Great album despite a couple of filler tracks. Expended version adds more filler but two ifthe greatest ever rock songs
Setting aside the backstory (covered well in the documentary I Am Trying to Break Your Heart), this is still an album that takes a huge leap forward for a band that had been around for five years and longer taking into account the Uncle Tupelo years.
The album captures the angst and tension running through Jeff Tweedy and reflected in the culture of the early 2000s. No weak tracks, but highlights include Kamera, I'm the Man Who Loves You, Jesus etc, and Pot Kettle Black. Anyone who enjoys this should consider the recently released Super Deluxe edition, which is potentially overwhelming, but includes real insights into the creation of the album and a raft of other tracks recorded at the same time that demonstrate just what a productive period it was for the band.
Easy to see how this influenced many bands to come. But a lot of the influence seems to have been attitude and musical style rather than the actual quality of the songs. Many of them are good and a couple great, but other parts are simply pleasant but not memorable
Three Nick Drake albums feels like one too many. Personally this album would be the one I'd drop, but I can also see the argument for keeping it as it's different in style to his earlier albums.
On this, predominantly acoustic, album his songwriting and playing skills are still high, although some of the songs feel more like demos. I found that without the orchestration that's a sameness to the album that risks a bit of boredom despite the short run time. This is exacerbated by his vocal style which never varies much in tone or force.
None of this is to say it's a bad album, indeed it's very very good, but not as enjoyable as his earlier work
I was the exact age when this came out to be snobby towards new stuff, so knew of but missed Muse. Listening to this I can see the attraction. The best songs are good; derivative but no more than most music. But something just doesn't work for me. I like parts if it, but don't love it. His vocal range is higher than most singers I enjoy, and the melodies just don't seem quite catchy enough for what they're aiming for (with a couple of notable exceptions that just highlight how some of the songs just don't seem to quite work). The songwriting only seems to work when the music is so insanely catchy you ignore what he's singing. For the rest it varies between a bit blah and embarrassing.
I could imagine really enjoying a single disc best of, but this just doesn't quite work for me
Another one that I owned, had listened to, and had opinions on - which were that this is a really solid album but not one that grabbed me. But going back and listening to it again, a lot of the songs are better than I remembered. Still not an album I'd go back to regularly, but a solid and interesting listen
This had a real moment when it came out. Personally I've never enjoyed jazz, which this has lots of elements of, and while it's pleasant, it doesn't really grab me. It works well as background music, but I doubt I'll feel the need to listen to this again and I'm not really convinced that this is a must listen, or even one of the best albums ever to come out of central america
A new listen for me. I've listened to People Rain and find the highs low but infrequent. This us a much better album. There's no Purple Rain level song but lots of extremely good material and no clangers.
I suspect it's an album that would reward repeated listens
As a teen boy in the 90's I was obliged to hate this album and anger 3 at people that liked it. Which just does that teenage boys are idiots. So many great songs and a genuinely good singer. Her backstory is interesting and with checking out, although depressing how little has changed in the industry
Was interested to go back and see if this still stands up. It feels like the route is album that could easily have aged prey badly. To be honest I can't imagine anyone releasing this now and having as much success. But the songs still work, good voice is still great and it's still a tragedy we didn't get to find out where he'd go with this
Had a long run of albums and bands that I was already familiar with, so great to get something totally new. Interesting to hear something from a part of the world I don't know much about.
The music is really enjoyable. Rebento sounds a bit like Carole King. Despite being released in 1978 the production sounds very 80's, so both ahead of its time, and now a bit dated. I'd listen again given the chance but wouldn't be likely to hunt this down
My memory of this when I got it was that I found it a bit disappointing. Clearly that was crazy. Even knowing what was to come, it's hard to look back and say this is anything other than a masterpiece. I can understand people struggling to listen to it knowing where he is now, but musically this is still great
Not bad. Not hard to hear how this influenced lots of people that came after, but to be honest I prefer them to this or people like Dave Van Ronk
I've tried to get into Elvis Costello a few times. But every time I listen to him I think, this is a good song that would be immeasurably better if performed by someone else.
Staggeringly good 45 minute album, somewhat undermined by it being 70 minutes long
The general consensus from other reviews seems to be that this is great but no one had heard it before. I'd agree with that, my only slight downside is a few of the songs drag a bit, but that's also just my preference for his faster, more classic soul stuff
I've tried listening to sonic youth a few times and their good albums are all like this - three great tunes followed by something like in the kingdom #19, which sounds like something most bands would reject for a b-side. All momentum and energy lost we start the process again.
