Blue is the fourth studio album by Canadian singer-songwriter Joni Mitchell, released on June 22, 1971, by Reprise Records. Written and produced entirely by Mitchell, it was recorded in 1971 at A&M Studios in Hollywood, California. Created just after her breakup with Graham Nash and during an intense relationship with James Taylor, Blue explores various facets of relationships from infatuation on "A Case of You" to insecurity on "This Flight Tonight". The songs feature simple accompaniments on piano, guitar and Appalachian dulcimer. The album peaked at number 3 on the UK Albums Chart, number 9 on the Canadian RPM Albums Chart and number 15 on the Billboard 200.
Today, Blue is generally regarded by music critics as one of the greatest albums of all time; the cohesion of Mitchell's songwriting, compositions and voice are frequent areas of praise. In January 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". In 2020, Blue was rated the third greatest album of all time in Rolling Stone's list of the "500 Greatest Albums of All Time", the highest entry by a female artist. It was also voted number 24 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). In July 2017, Blue was chosen by NPR as the greatest album of all time made by a woman.
I feel so voyeuristic listening to this album. I feel like I'm looking at her through a one-way mirror, the lyrics a very personal reflection of her situation and the instrumentation perfectly complementing it. A masterpiece of emotion. And her voice, my god.
This is like being asked to review the Sistine Chapel. Where to begin.
It took me some years to get in the rhythm of Joni Mitchell's music. Thankfully I stuck in there because her music is an indescribable gift. Blue in particular is an album I come back to frequently. Listening to Blue is like reading someone else's diary. It feels very personal, so intimate, so much so that you feel a little like you shouldn't have that kind of access to another person's thoughts. Mitchell’s lyrics are pure poetry. Her turns of phrase are stunning. "I could drink a case of you and still be on my feet" is a line that I think about a lot. It’s simple, but incredibly elegant, evoking all our own feelings and memories of being exuberantly, drunkenly lost in a love, regardless of the cost. The songs are a journey between those exuberant feelings to less pleasant feelings like melancholy, loneliness, disillusionment, loss. She revels in those emotions and displays them for us like jewels.
Let's also not sleep on the quality of the music itself. The arrangements are simple, delicately rendered, but incredibly moving. Mitchell's piano and guitar work is a thing of beauty. Her accompanying musicians (James Taylor, Stephen Stills and Pete Kleinow) add great depth and texture to the work. Kleinow’s pedal steel guitar on “California” and especially “This Flight Tonight” is a delight. Mitchell’s vocal is so unique, it’s an instrument in itself. It’s angelically pretty, but she’s not afraid to bend her voice as it suits her, into some unexpected places.
A lot of artists get compared to Joni Mitchell, but there’s really no one like her. I could say much more, but it would somehow never be enough. I could drink a case of this and still be on my feet.
Fave Songs: A Case of You, River, California, This Flight Tonight, All I Want, Blue
Very beautiful and heartfelt. She has a very distinct voice and guitar playing style that I think I'll be obsessed with for the rest of my life. This Aussie gives an album they've never listened to before five rounds of backyard cricket with your mates out of five.
Blue by Joni Mitchell (1971)
One must set aside the admittedly fascinating backdrop to this album and assess it on its own merits. Having done that, one must conclude that this is simply one of the greatest albums of all time. Top ten. Easily. Best thing to ever come from a Canadian recording artist. It puts the ‘class’ in ‘classic’.
Why did Blue chart better in the UK than in the USA in 1971? Because in 1971 the British still had better taste and sense than we Americans. How things change.
Delightfully poetic lyrics, unsurpassed vocal performance, masterful acoustic guitar/piano arrangement and execution, superbly crafted and unexpected melodies all characterize this superlative record. It all comes from the mind and heart of one person—Joni Mitchell. And if one needs to add instrumental color (“Carey”), one might as well get it from James Taylor and Stephen Stills.
