот эксперимент с альбомами, так как ранее его работ не слышал (только Джанкъярд мельком), и это был отличный повод. Ну хули, сыграла ставочка. 10/10

9/10 Nick <3

Such a great album. My favorite of his musically. Of course Cave's lyrical magic is here as usual and this time the music is just as magical. The songs are accessible with loads of hooks and some of his most memorable melodies. This is the album that could make a fan of a no -fan. 5 🌟

Amazing lyrics. Great rock. Hard to pick just three tracks. An exceptional first half, but the second just slows the pace and the songs aren't quite as strong. Best Tracks: Get Ready For Love, Hiding All The Way, There She Goes My Beautiful World

Not his best but even his lesser stuff is better than most people's peaks.

I listened to Nick Cave once and thought he wasn't for me, but I really liked this album. I'm going to go back and listen to more. Some great moments, and his raw emotion really works for me here.

Nick Cave’s music serves his words, which are well-assembled, but don’t stir me. The theatricality, the occasional archaism, and the storyteller mode might be too flat for me: I’m unconvinced, though I respect his conviction. The music’s fun, just lacking hook in their function as set-dressing. This may also be the reason that the only PJ Harvey albums I love are her first two, the rock band ones; there are strong similarities, though she has more tunes and a better voice. I prefer “Abbatoir Blues” of the two records, perhaps because I perceive more of the anarchy of James Johnston’s former band, Gallon Drunk.

3.5 Okay here’s the recipe for a Nick Cave song: Make it 5-6 minutes long Long verses with biblical and religious allusions Choruses with choirs in the background Towards the end the choir takes over and chants the chorus over and over Rinse, repeat Here’s the thing. It’s not a bad formula per se, but it’s definitely a formula. And it gets repetitive when it’s 90 minutes long. Again, not sure the need for a double album here, 45 mins would have sufficed and improved the rating. It’s not bad though! I can see why some people go wild for this dude. I would relisten to this and enjoy myself, but personally it’s not my fave thing. There’s a few bangers tho.

This is doing my nut in. I listened to a different Nick Cave & The Bad Seeds album earlier in this list and it was bad, not rip-your-ears bad but not something I enjoyed in any way. Then this album comes along, and although there were plenty of low points and tracks that weren't very good, I found myself enjoying it. I preferred Abattoir Blues to The Lyre of Orpheus.

There's definitely too much Nick Cave on this record. Includes 3-4 decent, even good songs ("There She Goes.." is up there with his best) but very little that's novel or musically-interesting enough to justify the other 13-14. Hard to shake the impression of someone sniffing their own farts in places

Sucks. I don't like to use the word "pretentious" when describing art, I think it's a cop-out word that people use when the artist's intention is beyond their comprehension and sensibilities. Dictionary definition is "attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed," so I'm absolutely applying it here because this album is just full of grandiose ideas and goals and an affectation of intelligence that, given the bored, flat delivery, feels so incredibly phony. We've had at least one other Nick Cave album, and I generally like the guy, but he sounds really bad on here. Really morose, whiny, like he's in on some cosmic sorrow that we couldn't even imagine (good thing I'm not saying this stuff about Ghosteen, but then again, why would I? That album is good). From the two-part backslash title, to the vague mythology references amid tracks like--sorry, let me make sure I get this right--"Babe, You Turn Me On." Absolutely no thank you, I am not the audience for this. I'm as averse to this as I am to mustard, too bitter and too adjacent to poison for my palate. Favorite tracks: Let the Bells Ring. Album art: Cool flower picture, thick border, decent font. Formulaic, but not terrible. 1/5

Have never listened to this. I have discovered some downright brilliant songs from it. This is for sure to be a profound listen. I discovered 10 years ago that Nick Cave is one of my favorites. Holy yow, this is great!

Easy listen

Rating: 9/10 Best songs: Get ready for love, Cannibal’s hymn, There she goes, my beautiful world, Carry me, O children

This is an old friend. The first Nick Cave album I brought, not my entry, but when I properly started to get his work it took me a while, but fell in love with this. It's a warm and comfy place of dark discomforts.

17 songs recorded in 12 days. You'd think it might be a bit rough or unfinished, but this is a supremely polished effort. The album opens with pure fire and finishes with a singalong. Rhythm section is tight, there's some lovely bass playing that just ties everything down. The first side is blues based but not at all by-the-book standard blues, there's gospel and grunge and everything else mixed in. Side 2 is a far more mellow and beautiful set of songs. Masterpiece. I have this in my collection but had forgotten how good it is.

I was skeptic on Nick Cave & The Bad Seeds, but after listening to this album I’m pleasantly surprised: there are some great songs (There she goes, Lyre of Orpheus, Hiding all Away, Carry me) and the general level of this album is very high. Happy that I took the time to listen to this album, although I dread Nick’s songwriting on Ghosteen.