This is my reason for doing this. I'd got a prejudice against Yes but hadn't really listened to their stuff. This is really good, maybe not something I'm going to get obsessed by, but can definitely see myself hunting down a best of
I love Pj but this album never really worked for me as well. It's got some good songs but seems like a very different artist to a lot of the later stuff
Interesting listen. Production is pretty dated, although that didn't worry me too much. I liked it, but it felt like it needed 1-2 more great songs to elevate it beyond just very good
Absolutely deserves to be on this list, but I just don't like Joni Mitchell that much. Her best songs are great, but the rest of it gets boring quickly. And while this has been very influential, most of the people influenced by this are pretty boring too
Interesting listen. Liked it quite a lot although no real standouts
Not really a fan of concept albums, rock opera etc. They inevitably have songs that aren't that good but are needed to advance the story. Big Lou Reed fan, but this wouldn't be my choice for his second album in the list
Not bad. I can see how it was influential, but to be honest the sound was developed and refined into something more interesting than this
Ugh, a few days ago I got Berlin and wrote that I think rock operas seldom work. And here's another classic example - a good album buried in a bunch of mediocre songs needed to advance the story. And a story that's just not sufficiently interesting to stand alone.
Great album. Knew Dolly and some of the hits but never listened to an album. Will definitely look for some more
Amazing album. While the production sounds very 80s,lots of recent albums now sound similar so in many ways it sounds modern. Really easy to hear how this has had a big influence on kids of indie artists. Will definitely seek this one out, although perhaps a best of given the second half can't hold a candle to the first
Fairytale of New York is a gem, but otherwise this is a real slog. Too many songs that sound the same, too many odd diversions, and far too long
Interesting one. I own a few Sigur Ros records and enjoy them. But they all sound very similar and I don't think they're a particularly influential band. So a good listen, but no better than most of the albums that came after it, and easy to argue this doesn't belong in the list
Never been a fan of this but listening again it actually sounds a bit dull. Maybe is been influential, but if so it's been done better and there's really no need for this
Pretty good but not one I feel the need to listen to again. Fun but nothing really grabbed me from it
I heard about REM in the 90's and mainly focused on that era for a long time. I still prefer that stuff. There's some great songs here, and some interesting stuff, but if I'm going to put in an REM album it's unlikely to be this one
Something to do to kill time us look at the list and try to find the most egregious mistakes. One option will always be having THREE Dexys albums. I could be convinced that one is acceptable, but I'm also open to the idea that zero is the right number. Apparently this is a band as important and influential as U2 or Van Morrison.
The worst bit is this is actually a pretty good album. No standouts, but no duds either. Not a bad listen, but one of the most important or influential albums ever made. No sane person could argue yes
Oasis were pretty big for a while in the 90s. So I get why this album is on the list. Not convinced it's particularly influential, particularly beyond the UK. And while there are some really good songs here, there also stuff that sounds pretty dated. A good album, but in another 10 or 20 years I suspect they'll wind up being a band most people haven't heard of and who hasn't really left lasting mark on the bands that came after them
It's fine. Doesn't sound much different from many other guitar bands of the era. Personally I find they all start to sound the same
Nice album, but something just doesn't work for me. I think it might be her vocal style and that the songwriting doesn't seem consistently strong, even though that's pretty essential for this type of music.
Wow. Had heard of this but never listened to it. Easy to hear the influence this had, not just on hip hop, but also trip hop bands like Portishead. Really enjoyed it and will definitely hunt a copy down
This album succeeded in convincing me I hate not only this band, but the entire prog genre. The Old Castle is the only redeeming feature, but also makes you wonder what would have happened if Emerson was content to tone down all the keyboard noodling. The fact one day I will have to listen to Tarkus will haunt me
Not really one for me. I don't hate it, but nothing here really interests me. I guess I learnt I don't really like salsa music
I don't normally find dated production too distracting but this sounds like an 80s pastiche. Badly mixed, budget sounding instruments, and singing that sounds like even he finds it boring. At least most of the other bad albums on this list are people trying to do something interesting, this even fails on that front
Loved this, although it started to run out of steam by the end. No real hits but the first two thirds are incredibly solid. Not convinced this is the third album that belongs on the list, but very happy to have listened to it
Interesting but not one for me even though I generally like funk and soul
I find S&G a bit hit and miss, and while there are still a couple of tracks that aren't very memorable, most of these are top tier career classics. The fact that any decent best of all more than half of this says something. The instrumentation is also worth mentioning. They're really trying some things here
Big Neil Young fan but his bar band phase isn't my favourite. Some good songs here but I prefer Sleeps with Angels from this era.