The poetics harness the rhythms with authority and without awkwardness. And the album is sprinkled with hugely entertaining metaphors and word pictures. The warm chord behind the lyric “warm chord” (second verse of “My Old Man”) exemplifies the perfection of synthesis between poetry and music. Likewise, pay careful attention to the music behind these powerfully poetic lines:
“I could drink a case of you and still be on my feet”
“I want to get up and jive . . . wreck my stockings in some jukebox dive”
“I want to shampoo you”
“But when he's gone/Me and them lonesome blues collide/The bed's too big/The frying pan's too wide”
“Just a little green/Like the nights when the Northern lights perform”
Listen to this record after waking from a bad dream. It will cure you.
And Joni Mitchell’s skill on acoustic guitar is so sublime that it discourages amateurs and shames professionals. The delicacy and precision of her finger picking is flawless. And her piano attack and sustain are extraordinarily sensitive.
Why don’t people hum these tunes? Because they’re beautifully unhummable. Nobody can do these melodies. Joni Mitchell composes music for precisely her voice alone. She never attempts to exceed her considerable range (even on the exquisitely delicate ending of “California”). She has one of the most recognizable voices in the history of recorded music. Her tone and pitch are endearingly winsome and precise. And she appreciates the importance of the initial consonant for both rhythm and diction. Listening in anticipation during the approach to one of her impossible intervals is like watching Simone Biles sprint toward the vaulting horse. You know what’s coming, yet you’re still dazzled.
Why is the song “California” not the official anthem of the Golden State? Because nobody but Joni Mitchell can sing it.
Her song “River”, with its regret, longing, introspection, the “Jingle Bells” theme in both the intro and outro, and the deft croak on the final sung note, is simply brilliant. Graham Nash must have shed more than one tear (for reasons we set aside in the first paragraph, but I digress). “River” is a song that should replace Mariah Carey’s nauseatingly ubiquitous “All I Want For Christmas Is You” as the secular pop Xmas carol du jour. But it won’t. We’re so unworthy.
What do Barbra Streisand, Céline Dion, Diana Ross, Janis Ian, Roberta Flack, Cyndi Lauper, Loreena McKennitt, and Kenny Rankin all have in common? They all wish they could sing as well as Joni Mitchell.
I needed this one.
5/5
As soon as I pressed play on this album, a man materialized in my room. I immediately understood him to be my husband whom I loved very much. He promptly left me and broke my heart. Just the way Joni intended. 10/10
Amazing collection of songs. I loved this album. Joni’s lyrics straight from her soul, her remarkable singing voice and unique guitar playing make me very excited to listen to more Joni!
Not on Spotify which doesn't help. Sadly this album does nothing for me, obviously it's a classic that's loved so it must be me but for whatever reason I find it like listening to paint dry - not unpleasant but nothing of interest to me
Without question one of the all time great albums. Brilliant in 1971 and just as brilliant and timeless now. Joni is a brilliant writer and musician - perhaps my favorite artist, if I had to choose.
Bony Joni and I used to clean toilets together for £4 a day. She used to lick them clean, the dirty little scrubber. She wrote this record about me. She repulses me, but I can't help but love the horrible bitch.
Wow. I knew this would be good but it completely exceeded my expectations. One of the most beautiful albums I've ever heard. It honestly moved me to tears
Going in, not super thrilled as I haven't been a huge fan of Joni Mitchell. I don't recognize any songs on the tracklist so let's see if this one changes my mind.
Ok yeah, still not a fan. I did learn a quick formula for Joni Mitchell though.
Is she playing a guitar? It's going to be a bit more upbeat and half-decent.
Is she playing a piano? Prepare to be bummed out.
I... just don’t get the whole Joni Mitchell thing. Some of her songs are great (River, A Case of You), but her voice on songs like My Old Man makes me want to scream.
I wish I had words to convey how much I love and admire this artist and her extraordinary creations. Everything: songwriting, her poetry of lyrics, musicality, composition, performance (studio and live), originality, expression, timelessness,...I could go on and on. I hope anyone who loves music gets the chance to explore her catalog. Just incredible. (5 stars seems waaaay to low for this one.)
I don't like this genre of music, generally. That being said, I didn't hate this, and I can see why it made the list. There were a few times where she started a melodic progression that sounded like it was really going to resonate with me, but every time she went in a direction that I didn't find so compelling.
