Vento De Maio

When I was a kid I loved going through other people’s record collections and playing new albums. I remember discovering Roger Whitaker, Marty Robbins and Dr. Hook at my aunt’s house. My parents collection lead me to Fleetwood Mac, Willie Nelson, Sam Cooke, Mohamed El-Bakker & His Oriental Ensemble, Waylon Jennings, Barbra Streisand, Santana and Bette Midler. My sister’s collection turned me on to the Bee Gees, Peter Frampton, .38 Special, Elton John and Bad Company. Today I realized that I am loving this web site so much because each day feels like pulling a new record out of someone’s unexplored record collection. A new album cover appears and I instantly begin to speculate on what exciting new listening experience is next… Like the wildly random listening experiences of my youth, after listening to the Yeah Yeah Yeahs and Aerosmith out pops some smooth, jazzy Brazilian music from the 70s. And jazzed I am! Halfway through this album my stress had melted away and the morning was looking great! Elis Regina’s vocal delivery is always spot-on. The arrangements are never boring. The supporting vocals fantastic. I love this album so much. This is another perfect listening experience is a week of perfect listening experiences. I would have replayed VENTO DE MAIO over and over as a kid, and have already started doing so as an adult. From the interesting key of the opening song “Vento de Maio” through the glorious choir in “O Trem Azul” to the groovy guitar and scatting in the closing song “Aprendendo a Jogar” I enjoyed every note. A truly wonderful album!

What a mysterious album. Not on Spotify, not on Wikipedia, not by an artist I've ever heard of. Turns out it's a posthumous compilation, and she's a Brazilian legend. And let it be known, I'm floored. It's like proggy funky samba Amy Winehouse, but also there's disco and rock infusions too. I can't get over how good it is, especially on the back half. Only rating it 4 stars because I don't believe in the 5 Star Compilation, but this is up there, and definitely makes me want to check out her full albums.

For those having troubles I used this Youtube Playlist. Not 100% sure it's correct but seems to line up with what I can find online https://www.youtube.com/playlist?list=PLrQRSk_JRU4W7Q_eIs1MCp4Mpvk3EYjX8

This kind of reminds me of Japanese city pop.

BRAZIL MENTIONED!! Elis is arguably the greatest female singer in my country of all time! Hearing her voice is a blessing! This album has great songs and can be considered an excellent introduction to Elis's discography. I was very happy to have received this album today. Elis Regina is a pride of Brazil!

These songs are so bold and fearless, so exciting! I love this!

I AM SO GLAD THAT I DIDN'T SLEEP ON THIS FOR IT NOT LOOKING LIKE IT WAS ON SPOTIFY THIS GOES SO HARD

A random compilation from 1998, so not sure how it's listed as a 1979 studio album. Despite this, the upbeat tunes are infectious and joyful, and Elis Regina's voice is great. I originally misread the title as My Wind, which would have been a bold choice. Rating: 3.5/5 Playlist track: Sai Dessa Date listened: 17/02/24

ok i don't know what happened but something clicked in my brain and this is the best album i've heard in a hot minute. i've listened to this thing five times now in two days. the vibes are impeccable, elis regina's voice sounds great, i have no idea what she's singing about, and the band sounds awesome. the tracks are all interesting and varied, and the entire album works so well overall with that strong start and equally strong finish that it's so easy to just throw the whole thing on again. i'm sad to discover that elis regina died young, but i hope she knew what a gift she gave to the people of brazil and the world. also, is it cheating to give five stars to a compilation album? i'm not sure but there's no backing down now! boom! five stars! favorites: on spotify tracks 1, 3, 6, 7, 11, and 13

The world works in mysterious ways. I just started reading a Brazilian book about a man who has died and has full prospective on his life and begins to speak on life and the delusion of dying and wanting more time. How fitting for this compilation jazz album from a jazz artist who died far too soon. To extend the book story I started reading it and will now have this record in the background as it fits perfect, and I loved every second of this compilation with the beats and the vocals. Music is truly transcending all barriers. I love it. I am getting a bit emotional during this review not but I must give this a 5

I have slowly been working my way through popular MPB artists the last couple of years and haven't gotten to Elis Regina yet. I had a hard time finding any information about this album. It says that it's from 1972 in the generator, but the album from 1972 in her discography is another one. Apparently it says 1978 in the book, while some blog says that the album was released in 1983. The album known as Vento de Maio seems to be a posthumous compilation release. I dis find this album to be a great introduction into the artist that is Elis Regina. As a listening experience it wasn't especially cohesive mixing songs from different projects. About Elis Regina herself: She's fiery, direct and a performer to the fingertips. Being annoyed that the editors ignorantly didn't include a real studio album by Elis Regina I went and listened to some of her albums. Among them her self titled album (the one from 1972) and Elis & Tom, an album she recorded with Antônio Carlos Jobim. Both amazing albums and worthy of an entry in the book. I want to give this entry a one star because of the editors of the book. But I can't give Elis Regina a one star review. I have fallen in love with her.

