Planet Rock: The Album is an old school hip hop album by Afrika Bambaataa & Soulsonic Force, released in 1986 as a collection of previous singles. The song "Planet Rock" was one of the earliest hits of the hip hop music genre and remains one of its pioneering recordings. The single's liner notes include members of Kraftwerk with the songwriting credits. In creating the track, portions of Kraftwerk's "Numbers" and "Trans-Europe Express" were interpolated (re-recorded in the studio, rather than through the use of a digital sampler), along with portions of songs by Captain Sky and Ennio Morricone.
Wow. That's legitimately bad. I get that they were going for a "ground-breaking" and "genre-defining" album experience and maybe they achieved it for the time. But it aged very poorly. To a modern listener it just sounds like amateur hour at the college radio station. None of the songs go anywhere or say anything of note. It's an exceptionally empty and repetitive album.
-Renegades of Funk is a banger, but RATM did a better version -Turns out this guy has been accused of sexually assaulting a bunch of boys, so 0/5, I guess.
I've noticed that the 1001 albums list seems to comprise of two different types of albums. The first type are those that are those that are timeless, regardless of when they were released and can be enjoyed by multiple generations of music listeners. The other type are those that are historically significant but may not stand the test of time. I feel like this album is in the second category. It might be important to the development of hip-hop and I'm sure that if I grew up with it, the album would hold a special place for me. Listening to it the first time decades after it was released, it only sounds dated. There are some decent ideas on here and it's a pretty upbeat album from start to finish but there's other 80s rap that is far stronger.
I don't want to live on this planet any more.
Honestly if I were rating purely off enjoyment I might not give it 5 stars, but it's impossible to separate this music from how hugely important and influential it was to the early years of hip hop.
Cool to see the proto-Chicago house AND proto-hip hop here all mixed together. This album rules. Definitely a bit dated feeling but in a "Seinfeld is unfunny" way to a degree.
This stuff has been sampled and mapped over so many times, it's hard to think of what this must've felt like, hearing it for the first time. Great party energy, though it did fall into the background. Thought that's probably because of repetition - it alll already sounds so familiar. I'll give it an extra star since, when I was a kid, I thought Afrika Bambaataa and Mr. T were the same person and that seems wrong.
Intergalactic paedo-ing. Hyperspace kiddy fiddling. Absolute nonce-sense.
Even if I heard this album many years ago, listening to it today was a total discovery. As I checked the site and was about to play it I was readying myself for an old school rap record. To my surprise I was met by something much more rewarding. First of, all the songs here kind of sound like Rockit by Herbie Hancock, which is not a bad thing at all. They also have a lively feeling to them, as if they were actually played and not sampled. Further research revealed that indeed, many parts were re-recorded rather than sampled from the original recordings Then I am reading that this is the first electro album ever made, a genre I am not really familiar with and that I will explore in the next few days. And that's exactly what is interesting in this process: either you get a chance to discover something that you had never heard about, or you get a chance to listen again to some classics you hadn't heard in a while. And then there is the possibility of experiencing an album you already knew as if it were your first time ever, rediscovering aspects that weren't there before. Because we too are like musical instruments: the more you listen, with curiosity and open mind, the more you are fine tuned into a better understanding.
The keys on the opening tracks are immaculate; Could have been recorded today; Give me Sun Ra via funk. There's less musical material in the songs here, so it's a listen best left in context: Hip-hop has other realms to explore nowadays. The rest of the scratching and posse-cutting is about what one would expect, adding up to an essential listen with a little filler.
I enjoyed this one. The hip hop and electronica fusion works. Of interest is that I'm not sure I would have enjoyed it in 1986. I'll say my music taste has progressed although some might say the opposite.
Genre: Electro 3/5 An interesting exploration in electro instrumentals with the addition of hip hop vocals, with the song Planet Rock being one of the first singles to truly synthesize the two sounds, this compilation based around that single is a time capsule, showcasing some of the earliest rap singles around. The unfortunate context behind this album, that Afrika Bambaataa (Lance Taylor) is an all-but-jailed, quite prolific sexual offender, does sour some of what's going on. It's always difficult to look beyond sex crimes in art, especially when it deals with minors, so unfortunately this project is stained. However, the music that lies within is some of the most influential and important hip hop music ever produced, and is an essential listen in that regard. Planet Rock, the aforementioned, very important song, is now viewed and listened to as an "old-school hip hop" track, but that does it a disservice. It's essentially one of the earliest songs that set the instrumental template for what would be a whole decade's worth of rap music. The rest of the songs play out pretty much as you'd expect, break beats with the occasional verse and hook, with nothing from the back half sounding particularly exciting. What was exciting, though, was listening to the OG Renegades of Funk, and becoming more and more impressed with Rage Against the Machine's near perfect cover of it. Other than those two big tracks, this album is rather forgettable, unfortunately tainted with nonce behavior, but it's not offensive sonically. This will probably do wonders for those who truly love instrumental hip hop and are interested in its earliest fossils.