My personal enjoyment: 1.5/5
Did it belong on this list: 4/5
Didn’t really know any Joni Mitchell songs other than “Big Yellow Taxi” and couldn’t say I was a fan…..after listening to this album can’t say that has changed
I almost believe this site is watching my every move. This is album #11 of my 1001+ album journey. Of the first 3, Fred Neil's record, and TWO Bob Dylan Albums.... its like they want me to fall in love with folk music. One of those was Blood on the tracks.
Ironically, Pitchfork cited that "Blue is like a companion to Bob Dylan’s Blood on the Tracks—a confessional album very much of its time that endures on the strength of fantastic melodies and musical simplicity."
It's as if fate wanted me to listen to this.
Well jokes on them, I've listened to this numerous times. Just thought this was a funny story to tell. Most obvious 5/5 album of all time
Blue, eh? Not sure I've heard this one before...
But seriously, I feel envious of anyone who is hearing this for the first time; what a treat! I find it hard to find anything meaningful to say about this album that hasn't already been said a million times. If you were to pick a Top Ten Albums of All Time list, this would have to be on it. I note that the My Favourite Album podcast has effectively banned people from picking Blue, having already done five episodes on it.
It is hard to over-praise the songwriting here. The album is full of absolute classics, and this is a masterclass of confessional songwriting. The melodies are light and full of movement, and harmonic twists that seem so natural and yet surprise me every time I hear them (My Old Man is a particularly good example). The playing is airy and open and always tasteful. The lyrics are poetic and surprising, but often simple and straightforward, and always honest.
I love this quote from Joni herself: "The Blue album, there's hardly a dishonest note in the vocals. At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong. Or to be happy. But the advantage of it in the music was that there were no defenses there either."
Pitchfork described this as "possibly the most gutting break-up album ever made", but a lot of it is light and playful, with moments of joy. I think makes this the most _human_ break-up album ever made.
I've been listening to this album on-and-off for my whole adult life, and it always feels fresh and surprising and warm and human and real and complex and simple and heavy and just... everything.
There is an argument to be made that this is the best album of popular music ever made. Often imitated, never equaled.
Eleventy billion and out of 5
An absolute masterpiece of writing and production. To imagine one person producing this in any amount of time is incredible. Gorgeous songs all the way through, perfectly rendered in a minimal and yet impactful way.
There aren’t enough superlatives to give this wonderful album. Joni Mitchell, the original confessional singer songwriter, possesses an exquisite voice and beautiful playing style. This is an album to get lost in and absorbed by. Influential and staggering, Blue is not just one of the greatest albums of the 20th century, it is one of the century’s greatest works of art.
Thought one track sounded like Jingle Bells, then realised that it was a track with a Christmas theme! All very Joni Mitchell. What's not to like? Very pleasant and easy listening. Loved it.
The Good: though at first I was not enjoying this album at all, by the third spin it has started to grow on me a lot more.
The Bad: if Joni is to be considered one of the best female performers out there, then how many other ones belong to the ranking of "the best"?
The Ugly: that darn falsetto...
I am struggling on what score to give this album, seeing as it is starting to grow on me... maybe if I had started listening to Joni Mitchell earlier in my life I would give this album a 4 1/2*, for now a solid 3*
I'm not sure I'm describing this correctly. I like her voice, but then it goes up an octave and I find it cloying and grating. There parts of this I like but when it gets to a part I don't like, I really don't like it.
In songs where she stays in a lower register, I like it more, but she never stays there for long. I feel bad for this one but I just can't do it.
Blue might be the most personally meaningful album of my life. The first time I listened all the way through I was in a similar place as Joni Mitchell was when she wrote it. Her music was off Spotify so I listened on vinyl. Carey made me feel so hopeful that new love was possible at that time. Through the years and countless listens different songs have become my favorites and then old favorites. Her songwriting is insane and her compositions are unlike any else. Truly one of the best albums of all time. Blue is a masterpiece!
Truly exceptional album. I loved everything about it from the nice movement between piano and guitar between songs to the poetry that is the lyrics of these songs. All of it underpinned with a beautiful voice. I’d give this 6 stars if I could.