94/1089 - Kinda fun to piece together this album (seems to be a mistake/oversight on the bookmaker's part). Jazz fusion is one of my favorite genres for some reason so I really enjoyed listening to this. So much variety in sounds and harmonies while still retaining catchy melodies and a great voice. I'm gonna listen again in the normal order (from the 1972/3? album).

Makes me want to put on a bright red summer dress, book a flight to Brazil and blast this album while sitting by the beach with a cocktail in hand, dancing my cares away to its refreshing tunes and Elis Regina's smooth voice. In the wise words of Trinity the Tuck, I don't know what the fuck she's saying but girl, I am living!

Not in English. 1/5 Seriously, though, this was an enjoyable album. There are nice melodies, and every song is at least good.

Wow. What an amazing voice. It felt like I was listening to a soap opera, but a good one. So much drama and emotion. I don't speak Portuguese so it might have been a drama about trapped wind or tumble dryers for all I know, but I don't think it was. When it came up this morning I thought "oh no this will be bossa boring", but I actually loved it.

Venting notes: This is super awesome and atmospheric. Insane lyrics paired with wonderful bossa nova instrumentals. Loving the jazz, loving the funkiness. I’m being actively blown away by this album. Especially the track O Medo De Amar. Just did some reading on her and she was an incredible woman too. Only amplifies the power of this album and her heart stopping vocals.

Deeply enjoyable. Wish I didn't have to listen to on YouTube (thanks to the reviewer who provided the link!).

This was a joy start to finish. Perfect blend of serious musicianship to lighthearted easy listening. It works as both background music and intent listening on par with Bill Evans. Album Cover: (A-)

what a wonderful surprise! breezy, jazzy, joyful - idk what was going on, but i really enjoyed it. the album dragged a little for me/felt a wee bit long, but finding out it was a compilation makes that make sense. i wish more of the random album generations were like this one - couldn't be further from generic brit rock/pop, and something i never would've sought on my own. delightful!

I loved this. Would love to know more about this album. Kinda feels like a great st hits. She’s great.Really liked the parts that reminded me of 70s fusion!

Being a fan, I must give it a 5, but it's a pretty strange choice for a list like that to choose this album instead of almost any other from Elis' late years. This album misses some of her more outstanding qualities.

She certainly has great pipes. Enjoyed the music and variety despite not understanding the language.

Better than Coldplay

das wo de luca seit

A pleasure to hear, inspiring the saudadesque hope that in a future life one's soul is reborn in Brazil, where can be a samba-listener and lover, futebol-watcher and full-time caipirinha drinker.

First (and hopefully last) album that wasn't available on Apple Music. I really liked this though! Sounded much more modern and swinging than what I would have expected from a world music album. Very engaging beats, good singing. Not too much that stuck with me, but still some great songs to pull from here. I'll never say no to some Latin Jazz! Favorite songs: Vento de Maio, Nova Estacao, O Trem Azul. Album art: I like this picture, especially the color grading. Too bad I won't see it on my phone for the tracks I saved. 4/5

This is a really strange album to pick right? I am not even sure it exists. I tried searching for it on Spotify and nothing came up, so I clicked the link on this site and the album cover looks a little different but whatever. Then when I hit play the album cover on the little box at the bottom is completely different. Then I notice Spotify says this album came out in 1998, which would have been 16 years after her death, rather than 5 years before like this site says. So I go check the Wikipedia article attached, but it is just for her page and there is no reference at all to this album. So I go check Rate Your Music and it is just not on there. I expanded every category on her page and did a ctrl+f and there was nothing. HOWEVER, if I search for the album specifically something comes up but this one has a completely different track list and another slightly different album cover. AND IT SAYS IT CAME OUT IN 1985!?!?!?! DOES THIS ALBUM EXIST?!?!?! WHY IS THERE A POSTUMOUS COMPILATION ALBUM THAT HAS NO REFFERENCES ANYWHERE!?!?! WHAT IS GOING ON???!?!? Anyways I'm not much of a samba guy but this is fine. Mid 3.

No. 100/1001 Vento de Mario 3/5 Sai Dessa 3/5 Tío Ao Alvero 3/5 So Deus 4/5 O Que Foi 2/5 Nova Estacao 4/5 Saudade Eterna 3/5 Outro Caís 3/5 Rebento 2/5 O Trem Azul 3/5 O Medo 3/5 Se Eu Quiser 3/5 Aprendendo A Jugar 3/5 Average: 3,0 Liked the voice, but nothing really outstanding otherwise.