2.5/5
Weird record, def not rock
In historical context this album is very important for electro and hip-hop, but that doesn't necessarily mean it's still interesting to actually listen to today. One of the problems of being the genre-definer is that once everything you do has been imitated, you end up looking pretty generic. A higher rating for significance, but for my personal enjoyment I can't go above a 2.
é bronca
This record will make your dick bleed so much, that it will force you to tear it off and feed it to a baby chimpanzee for supper.
afrikaaaaaaa
The album name and cover had me real worried, not gunna lie. I had a HUGE gut reaction assumption that this record was going to be a major pile of crap. But it's actually FUCKING AMAZING!! I love it. Socially conscious, inspired, unabashedly oddball and cool at the same time; all the elements I like blended up into one funky non-stop party groove. And Renegades of Funk... omg that has been one of my favourite RATM songs for decades!! I love hearing the original track, it's so good too! I'm so happy my extremely unfair bias has been proven resoundingly wrong this morning. Zulu nation!!!
Cool.
Absolute genius. One of the best to ever do it, and also one of the first. Anyone who claims to love hip-hop, but doesn't know of the founders, is missing out massively. This album in particular makes me want to set up a class teaching the youngsters about the early days and the golden age!
I rather enjoyed listening to this. Clearly a source of a lot of beats and samples.
I get it. Fantastic
Last year I bought a cheap Sanyo music centre, and unexpectedly it came with a few recorded cassettes. One of the cassettes was a recording of a radio show from 1984. It was an interesting blast from the past, especially some of the news reports throughout the radio show. One of the things I thought interesting was a claim from some scientist about how breakdancing could contribute to hair loss. Yeah honestly, if this was the sort of thing that people were breakdancing to back in the mid 80s, I can see it. I thought this was a really fun album, and judging by when it came out I can imagine this had an influence on both hip hop and house music going into the late 80s and 90s, while interpolating and drawing influence from Kraftwerk. It's undeniably aged, but I don't care. This was just a really fun and groovy album. Favourite: Planet Rock
Iconic, elemental
One of the originals and one of the best
HAIKU REVIEW Old school MCs serve Kraftwerk and break beats making Something much bigger
This is where it all began. Prior to listening I had not realised how ingrained in our collective consciousness, this album was. You may not know or like that genre but the chances are you are already familiar with the work.
Big banger
A really fun album. It is old school hip hop so it's great.
Bizarrely, I was listening to the Swordfish soundtrack earlier today for the first time in absolute years - it has a version of Planet Rock on it, a song I am very familiar with. I was not however, familiar with any of the other songs on this album and it turned out to be startingly inventive, groovy and totally rocking in parts. Wish I could have gotten hold of this way back when I discovered electro for the first time.
Very spacy, not my cup of tea though
-4 might be a bit high, probably a low 4, but it's been my favorite hip hop album so far, I think -Pretty cool instrumentals overall I like the use of stereo in quite a few of the tracks -Fun fast rhyme on "Renegades of Funk - The Latin Remix" -Great bass lines in "Who You Funkin' With?" and "They made A Mistake"
A little slow for my taste
Didn't Mr. Bambaataa get Me-Too'd? Not that it would matter too much- Michael will never be dropped from GOAT status, so why not keep this on? This is pretty fun, but like a lot of early hip-hop, it doesn't have a whole lot of shelf life for me. I appreciate the beats and some of the production choices, but it's not one that I'll ever put on regularly. Still, when I do, it's terrific background noise. B-
Muito bom.
It screams "the 80's"
This was old school, break dancing cool. I really enjoyed the beats they were putting down. Very enjoyable and I say I was initially put off but the album cover.
I'm sorry, but an average of below 3 stars is criminal here. I'm not even a hip-hop fan!
Another album that you can see throughout music and culture.
Very cool album. Enjoy every track. Wasn’t blown away or truly invested tho.
It’s definitely a fun part album. I don’t know if I’d listen to it regularly but I can see myself coming back to it occasionally. I like how different their sound is. It can be a bit cheesy but I like that
7/10. Funky fun, with occasional annoying electronic distortion.
Grab your Kangol, your shell toes and get ready to bust some moves.
