1001 Albums Summary

Listening statistics & highlights

Journey in Progress

Discovering music one album at a time

1066
Albums Rated
2.75
Avg Rating
68
5-Star Albums
98%
Complete
23 albums remaining

Rating Speed

4.2
Per Week
1768
Days Active

Reviews

1065
Written
100%
Review Rate

vs Global

-0.44
Avg Diff
2.75
Avg Rating

Rating Distribution

How you rate albums

Rating Timeline

Average rating over time

Ratings by Decade

Which era do you prefer?

Activity by Day

When do you listen?

Taste Profile

1990s
Favorite Decade
Britpop
Favorite Genre
UK
Top Origin
Harsh
Rater Style
122
1-Star Albums

Taste Analysis

Genre Preferences

Ratings by genre

Origin Preferences

Ratings by country

Rating Style

You Love More Than Most

Albums you rated higher than global average

AlbumYouGlobalDiff
Chocolate Starfish And The Hot Dog Flavored Water 5 2.47 +2.53
White Light / White Heat 5 2.88 +2.12
Picture Book 5 2.88 +2.12
Psychocandy 5 2.93 +2.07
Let Love Rule 5 3 +2
The Libertines 5 3.01 +1.99
Sister 5 3.02 +1.98
Duck Stab/Buster & Glen 4 2.03 +1.97
Music For The Jilted Generation 5 3.07 +1.93
Suede 5 3.1 +1.9

You Love Less Than Most

Albums you rated lower than global average

AlbumYouGlobalDiff
The Wall 1 4.15 -3.15
Goodbye Yellow Brick Road 1 3.93 -2.93
Time Out 1 3.84 -2.84
Hotel California 1 3.6 -2.6
3 + 3 1 3.59 -2.59
Licensed To Ill 1 3.56 -2.56
War 1 3.47 -2.47
Rumours 2 4.46 -2.46
Bat Out Of Hell 1 3.45 -2.45
Reggatta De Blanc 1 3.45 -2.45

Artist Analysis

Favorite Artists

Artists with 2+ albums and high weighted score

ArtistAlbumsAvgScore
Sonic Youth 5 4.8 4.13
Beatles 7 4.57 4.1
Blur 3 5 4
Nirvana 3 5 4
The Velvet Underground 3 5 4
Radiohead 6 4.33 3.89
Pixies 3 4.67 3.83
The Cure 3 4.67 3.83
Arcade Fire 3 4.67 3.83
Oasis 2 5 3.8
Joy Division 2 5 3.8
Iggy Pop 2 5 3.8
The Clash 2 5 3.8
David Bowie 9 4 3.75
My Bloody Valentine 3 4.33 3.67
The Stooges 3 4.33 3.67

Least Favorite Artists

Artists with 2+ albums and low weighted score

ArtistAlbumsAvgScore
U2 4 1.25 2
Yes 3 1.33 2.17
Kanye West 3 1.33 2.17
Madonna 3 1.33 2.17
George Michael 2 1 2.2
Everything But The Girl 2 1 2.2
Dolly Parton 2 1 2.2
Taylor Swift 2 1 2.2
Eagles 2 1 2.2
Willie Nelson 2 1 2.2
Baaba Maal 2 1 2.2
k.d. lang 2 1 2.2
Christina Aguilera 2 1 2.2
Elton John 2 1.5 2.4
Gene Clark 2 1.5 2.4
Fiona Apple 2 1.5 2.4
Emerson, Lake & Palmer 2 1.5 2.4
Common 2 1.5 2.4
Missy Elliott 2 1.5 2.4
Robert Wyatt 2 1.5 2.4
The Police 2 1.5 2.4
Fairport Convention 2 1.5 2.4
Slipknot 2 1.5 2.4
Rufus Wainwright 2 1.5 2.4
XTC 2 1.5 2.4
The Byrds 5 2.2 2.5
Deep Purple 3 2 2.5
Beastie Boys 3 2 2.5
Van Morrison 3 2 2.5
Tim Buckley 3 2 2.5
Prince 3 2 2.5
Kate Bush 3 2 2.5
Pink Floyd 4 2.25 2.57
Neil Young 4 2.25 2.57
Elvis Costello & The Attractions 4 2.25 2.57
Miles Davis 4 2.25 2.57

5-Star Albums (68)

