Why haven’t I heard of this guy before?
A Wizard, a True Star is the fourth album by American musician Todd Rundgren, released March 2, 1973, on Bearsville Records. It marked a departure from his previous, Something/Anything? (1972), with its lesser reliance on straightforward pop songs, a development he attributed to his experimentation with psychedelic drugs and his realization of "what music and sound were like in my internal environment, and how different that was from the music I had been making."The album was produced, engineered, and, with the exception of some tracks, entirely performed by Rundgren. He envisioned the record as a hallucinogenic-inspired "flight plan" with all the tracks seguing seamlessly into each other, starting with a "chaotic" mood and ending with a medley of his favorite soul songs. At the time of release, he stated that Wizard intended to advance utopian ideals; later, he said that the album had no definite meaning. No singles were issued from the album, as he wanted the tracks to be heard in the context of the LP. With 19 tracks, its nearly 56-minute runtime made it one of the longest single-disc LPs to date. Upon release, A Wizard, a True Star received widespread critical acclaim, but sold poorly, reaching number 86 on U.S. charts. According to Rundgren, "the result was a complete loss of about half of my audience at that point." To support the album, Rundgren formed a new group, Utopia, his first official band since the Nazz. Their technologically ambitious stage show was cancelled after about two weeks on the road. A Wizard, a True Star has since been recognized for its influence on later generations of bedroom musicians.
Why haven’t I heard of this guy before?
My stepdad is a Todd Rundgren fan so I heard this one early on. Also a favorite among college friends. I love these kinds of kitchen sink affairs where artists have the freedom/time to really explore possibilities in the studio. I wish more albums flowed like this one. Makes for quite a ride. Love that the ambition is tempered with humor along the way. Definitely his best album. A tour de force.
Really weird album, but really enjoyed it. All over the place, but still coherent enough to be a really fun experience. Favorite tracks: “Zen Archer,” “Onionhead/Da Da Dali,” and “Medley:....”
Sounds like an album that was written in some dude's bedroom while he was on psychedelics. There are plenty of "Mr. Kite's Glass Walrus" moments (and a John Lennon diss track, apparently), but it also manages the trick of staying down to earth without being particularly dense or impenetrable. Rundgren didn't release any singles because he wanted people to listen to the whole album straight through, which is typically an eyeroll worthy statement, but in this case, I think it's a cohesive enough unit that a straight listen is probably the best route to take. This thing got better as it went. A great listening experience. Best track: Just One Victory
👍🏼 definitely need to listen to more of this guy. he has clear talent and imagination and all of the songs are incredibly varied and cool. the whole album is cohesive without merging too much but still if you listened to the first half of the album not in completion it wouldn’t really work. awesome album cover and i like the song names. come on a 4/named song ?! 👍🏼
I just love when someone is having fun
Wonderful! This is one of my favourite albums ever. The book states that at first listen it could be tiring, but the first time I played it I was amazed: I thought it sounded as if it were made in 1993, not 1973; it really sounds far ahead of its time. The sprawling nature of the record reminds me also of the White Album, another of my favourite ever. I can hear Frank Zappa influences, Beatles, Beach Boys, some prog, gypsy music, and so much more. One of those records where you discover something new at every spin. I don't know if he was a true star, but for sure he is a true genius.
Was not expecting to rate it this high, but this record is so out of control and unique that I have to give it a 5. Give it up for Todd Rundgren, because this is a psychedelic masterpiece.
This is mental. It's interesting and I'm sure ground breaking at the time. Glad I listened, wouldn't listen again
I wanted to like this but do not.
In the 70s it wasn’t uncommon for someone to describe an album as being “good to listen to on acid”. This album would be one of those albums so described. This album is so bizarre and he plays very well. I think I’ll head to the pool room, score some blotter and give it another listen.
Incredible album. The flow of the record is immaculate
Okay, why did nobody tell me about this album until now?! An absolute kaleidoscope of sounds and styles, but all rooted in a really warm-sounding psychedelic pop/rock. I just wish someone had told me "hey, the first half on this album is basically side-B of Abbey Road, but for weirdos, and then it segues into a second half dominated by a medley of playful soul covers and an absolute power pop stomper ("Is It My Name?") Yeah it's weird stuff, which might explain the low rating. But if any of that sounds appealing, give this one a chance.
So happy this came up. Spend. More. Time. With. Todd.
Discazo de canciones. Del space rock al progresivo, del heavy al pop sofisticado. Muy grande, inabarcable. La esquisitez del rock setentero impecablemente presentado. Genial.