Having said that, I get that part of the point of the list is to identify albums that were influential and this certainly ticks that box. Many of the biggest rock bands of the 90's owe a deep debt of gratitude to this album, and that probably justifies its inclusion
It's all a bit desperate and the album now sounds dated and like something that's more of a footnote than something that had any lasting impact.
Even on its own terms it's not great. The constant aping Michael Jackson just highlights that he's not on the same level. As it goes on the album drags more and more. The songwriting isn't up to much (your out of this world, but you're not green is one of the worst lines I've heard).
This seems like exactly the type of thing I'd enjoy, but did some reason I didn't really like it. Nothing bad, but nothing that really made me want to listen again
These Days is a stupendous song and they're are a handful of other gems here. Having said that there's some middling stuff too and some interesting experimental stuff that's not really for me
A good listen. Elements of this sound very modern. Other parts have hints of classic era Fleetwood Mac. His voice seems much stronger than hers. Particularly liked his guitar work, which managed to incorporate Celtic elements without going overboard. It started to drag a bit by the end but still a decent listen
I've had a few goes at getting into jazz, but they've all failed, I just don't enjoy it. So I was happy to find that this is... pleasant. Not something I'd describe as good, or necessary, but nice background music. Even the audience seems to treat it that way - there's a lot of background chatter as people largely treat this as above average aural wallpaper
Never really got into the who, but this is a good record. The soul covers don't really stand up in a world where it's easy to get the originals which are all generally better. But when this came out and they were difficult to track down, they're easier to justify.
Not my favourite Lennon album. It's really only here because of Imagine, which is a fine song but not a great one. Other than that there's some really good songs and a few mediocre ones
A band I've heard of but never listened to. Easy to hear that this had a huge influence on lots of bands. To be honest I'm surprised it's not mentioned more given how good it is
Such a good album, but the second half can't stand up to the first. After an explosive start it starts to drag. Would be one of the all time greats if it was a single rather than a double
Surprised to see all the low ratings for this. It's a pretty fun record. Asabache probably drags on a bit, but the playing is consistently top notch, and while I've got no idea what they're singing it works
Wow. First album on the list I've instantly wanted to play again. Feels like something a long, long way ahead of its time. The beats are hypnotic and the vocals are frenetic. Incredibly dark, but a beautiful record. A real gem
The first four songs are huge, but I've still never really loved Big Star the way lots of people do. I think the two things that stop me are not really enjoying Chris Bell's vocals, and that the songs need a little more diversity in sound and style. Having said that, it's a good record with a handful of great songs
I can imagine that when this hit the west in the 60s it would have been a revelation. Indian music is now more common and accessible so it's lost some of that, but this is still a decent record.
As you might expect, it's very pastoral and atmospheric. For me that means this probably isn't something I'd regularly listen to, but it's an interesting entry on the list
Interesting to go back and listen to this. Still lots of great stuff (and the deluxe version is worth it), but it definitely has a few more experimental tracks that are interesting but not essential. All their albums have worthwhile moments and it's hard to choose between this and CRCR, so good to see they're both represented
Really not for me. Just too lite, it feels like there's nothing much there. There are occasional hints of something more before it fades back to the lightest of light rock. And the longer it goes the more annoyed I am that I have to listen to this
Damn, what a great album. Combines a few things I'm not really a fan of into something I really enjoyed. Starts to drag a bit by the end. Felt like it really needed a couple more upbeat tunes to avoid the sun of midtempo stuff rusts fine but samey. Still, a pleasant surprise and can see why it's on the list
An absolutely perfect album. No weak tracks, and some of the greatest songs ever written. Helped to lay the foundations for a lot of music to come
Incredibly inventive. It's hard to believe this is her debut album rather than something someone works up to over a career. Not every element works and at times the styles shift so much it feels a bit bewildering. But really, in a world we all complain about things being formulaic it's great to hear someone going for it
Ryan Adams was always a problematic character. His career has had ups and downs but from where he is now is hard to imagine a musical or reputational recovery.