View Album Wall

Popular Reviews

The Black Keys
3/5
This is an an album by The Black Keys. The rating for the album is 3 stars.
108 likes
The Incredible String Band
1/5
Really enjoyed this. Of course by enjoyed, I mean I tolerated it. By tolerated it, I mean I'd rather smother by body in chilli and get fucked by all members of The Incredible String Band wearing condoms laced with razor blades, whilst my Internet search history is read to everyone I've ever met, than ever listen to this ever again.
106 likes
John Lennon
2/5
I mean, it's Imagine by Julian Lennon's dad, it's a bit 'meh'. Jealous Guy is a good song....towards the end it made me punch a wall...but at least it wasn't my wife, eh John?
60 likes
The Replacements
4/5
After the discord of The Beatles, the group sought to get back to basics with a rock LP and a film about its creation. This was the eventual result. As the 1960s wound down, so did the Beatles. The symmetry was perfect: youthful energy, optimism, and camaraderie had given over to cynicism, discord, and looking out for number one. As the decade's final year began, the White Album was still riding high on the charts and the Yellow Submarine soundtrack was days away from release. But the Beatles were in serious trouble. Nothing about being in the band was enjoyable or easy. The power vacuum left by the death of manager Brian Epstein a year and a half earlier had never been satisfactorily filled; Apple Corps, the multi-media company started by the band a year earlier, was bleeding money; and toughest of all, the once-Fab Four didn't generally enjoy being in the same room together. All were either married or close to it, closing in on 30, and tremendously weary of all they'd been through. Paul McCartney, the most devoted of the gang to the notion of the Beatles (Ringo Starr called him the "Beatleaholic"), thought that the group needed a special project to bring it together. Another White Album-style scenario, with the songwriters in the band working alone in separate studios, enlisting each other to serve as a de facto backup band, was bound to fail. Too much good will and trust had been lost. They needed something big they could all submit to. Several ideas were proposed, most involving a return of some kind to live performance: perhaps a live album of new songs or a huge show in a remote place; maybe the band would charter an ocean liner and make an album on it. Ultimately, it was decided that the band would be filmed on a soundstage rehearsing for a show and developing material for a new album-- a document of the Beatles at work. The theme for the project would be back-to-basics, a return of the group as a performing unit, sans overdubs, emphasizing their inherent musicality. Working title: Get Back. It was an awful idea. First, no one was sure exactly what he was supposed to be doing. Glyn Johns was there, a new presence behind the boards, but he never quite figured out if he was producing or just engineering. Regular producer George Martin was technically on board, but his participation was minimal. While Let It Be was initially meant to be a return to simplicity, Phil Spector's later involvement (he was brought in to "reproduce" the tracks, adding extra voices and instruments to thicken arrangements and remix the record, a decision made without McCartney's input) killed that angle. Organizational chaos aside, the sessions were painful. We all know what it feels like to be around people we don't like for days on end; if reality television has taught us anything, it's that a camera crew in a room full of such people does nothing to ease tension. The time the Beatles spent recording and filming was described by all as supremely unpleasant, despite a later uptick when they'd returned to finish up at Abbey Road. And when they finished, no one really liked what they'd laid down on tape. So not surprisingly, the essential nature of Let It Be is that it feels incomplete and fragmented; it's a difficult album to peg because the Beatles were never sure themselves what they wanted it to be. So the best way to approach it is as a collection of songs by guys who still were churning out classics with some regularity. It may not succeed on the level of the Beatles' previous albums, but there's enough good material to make it a worthy entry in their canon. Outside of the title track, there's little here that feels consequential to the Beatles' legacy. The easy acoustic shuffle of the John Lennon and Paul McCartney duet "Two of Us" has appeal, though, as do the prickly rhythmic drive of George Harrison's "For You Blue" and the bubbling Booker T-isms of McCartney's "Get Back". The swampy "I've Got a Feeling", possibly reflecting McCartney's recent interest in Canned Heat, is intriguing because it sounds so classic rock 70s. And Lennon's "Across the Universe", recorded during the White Album sessions and sounding like it was beamed in from somewhere else, has a certain ringing brilliance. For balance, there's "Dig a Pony" and the boogieing "One After 909", the latter actually written by Lennon and McCartney as kids in the fifties. Still, for plenty of good bands, the best of these would be career highlights. Recorded without joy, set aside for months while a better album was assembled, and finally remixed in a way that enraged one of the band's principals, Let It Be finally saw release in May 1970. But by that point, the Beatles break-up had been official for several weeks. There's since been a live album, compilations, digitization, trolls through the archives, and an ocean of ink spilled about this little band that made it very big. And now there are these CD issues, done beautifully. But there never was a proper reunion, and we can assume that there will never be another Beatles. Ahh fuck, this is the wrong Let it Be, isn't it?
53 likes
Buena Vista Social Club
3/5
I felt like a sexy latino on a sun drenched beach in a quiet fishing town in Cuba sipping pina coladas and smiling at the world. Then I got angry that I wasn't on a beach in the sun, drinking and punched a wall.
47 likes

1-Star Albums (122)

All Ratings