Really excellent. I loved this album
Incredible album! Cohesive, interesting, and boundary pushing. I can imagine how formative this must have been for experimental musicians. I'm very glad this has been put on my radar.
i so love it
This came out in 1972?! WAAAY ahead of it's time musically. Switching between playful and riffing rock songs effortlesly. I was expecting some boring prog album based on the album cover, but I couldn't have been more wrong. This album was an amazing experience
My favorite Todd album.
When I first listened to this about 10 years ago I wanted to like it more, but found it too schizophrenic and irritating. On relistening Rundgren's genius really shines through. I love the fact that it doesn't sit still and changes direction so many times, but still manages to work in some decent tunes.
Quelle aventure cet album. On oublie rapidement que c’est sorti en 1973. Un petit bijou psychédélique/pop/rock/soul. Je ne serais pas surpris de retrouver cet album dans la bibliothèque de Kevin Parker de Tame Impala ou des membres d’Animal Collective. Un gros coup de cœur pour moi. Pièce préférée: Le Feel Internacionale, When the shit hits the fan, Just Another Onionhead, International Feel, … ;)
Even if side 2 was blank I still would love this album. A true star completely.
This album was an experience to listen to. It seems scatterbrained but with some type of order to it. Every song feels as if it was both handcrafted and also vomited out. Either way, it makes for a great first listen through. His voice fits the music perfectly, and each song has a sort of ulterior feeling that refuses to allow you to be bored. Honestly the only thing that I didn’t enjoy from this album was that the mixing was very sub par. Favorite track: International Feel
Todd Rundgren is under appreciated. I love Something/Anything and had heard this album before but never came back to it. Turns out that I should have because there’s so much interesting stuff on here, especially Zen Archer. Will be listening to this again for sure. 9/10
A few months ago, I was introduced to Todd Rundgren by Something/Anything? coming up on my list, and I thought it was a pretty good album. This is like all the weird and standout songs of Something/Anything? blown up into a full album. Like the aforementioned album that came before it, A Wizard, A True Star is quite eclectic and all over the place, but I definitely feel like the focus of this album was clearer than the previous album. That focus was definitely psychedelia. It's definitely the kind of music that'd be enhanced with psychedelics, but it was the 70s. Saying that, this rarely felt like a 70s album - the electronic elements throughout made it seem more recent than that at times. Being a psychedelic pop album, it of course had its token unhinged and unsettling songs, but overall I still liked this quite a lot. I'm eager to listen to more of Rundgren's work. Favourite: Zen Archer
A little bit of Steely Dan and a little bit of Zappa. Fantastic piece of art.
Great album with so much replay ability, and just amazing sounds and songs to come up on this album. Not overall perfect but it’s overall just so fun and it’s a standout
Woah! This is totally unexpected and really awesome. Holy shit this was good. It's WILD and all over the place. But it still holds togeather in this super weird way. Unexpected 5 star.
You want the obvious? You'll get the obvious, onionhead! You are required to listen to this album at least seven or eight times in your life. If you don't get it the first time, you will eventually. This batshit crazy odyssey zooms past and swoons all over you at unexpected moments as though nothing out of the ordinary occured and will make you wonder what was going through the mind of this supposed wizard, this true star as he calls himself. It was the sound of the future then and it remains the sound of the future today. Bedroom pop before there was even a thing known as bedroom pop and, quite frankly, it doesn't get any better than this. Most artists would hang their hats on this album and call it a day. For Todd Rundgren, it was just another Monday.
This album has an antsy, can’t-sit-still energy to it that was jarring at first but ended up working well in the context of the whole album. Wildly imaginative and experimental, jumping between 1 minute ideas and 5+ minute songs. Zen Archer was a trip. But “I’m so proud / ooh baby baby / la la means I love you / cool jerk” was a top notch 10-minute soul journey that came out of nowhere. 5/5.
A psychedelic early 70s underappreciated masterpiece, the tracks seem together so well
A gloriously batty album. It jumps around ideas on seconds and every idea is fully realised before you can get bored. Imagine Floyd, except with a pop sensibility to never get too noodly or pretentious. Possibly the best album of the 70s. Best track is You Need Your Head I love the divisive reviews this is getting. Either 'this is insane. 5 stars', or 'Waah, I wanted some lumpen 70s pop rock how dare someone try something different 1 star'.
I can’t imagine listening to this album in 1973. It is so cracked and uses so many sounds I would never believe existed in music, at least popular music, until the 90’s on. Some of it runs damn near hyperpop which didn’t hit until the last ten or so years. It’s like a rock opera of nascent musical ideas that would mature over the following 50 years.
