Weirdly, kind of the best place I could have started for this. Would I listen again? No. But what good would it have done me to have started with Is This It? and gone 'Huh, yeah, still think the Strokes are pretty good'?
Driving, percussive - my god, is it percussive - and the sort of thing I'd never have actively sought out. Problem is that I don't really see where this sits. It's not compelling in the way where the emotion is immediately intelligible, even if the words aren't. It's almost too raw in that way. But it's not easy enough to listen to where it can sit in the background.
Highlight Track - Rhapsodia Del Maravilloso.
Yeah it turns out that this simply cannot be rated in any meaningful way, because if you listen to this while smashing through the Lakes as the sun's going down on a train home from Glasgow then there is literally nothing finer to have on.
Best song: Big Iron. But that was the opener during a particularly idyllic stretch. And A Hundred And Sixty Acres is a bit crap, so it benefits in retrospect from that.
Genuinely mad how many of the tunes on this would be absolutely sensational singles from any other album.
Before he started crooning about the milk going off on his spaceship, Alex Turner really was an incredible storyteller.
Man, I think this is the first one where I've gone 'just not for me this'. Jump and Panama are listenable but there's not a single tune elsewhere I'd go back to.
Best song: Jump
Feels weird that I'd never encountered this. Never even heard of it. Sounds like it's ripped straight from a rom-com-that-everyone-thinks-is-good soundtrack. Huge span in terms of what it covers. Oh, California is a bit sub-Lehrer and some of it gets a bit show-tuney, but Love's Enough was just a really decent simple love song.
Best song: Love's Enough.
I don't know if this is because I've never been that big a Stones fan, or because I'm a big woke liberal who found 'Under My Thumb' a weird listen, but I enjoyed this a lot less than I thought I would? Paint It Black is good, there's good guitars and some fun experimental stuff here but I think I went into this with high expectations and they weren't met.
Didn't enjoy this and didn't finish it. Feel bad to say but just didn't sit with me at all.
Went into this thinking I'd hate it. The Wall is fine but, in my view, just not as good as people make out. It's not as bad, either - I find a lot of the critiques of it overwrought. But I actually enjoyed this far more than I thought I would. Would go back and listen to this *as an album* again, I reckon.
Loved it. Not to knock Scott-Heron's poetry or whatever but I think the thing I liked *most* was actually Brian Jackson's instrumentals here? Would enjoy this almost as much if it was just a faintly jazzy/soul instrumental album.
Best Song: Rivers of my Soul
Christ, looked at the backstory to this. Don't know if I can separate story from the art here, found it really interesting in that context but don't know if I'd have had as good a time without it?
Absolutely woeful, made tolerable by being very very short.
I enjoyed this during listening but very little stood out afterwards. Maybe I had this one while really absorbed in writing, maybe it's a forgettable album - and I kind of lean to the second because I did that with 'Heaven or Las Vegas' but came back to it.
Absolutely YES boys. Delighted to have found this. Makes me want to rent a large car with no top and drive it to California. The Night They Drove Old Dixie Down is a weird listen, even though the instrumentation is great.
Oh no please don't make me like Wings.
I'm going to be very honest. I didn't get it.
Banger after banger mate. Second instance though of 'Christ this is horrible' on the old gender politics side. Sixteen? Just bad! A bad song with bad vibes! Everyone knows the Big Two on this but Tonight also really good. Best track's still Lust for Life though.
This was an odd one because it's obviously GOOD, like Harrison has so much talent, and I really liked parts of this, but man alive when it decides to get self indulgent he goes nuts with it doesn't he?
Previously I noted that I don't dislike Pink Floyd, I dislike Late Pink Floyd. This made me hate The Who, despite enjoying 'Who's Next'
This is an incredibly weird one, and I think my first real instance of 'why's *this* here?' - if you want slightly schlubby pub-rock garage from this era, then do Wolfmother or Jet, both of whom have albums I would have enjoyed listening to more than this.
What do you want from me here? Shall I pretend I was never thirteen? I don't know if this is musically *good*, all I know is that this comes on and suddenly I'm in Year 7 again, on my way home from school and shitting myself about my Art homework with some absolutely appalling Limewire rip of Points of Authority in my headphones.
Some of my lowest grades so far have been for punk albums. Maybe it's the Strokes-esque adlib at the start of the opening track, but this was genuinely listenable, to the point where I could imagine myself choosing to listen to this. And while Memories Are Made of This has aged... horribly, I think it's easy to look at punk lyrics and get cynical and eye-rolly. But there's parts of this that reminded me of later works. I have listened to 'Bohemian Like You' a bunch, is it really so different from something like 'Know Your Product?'