The version of this on Apple Music has a different track order, but appears to be the same comp or at least close enough for me to consider this listen completed. If you like vocal jazz, I suspect you might enjoy this. If you don’t like vocal jazz, well…this is pretty funky, so it should at least be enjoyable and different from most American vocal jazz, the arrangements here are pretty detailed (if a bit dated) and kind of psychedelic at times. Besides, your horizons could always be broader, right?

totally unsure if this album is good or bad in its genre, but regardless of the language barrier, wasn't feeling it

I was completely unaware of this artist. This particular album seems to not exist on YouTube Music, but doing a little digging, apparently it's the same as a previous album, just released with a different track sequence, and the "Vento de Maio" has an extra track. This was really interesting. I'm glad I tried a little harder to find an equivalent to this album. The smooth jams are super smooth, and the funky tracks are bangin'. I'm adding this to my list of albums I want to listen to again. And I may have to check out more by Elis Regina.

This reminds me of so many different genres and artists, I love it. I'm getting disco, Japanese city pop, folky rock, funky basslines, it's phenomenal. Her voice is gorgeous too. Never would have listened to this if it wasn't on this list

What a goddamn cool record that I doubt I ever would have come across but for this project. Yes, I will play this again, yes I will introduce new people to it. It’s a joy.

One of the best albums that I've heard so far. I can hear how this has influenced other Brazilian Artists.

Not on Apple Music absolute pain to find the best place to listen BUT it’s perfect so it was worth every moment.

Hell yeah

não tem língua mais linda que o nosso português brasileiro!!! Elis, que voz, que mulher!!! partiu tão cedo, mas nos agraciou com sua voz e sua interpretação e deixou seu legado para todo sempre. o disco é uma coletânea perfeita para quem quer a conhecer mais a fundo. "Trem azul" eu te amo. sou brasil biased vou dar 5 sim, s*t gringos mente fechada!!!!!

I LOVE THIS album!!! A bit over my head, but after listening to it twice it really fits my vibe of 80s era city pop! But Brazilian! great production. Great voice and seems like she died young which is super sad! will definitely revisit and will definitely check out the rest of her catalog!

What a gem

Amazing playing, great writing and yet another jazz star who left us too soon.

THAT was really good

I love this kind of music!

what a voice, fantastic

This album was great. Some jazzy vibes with latin flair. Some tracks are like new age lounge singing with latin flair.

full stars for just the one track I have already known from this album.