Favorite tracks: My Old Man, Blue, A Case of You
Great great album I've listened to so many times. The writing, the voice, the everything--36 brilliant minutes that trip through emotions, people, places, styles, etc beautifully. Classic breakup album if listening to the Cure's Disintegration on repeat isn't your thing.
Twelve stars. I fucking love Joni and this is pretty unquestionably her best album (For the Roses is up there too but think Blue has gotta be #1). All I Want, Little Green, Carey, California, River, a Case of You, all on one album!?!? Fuck me. So good. Her melodies never go where you expect them to. So inventive. Her voice isn't for everyone ('reedy' is a fair word for it) and some songs on here border on indulgently sad (she's straight up wallowing for 3 minutes on Blue), but man she is for me.
Tragically my dear wife hates Joni more than any other artist (Mitski is her only rival). Every time she hears her voice, she yells 'WHO IS THAT WHINY BITCH!?' so I rarely get to listen to her. At the end of the day I love my wife more than I love Joni so I don't put Joni on around the house, so I really relished the excuse to invite her into my headphones today. Welcome back baby.
This is the 2nd album I’m rating and honestly I first heard about this album from Apple Music’s Top 100 Albums list. I’ve heard a lot of good things about her and now it is time to listen to her for the first time.
All I Want - Not Adding to my Playlist. Her singing is annoying. The instrumentals are nice though.
My Old Man - Not Adding to my Playlist. The way she sings is amazing and terrible at the same time. Instrumentals are still pretty good though.
Little Green - Not Adding to my Playlist. I’m sorry Joni Mitchell but I can’t get over this singing.
Carey - Adding to my Playlist. This is much better. If the rest of the album goes on like this it’s a good album.
Blue - Adding to my Playlist. Titular track is pretty good.
California - Adding to my Playlist. I can see why this and Carey were the two singles from this album.
This Flight Tonight - Not Adding to my Playlist. Her singing is pretty annoying in this song. I really like the instrumental by the way. That part around 1:55 is really nice.
River - Not Adding to my Playlist. This isn’t that good.
A Case of You - Adding to my Playlist. This is as good as Blue.
The Last Time I Saw Richard - Adding to my Playlist. If she sung like this for the entire album it would’ve been much better.
All in all I liked 5/10 songs. This album was pretty disappointing, I was expecting this to be much better than what it ended up being. About as disappointing as the first album I rated, The Miseducation of Lauryn Hill.
I haven't got time to write everything I would say about this one, but to me it's peak Joni. Everything seems to have come to gether to make a perfect album. Happy, sad, reflective, and derisive songs sit shoulder to shoulder quite comfortably.
'A Case of You' and 'The Last Time I saw Richard' probably deserve health warnings for their ability to put a lump in your throat.
Also her use of various stringed instruments and piano definitely sets her apart from the typical 6-string strumming of some of the more popular folk-influenced acts of the time.
Heartbreak and disillusion never soounded more perfect and original.
Oh brother, didn't take much more than two weeks to get to our next instant five-star album for me. Joni Mitchell, where do I begin? We've had a few albums from her on this list already, and they're albums that I hadn't heard prior but think are great. This one, though, I know very well. There was a period a few years back where I was getting really into classic songwriters, Bob Dylan in particular. And I was fairly sure that Dylan was the GOAT, maybe the best American songwriter. But I kept seeing Joni Mitchell's name, and when I eventually listened to Blue, I was floored. Not only is her songwriting arguably on par with Dylan (maybe more focused on building a mood than telling a story, but damn if she doesn't cut to the core in the same way), but her voice is amazing and so singular. It's so funny that discussion of Bob Dylan seems to always include the caveat "yeah, his voice isn't great..." meanwhile with Joni no caveat necessary! She's got this unique, country lilt (I would've guessed Appalachian as her vibe, but she's Canadian), and it can turn on you from comforting to piercing in the blink of an eye. This album is stripped down to essentials only - Joni's words and voice, and a selection of acoustic instruments (guitar, dulcimer, piano). Who cares what the rest of the rock world was doing at the time, Joni captivated them all. Easy to see why so many rock legends were obsessed with her, she was just dialed into a utopian, unobtainable frequency. I adore this album, there are plenty of brilliant songs. Her writing is riddled with gems that may not trip you instantly, but they stick around ("You said love is touching souls, surely you touched mine 'cause part of you pours out of me in these lines from time to time. You're in my blood like holy wine, and you taste so bitter and so sweet. I could drink a case of you darling, and still I'd be on my feet."). Seriously, pick any song on this album, pull it up on youtube, and see how far you don't have to scroll to find someone claiming it's the greatest song ever written. There's just no criticism I can make about this, even the songs that didn't jump out and grab me the first few times I heard this have become comforting. One of the very best.
