Great album

I think the album has great moments and a lot of atmosphere. However, it's a bit low energy for me with some exceptions.

This album is a timeless classic that effortlessly combines pop and rock aesthetics into a cohesive experience that keeps you hooked for days. Many tracks will still linger in your mind due to the catchy melodies, captivating vocals and great production. I particularly enjoy that the songs are very approchable but still have so much depth to them. I think it is an essential Coldplay album and perhaps one of their best even if it was often seen as a derivative of Radiohead. I think many of the tracks bring a lot of their own ideas with a solid identity. My biggest critique would be that the second half is a bit weaker but only because the first half of the album has consistent bangers after bangers which became complete classics.

Not my cup of tea but this is a cool album. It has plenty of guitar riffs and some cool vocals. I like the mix of psychedelic rock and the Blues. Tales Of Brave Ulysses was a particular highlight.

I respect what Prince did as an artist, as a pioneer, as a symbol and how much influence he had on many following generations. Unfortunately, the music itself is just not for me. I like some of the funky elements but it just feels dated to me.

This type of music is the quintessence of boomer hard rock that I honestly never cared for. I fully admit that going through this album was a complete slog, as it was more or less an never ceasing barrage of noise that assault my ears. These songs never give you any time to breathe, including the guitar melodies and solos which are relentless but in the worst unimaginitive way. The vocals keep pushing without any break, it's just tiresome and has no musical feel at all. It's just to much trashy Americana and low hanging sex humor that feels entirely derivative. Now, one could argue that Aerosmith purposefully creates these self-ironic sleazy and melodramatic rock ballads to play with clichés, yet that does not make them any better because frankly the music is utterly boring with no flair. Not one song stuck with. This is honestly peak trash to me.

I've never heard of Ride but after listening to 1 track, I immediately recognized the heavy and distorted guitars, drenched in delays which are so iconic for the Shoegaze genre. Personally, I enjoy the atmosphere that a lot of Shoegaze artists evoke but also reckon that there is a limit for me where all songs just coalesce into each other and become indistinguishable. I just disengage after a while but I tremendously enjoy the textures and vibes that this genre has created over the years. Nowhere has some really good tracks which I enjoyed such as Paralysed which had tremendous drums and an intoxicating bassline. In A Different Place was also one of the tracks that I really enjoyed. That said, there are some tracks which are just fine and perhaps overstay their welcome. As a whole I think that this album is decent but I am not entirely sure if I would revisit in the future. There weren't many melodies that stuck with me and it wasn't very memorable. Perhaps on repeated listens, the album will stick a bit more but I'd rather visit other artists in the same genre which have crafted more compelling sounds. It is a fine album.

Queen is just not for me.

I like music.

I couldn't believe it at first but this album is absolutely phenomenal, it has captured me in such a way that it automatically elevates every activity I did while listening to these 2 peculiar tracks that are featured in "In a Silent Way". Truthfully, I really disliked it at first and thought it was entirely disjointed and music for nerds. I'm not a stranger to jazz but are familiar with more classical jazz standards. As the second track was well underway, I couldn't stop vibing with this esoteric but yet groovy tune. Instruments come and go with a subtle finesse and sharing a space among each other. After my second listen, I was entirely sold on this otherworldly music that feels like traveling between planes of existence. An interdimensional traffic jam that suddenly ended in a dark gloomy hallway where you stare back at your figure. There are plenty of details and subtle changes to explore. Each musical idea and phrase that suddenly emerges always feels like a warm embrace that washes over your body. This sounds absolutely pretentious but these 2 tracks shift a lot and you never quite know where you stand until everybody locks in a recognizable groove. It's really sublime but may be a hard recommend for someone who doesn't like this type of free form jazz that may feel bereft of clear structures on a first listen.

Never heard of this band but it sounded like a lot of artists that I enjoyed. After checking the release date, I realized how old and influential this album has been for many following artists. The songs are catchy and everything just feels tight. It gets repetitive and I wished that some tracks would escalate a bit more but overall very good stuff. It kind of sticks with you.

Iconic cover and title Track. I like the atmospheric songs in the latter half which are an extention of the Low album that I cherish. I find many songs on this album to be a mixed bag and feel a bit rough or directionless. Heroes and Blackout are my favorites though but this is an album I seldom revisit despite being a huge Bowie fan.