"Vento de Maio" is a striking album by Elis Regina, released posthumously in 1984. This album is more than a mere collection of songs; it’s a deep, introspective journey that showcases Regina's artistry and the breadth of Brazilian popular music (MPB). In this review, we'll analyze the album through its lyrics, musical composition, production quality, themes, and influence while offering a balanced look at its pros and cons. ### Overview of the Album "Vento de Maio" translates to "May Wind," capturing the imagery of renewal, change, and resilience, themes often found in Brazilian music from the 1980s. The album carries Elis Regina’s characteristic vocal richness, a distinct style that had already made her a celebrated figure in Brazilian music. The album features an assortment of compositions by legendary Brazilian songwriters, including Milton Nascimento and Belchior, symbolizing a blend of poetic lyricism and rich musical arrangements. ### Lyrics The lyrics in "Vento de Maio" are deeply emotive and poetically potent, reflecting a mix of hope, introspection, and longing. One of the standout tracks, “Vento de Maio,” written by Ronaldo Bastos and Lô Borges, captures the ethereal quality of Regina’s voice as she contemplates themes of fleeting moments and renewal. This piece exemplifies the album’s lyricism, which is built around Brazilian poeticism, rich in metaphor and symbolism. Songs like "O Bêbado e a Equilibrista," penned by João Bosco and Aldir Blanc, delve into socio-political themes, reflecting the struggles of those who navigated the tumultuous political climate in Brazil. Regina’s delivery adds a sense of urgency and sincerity to the lyrics, bridging her audience with the weight of these social narratives. "O Bebado e a Equilibrista" was regarded as a symbol of resistance against dictatorship, and Regina’s rendition is powerful enough to inspire and console listeners even today. Overall, the lyrical content is layered, offering new interpretations on repeated listens. Each song tells a unique story, and Elis’s skillful phrasing brings out the emotion and nuance, creating a connection that resonates deeply with the listener. #### Pros - **Depth of Meaning**: The lyrics are beautifully crafted, and Regina’s interpretations add depth, especially with themes that continue to feel relevant and relatable. - **Poetic Influence**: The imagery and metaphors employed connect deeply with the audience, allowing personal reflection through universal experiences. #### Cons - **Language Barrier**: Non-Portuguese speakers may miss out on the lyrical depth, as translations may not capture the same essence or emotion. ### Musical Composition Musically, "Vento de Maio" stands out due to its sophisticated arrangements that seamlessly blend jazz, bossa nova, samba, and MPB influences. The instrumentation is delicate yet precise, featuring lush strings, soft percussion, and nuanced piano work. The album’s musicality speaks to the genius of Elis Regina, who possessed an uncanny ability to interpret complex compositions and make them accessible. The title track, "Vento de Maio," is a prime example of Regina’s ability to capture the melancholic beauty of the melody, weaving her voice as if it were another instrument. Each song is a unique musical experience, from the upbeat samba grooves to the more subdued, reflective ballads. Tracks like "Redescobrir," written by Gonzaguinha, show her range as a vocalist while reinforcing the musical diversity that makes Brazilian MPB so distinctive. #### Pros - **Varied Musical Styles**: The fusion of jazz, samba, and bossa nova showcases the best of Brazilian music, bringing in diverse audiences. - **Sophisticated Arrangements**: The album features intricate arrangements that suit Elis's vocal style perfectly, creating a rich listening experience. #### Cons - **Complexity for Casual Listeners**: The layered compositions may be overwhelming for those not accustomed to Brazilian music or jazz-influenced styles. ### Production Quality The production on "Vento de Maio" stands as a testament to the skill of the engineers and producers behind it, managing to capture the essence of Elis Regina’s vocal prowess. The album was produced with a keen attention to detail, with each track’s instrumentation carefully balanced to allow Elis’s voice to shine. Her vocal tracks are prominent, but they blend naturally with the orchestration, achieving an impressive clarity and emotional intensity. Recorded in the early 80s, the production does show slight limitations of the era’s technology, with some tracks bearing the characteristic "warmth" of analog production. However, this warmth adds a nostalgic charm that aligns well with the themes of the album. There are moments where the mixing might feel a bit dense, but this is forgivable given the era. #### Pros - **High Production Quality**: The engineering captures Regina’s voice and the instrumental intricacies well, giving a clear and warm listening experience. - **Analog Warmth**: The production’s slightly vintage sound enhances the emotional appeal of the album, fitting its nostalgic themes. #### Cons - **Era-Dependent Sound**: For those used to modern production, the analog sound might feel dated, even though it adds a certain charm. ### Themes "Vento de Maio" dives into universal themes like change, resilience, and identity. The political undertones are subtle but ever-present, especially in tracks like "O Bêbado e a Equilibrista." This is reflective of a Brazil grappling with its political landscape at the time, and Regina's performance transforms these themes into more personal, emotional narratives. Love, loss, and rediscovery are recurring themes throughout the album, and Elis’s interpretations elevate them beyond the typical. In "Redescobrir," for instance, she contemplates self-awareness and personal growth, delivering a powerful performance that resonates with anyone who has experienced similar journeys. The theme of renewal, inherent in “Vento de Maio,” feels particularly meaningful, symbolizing both Elis’s legacy and the resilience of Brazilian music. #### Pros - **Relatable Themes**: The album’s themes are universal, allowing listeners from various backgrounds to connect with its messages. - **Subtle Political Messaging**: The socio-political themes are impactful without feeling overwhelming, providing a glimpse into Brazil’s history. #### Cons - **Subdued Political Messaging**: For listeners expecting overt political commentary, the subtlety might feel like a drawback, especially when compared to more explicitly political works. ### Influence and Legacy Elis Regina’s "Vento de Maio" continues to influence generations of Brazilian musicians. The album’s combination of lyrical depth, musical complexity, and Elis’s hauntingly beautiful vocal performance have secured it a place in Brazilian music history. Regina’s artistry inspired a generation of musicians who sought to blend genres, explore complex themes, and push the boundaries of traditional Brazilian music. Elis Regina’s influence is clear in artists like Maria Rita (her daughter), who has carried on her mother’s legacy by exploring similar themes and musical styles. The album’s impact goes beyond Brazilian borders, as Elis’s vocal talent and emotional storytelling have earned international admiration, bringing greater attention to MPB. #### Pros - **Enduring Influence**: "Vento de Maio" remains a benchmark in Brazilian music, inspiring artists to explore deep themes and complex compositions. - **International Appeal**: Elis’s vocal talent helped bring MPB to a global audience, extending the album’s influence beyond Brazil. #### Cons - **Overshadowed by Other Works**: While influential, "Vento de Maio" is sometimes overshadowed by Regina’s earlier, more commercially successful albums like "Elis e Tom." ### Pros and Cons of the Album Summarized #### Pros: 1. **Rich, Poetic Lyrics**: The lyrics are profound, introspective, and laced with symbolism. 2. **Vocal Excellence**: Elis’s emotive vocal delivery is unparalleled, adding layers of meaning. 3. **Varied Musical Styles**: The fusion of jazz, bossa nova, and samba creates a unique listening experience. 4. **High Production Quality**: Despite analog limitations, the sound quality is warm and clear. 5. **Influential Legacy**: This album has inspired generations of artists within Brazil and internationally. #### Cons: 1. **Language Barrier for Non-Portuguese Speakers**: The lyrical depth may be lost in translation. 2. **Complexity for Casual Listeners**: The musical sophistication may overwhelm newcomers to MPB. 3. **Era-Dependent Sound**: The production’s analog sound may feel dated to some. 4. **Subdued Political Messaging**: Listeners expecting overt political commentary may find the subtlety lacking. 5. **Overshadowed by Other Works**: The album’s influence is sometimes eclipsed by her earlier, more celebrated releases. ### Conclusion "Vento de Maio" by Elis Regina is a masterclass in Brazilian popular music, blending poetry, musical sophistication, and emotional storytelling. The album’s exploration of universal themes like change, identity, and resilience resonates deeply with listeners. Regina’s vocal artistry elevates each song, allowing for a nuanced experience that connects to both personal and collective experiences. While it may not be the most accessible entry point for newcomers to MPB, those who take the time to engage with "Vento de Maio" will find it a rewarding and thought-provoking journey.