Love it! This was actually my first Nick Cave & Bad Seeds record. This is a classic in my book. I forget how good this record is from time to time but it's so great from top to bottom. Glad it made the list.

semmone ralli... joo oli erittäin hyviä biisejä suurimmalta osalta mutta muutama vie kyllä alas mutta viekö kovin alas en tiiä nick, nick poika osaa kyllä musiikkia tehdä oli aika rattoisa albumi vähän enemmäön oisi voinut sitä bluessia olla kun keran piti laittaa albumin nimeenkin juu tiiedän että tota on vaan biisin nimi mutta ei se kä clickbait clickbait clickbait hiding all away

It's a two part album but really well combined. Every song is a complete experience but all combined is even better, the only issue I could find is that the album is long, however it is great.

No puedo escribir mucho de este álbum, sino que creo que es hermoso, en varios sentidos, de principio a fin (hablo de los dos discos). La voz de Nick Cave siempre me ha parecido fabulosa y aquí hay tantos moods, pero con una especie de cohesión. Mis favoritas diría que son "Hiding All Away", "Abattoir Blues", "Let the Bells Ring" y "O Children". Me hace falta escucharlo más y con más atención para cachar más de las letras. 10/10

A stunning album - I was bowled over. I was expecting a maudlin, moody, introspective album of ballads and whilst there is a bit of that on the second side, this is an energetic, toe tapping, bluesy record which sounds fantastic - like they are being chased by demons and have to get this music out fast! The gospel backing is wonderful and the band just sounds phenomenal jamming together. I think it’s a five star album. A classic.

Very hard decision but let me go for full marks because of the unbelievable variety and yet consistency of this album.

so this is the nick cave that deserves all the plaudits. i had formed the impression that grinderman was a complete volte face for nick and everything prior was poetry over drab music, but this has some balls. the downside is it's a bit long, but i'll let it off because i'm nice like that.

My god the mood this man creates…

Sometimes bands that I’m not familiar with get a little old for an entire album all at once. But this was the opposite; the longer I listened the more I wanted to hear more. And that’s really incredible for a double album! As a matter of fact, this is really like two very different albums. The first is rock, and the second is somehow even more moody. They’re both great, but I’m partial to the second one by far.

Own it, love it

Terrific, back to back hits

Amazing production depth, with gospel tinged backing vocals and guitars at the fore, and drums quite in the background. Nick has an uncanny ability to change gears on the feel mid flight, like when that chorus kicks in on "There She Goes, My Beautiful World". AndRIP Conway - nice to hear you twinkling the ivories in there.

My favourite Nick Cave album. Gorgeous song after gorgeous song. Beautiful melodies, tastefully simple near perfect arrangements including backing vocals. And of course Nick Cave's beautiful lyrics. 5 🌟

Nick cave is top 5 for me

This is a joy to listen to, all the more because I have not heard much Nick Cave previously. Such a strong set of songs, instantly memorable, diverse, intelligent intriguing lyrics, superbly backed up by the music. I will definitely be buying some Nick Cave vinyl!

Very good, it's now on my want-to-have-list.

Hard to categorize. Old fashioned. It’s like gospel for disaffected atheists and agnostics. Nick Cave has amazing voice. Makes monotone sound interesting. GREAT lyrics. “I dunno what art is, but I know what I like. And I like this.”

Very much a toe dipper in the world of Nick Cave, I like what I hear but not delved into the albums. So why not start with a double album, yeah. First track is surprisingly raucous, though I know he's got that side clearly, Birthday Party, Grinderman. And it's great. Few tracks in, loving the vibe. Oh my god, There She Goes my Beautiful World, how have I never heard this before, this is fuckin ace. Nature Boy I have heard and it's fabulous. This is so great. Second half sounds different but still has some bangers, Spell being the most obvious, just wonderful. So at the end of it, happily knew several tracks so I've not been totally missing out, but what a great, warm album, altogether. Going on the list.

Never heard a Nick Cave album before but I enjoyed the fusion of raucous and menacing instrumental backing mixed with gospel tinged backing vocals. He's not the greatest singer but he knows his range and his gruff style suits the shady material on this dense, well produced album. Lyrics are forebodingly romantic. The music on the latter disc is a much more subtle, mellow affair. All in all, it's a solid double album of two sides and a very enjoyable record.

Salvaje, apasionante. Mi entrada a Nick Cave.

