1001 Albums Summary

Classic stuff. Love the bluesier tracks. As an album I found it a bit samey, but I did love the brass flourishes. Probably not a popular thing to say, but not overly keen on his voice, but it really suits the style. Makes me feel wistful for an earlier age. The guitar on Trust in Me is fabulous.

I'm usually wary of live albums, but this is rather good. It was entertaining, loved the storytelling within these songs, and Cash was engaging, with a voice I could listen to for hours. I found it uplifting, and it made me smile.

I haven't heard this from start to finish since borrowing it on cassette from Birmingham Central Library in my mid-teens, so wondered if the old me agrees with the young me... I appreciate it more today. The music is multi-layered, producing a wonderful listening experience, and I love how melancholic and soulful Bowie's voice is in places, especially the last track. It does feel of it's time in places (beat wise), but I love how the different styles/ pace of songs make it seem like a rock opera or musical. Soaring sounds to funky fun, with eclectic sounds, from piano, to church organ. Love it.

Loved this! The sound, the voice, the lyrics, the 80s indieness of it all...I was very absorbed. The first track reminded me of the Smiths...One I Love gave me tingles, and although I've heard End of the World a gazillion times, listening to it as part of the album gave it a new spin- a good one. I might skip one of the slower tracks when heard again, but will seek this album out for sure...

Bravo Mr Meatloaf & Co! What an experience ! I adore the theatrics, dramatics, and songatics. It really is a wonderful listen, though seek out the visuals if you get a chance, for a wonderfully camp and superb performance from everyone.

The title of this album is perfect, as I really did feel like I was on a moon safari. Listened with my eyes closed for optimum aural reception of the incoming beeps, hums and whirls. I'll always like Kelly and Sexy Boy, but I wasn't overly wowed enough to want to listen to the whole album again.

It's rock n roll. It's catchy. It's singable. It's danceable.

Band. On. The Run. The title track is now my new unwanted earworm. Quite a middle of the road experience all said. Not overly keen, but that's OK.

The opening track hooked me in, but after that it got a tad samey...and the mysogyny just sealed this album's gate for me. No thank you.

Bluesy stuff isn't my usual cup of tea, but I loved this...I think due to the energy of the ensemble. And JJ's voice, which is just amazing. Raw, evocative, highly listenable. Yay.

Love, love love. A seasonal favourite. Soooo Christmassy, and reminds me of childhood Christmases. The harmonies, the songs, the sound, the bells, the voices. All rolled into a fabulous snowball of festive fabulousness. (Fuck Spector though...but a Big Five for everyone else that worked on this album).

Moody attitudinal aurally interesting metal. Zig zaggy guitars, meaty drums, interesting lyrics delivered in the classic Hetfield way. Changes in tempo kept my interest, esp in Wherever I May Roam, but at an hour or so long, the whole thing started to wear me down.

I don't think I've heard this all the way through before...Just brilliant

Vibes, vibes plenty of vibes. And good ones at that. Love the voice and drums in particular, though less fond of the honky tonky track, but I do like the vocal harmonies on it.

Hhm...I wanted to like this more, but it was too shouty and abrasive. Maybe I was in the wrong mood to listen...

Decent lo-fi schmo-fi. Great first track, the rest I like rather than love.

It's a no from me...

Catchy, danceable pop punk, but with deceptively dark lyrics in places. Felt shorter than it was, no doubt due to the brevity of the majority of tracks. The recognisable singles were good to revisit, and I really enjoyed them again within the context of the rest of the album.

I initially liked this better than I thought I would. Her voice is soothing and not as jarring as I found her hit Constant Craving. I hate that song soooo much. But as I listened further to the album, her voice lacked oomph and passion, and although pitch perfect, just doesn't do it for me. Anyway, my favourite track on this album is probably the 1950s wistful cowboy song vibe one- the opening track. Not so keen on the honky tonky tracks where the steel guitar features highly, and not the bluesy or saxy jazz ones either. Perhaps it is all too polished and clean for me. I'm now feeling very nitpicky... not sure if I would seek it out again for another listen...I just wanted it to end...

I will always love Sheela-na-gig. But the album as a whole just did not grab me in the same way. Sorry PJ.

Dreamy...