But at this point he was just embarking on his post-Whiskeytown career with an album that broke through beyond his original alt-country fan base. It certainly helped having Gillian Welch and David Rawlings participate, but the music here is top tier. He's always been prolific and not always great at filtering, and this album would have been better at 12 tracks rather than 15. But there's still a wealth of good songs here
Don't normally listen to a lot of glam, but hard to deny that everything really comes together here. Great song writing and performances, consistent without dragging. Even some of the lesser tracks stand up, and the whole thing may not sound modern but it's not particularly dated either
Like most people, I was introduced to Cee-Lo Green by Crazy. That song seems to tower over the rest of his career, it's all fine but he never really got anywhere near there again. Here he's producing a better than average album. Doesn't feel particularly innovative or interesting, but not bad. Hard to see how this deserves its spot on the list; there are lots of better albums in all the genres this crosses
For me Bowie is an artist where I really only need the greatest hits. The big songs are amazing, but the rest of it is just fine. This album doesn't really change my opinion. Lazarus and Dollar Days are good but generally while this is a good album it isn't one where I feel the need to hear it again
Sounds like a cross between black sabbath and iron maiden, two kinds I quite like. This feels like a real fork in the road influencing both the best and worst of hard rock bands to come. Overall I like it
I thought if the Kinks as one of those bands where I liked the singles but not the rest. But this is really good despite not having anything as catchy as their hits. The style is pretty variable, often touching on things I usually find pretentious (baroque rock), but here they manage to make it work. Impressive effort
On paper this sounds like exactly the kind of thing I'd like, but it didn't really hit for me. The hooks are good enough, but the lyrics are only OK and the jokey parts haven't stood the test of time (to be fair any skits on rap or hip hop albums are always pretty bad). Overall I was surprised to find this pretty boring
Hard to really assess this is as someone vaguely familiar with the band but pretty familiar with punk. A significant portion of punk is basically people badly copying this. This is still a peak album, but hard to seperate from the fact that many bands followed with music that was just a pale imitation
Really good. Very atmospheric and not hugely melodic so I can understand why this wasn't instantly successful. But it's not a hard listen and it's ready to hear how this was influential
I'm sure this was influential and broke ground when it came out. But now it's just far far too long. I admire the boldness of releasing a 2 hour plus double disc debut, but as this dragged on and on I would've welcomed a little less ambition
Generally find that concept albums either prioritise the concept over the music (making them bad) or the music over the concept (making the concept irrelevant). This does a good job of balancing both. Not every song works, but it doesn't feel like there are not great sings exclusively they're to advance the narrative. The instrumental interludes do start to feel a bit redundant, but it's still an interesting and enjoyable listen. Bit torn between a four and a five, but giving the extra point for ambition
I don't really like Elvis Costello. He's fine, but that's it. But this list makes me listen to his albums. And every listen confirms that he's fine and I don't like him
Surprised I didn't enjoy this more. Got some good songs, but has some fairly by numbers blues songs.might be an argument they're better as a greatest hits band
Solid album but not one I'd expect to see on the list. It's got a few really good songs but I'd only rank it as his third best (at most)
I liked this, but it's nowhere as catchy as their earlier stuff. It feels like it might reward repeated listens, but from a first listen it's good but hard to see how it could justify a place in the list
I've listened to one their best ofs but didn't love it, but this is great. Manages to sound dated in places and very modern in others
When I look at the user album list I sometimes wonder what these people are thinking. Some modestly successful band who they believe is somehow essential. Them I look at the actual list and realise it's just as bad.
One Deep Purple album? Sure, don't love them but one makes sense. Two? Seems a real stretch but maybe. Three? There's just no way they deserve so many.
This would be my one to keep probably. From the ones I've heard it's actuality pretty good. Still over indulgent. Still pretty dated. But a few decent songs and a couple better than that
I don't even own all the LZ on the list, but if the ounces I do own those is my least favourite. Which is just to say that as well as the staggering majesty of the best songs there are some relatively mediocre stuff mixed in. The first two sings are some the best rock songs ever written, the last two are just average. Still a great album and undoubtedly influential but slightly less than their best
Pretty generic 'white guy discovers the blues, gets extremely technically proficient but never learns why the blues is great' album. Spends approximately four hours noodling mindlessly. I get they're capable and that some people like jam bands (and I actually like long rock songs), but this is so painfully boring
The first side of this is bizarre. The Synchronicity sings are pretty good, and Mother is much weirder than I imagined the Police ever got. Miss Gredenko is a bit Police by numbers, and the other two tracks are pretty awful light rock.