Never heard of it before and I have to say that it didn't really do anything for me. This album feels extremely dated with its instrumentals that sound like stock sounds that you'll find in keyboard that you picked up at a sale. It is probably a product of its time and it's difficult to judge it without any context regarding this album. Maybe they pioneered a new genre with the drumkits, synths and sequencers but man this album is really a snooze fest. Honestly, it didn't age at all and I had to struggle through it quite a bit. Upon further listens, I think I can get behind the idea of the album but it just doesn't come together in a cohesive way. The title track and Tinseltown stood out to me because they were a bit more engaging with a groovy bass and more energy. Unfortunately, a lot of it feels pretentious and just incoherent. These instrumentations are thrown together in an isolated fashion which makes it all feel super disjointed, the missing song structures aren't helping either. If the artist wanted to create a moody and atmospheric album, I think that that they failed in their execution and mostly because the instrumentals sound so terribly dated. I don't think I can recommend this to be honest.

It seems that the lead singer of the Smiths is controversial and I'm probably to much of a kid to know anything about the background surrounding this band. I've always listened to some tracks of the Smiths but never attempted to go through an entire album. I generally have a positive view of their work from the few songs that I listen to. Meat is Murder didn't really convince me all that much, it's a bit of a hit and miss for me but man there are some bangers on here. I absolutely adore the post punk jangly guitars and infectious basslines inhabiting some of the tracks. The Headmaster Ritual was just a joy to listen to and I particularly enjoyed The Joke isn't funny anymore. Honestly, I cannot judge these lyrics or if Morrissey comes off as a pretentious tosser. Overall, I think there is just a really good instrumentation going on which carries a lot of the tracks. There are just a few songs here where I didn't feel much and were just a bit forgettable. I enjoy the album but it's not a classic for me but I admit that it still evokes a nostalgia for a time where I wasn't even alive, it does feel timeless.

Man, this is definitely a dud for me. Perhaps it had a cultural impact of some sort but I'll just be ignorant enough to say that this aged like milk, just like the child abuse alleagations.

Dark, moody and very experimental. Truthfully, I only know Dummy which is a phenomenal album. Third felt less impressive but also far more unconventional in terms of structure and pace. Some of these tracks create such tension and unease that it is almost astonishing that I kept listening to it. It's very gloomy and lulls you in with dark ballads while cold electronica hits you like a truck. Personally, I didn't like it as much as some of the tracks feel a bit sparse but overall I think it's an interest piece of work but just not for me.

The debut album might feel a tad plain and self-indulgent at point but it is honestly still a classic album. It is foundational, tapping into something new that defined their later work. What I enjoy about this particular LP is the blend between a quirky alternative rock which is laden with trip-hop beats. It has a distinct aesthetic with its hip-hop production that still incorporates pop and rock elements to create something unique. You may not like Damon Albarns vocal delivery but I believe that it elevates a lot of these songs. He can be quirky, serious or melancholic and it suits all the landscapes that each song creates. The instrumentation is really strong with cool arrangements and samples such as the melodica of "Tomorrow Comes Today" or the horns in "Rock the House". The flow of Del is unmatched and "Clint Eastwood" is just an overall excellent song. After simping so much, I have to say that the latter half of the album is weak with tracks that feel unfinished. However, there are so many bangers on here that the album still shines.

This is a pleasant album but somewhat unengaging to be honest. I literally don't know what to say anymore about this album. I can see myself in a pub with a few pints, hearing one of these songs and being intrigued because it sounds familiar but still unknown, talking about it with buds. It seems like a very Austrialian thing judging by the reviews and Wikipedia, so some social context might be missing.

I bounced back a few times from this record but got back into it again after a while. Overall, it's not my type of music but I enjoyed the great vocals and overall atmosphere of this record. The instrumentation and production is honestly really good and I love the electronic influences. It's just not something I would actively listen to if I'm honest. The vibes are great though.

David Bowie is a musical behemoth and The Rise and Fall of Ziggy Stardust and the Spiders from Mars is probably one the most iconic albums that many hold very close to hearts. Unfortunately, it doesn't do much for me even as huge Bowie Fan. It's just a type of music that I don't particularly enjoy. There are some songs that I really enjoy such as Starman and Moonage Daydream but it's just not something I put on all that frequently.

I have always missed New Order but were listening to some songs here and there but I didn't know what quite to expect. Once the first song started, my excitement quickly faded and I thought to myself "Oh no, not one of these antiquated 80s drum sequencer things again that were modern at the time but now terribly dated". Yet Technique was surprisingly great! There are plenty of good tracks on here that mix infectious bass lines with a relaxed vocal delivery and nice acoustic guitars. It's an odd mix that is very much reminds of the soundscapes of Joy Division which was tragically cut short. There is always a certain threshold where old school vintage sounds kind of become just dated. I feel that New Order delivers an enticing blend that feels nostalgic and still enjoyable. Fine Fine and Mr Disco are horrible though because they are a prime example on how the technology at the time was just very limited. All the other tracks offer so much more texture instead of the bog standard default sounds that your 50 quid Yamaha keyboard has integrated these days. Guilty Partner is definitely the highlight for me, absolutely great track with a sick bassline.