What a truly magnificent album. Elis' voice rivals any and the backing band is superb. So tight no matter which song. This is one of those albums you wish you knew about sooner

I really dug this and saved it to listen to again later. Arrangements were super interesting.

I liked this a lot and I ended up listening to her other stuff and liked that as well

This was a nice find

Don’t speak the language, but enjoyed it tremendously, would go back and listen again with better headphones.

"Dig dig dig dig dig da cá ah ah" 10/10 Lyrics The rest is kinda meh :/

Wow! If this is a random 80s album from her, I can't imagine her classics from the late 60s/early 70s. I can't wait to discover more from her!

Listened to in the car. These albums are the exact reason why I wanted to do this project. I would have never heard this album otherwise. Sounded like a precursor for a lot of modern indie, like Geordie Greep, and genres like City Pop. Couldn't give it 5 stars because it's a bit of a weird posthumous compilation but really loved it.

This was so fun and unique, I listened to it twice!

Really a tough one to find, but worth the treasure hunt. Reddit has a discussion thread about how this isn’t really an album, per se, and that the year listed in the 1001 book is wrong. It’s like the authors knew they had to put something by Elis Regina on the list, but didn’t bother to actually listen through her discography, or do any research into her at all. What a shame. I’m glad she was included in some regard though. I will listen to her actual albums, perhaps in defiance of the 1001 book’s oversight, and also because the 1001 book exposed me to her work in the first place. What a complicated life.

Closest I know are 90s Japanese City pop and Im not entirely sure about the link in between or if there is any at all. Very chill and entertaining music!

I enjoyed this while working. It was smooth, sensual, and extremely well-written. I would absolutely put this on again if I were in the mood for jazz or trying to get something done.

What a voice, what a fantastic gathering of musicians. Portuguese is a fantasy made up language. Almost every song on this album is a banger with a couple slow ones not really doing it for me. Untimely cocaine death is not what I expected to read when looking at the wiki. Shame she died so young but it seems like she put out like 14 albums and was widely recognized before her untimely cocaine death at 34. 8/10

Man these Brazilians can fucking sing.

I’m so glad I got to hear this album, which otherwise would not have been on my radar. It sounds like a crossover of jazz and folk styles but however you classify it there’s no denying the emotional power of her voice; she can wring every ounce of emotion from every word of a lyric. Hearing this made me go to her back catalog and I heard Elis & Tom. Now that’s a record you must hear before you die!

I’m just a sucker for these South American jazz albums.

This "album" appears to be some kind of compliation album that is very hard to find info on, let alone find a way to listen to. It is not listed on wikipedia as a release and other reviewers said they have found it hard to find on streaming services. I finally tracked down a playlist on YouTube that I am pasting the link to, as well as a discogs entry that has a different playlist from the Youtube one in case you want to try listening to it in that order. All of this being said, the search was well worth the reward of finding it. The music is great and I love the way this girl wails on her vocals. I'd say she is a mix of Amy Winehouse and Janis Joplin, but Brazilian. The band behind her is tight and groovy as well. Altogether this album rocks! YouTube playlist for ease of finding https://www.youtube.com/watch?v=2NAeDipcvvE&list=PLrQRSk_JRU4W7Q_eIs1MCp4Mpvk3EYjX8&index=1 Discogs link for "proper" track listing https://www.discogs.com/master/809620-Elis-Vento-De-Maio

Another incredibly cheerful, catchy, and addictive Samba record - reminds me of what I loved about Jorge Ben's 'Africa Brasil' in its lush and varied instrumental palette and very directly digestible melodies. Also, it has an admirable number of cross-genre fusions - you'll seldom hear two tracks back-to-back going even remotely in the same direction. 'Sai Dessa' and 'Tiro Ao Alvaro' were two early favorites largely due to their bite-sized nature and Elis' infectious melodies that can warm the soul like a ray of sunshine on even the gloomiest of days. The song 'Nova Estacao' slows it down a little bit, but is still driven by these light taps of hand percussion and some gorgeous, ambient acoustic guitar picking that hovers over the track like a flight of butterflies. 'Outro Cais', on the other hand, is mystical-sounding - like stumbling upon a gorgeous opening in a dark wood, steadily growing before fading away - God, I wish this song were longer. Actually, I guess that's really the only gripe I have with this album, some of the songs (especially near the middle) feel like ideas that haven't been fully fleshed out yet, or were meant to be longer but never had that vision manifested. What's presented here is still so delightful though, really enjoyed my evening with this album - made this Sunday night just that much better.