Just nuts in all the right ways. Crazy experimental, bursting with ideas, Rungdren makes it plain he could write the greatest pop song every written and then just does his own thing. Engaging throughout, I think this might be genius.
Rundgren's sense of "what music and sound were like in my internal environment, and how different that was from the music I had been making" is pure aural poetry.
Very darned good stuff. 5 stars.
Never actually listened to a Rundgren. This is weird! Really well done. The self awareness and fun combination of styles, the way everything runs together but is still very different. I feel like this is really good. It’s a wild ride in a great way! This is the kind of album I would want to make. Seems like my kind of guy just doing whatever he wants. At least a 4, but maybe a 4.5. Ok 4.5 considering this was 73!
mega fed!! Meget positivt overrasket, jeg havde dårligt nok hørt om ham før. vildt forud for sin tid, noget af det lød som mr. bungle i øjeblikke
Amazing. Listened to it twice. This is the shit I like. Gives an Abbey Road vibe with the Medley. I disavow Dogfight Giggle. Ez 5
I think this might be brilliant. There's Barretty Floyd here, Wilson Beach Boys, and much more insanity besides. I get 10cc Sheet Music vibes in places - from the following year, so there was something in the water. The short stabs of 1 minute long ideas also bring to mind later artists such as Fiery Furnaces and of Montreal. Never heard a single bit of his stuff. Recognise the name from his production work with others. Proof you can make a kind of psych prog rock album without loads of 8 minute behemoths (although I like those too). When it does really open up such as with Zen Archer it is outstanding. There's also a fair lashing of 70s schmaltz in Medley, which I haven't made my mind up about. To wholly wrongly use the word, a very schizophrenic record.
It’s fun when you listen to something for the first time and immediately realize this is the album all your favorite artists glommed onto when they were weird teens.
Very nice album.
A brilliantly inventive album, and his use of synths as an instrument (as opposed to a shortcut to the sound made by an instrument) was ahead of its time. However, you'd be pressed to say that the songs themselves are his best work.
On first listen a brilliant but exhausting single LP (emphasized because of a 55+ minute runtime).
Interesting. Haven't listened carefully tho.
Väldigt bra , i like it!
It is chaotic but a very interesting journey. Definitely an album that needs to be played straight through.
Fun and interesting! Kind of reminds me of some of the Beatles' later songs.
A name I've never heard before. Surprised to hear synths. Shit for 1973 this is quite modern with it's synth-explorations. Via Wikipedia: "The sound and structure of Wizard was heavily informed by Rundgren's hallucinogenic experiences. It was envisioned as a hallucinogenic-inspired 'flight plan' with all the tracks segueing seamlessly into each other, starting with a 'chaotic' mood and ending with a medley of his favorite soul song". Fascinating. Ok I just looked at the track list and I'm 4 songs in and thought I was still on track 1. Wow. "You Need Your Head" is crazy! I have a feeling I need to listen to this all again. Dogfight Giggle woooow lol. This is like some RCE mandatory overtime shit. This is a perfect follow-up to that Zappa album, there is much more "heart" in here for me, but I'm sure vocals help here. 3.5 to 4.
Wow, kind of stunned by this. How have I never heard of this guy? Hearing Lemon Twigs in this, and Jack White. If this came out now it would still sound edgy. Getting really yacht rock with the Medley. Second half of the album sounds more dated but I still like it overall.
Rundgren is another artist I really need to dig into for a longer time. Whenever I listen to his music, I really like it, and then I forget for another year or so. One of my favorite new-ish bands, the Lemon Twigs, cite him as a major influence. I definitely hear that influence on this record. I'll be sure to revisit this one a few more times this next couple weeks as I can tell it's one that keeps on giving new gems over multiple listens.
I really like the eclectic style of this music.
The sound is way ahead it’s time for 1972. Utterly bonkers in places but strangely enjoyable psychedelic.
Quite classic psychdelic rock from that era, I liked it.
Psychedelic rock. I enjoyed the flow from one song to the other. A couple songs I really enjoyed.
WTF this is some crazy experimental stuff from the 70s. The album is made up of quick snippets of unfinished songs and one ten minute journey of a track. Sounds like he was on a ton of psychs when he was recording, makes sense.