This album was a welcome addition to the list and I was really looking forward to it because it seemed like such a departure from the regular stuff you hear. My curiosity was met with absolutely groovy guitar shugs, nasty bass lines and a sheer overwhelming power that gave me the feeling that I should honestly be angrier about things in life. Now, I was never truly into metal but what does that even mean? The diverse and micro genres of metal are hard to discern to me. Despite having flirted with a lot of genres such as Doom and Stoner Metal or Drone, Sepultura was never on my radar. Hence, sites like these really push you to actually engage with artists (if you feel inclined). Roots is really great and feels like an absolute classic and despite absolutely disliking screaming and harsh vocals like the ones bein presented here, it still worked for me. The songs are just that powerful with engaging riffs and drums that kick you in the nuts. The vocal delivery is seething with fury and creates a somewhat unhinged vibe that is contageous. There is an underlying grooves to this song that make me want to vibe so hard and it's great. The best part about Roots is the incorporation of latin grooves and unusual brazilian chanting. They permeate through the album but it never feels just like a gimmick. Root by Sepultura just feels authentic and is a bloody good time even if it's not really my genre. I'll be blasting this stuff for sure in the future.

Closer is a hard sell for me but my opinions did switch in the latter half of the record where songs have more much dynamism and feel more engaging. Discussing Joy Division is always a challenge due to its mythology and the tragic death of Ian Curtis which puts the album in a different spotlight. Yet, I think Closer isn't that great and it was hard to connect with it. The first few tracks have very static drums which never quite change which makes it pretty monotonous and even if it was the intention to create a sparse musical landscape, I don't think that they entirely succeeded with those tracks. They just meander on while Curtis babbles over it. Peter Hooks bass drives a lot of this tracks and make them somewhat more engaging. Once the fifth track "A Means to an End" starts, the album seems to improve dramatically because the drums are actually less static and we different grooves. I'll revisit this for sure in the future but I am not a big fan of it and vastly prefer Unknown Pleasures.

This is a band that I probably got a feel for by cultural osmosis, I cannot recount how many times I've heard The Cure in dive bars or other places. Yet, this is the first time where I actually listened to an entire album. What I really enjoy about Disintegration are the layered textures and sounds that create such a dense but ethereal atmosphere. The delayed and chorus drenched guitars are hypnotizing. The Bass can be subtle but also really raunchy along with drums that linger on in the mix. Most tracks border on being menacing, beautiful, serene but yet very melancholic. It's honestly a unique mix that I enjoy. The vocals just fit perfectly into this ensemble. Did I enjoy this album? Well, I think it gets a bit self-indulgent at times and songs to drag on quite a bit which can be a drag. I found this record to be super long and some tracks wash into each other. If I was born earlier, I would probably have listened to this stuff endlessly and ponder about my romantic interestes in my bedroom, wallowig in angsty youthness.

I don't really know what to say here. There are some complete classics on this record which have managed to survive for decades due to nostalgia and popular culture. I cannot recount how many time I went to weddings or parties where the DJ pulled out one of the popular tracks that are on this album. Baby One More time is forever engrained in my mind and I never actively listened to it at all. Does it make the music any good due to the perpetual pop propagation? I am not quite sure but it's evident that some of these songs hit a Zeitgeist for teens back in the day. Objectively, the latter of half of this album is entirely forgettable with grating production and utterly braindead lyrics. Hoenstly, it all sounds super dated and it's a product of this time I don't know what to write here.

This is a beautiful record and to my surprise I just knew all the covers of the song by other artists but not Carole King herself. I was far more engaged than I expected because these songs just seem so well composed, perhaps at bit to safe but overall they're super varied but have a strong cohesion. I'll probably come back to it once the sun shines through my windows again.

This is just a jolly good time and quite a bop. All the voices are unique and charistmatic while the instrumentation keeps a steady pace and sounds grand. The lyrics are actually quite hilarious and I honestly just enjoyed my time with this. An entire album of swing is a bit to much in one go. Still, this is quite an infectious and keeps you rocking with its silly mood.