Brazilian music is always a pleasant surprise when you can get it on this list, especially when half the albums on here are overrated brit pop slop

Bold, funky, Brazilian samba-jazz-disco fusion. So so so cool, she is a phenomenal vocalist and the rhythm section is impeccable.

Fun record. Full of energy and the cultural identity of the record is cool.

For Brazilians of a certain generation, Elis Regina possessed an aura that was hard to replicate. To say her legacy has been strengthened in subsequent years is an understatement. She provided a bridge between the wild eclecticism of Tropicália and the smoother terrain of bossa nova and her fierce and emotive approaches towards the material given to her often invokes awe. A true talent taken from us fafr too soon. Favorites: Se Eu Quiser Falar Com Deus, O Trem Azul, Aprendendo a Jogar, Sai Dessa, Nova Estação, Calcanhar de Aquiles, Vento de Maio.

sooo good idk why it took me so long to get to this. only word i understood was 'nada' but who cares. gorgeous voice and loved the jazz vibe of this. yk what gonna relisten cus am studying and i loved the vibe

This makes me want to learn Portuguese. The musicianship is so high. It reminds of 70s fusion jazz, which I’m not a fan of, but I suspect this came first. I like this music better than Weather Report. This would likely sound great on vinyl.

4/5. It sucks this isn't on Spotify because these songs and this album are right down my alley. It feels very heavily inspired by the likes of Elton John, Frank Sinatra, and Supertramp along with some Patti Smith. Each song brings an air of coolness while still managing to reach creative and curious heights. It's funky and folky, while even sounding progressive rock adjacent as well. I can't say I enjoyed every song but that might have been due to the YouTube ads. But this was as good as I could give it from what I remember. Best Song: Tiro Ao Alvaro, O Trem Azul, Nova Estacao, Vento De Maio

"Vento de Maio" is a posthumous compilation by Brazilian singer Elis Regina. She covered many genres in her career including bossa nova, MPB (Música Popular Brasileira), Brazilian jazz, Latin folk, Brazilian traditions and global jazz. Regina is noted for her vocalization and for her interpretations and performances in shows. This album was actually released in 1997. The album opens with "Vento de Maio." Guitar, strings and a flute! Drums and percussion. A light bossa nova beat. Regina initially with a soft voice that grows stronger. A chorus jumps in. This is enjoyable. She gets the dance going in the second song "Sai Dessa." Kind of a disco-bossa nova fusion. Multiple percussion. She shares vocals with Milton Nascimento in "O Que Foi Feiti Devera." Guitar, a vibraphone and congas. Another song with an underlying bossa nova beat. This is a really good song. The pace picks up in "O Trem Azul." A jazzy piano and vibraphone. Big production in this song with layered horns and a strong, big vocal chorus. Regina showing her vocal range in her strongest performance on the album. The album closes with the funky "Aprendendo Jogar. Funky guitar and bass. Fast strumming. A backing chorus in a fun song. Elis Regina shows off her vocal versatility on this album in duets and solo songs and in a variety of styles including bossa nova, dance, disco, jazz, pop and even baroque. The musicianship was top notch. This is a very enjoyable album. Some of the comments and critiques of this album stated that there are better Elis Regina album out there since this is a compilation. Well, I'll be seeking those out but for now at least I've heard this which is very good.

Beautiful voice. Varied style. Bonus point for being culturally significant.

This is a beautiful, beautiful set of songs. Elis Regina has a gorgeous singing voice, and you can really feel the influence of countless different styles from around the world on so many of these tracks. I do think it falls short, however, because of the elephant in the room - Elis passed away young, and this was a posthumous collection of her works, not an album, and unfortunately it really feels like a compilation. This didn't stop it from resonating with me, but I feel like this could've been something truly beautiful, if things were different.

Another one that was almost impossible to find! It's way funkier than I expected it to be, I expected more early bossa nova vibes. I like her voice though. There's a lot of fun in this. Just makes me want to dance in a flirty little dress. Seems like the perfect soundtrack for a summer date night. Very tropical vacation vibes. You don't even need to understand what I assume is Portuguese to enjoy because the melodies and rhythms with her voice are just so infectious. There's so much swing and she blends so perfectly with the band, it's interesting because of her control. She sings with such emotion that you can almost guess what she's singing about. Wow I'm really enjoying this. I wish it WAS on Spotify. Its very good, but the first half is amazing while the second half is just really good. So 4 stars!