I have his album "Todd" from the next year, but don't remember much about it. I know he has a reputation for being uncompromisingly non-commercial in his approach to pop & rock. Sounds good on paper, but doesn't necessarily lead to good albums... Well, this one is surprisingly enjoyable. I like the aesthetic of short, almost-incomplete songs, which allows a restless switching around of styles. There's a sense of humour throughout, and some earnest emotional content. It's a fun album. 4*
Bananas. But in a good way
Apparently reviews from the time found the first half too weird for its own good, which is sad, because I feel like the album might be even better if the second half was weirder.
A really weird album that just kinda works for me. Is it pop? Rock? Psychedelic rock? It's too long, and as a result probably not something I would return to in its entirety very often. But each of my three listens was really enjoyable and I found new elements I liked each time I came back. With half stars, this would probably get a 3.5, but we don't have half stars Saved: Never Never Land, Zen Archer, When the Shit Hits the Fan / Sunset Blvd.*, Sometimes I Don't Know What to Feel
Nice discovery. This album feels like being on acids, but in a good way (which I think was Todd's goal).
A rich collection of quirky pop songs with a satisfying flow, nice drum sounds too.
Really strange but fun and I treating album
Psychedelic and weird. Very happy for the refresher on Rundgren. This will work it’s way into my normal listening.
A tour-de-force kaleidoscope of psych folk pop gems
had never heard of this album, but was pleasantly surprised by the utterly batshit songs. i also note he's released literally dozens of albums since.... I wonder if they're also as mad as this one?
4 stars a very fun listen lots of stylistic changes. Deserves more attention
I digged this. It was chaotic and all over the place yet I liked every moment? Yep.
Loved this record! Going to listen to it again soon
Experimental, unusual, slightly psychedelic, funky. In all a great experience.
Wow! I've never heard of Todd Rundgren before, which is a real shame. What a trip this album has been. It's random and experimental, and then whenever I go 'Well this is a bit too experimental for me' it goes into a more classic rock song. I dig it!
Another very hard to rate album, some of the songs were hard to listen to, others such as Le Feel Internationale were absolute highlights. This is very much on the 3/4 boundary, but the sheer interestingness of the sound has pushed me to the higher edge of that.
Cool Album, variety of different sounds and beats
Diferente e interesante
Wizard Cowboy Space Travel.
LSD does wonders.
Experimental elements mixed with conventional aspects, intriguing listening
I remembered being less warm on Rundgren, but looking back it seems I was about as warm to Something/Anything? If anything, it took me a while to warm to that album; This one, while sprawling, has my favorite bits in the first half. I love the gonzo nature of it, and while it tries a tiny bit too hard it's also plain fun.
Dope. Very prog. Groovy baby, Yeah!
This was very impressive and unexpected. I don't remember if I've already listened to something from Todd Rundgren, but this release sounds really great and that is the type of thing that made this 1001 list worth it. A lot of experiments that sound much more modern than some 2000's bands, but still very enjoyable without exaggerated virtuosic. I liked it very much!! It's not 5 stars, just because there is one only song that is kind of exaggerated, but it's almost an essential album.
I always respect anyone who uses the accordion outside of Polka
This was good overall. Some ups and downs. I was a big fan of "When the Shit Hits the Fan" and "Hungry for Love"
Some of the experimental songs are too experimental and some of the earnest songs are too earnest but on the whole an engaging listen
The Wikipedia for this album said it was the result of Todd’s experimentation with lsd and I think that really comes through in the music. The production gets insane sometimes and super overwhelming but most of it was actually really good and well put together as you would expect from an artist on lsd in the 70s
Interesting. Probably requires several listenings to appreciate
On record for one of the longest single-disc LP's at nearly an hour long, Todd Rundgren's A Wizard, a True Star is a sprawling piece of art pop that takes you on a musical journey like no other. Songs feel more like vignettes for a larger piece of work as we chug along from one scene to the next, occasionally sticking around a little longer to ground the listener. The album cover accurately captures the kind of experience that this album is. It is certainly strange and sort of loses the plot halfway through side A only pick things up again near the end of side A. Side B slows things down with ballads and a particularly smooth medley. Rundgren's experimentation with psychedelic drugs is on full display with how this record flows, it's an excellent listen throughout. It helps that Rundgren was already an established producer/engineer by this point, so he really brings his own vision to life here. Definitely worth the price of admission.
Lovely surprise. Really enjoyed it
Has some real bizarre moments but I found it to be a fun listen!
Kuin lapsi olisi päästetty valloilleen studioon -- ja nyt siis 100% hyvällä tavalla! Leikkisä, luova ja yllättävä. 4/5
Ei ihan niin hyvä kuin Something / Anything mutta tosi hyvä levy silti. Todd selvästi taitaa löristelyn ja tunteikkuuden sekoittamisen. Tekisi mieli sakottaa muutamasta turhasta biisistä, mutta menköön 4/5.