I'll be candid and just say that this is actually a splendid album. Artists who have been at a spotlight at an early age don't always manage to reshape their career into something worthwhile. A lot of teen-based pop projects are just a product of their time and feel dated. This doesn't imply that this album is flawless and that Mr Timberlake rose like a Phoenix from the ashes. There are issues with this album but I was surprised how absolutely engaging it was despite some of its juvenile content and incredible amount of cheese. This is mostly thanks to the excellent production and diverse styles, Pharrell and Hugo are pretty talented and I think that Justin was a great vehicle. Arguably the latter half of the album is somewhat forgettable but still solid. Justified has a great mix of Pop, RnB, Soul, Funk and Disco that mushes together well. Some of my favorites are Like I love you which has a addictive syncopated guitar riff playing with a great beat. The vocals go incredibly high and provide a great dynamic to an otherwise static track. However, the bridge brings in some really nice seventh chords which feel open and serene. Señorita is honestly another standout because it feels so laid back and always incorporates diverse instrumentations. I think it's a bit underrated because it's clear that great care was put into creating these tracks. Rock your Body is also quite stellar because it's a breath of fresh air with the prominent Disco influence. There is a bridge section which just consists of beatboxing and it's a bit awkward but man it's something unique alright. Now, if I had to trash this album then I would probably say that some of the lyrical content is just abysmal and juvenile. A lot of tracks feature Justin talking about some benign shit of girls and love, it's all a bit indulgent but it kind of works for this style. This album feels like a time capsule where actors just have a good time and don't take themselves to seriously (at least that's the vibe I get). One could be overly cynic and state that the album is clearly derivative of other great artists and arranged in a way to appeal to a larger demographic with the inclusion of obligatory rap parts and the use of popular pop tropes. Perhaps I have a soft spot for this album but I don't get the vibe that this record was constructed in a corporate fashion just to hit the billboards.

Honestly, I think that this album suffers from a bad mix and overly busy instrumentation. It's almost suffocating and as a result, it's just not really enjoyable to listen to it. I love noisy and balls against the wall music but this album was particularly grating and nothing really stuck with me. There are obviously plenty of influences here but I just don't see how this is an album that you have to listen before your demise. I didn't like it.

A unique record that blends in atmospheric world music with unique vocals that are honestly welcoming outside of the more anglocentric albums that this site suggests. That said, I feel that this record is hindered by the very dated instrumentation that makes it rather harder to enjoy. There are layers in this music which seem very much culturally engrained and I just feel like I cannot fully grasp this album. It was a nice listen but I don't know if I'll revisit it again. I enjoyed it for breaking up the palette of known classics that tend to populate this site.

I wasn't aware of the brief existence of this band, well apparently it wasn't very long. After hearing the first bleeps and bloops of the first song, I thought that we would have another incredibly dated record on our hands. However, I quickly realized that there was far more to this record and that it actually sounded modern. This is one of the newer additions to this list and I actually really like it. Microshift is a record to blends psychedelic shoegaze with a sort of hard old school synth vibe. It's an odd mix but works rather well and I quickly found myself boping along. I liked the drowned out vocals as well and I think it's definitely an album that I'll have to revisit to sniff out all the details. Ullswater was a particular highlight for me with it's hard synth drive. Overall, it may be a bit derivative as I was constantly reminded of other projects that had a similar vibe. Still a really decent addition on here.

This album didn't really do it for me, perhaps it is my lack of nostalgia for my formative years but Smashing Pumpkins was never on my radar except for the mega hits that you even hear on your generic local radio. I was surprised how many shoegaze elements and how prominent thick guitar driven walls of sounds were. I think the production is great and despite liking these atmospheric guitar drenched riffs that are layered, it was not that engaging. Songs meander on way to long for my taste and I know that the vocals are often a hot debate but I thought it was fine. It all works but it wasn't for me. I feel that songs require a bit more dynamic range or other elements to make them stand out more. It all kind of sounds the same to be frank. However, there were some really good songs here that I like Soma which had a bit more going for it. Disarm is also a nice departure from other songs. I don't think I'll revisit this any time soon.

In my hubris, I always dismissed The Offspring because it's essentially dumb pop punk for young teens. This particular sequence of songs hasn't touched my eardrums for over 2 decades and I had a smirk on my face because I anticipated to dislike it considering that I have developed my tastes over such a long period of time. To my surprise, this thing still slaps and does feel like a classic album. I was surprised how well the songs stuck and how easily I could memorize all the rather juvenile lyrics. It's all well produced and you just get a good dose of guitar power chords, dirty bass and hard hitting drums. We get a lot of wohooo and woooyeahhs which gets a bit old. Don't get me wrong, it's not some super secret sleeper album that is underrated. It is just a good time and feels safer and less angular than other real punk projects. I had my fun.