Another record associated with the Clube de Esquina crew of Brazilian artists. This one has its moments but ultimately is too slick and top of the pops oriented for my taste. She's an incredible vocalist and there are some gems here, including O Trem Azul, a cover of the Lo Borges tune on the original CdE record, and some enjoyable, if slight, discofied sambas like O Medo de Amar and Saudade Eterna. Nota Bene that this record is actually a compilation made for an international audience, and against the rules of the list, so some sloppy research here by the 1001 gang

An album apparently unknown by many, Vento De Maio boasts the talents of a widely popular and influential Bossa nova singer. Regina's vocals are warm and expressive in that laid-back Bossa way, w/ soft textures and little vibrato, pelagic yet wisely halcyon and controlled. The production is weak, however, sappy and uncreative, while the track list does not feature enuf variety to sustain my interest: when it gets funky, I'm not moved to dance, when it's contemplative, I'm not moved to lay low and think about things. I have no doubt that she has far more impressive releases in her catalogue, this one being a late compilation put together after her death in 1982, so I am happy to have discovered this artist. But as a record, underwhelming.

Interesting to read this is a posthumous release, which is the first and maybe only one on the list? Changes the goalposts a little for me. And for those who can’t find this on Spotify, I will once again use this an ad to say stop giving Spotify money to fund AI weapons and move over to QOBUZ, as it’s far superior anyway. Okay, rant over, time for the album… Nice to hear some Portuguese singing and an album I probably wouldn’t have otherwise found. Gives it a lovely fresh and quirky feel with it being so different to my usual. Pleasant, good recording, especially for its time and skillful. Not sure It’d be top of the list for a listen, but can certainly see it fitting in in some settings and just generally brings a nice vibe with it. And a nice bit of variety across the record too. It’s an enjoyable listen all round. (3.5)

--Sai Dessa...this is funky fresh --So Deus E Quem Sabe...I can't spell the title correctly because I forgot how to locate those accents on the keyboard. anyway, this is very nice. easy listening in the best way --Saudade Eterna...love when she brings the funk --O Medo De Amar...now she brings the rock -Aprendendo A Jogar...ends on a funky note. that's good

Elis Regina was juggling my brain in her hands as I left the house this morning. Nicely caffeinated and feeling inspired I made my way to the train station while Elis soundtracked a whimsical heightened reality around me. Robin redbreasts theatrically darted about, Disneyfied; the first leaves of autumn rained down, picked up by a stately gust of wind; a fat cat stared at me, atop a kindly fence. Shortly after I sprained my ankle, tumbling from a grass verge into the pavement, drawing the attention of a local dog walker who I assured I was just fine. Walking off my minor injury, still enjoying Vento de maio, I reflected on the brief moment of unbridled joy afforded me by Elis Regina and her band. Like the Robin, the leaves and the unexpected grass verge, they make a series of surprising choices which dart and dance around the listener. I love the showwoman in her. Every note that leaves her mouth has been calibrated for maximum effect: joy, sorrow, drama. Her band follows with what can at times be a gentle accompaniment, and at others spurt out in jagged random outbursts. Of course whoever has compiled the version of the album on Spotify has done their utmost to confuse by presenting the songs in a random order, but the album survives that and sounds great in both original and adapted track listings.

Jazz with a beautiful Portuguese voice on top. Nothing to not like. Doubt I seek it out on my own, but glad it was assigned.

- this album is impossible to find anywhere with this title, and even the subreddit for this 1001 Album Generator project discussed the weirdness of this album being included because it's a compilation and how difficult it is to find -- for example, the Wikipedia page for this album shows a different album cover and a much earlier release year than what the book lists. there seems to be a good amount of criticism toward the author/editors for this oversight - because of that, I'm not even sure I listened to the right songs in the right order, but some of the songs listed in other reviews here ("O Trem Azul," etc.) gave me clues as to which was (hopefully) the right version on Youtube - despite all of this, she has an excellent voice and the music is very warm and inviting. I'm largely not familiar with bossa nova, and this was a lovely introduction - I'd be tapping my foot if any of these songs played in a coffee shop and would likely be compelled to look her up. Brazilian Portuguese is a very musical language that feels made for being sung like this

Even the highest-quality soft jazz/yacht rock in Portuguese can only get you so far.

I got a little bit bored after a few tracks but the musicianship was really good so I'll give it a 3.

I could not locate this record. It seems to be a posthumous compilation. Instead, I found the compilation "Elis" (2002) on Apple Music which has all but one song from Vento De Maio; "Aprendendo Jogar / Learning To Play". I did find this song on another compilation, The Essential: Elis Regina (1971). *I’ve read of her being called Brazil’s “most important” singer. She’s brilliant…. Very talented. But slow love songs in Portuguese isn’t really my wheelhouse.