Wasn't expecting a rap album tbh
after the 12” songs > before the 12” songs
I haven't been up to date with all the things happening around Afrika Bambaataa so I'll ignore that and just focus on the album and not the person. Legendary old school hip-hop. Afrika Bambaataa delivers splendid beats and the level of production is hard to find in todays mainstream hip-hop with some exceptions like Run the Jewels. This is definitely worth a listen if you're interested in hip-hop. A fun fact is that Rage Against the Machine got a cover for Renegades of Funk that's even better than the original.
I don't know if this formally could be called go go but it's adjacent and I have gotten a lot of exposure and respect for that genre in the last few years.
Neljä..... toimiii hyin albumina vaikkei biiisit välilllä kovinkaan kummosia ole...
1. Hip-hop isn't a favourite of mine. 2. Electronica isn't a favourite of mine. 3. It's dated. 4. Despite the three strikes I like this. It just sounds like they're having a whole bunch of fun and that means that the listener is having fun too. Who You Funkin' With has the funkiest bass and some of the funniest raps. I'm in the uncomfortable position of debating between 4 and 5 stars.
An electronic funk spin on what feels like east coast rap to me
Damn, yeah, this was goood
Somehow simultaneously laid back and ready for a party
Peace, Unity, Love and Having Fun: the motto of the Universal Zulu Nation. Fun album, I can picture kids breakin' in Harlem project common areas to the new electronic and rap sounds of Afrika Bambaataa and the Soulsonic Force circa 1979. Planet Rock and Looking for a Beat are great jams. A party album through and through.
nice блин я их откуда-то знаю, но откуда не могу вспомнить...
Me ha gustado más de lo que esperaba. Como hip hop rap africano, pero guay.
classic hip hop.
It's interesting to consider how this is pretty much contemporary with the Run D.M.C. album from a few days ago, but seems like an entirely different era. I guess the progression of the "schools" of rap and hip-hop is pretty damn compressed. Still liked this a lot, crazy glam space flare and all. Very funky.
Fun album. Lots of these songs I recognize as samples from a lot of hip hop I’ve heard through the years. Fun, upbeat, good beats, solid 4!
When I first heard the ‘Planet Rock’ single, in 1982 or ‘83, I couldn’t believe my ears. I was a proper post-punk, futurist kid. My modern world revolved around the synthesiser’s song, to quote Ultravox, and Kraftwerk were the Godfathers of this sound. Then I heard this… hey, this is Kraftwerk’s ‘Trans Europe Express’ with people talking over it? Talking in a ridiculous rhythmic and rhyming fashion, with more drums and bass added?! What the fuck, how DARE they!? Hang on…..it’s…..quite good….it’s actually brilliant!! ‘Planet Rock’ led me down a new path. Hip-hop, or ‘Electro’, as we knew it back then, opened up a new world of music for me; funk, go-go, techno, and house. Music in technicolour! Returning to this album; released in ‘86, it was four years after the original release of the ‘Planet Rock’ single, and it’s a bit of a catch-up. Still fabulous though.
The production on the album doesn’t exactly hold up. I would have picked something more recent if there’s only one Afrika Bambaataa album listed. Putting that aside, there’s a lot here to enjoy.
Classic album, highly influential and the beats are still great.
As I expected from the cover, funky groovy and a bit wacky.
Interesting and enjoyable throwback.
Some old school hip-hop...awesome! Well, at least I thought that it would be and then the thrill kind of died as it started to sound a bit stale to me.
Although this was new music to me, it was a very nostalgic listen. Record scratches! Simple lyrics! Quite a lot of fun!
Well this is nothing but entertaining
I enjoyed it a lot, but it lacks something (I can't identify precisely what) to be a perfect 5-star record. Classical albums are defined as it, usually, for fair reasons and this is not different, even with this lack of some spicy that I expect in this kind of music. So I hope to have more Afrika Bambaataa on the 1001 list to try again and ensure that the problem was me or my mood and not the album.
Funky as hell. I loved the rhythms and beats of the record throughout. I was unprepared for how much I enjoyed this one.
Highly influential early hip-hop.
8/10 such a fun, groovy, funky album it has a lot going for it, and while it might be a little rough in some parts, they had a great vision and stuck with it very well
A classic, but of course a little bit dated. I would say a high 4 though.
This was exactly as good of a time as the album cover promised me. It's a shame the dude is a pest.