I'd listened to a bit of Nick Cave before (Red Right Hand, Stagger Lee), but not a whole lot. I am a fan now. Really good album.

a big fan of Nick Cave this is one of my fave albums and probably the only successful double album I've encountered on this book/app thang so far. I've got it on cd one is pink the other yellow. Nick takes us to hell and back again, in what is quite an expansive album. What I love about Nick is his storytelling, so visceral and compelling. weirdly I sometimes don't think of it as music, but more poetry stories put to music, but that's wrong they are integral to both. and each song is a story, from the menancing fable and lyre of orpheus to the majestic beautiful world. The songs explore finite and nuanced worlds with humour, darkness and pathos in equal measure. The music acts as the driving force for these stories, weird instruments and driving guitars create a sound that simple yet complicated, discordant yet melodic. like Nick Cave its contradictions that makes it so wonderful.

The debate is whether to award this four or five stars. Yes, that requires explanation. Here, we have a double album, or perhaps more accurately two albums in one package. The first, Abattoir Blues, despite the Grand Guignol name, is a full-blooded rock 'n roll, bluesy stomp of a record. The first album also benefits from an uncommon quality in rock: it's got a sense of humour. The opener Get Ready For Love raucously juxtaposes Christian expression with rockstar strutting. Hiding All Away has the very chucklesome verse: You searched through all my poets From Sappho through to Auden I saw the book fall from your hands As you slowly died of boredom The worst fault you could say about the first album is that there are touches of filler (Nature Boy, the first single, didn't really raise my skirt), but that smacks of nitpicking. The second album, The Lyre of Orpheus, is a softer, more delicate work, with more acoustic numbers, but of equally high quality as the first. Whereas the first invigorates, the second beguiles. Indeed, the second's stock consists of sincere, sometimes plaintive, sometimes jaunty love songs (the video to Breathless has Nick Cave dancing with cartoon toy rabbits). And again, the nitpick is over the occasional track being somewhat fillersome. So what does this mean in the final summary? Are these albums to be assessed as two great albums in a twofer? Two great single works that don't really fuse together? A quintessential case of a double album missing true greatness by a cat's pube just out of its overlong nature? Fuck it, I'll be generous. Five stars it is. (And yes, the star system for rating anything is moronic, especially stars).

pretty good I have to say, it's a bit hard to listen to but in a good way. It's like one of those parties that make you uncomfortable cause everyone is doing drugs and making out, but its also very very interesting, and everyone is open and accepting.

I mean abattoir blues was amazing not a bad track and really rocking 5/5. The lyre of orpheus isn’t as good to be honest, it’s got some good tracks but in general it’s a drop in quality 4/5. So the album as a whole is 4.5/5 so that means it’s a 5/5 but do remember abattoir blues does carry most of that.

Another artist I’d been meaning to check out for years. I was way more into this than I was expecting. I like how each “disc” has its own distinct feel.

Love Nick Cave.

I've been wanting to get into Nick Cave for a while now, and now I've finally got an excuse. This album is just fantastic, but I will concede that the second disc drags a little bit, although for a double album the pacing is surprisingly good. A great entry point into a fascinating artist

I really enjoyed this album

This rocks. He sounds like Richard Thompson on Supernaturally

Most of the Nick Cave songs I’ve heard were slow ballads and I was expecting the same. I think that’s why I never really clicked with his stuff. But this album (well, the first half) is full of bluesy rock, one of my favourite genres. As a proud 🇦🇺 I can’t believe I hadn’t heard this album.

Tää lienee eka NC levy joka on kolahtanut mulla. Toimi siis aikoinaan sisäänheittäjänä jonka avuin ylipäätään päädyin kuuntelemaan koko artistia. Easy Money oli varmaan ekoja lempparibiisejä tältä levyltä. Itse levy on hieno, mutta sitä kannattaa lähestyä kahtena eri näytöksenä maratoonaamisen sijasta. Kaunista ja rumaa samaan aikaan. Tekstit on onnostuneita sekä pitää otteessaa vielä melkeen kahden vuosikymmenen jälkeen. Erinomaista. Taidan omistaa bootleg-vinyylinä 4,5/5 pyöristynee ylös

Loved it!

nice

Nick Cave is a name I've heard a lot and I've never heard a single song. I also saw just last weekend, he lost his 2nd son which is very tragic. Going in I had no idea what to expect, but I was thinking it would be kind of an Indie/Alternative type album. He's more of a crooner, with a strong backing band in the Bad Seeds. The cacaphony of sound that comes up in quite a few songs, aggressive instrumentals behind a baritone voice, it all comes together really well. I really liked this, I didn't add anything to the playlist since it's a bit intense but I would definitely revisit and check more of his discography.

L'album le plus sous-côté de Nick Cave Prefs: Cannibal's Hymn, There She Goes, My Beautiful World, Nature Boy, Abattoir Blues, The Lyre of Orpheus, Breathless, Supernaturally, O Children Moins pref: Fable of the Brown Ape

Jakaż to jest uczta

Nick Cave has consistently been one of the most brilliant artists of the last 40 years. Very few musicians, if any, are hitting creative high water marks like this so deep into their careers. An absolute masterpiece within a career of masterpieces.