Favorite tracks: I really do like them all, but the biggest for me are Carey, California, Case of You, Little Green, All I Want.
Album art: A picture of Joni's face, and guess what? It's blue. Incredibly simple cover art, but what more do you need for an album this powerful? This one's iconic at this point, no question. No frills, no pretense, no nothing.
5/5
This was the first Joni I ever heard, introduced to me by an aging hippie whose musical tastes have shaped my own over the years. It has lived at the top of my list ever since.
Joni’s singing voice is unique and not necessarily for everyone, but there is no denying the power and influence of her songwriting voice. I don’t think you will find a female recording artist who doesn’t list Joni as an inspiration in some way. One of the original singer/songwriters, her unique folk tunings and feminine perspectives make this album a cornerstone of folk/pop history.
I’d be hard pressed to pick a favorite song from Blue, though some resonate more for me than others: All I Want, A Case of You & Carey hit the hardest for me. The bittersweet, almost anti-holiday River evokes a deep & melancholy longing that haunts me. And the title track is a perfect expression of the sadness of a painful loss.
Having never really heard much of Joni Mitchell's work up to this point in my life, I found 'Blue' to be quite a revelation. Sparse and delicate, this is real heart on your sleeve stuff and it's also very beautiful, painfully so.
A bit like Dylan, you kinda know what you’re gonna get with Joni. Only real difference is Joni has a good voice, and doesn’t own a harmonica.
And unlike Dylan, this doesn’t disappoint
This was my favorite and, in my opinion, the best composed of the three Joni albums I’ve had so far. “River” might be one of the greatest songs of all time. Per usual, I get a little fatigued by the jazzy singing. It lilts in a way that I disengage from, beautiful as it is.
It’s a little odd to have heard Joni Mitchell’s mid-70’s output before this album, which is arguably considered to be her best. Court and Spark, The Hissing of Summer Lawns and Hejira feel like polar opposites to this record. They’re full of varied, layered instrumentation and, as a result, Blue’s sparse instrumentation is arresting to me, at least initially.
It’s quite a personal album, not only because of the subject matter, but because of the minimal instrumentation and crisp production. Blue often feels as though you’re sitting in the same living room where Joni is performing these songs. Capturing that type of intimacy is an impressive feat of production, in my opinion.
I think that I prefer the widescreen, vivid production on Court and Spark to Blue’s minimalism, but it feels like that might only be a difference of time and place. Blue suits a different, more specific type of mood for me than Court and Spark does.
Either way, the base of either record is the same: Joni Mitchell’s singular vocal and songwriting talents. I’ve been consistently impressed by her records throughout this project. Blue is no exception.
Længe siden jeg har hørt den, tror måske jeg er gammel nok nu til at jeg skal til at have en Joni Mitchell Fase. Giver mig helt lyst til at købe en JM plade til min kone i julegave i stedet for det halstørklæde hun altid plejer at få.
Respect to Joni Mitchell. Removed all her music from spotify to protest Joe Rogan and his purposeful spread of misinformation on masks and vaccines. I did have to listen to this on youtube, but it still is captivating. Favorite tracks are All I Want, California, and This Flight Tonight.
While doing this list, I've learned that I don't really care much about music that focuses on its lyrical content, and singer-songwriter is the genre that does that the most. This album is fine, but a lot of the songs all sound the same, and I find it a little boring. I know this is my problem not the albums but this is also my rating.
High 3.
Nr. 153/1001
All I Want 4/5
My Old Man 2/5
Little Green 3/5
Carey 3/5
Blue 3/5
California 3/5
This Flight Tonight 2/5
River 3/5
A Case Of You 2/5
The Last Time I Saw Richard 2/5
Average: 2,7
I don't like her high-pitched voice. And she uses that a lot.