Last time I reviewed Todd Rundgren, it was for *Something/Anything*, and I complained that even with his brilliant production chops, Todd's music was not "abrasive" or "leftfield" enough to make up for his *relatively* lackluster talent as a writer of memorable tunes and as a performer. This double album displayed a lot of imagination, sure. But that imagination still gave birth to a somewhat by-the-numbers result, in spite of the vast array of genres tackled. Apart from a very few choice cuts here and there, most of those tracks indeed bordered on muzak or elevator music, unfortunately. And it was a chore to go through them honestly. Well, it now sounds as if Rundgren heard *some* of my complaints as I uttered them from the future. If there's one clear asset to *A Wizard / A True Star* (which followed *Something / Anything*), it is that, this time, its production and sonic signature can't be blamed for NOT being "leftfield" or "abrasive" enough. Those sounds are nothing short of astounding, even today--the record is designed to be a purveyor of many classic hip hop or electro beats (proof that it has aged very well), and one can thus easily picture Animal Collective or MGMT doing the exact same sort of music during the 21st century. The first side is almost entirely comprised of short crazy musical psychedelic interludes segueing one into the next, so no one can accuse Rundgren of going the safe way here when it comes to compositions at least. In other words, those 'shrooms must have been particularly potent, that's for sure... On the whole this record is therefore a far more consistent effort than the previous (double) LP, as lopsided and zany as its individual tracks sound. Of course, beyond the multilayered instrumentation and production, there's still the songwriter issue. Going for moods and sonic landscapes, Rundgren doesn't have to worry a lot about that this time, but a few more *real* songs sprinkled in the middle of that wild ride would have *also* been a welcome respite, and made the whole thing far more accessible. Side 2 still has a few of them, even if a third of those more classic cuts are actually covers of soul staples assembled in a medley that comes a little out of nowhere (but in a way, that's keeping with the generally crazy tone and intent of the album, obviously). The most impressive "song", "Zen Archer", is towards the end of side 1 anyway, and it can at least boast of a grand finale that's quite important to make sense of the collage mess that came before. "Is It My Name?" is also a nice rocker, reminiscent of The Who. If only Rundgren had added something that had the level of "Couldn't I Just Tell You" in terms of intensity to those proceedings, the whole thing would hold up far better today that it does now. But that awesome power pop track stayed buried in the middle of the long-winded nonsense of *Something/Anything* instead (rather than *shining* in the middle of THAT shorter sort of nonsense). Another missed opportunity... So it's often a glorious mess, but it's a mess nonetheless. One can easily see how Rundgren became an endearing name for many, and besides, the man was groundbreaking, there's no denying about that. So this is *probably* a record everyone should listen to at least once. But is it *aimed* at everyone? And can enough listeners really dig into all that crazy stuff and not turn mad (at it, or just plain mad)? This remains to be seen, honestly... Number of albums left to review or just listen to: 874 Number of albums from the list I find relevant enough to be mandatory listens: 68 Albums from the list I *might* include in mine later on: 31 (including this one) Albums from the list I will certainly *not* include in mine (many others are more important): 28
Todd Rundgren va ser tot un aventurer musical. El Dr. Livingstone dels estudis de gravació. Cal dir que la majoria de vegades acabava arribant a illes despoblades i no gaire atractives, però els anys 1972 i 1973 sembla que la màgia l'acompanyava i els dos discs que va facturar són obres magnes de la seva discografia, i de la década. Sempre et pots perdre en alguns dels seus excerpts, o dels seus tours de force de més de 10 minuts. Meravellós
One for the Onionheads.
What a feast for the ears. This runs the gamut from heavy psych through to Philly soul, and pulls it off - mostly. Points need to be awarded on the basis of sheer, widescreen ambition. Side one of the album almost feels avant garde in places, with the brief one-minute tracks such as 'Flamingo' coming over like cuts from the Residents' Commercial Album. Elsewhere, 'Zen Archer' has a coda that is close to beautiful. 'Is It My Name?' sounds like a long-lost Tubes track. Closer 'Just One Victory' also demonstrates that Rundgren can play it straight-ish, boasting backing vocals that trip and dance around the music. Very few individuals have quite as much vision as Rundgren does; even fewer have the moxy and the chops to execute.
Performance fantastique de Todd, qui vient nous démontrer que toutes les daubes interchangeables des années 70 n'ont aucune excuse.