Side two is all the hits. Obviously EBYT sucks a lot of the air out of the room, but the others are pretty good too.
Overall, it makes it hard to rate, but it's hard to go past the fact that a bunch of these songs just aren't that good and this is definitely not an album I'd ever seek out for another listen
Pleasant surprise to find this on the list. Slow start but once it gets going it's a good solid album. Feels like it needs one or two bigger songs to nail its place (if it was me I'd go for microcastle because it feels like it's more consistent)
I feel like every review I do if every Bowie album will be the same - the hits are great, the rest is fine
Wasn't looking forward to this but it's better than I thought. She can obviously sing, but the songs aren't bad. Far too long though and her attempt to be a Serious Artist wears thin. Overall pleasantly surprised
Haven't listened to this for ages and I'd forgotten how good it is. Feels very much like it's own world, and you really need to be on its wavelength
I've listened to a few jazz albums on my way to the view that jazz isn't for me. But this is the closest I've come at far to a jazz album I like. But being a fan I can tell there are depths to this I just don't get, but the ebb and flow, rise and fall of it are pretty magical. I particularly like the drum sound and the way they manage to all sound like they're playing independently of each other without losing the musicality of the song
One of my all time favourites. Great to have this come up and have a reason to listen again
Pretty good. More influential than great, but lays a template for lots of the more socially conscious punk to come. Manages to do it all without losing sight of the fact that the song still needs to hold the weight
Maybe I just wasn't in the mood, but I found this a bit boring. Clearly it's got some great bits and good playing, but it didn't make me want to get this over a beat of
MSP are fine and this is a decent album, but I can't say I love it or feel I needed to listen to it. Having two of their albums says they're as big it as influential as bands like Pearl Jan, which makes no sense. This is the album to drop
Seems more important in terms of influence than quality. Nothing wrong with it and some quite good songs, but doesn't really compare to some of his much better later albums
Not the biggest LZ fan, but this is pretty undeniable. Sets a foundation for rock music and still manages to stand up
I enjoyed this enough, but don't feel like the need to listen to it again. The vocals are mixed extremely low, which I found a bit annoying. But musically it's entertaining enough, and easy to hear that this was pretty influential
Pretty good. Elements of it sound a bit dated and they've got a few albums with good tracks, which might argue for a best of. But this was enjoyable
First one I've genuinely never heard of. Sounds like fairly straightforward quirky pop, although quite early and therefore maybe influential. I can hear parts that sound like Grant Lee Phillips, You Am I, and Neil Finn. It's quite enjoyable, but not revelatory and doesn't seem like the best example of its type
Never listened to him before but this is great. Quite varied and at times a bit strange but a really great listen
Wow! This got some attention when it came out and people like Eddie Vedder and Jeff Buckley were fans, so I knew the name but had never listened. This manages to be instantly engaging despite being a style of music I haven't listened to before. Will definitely seek him out
Strange to read some bizarre criticisms of this. She covers songs written by others but that was the norm when this came out, particularly for a female singer in her style. And while she includes a number of songs written or made famous by black artists, there are a large number by white artists, so the claim this is an album of stolen songs, again, makes no real sense.
It's certainly true that it's an album that sounds like it's of it's time, but it's an outstanding example of its kind.
Interesting but not really one for me. I'm willing to believe it's influential or historically important, but not the type of country I enjoy
Time hasn't really been kind to Donovan. He really was cutting edge for a while, but had the bad luck to be peers with Dylan and the Beatles. My first introduction to him was watching a video of Dylan playing a song to him and Donovan visibly realising they just aren't in the same league.
But judging this on its own merits, it's a solid effort. Some elements are dated, and perhaps overused, but underlying this are some songs that are genuinely really good. Bit of a margin call but I think that this deserves a 5 if you judge it without the baggage
I had an idea that Cocteau Twins were fairly generic 80's pop. Being forced to listen to this was a real gift because they're so much better than that. I'm a bit torn about the vocals. Clearly the glossolalia is part of who they are, but I'd still prefer the vocals to be much higher in the mix, partly because her vocals are so good they are pushed down to just another melodic layer.
Still, this is a great and enjoyable album
I know Stevie Wonder is big, and widely considered as very innovative and interesting. I like his hits, but previous listens and the albums I've listened to for this confirm that he's just not for me. It's fine, but I find it pretty boring. I don't hate it, but would never choose to listen to it