Not the biggest fan of female singers and this album is quite slow. It's okay as background music, maybe as music over a sombre photo slide. Depressing af.
Okay it gets less depressing as it goes on - almost country esque
I don't think Joni Mitchell understood melody. Just took a shotgun approach to these high notes. I'm predisposed to liking a pleasant voice and an acoustic guitar, but this was not it.
A very overrated album. I like some of Joni's work, and yes, this is an intimate album, but that doesn't make the music inherently good. As another reviewer said, this album shows too much of the side of Joni where she's not worrying about song structure or whether the lyrics fit the music. Sometimes the rhythm and flow feel disjointed, like she’s prioritizing raw emotion over cohesion.
Joni often forces syllables into rhythms that feel unnatural and forced. Tracks like "This Flight Tonight" or "California" are examples where the flow seems uneven, as if the lyrics and melody are at odds with one another, creating a jarring experience instead of something organically emotive.
Sure, Joni's great, and her lyrics are undeniably deep and personal, but the unconventional phrasing and odd choices in melody can come off as awkward rather than artful.
For me, Blue lacks the atmospheric cohesion and the finely tuned arrangements of The Hissing of Summer Lawns or the flowing narratives of Hejira. Those albums show Joni’s artistry at its most balanced—complex yet accessible, innovative without sacrificing listenability. On Blue, the oddities are more of a distraction than a triumph.
I SHOULD love this
I try to love this
I don't love this
repeat, repeat, repeat.....
I know that one day, I'll listen to this album at exactly the right time, in the right place, in the right weather, and through the right speakers and I will LOVE it
Today's not that day.
Turned off at track 6. I am the same age now that Ms. Mitchell was when she recorded this project, and I couldn't feel like I relate less to another human being than I do to her and this album listening to it in this present moment. A bunch of free verse, strummy bullshit with lyrics that sound like they were written by a teenager with their head in the clouds; more aptly a woman with little discretion and even less shame living in a free love fantasy world. Absolute dogshit.
1001 Albums Vol. 0009: Blue
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Introduction: What the hell even is this lineup of albums that I've gotten. It started with Disintegration and the greats have just kept rolling since. Now, as for this album, I'm not entirely sure what to feel about it. I've heard countless great things about it, yet I'm going to admit that I'm not really that big of a fan of folk. I mean, I appreciate folk songs for their bigger focus on lyrics and telling a story compared to other genres of music, yet I wouldn't consider much of the folk albums Bob Dylan made to be some of the greatest of all time. I did really like Dylan's second release, so who the hell knows. Anyway, like I said, this album's general genre is folk. Now, the instrumentation is minimalistic, yet there is apparently instrument variety across each song. One song may use a piano while another may use an acoustic guitar, that kinda thing. This album was released way back in 1971 by Joni Mitchell. Apparently, many of the songs on hear pertain to relationships in some way. If the album cover and title say anything, I would imagine that this album isn't going to cover the happiness these relationships bring. If this is true, then I will admit that I kinda like the concept due to how much of an effect sadness as an emotion has on me. Anyway, like I said, I've heard many, many great things about this album. I've literally never decided to listen to it before, yet I've heard so many great things about it. I've heard that it was extremely influential, extremely unique, considered one of the best albums of all time, those kinda things. Again, I find it pretty crazy that back-to-back I've been getting albums that critics consider to be some of the greatest releases ever. I mean, it's nice to get greats now, yet that just leaves the trash for later. And yes, I am aware that there is some absolute trash on this site. Anyway, we'll cross that bridge when we come into it. Until then, let's hopefully keep the streak of greatness going with Blue by Joni Mitchell.