After enduring The Birthday Party and Murder Songs, Nick Cave is not an artist I wanted to listen to again. A DOUBLE ALBUM to have to listen to this time is not welcome news. Turns out that I do not loathe this, in fact I think I love it! These songs rock with interesting lyrics and great backing vocals. Some of the love songs are surprisingly tender - hadn’t expected that. The two albums are distinct - I love the rock and roll first album and the gospel feel of the second. Really nice combination. I keep wanting to give this a 4 because of the traumas of past albums. But if I disregard the terrible taste left in my ears from the previous two Nick Cave albums this double album is a 5!

At 83 minutes, this double album didn't leave a lot of time for multiple listens but my response to my first listen is Wow! This is epic! I love the addition of the female backing vocals, which help provide a gospel church atmosphere. Again, it's a long album and I had so many thoughts and feelings that I can't recall many of the specifics. But overall I really enjoyed this.

I’m a fan. Dark and brooding but somehow euphoric uplifting and catchy. I’m glad this project made me listen to this, I wouldn’t have done without being encouraged.

251020 13:00 4.5

An album of two halves. The first half is back-to-back bangers. The second more moody/reflective/Cave-like. Ends on a cracking high. The best of the Bad Seeds so far.

Pretty nice, I'll give more ears to Nick

One of the best albums ever made and the showcase of everything Nick Cave has to over.

Abattoir Blues sits on The Lyre of Orpheus like a chair, but it's a very nice chair. An albums (?) that I'll be going back to.

Amazing, instant favorite.

Kan ik ook 6 sterren geven? Dit is echt mijn favoriete Nick Cave plaat, en zelfs een van de beste albums die ik ken. Staat geen slecht nummer op, en dat voor een dubbel-album. Fantastisch!

One of my favourite albums of all time. 5/5

Dit is de reden dat ik elke dag benieuwd ben naar een nieuw plaatje: Geweldig dubbel album van Nick Cave. Ik kende alleen Let love in, maar deze is misschien nog wel beter.

I sure enjoyed this album. I actually listened to it twice and paid more attention to the lyrics on the second listen. I feel like I went to church, attended a protest, had a reality check (especially with the song that had the frappuccino line). I'm glad to be reminded of Nick Cave because I really haven't listened to him much although I knew him from the theme song on Peaky Blinders. I'm definitely going to listen to the rest of his albums. I also really like the vocals with the choir.

I wasn't impressed with the first song, but as I kept listening the album really grew on me. It's very tight and the lyrics are poetic. The performance is dramatic and very enjoyable. By the end of the album, I loved it.

saturn has all the best tunes.

Not only is this the first time I got an artist twice, but in the same week too! And I'm a big Nick Cave fan so this is perfect. Another really great album

Great upbeat background music that you suddenly find yourself dancing and singing to. Full sound with choir. Great album. High quality.

Nick Cave continues to be the vampire bandleader we need, and not the vampire bandleader we deserve. This whole double album is stellar. I liked it more than Murder Ballads. Not every song is a classic, but if I gave MB a 4, then I guess this one's a 5. Nearly 500 albums in my rating system is all fucked up. But I'm happy to be here with my vampire friend.

They didn't butcher it, you liar

This time I am giving it five stars because I really like it, and not just because I respect the artist's work too much to take any stars from it. But I also truly respect the work to put this album together. What a blast.

Loved it

Great progress between the songs, loved this one!

Nick Cave knows how to deliver, I’ve heard The Boatman’s Call, No More Shall We Part, and now this gem of an album it was a lot more upbeat than I expected, the other two were kinda slow and sweet all three of these albums are 10/10 tho I really love this guy, he has such a sweet sound, I can’t wait to hear more of his stuff

I already listen to about Nick Cave, but I never got the hype on his work and never understood why he is so appreciated. From now on, this album made my mind and I got everything. It's so strong and powerful that I understood exactly all the hype around. I'll keep my radar open for Nick Cave now and I'll also recommend it to everyone. The second part of the album is a little bit repetitive and too much longer for a perfect record, but the first part compensates for any possible "error".

Great album. Abattoir Blues is slightly better part than The Lyre of Orpheus.

Powerful and sentimental. This has by far become my favorite Nick Cave project. The choir, the strings, Nicks singing, the perfect playing, everything works so well to creature this dramatical and emotional piece. Highy recommended!

18th November 2021 Started on the way to meeting Harry in Covent Garden before seeing a show at the donmar (rubbish) finished on Saturday on the way to meet sav for golf in battersea Park. This is sumptuous. Dark, gothic, gospel, bluesy, unbelievable. Nick cave has an ability to stretch his music through time, it sounds like something that ancient Greeks would have listened to.