I had to Google this, to find out in Venom had invited Black Metal. They did! Which, it turns out, makes sense, because the lyrics to the title track are so formulaic they're what I'd write if you asked me to do a black metal song as a joke.
Some albums have that 'one, two, three' hit thing - for my money the best is tracks 4-9 on 'Is This It?' by the Strokes. 3-6 on this would be up there if they'd binned Get on Top. This also drops off, massively, in the second half. To a really, really noticeable degree. Just couldn't get into it, but I've never been that much of a RHCP fan.
For years, we have debated the meaning of Jay-Z's adlib on 'The Blueprint 2', where he claims to have 'brought the flutes this time, though', and asks staff to 'unleash the flutes on them'. I am now choosing to assume that he, too, was listening to Aqualung.
Real faith restorer in the project, this. This is exactly the sort of stuff I want, mad Slovenian political art projects. And I thoroughly enjoyed it, the mad bastards.
Best song: Opus Dei
One of the greatest albums of all time here lads. Absolute banger after banger. As at home in the club as it is in the car as it is in someone's kitchen at 3am. Swiss army knife of albums. Something for everyone. Cover of Comfortably Numb absolutely shits all over the Floyd original. Flithy/Gorgeous an absolute belter, Laura one of the best ever album openers. Unmatched fun.
Faintly juvenile and not in a particularly fun or funny way. Wouldn't go back to this and didn't enjoy the listen.
Do you like the music of Thin Lizzy? Oh, you don't? Not a fan at all really? Well, what if we did it as a LIVE ALBUM so you could listen to tunes you don't really like but without studio sound quality and with audience noise/riffs?
I don't think I'd listened to this before despite enjoying peak Holiday, and I found myself really quite moved by the audible deterioration of her voice. Adds a really mournful quality to a lot of these covers.
I heard you have a compilation of every good song ever done by anybody. Every great song by the Beach Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of every Niagara record on German import. I heard that you have a white label of every seminal Detroit techno hit - 1985, '86, '87. I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.
Genuinely, went into this with high expectations because of James Murphy, and was rewarded with an album that is fine to moderately good.
Tell you what troops, this has done me in. Never sat down and got through a full Cohen album. Regretting every choice I've made that made that the case. This is absolutely beautiful, it's dry, the guitar is lovely, track after track has these beautiful little bits of poetry. Going to come back to this again and again. Might buy it as a record. Amazing.
Best tracks are Susanne, Stranger Song, One of Us Cannot Be Wrong, and So Long, Marianne, but every single song on this album is good. God, I'm glad I found this.
This is a note to myself to come back to this. Because I should like this. I can see why other people would. But there is something about this that just didn't click for me. The Vienna of albums.
Very little to say about this one - that's not a bad thing, it's just an album I'd previously listened to before starting this project. Doesn't take anything away from this, though. It's a really, really good album. The jazz influences incredibly enjoyable - possibly the jazziest Steely Dan album for me?
If you put aside just how bad 'honky tonk' sounds as a phrase - and that is no mean feat - what you're left with is some very listenable country music with a clear 80s bent to it and some interesting technical parts... but a certain lack of soul, for me.
I absolutely love Deep Cuts by the Knife, so slightly mad that I didn’t know this was a solo project. Anyway, it’s absolutely brilliant. Moodier and mellower than the Knife but with the exact same ability to really capture a mood and your attention.
Like many sensitive young men, I had a pop punk phase, and listening to this you really do see the genesis of that, thematically as much as anything. This must have absolutely blown you away if you were like, 10 years older than me. Some really good tunes, lot of filler imo, gets more points due to defining a genre I listened to a lot of at 13 and thus cannot bring myself to hate.
I mean, it’s the absolute opus by one of the best bands of the late 80s/90s alt rock boom? Listening to this with a more critical ear really brings out just how many people these guys influenced. Hard to hear the opening of cactus with that dirty guitar and not go ‘oh, it’s ‘roll with it’’. Brilliant album.
Genuinely taken aback at how little I enjoyed this.
This is quite samey at the opening, and then 'No Love, No Sympathy' comes in and it is noticeably different, but I just don't quite think he's got the vocals to pull off what he's trying to do.
An enjoyable sub-plot of this is me turning this project into 'How I Learned to Stop Worrying And Love Dad Rock' because this was great? The folk influences really enjoyable. Immigrant Song an all-timer.
The bangers are bangers here but man alive Muse album tracks aren't great are they?
So you start this and you don't see The Whole of the Moon and you go 'This'll be shit, this.' Turns out you're absolutely wrong and should feel bad about it. Absolutely wonderful album. Five stars.
Not sure there's much I can say on this, other than I think I both like this less than most people seem to, and also less than early Floyd? What I will say is that this is a proper album. Properly cohesive, a enjoyable experience that works together without being same-y.