Had never heard of this, let alone listened to it. It was fun, immensely listenable. Not my genre, but I found myself getting pretty pumped along with it. The version Spotify pulled up for me had some bonus tracks, one of of which "O Medo De Amara E O Medo De Ser Livre," absolutely blew me away both in the vocals and the instrumentation (the guitar outro, in particular, kicked all sorts of ass). The rest was fairly indistinguishable from one another, but was good.

Don’t speak Spanish but speak groove fluently

Solid collection of tunes, and great to have some MPB on the list! However, the confusion on which version I was actually meant to listen to (and also this being a compilation?? it's 1001 ALBUMS come on it can't be that hard to pick 1001 ALBUMS) led me to the 1998 version, which at 48 minutes for sure outstayed its welcome a bit too long.

Was actually really vibing for the first few songs and then it fell off really hard after those first few songs. Fine overall.

Smooth and funky.

Elis has a beautiful voice, I'm very happy this website is introducing me to more different kinds of music! My favourite has to be "Só Deus é Quem Sabe" her voice is so soft and tender, with the swirling instrumentation it is certainly divine! Quite a lovely album, may revisit in the future, but certainly not at the top of my list.

A mystifying choice—including a compilation is not something I expected nor really appreciate but I did enjoy my listen somewhat

Kinda surprised to see this album vs "Elis & Tom" or one of her albums from the 60s or early 70s. Favorite track is "O Que Foi..."

Although música popular brasileira is not my typical bag, this was actually decent and I can hear it's influence on a lot of **Quantic's** work, especially _Quantic & Alice Russell: Look Around the Corner_, which is album I very much like! ... sadly this is a compilation and so shouldn't be eligible, which is a shame as it seems she had plenty of well reviewed studio albums ot choose from. It smacks of a token entry by the book publisher without really knowing what it was, which is disappointing. ... so it can be very grateful for its 2 stars as it should really be just one... actually it should really be unranked!

A strange inclusion given that it was apparently a posthumous compilation of tracks and the version I'm linked to from here is not the original line up (3 additional songs in different sequence) so it's hard to evaluate truly. Annoying frequently but at times diverting & striking, it's one of those I haven't got a clue sitting on the fence don't really want to hear it again albums, but veering towards the 2 this time.

I'm not sure what this is. It's categorized here as 'Jazz'. Mmm... well not really. Not in a form I recognise. Brazilian pop/'easy listening'? Perhaps. Let's not use 'Jazz' as a bucket term for 'stuff we can't easily fit in anywhere else', please. It is also, according to one source, 'A posthumous compilation of some works by Elis Regina, put together with no evident concept in mind'. That seems evident as there is no cohesion to the recording. Does it meet the category of '1001 Albums...' if it isn't really an album? I've yet to encounter any other 'Greatest Hits' compilations here. That makes this a strange inclusion. She had plenty of studio albums to choose from in her career. On to the music. Stylistically it isn't what I'd choose to listen to. As background music in a bar I'd wandered into it would be OK. I wouldn't walk out. I might even order a second drink and linger a while but it's not going onto my turntable. Her voice is 'OK'. I'm not wowed by it and at times it is a little 'thin' and off-pitch when the song gets more demanding. Again... I've heard many singers who sound as good. I'm plainly missing whatever is the 'special sauce' here. 2/5.

This is a mysterious album and quite hard to track down — it’s not on Spotify, there’s very little about it online, and I had never heard of Elis Regina or Vento De Maio before listening. As you’ll know from my other reviews, I often struggle with albums sung in languages I don’t understand, and that’s partly true here too. That said, the music and vibe of this record are superb — it feels surprisingly modern, with a touch of Amy Winehouse-style soul, which is remarkable for something released in 1978. It’s hard to say I loved or disliked this album because I don’t fully grasp what’s being sung about, but purely from a musical perspective, it’s warm, stylish, and easy to enjoy. Favourite track: Sai Dessa – a fun and lively tune. Least favourite track: None really stood out as weak. Album artwork: A good, classic-looking cover.

5/10 Never heard of her, music's typical south-american and on top of that also boring. It doesn't help that she sings in Brazilian Portuguese which is kinda hard to decipher when you don't speak Portuguese.

Eh… this actually started off strong but really dragged as it went along. Went in a weird smooth jazz direction about halfway through and the songs seemed unbearably long. If there was more like the first three songs this would likely get a higher rating from me.

Maybe the presence of Lô Borges on the opener is what makes it so strong that it took a clutch of chintzy tracks before the euphoria wore off and I realised that Elis Regina’s kaleidoscopic sexiness is fronting a Cold War fondue party’s measure of cheesiness. Some strong moments are lost in the cauldron of fromage. Internet sleuths advise this is a compilation album, evidence of ignorant sloppiness on the part of the list’s original compilers. If there’s an album just of Regina with Lô Borges, I’d listen to it.