Uh oh another fun early rap album what are we to do? Uh oh more bitching cover art what are we to do?
funky funk that gets extra funky
Here we come to yet another album with a complicated history. In terms of legacy, this album is titanic in hip-hop history, collecting a set of singles that were massively influential in developing the sound profile of early hip-hop and the electro subgenre. Afrika Bambaataa was huge in early hip-hop. Unfortunately, he was also a huge child molester, which is a sentiment that I wish I didn't have to express about so many artists on this list (seriously, what the fuck was wrong with rock stars in the 70s?). The music on the album is actually really cool given the technology that they were working with. For as much as 808s are discussed lovingly today, they often sound a bit thin on the track, but they fit in really well here, especially on Looking For the Perfect Beat. The synthesizers are similarly really cool, and the mix is really powerful. The rapping is...well it's early rap. Luckily, groups like Run DMC were about to come along and teach folks how to rap with style. Luckily, they tend to employ a lot of repetition and call and response, so the rapping generally doesn't weigh down the songs too much 4/5
The funky beginning to many great records
This is remains fantastic
Me ha gustado más de lo que esperaba. Como hip hop rap africano, pero guay.
interesting early hi-hop record. advanced for its period. 8/10.
Opener is an all time great. rest of the album doesn't hold that standard but some great musical journeys which have been so influential bringing genres together and still sounds fresh and modern despite being sampled to death. 3.9
Absolutely love the title track -- big fan -- was absolutely huge when I was a VJ back in the mid 1980s. Didn't find the "album" was really worthwhile, though. It's just an assemblage of singles in varying quality, none of them as good as Planet Rock.
A historically essential record, very groovy if somewhat aged
The title track has me curious. Looking For The Perfect Beat has a great intro. Renegades Of Funk is one of those great covers that couldn't be more different in its original version. The album leans in as hard into the new electronic production techniques of the time like on Go Go Pop. It sounds dated to modern ears but has a charm in its unabashed big boom hip hop styling.
I've never heard of these guys before and had high hopes, based on the album cover alone. This was fine, but very of its time. Unfortunately the 80s aren't a time that I particularly love so it wasn't as enjoyable for me as I'd hoped.
Pretty interesting. I didn't like it as much as I hoped but I can see how it was influential. Probably one of the first hip hop albums?
Fun album but I'm unlikely to play it again
not bad. not something i'd listen to often.
Harter Brocken, wenn man bedenkt, was der Typ verbrochen hat. Aber die Kunst soll ja über dem Künstler stehen, auch wenn es schwer fällt. Ich mag auf jeden Fall die Beats und den Sound an sich, jedoch ist mir hier bisschen wenig Abwechslung. Irgendwas zwischen 3 und 4. Ich gebe 3 aus Gründen.
This record is very culturally important for fans of hip-hop/house/electronics genres. Would recommend. As of right now this is an extremely solid 3.5/5 and might be a 4/5 whenever I listen to it again.
Best Song: Looking for the Perfect Beat. That perfect level of retro-futuristic sound. Worst Song: Really weird that they chose this as the leadoff song (let alone named the album after it), because I found it by far the most annoying on the album. Part of it is just that this style of hip hop has aged really poorly, so this track sounds a bit like the DK rap. Overall: Today I learned that RATM's 'Renegades of Funk' is actually a cover. Although I think this is one of those cases wherein the cover really elevated the song.
Back in the day when this came out I was wow'ed that they sampled the iconic melody from Trans Europe Express. They also gave sly nods to YMO and Ennio Morricone so they scored some major points in my book. So although this is arguably one of the most influential proto-rap and hip hop records, the rest of the album doesn't quite hold up well today. The cheesy lyrics, drum beats and scratching sound pretty antiquated. So this is a 2 but +1 for having the audacity to sample Kraftwerk.
Stellar old school hip hop, it should be no surprise how this got hella sampled. It’s retro-futuristic but still kinda modern some 40 years later? Weird, cool stuff. 3.5
Cool old-school hip hop with some interesting production choices and sampling. Don't know why there are so many 6+ minute tracks though when they could've easily been shorter.
weird album, but enjoyable enough. I would almost definitely never choose to listen to this again, however. I respect it for what it is, and it was neat to hear the source of Renegades of Funk from RATM covers album.
This was the genesis of hip house and electro. I can hear herbie Hancock and grandmaster flash in this album, I’m guessing this album influenced them rather than the other way round. Very dated today but enjoyable to listen to just to see how it all began. It’s b bit like watching a planet form, this is the Big Bang moment, from here it Improves and develops and sadly that moment of creation becomes a distant memory
Goddamn, the production of this album is just fucking amazing. I know that I said production didn't really get crazy until Dr. Dre released The Chronic, but I was mostly talking about the gangsta rap scene. The cover art is kind of cheesy. If they just removed the people on the top, it could have been a good cover. At least the font is cool looking. Favourite track would be the second one (I forgot the name lmfao) The production on it is so satisfying, with the beat peddling in your left ear. Also, all the vocalists sounded like they were having fun. 7/10
This was TU2 electric boogaloo.
Meh. Good music
Wow. Old school. Blast from the past. Loved it.