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Track 1: All I Want Score: 11/10
Track 2: My Old Man Score: 10/10
Track 3: Little Green Score: 10/10
Track 4: Carey Score: 10/10
Track 5: Blue Score: 9/10
Track 6: California Score: 9/10
Track 7: This Flight Tonight Score: 9/10
Track 8: River Score: 10/10
Track 9: A Case of You Score: 9/10
Track 10: The Last Time I Saw Richard Score: 9/10
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Conclusion: Wow, just wow. Like I said, I've never been the biggest fan of folk, yet I will admit that there is so much greatness packed into this album. I would go so far as to call every song off of this album great. Why? Well, like I expected, there is so much pain packed into this album. Not just any pain, one of the greatest pains that one can feel: the pain of love. There is a song on here about missing home and one about genuinely one of the saddest things I have heard as well, yet most pertain to the theme of love. While this album does have a very painful and cohesive theme, the specific topics each song covers varies. One song may speak about missing someone, another may speak about being so focused on the positives in a relationship that you don't realize how miserable you are, and one may simply speak about regretting leaving someone. There's a song on here that I'm sure we all can relate to in some capacity. The lyrics used to describe these scenarios are absolutely brilliant as well. The chorus of River is an especially beautiful metaphor for the feeling brought upon with the end of a good relationship. Now, there are two songs on here that pertain to a different topic than love. California simply talks about the feeling of missing home. That being said, Little Green's meaning is absolutely heart-wrenching. The lyrics are based on a true event in Joni Mitchell's life in which she gave up her own daughter to an adoption center because she believed that she would be better off with a family who could actually take care of her. Mitchell was in an extremely poor financial situation when she made this decision back in 1965. The amount of strength needed to write this song, perfect the lyrics, and perform it as well is just tremendous. Like I said, it's genuinely one of the saddest stories I've ever heard a song present to me. As a side note, Mitchell and her daughter would reunite in the 90's, so hooray for that. Anyway, this album isn't necessarily my musical cup of tea. As far as folk goes, some of these arrangements are amazing, yet I really don't find myself thinking all too much about them. Nevertheless, I am still able to appreciate their uniqueness and influential nature. That being said, an aspect of this album that I both genuinely like from a casual perspective and find genuinely interesting from a critical perspective is Mitchell's amazing voice. I can't quite describe it in a way that would do it justice. It simply sounds so loose yet tight and powerful at the same time. Her voice simply sounds like what many modern pop artists should want to sound like. There were a few moments on this album where I could hear a bit of a modern pop voice as well, so I guess you could describe Mitchell's voice as influential on top of being amazing. Though, like I just said, even though there were occasional moments where I head a modern pop voice, Mitchell's overall delivery is seriously on another level. The way Mitchell can so flawlessly flow from a high to low pitch simply sounds angelic. Overall, this album is just amazing. I mean, folk is generally such an uninteresting genre of music for me, and I still found myself deeply effected by some songs. Through genuinely great production, a very talented singer, wonderfully tragic lyrics, and a genuine complexity in many melodies despite the objective simple arrangements, this album manages to be genuinely great. It's weird that I've been getting so many masterpieces back-to-back, yet I'm not going to complain until I get the exact opposite, getting nothing but trash back-to-back since I've already listened to everything great. That will likely happen eventually, but the streak of greats continued today.
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Blue Score: 10/10
Song Average: 9.6/10
In my top 10 albums of all time. Amazing from start to finish. An incredible voice and musician who is, in my opinion, at the peak of her powers. Plenty has been written about this album and it really is as good as is claimed.
Before overcoming her breakup with Graham Nash, and as she was already romantically involved with James Taylor,Annie Lennox's idol Joni Mitchell wrote and produced entirely by herself Blue. The crystal clear,accurate,beautiful songs have only piano(but what a piano!), her unique sharp guitar playing, Appalachian dulcimer(Cindy Lauper's also favourite instrument) and of course her amazing distinctive high voice along with her fantastic storytelling lyrics.
In January 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music".That's why is on this list and in most people's lists.But of course not only for that, but for all the reasons i said above.I remember the first time i heard this.I was gobsmacked by her talent.
Favourites-if not the whole album-:
All I Want.High notes gives me chills,still.She's travelling and i'm packing along.The rhytmic guitar playing is out-of this world.
My Old Man.The way she plays the piano and sings from major to minor with such ease is phenomenal.It's like alternate feelings instantly.
Blue.The piano and the delivery creates a magical piece.So many artists influenced by this and Joni in general,a name that poped up in my head from hundreds as i listen is Tori Amos.
River.Talks about Xmas as she geniously plays Gingle Bells first notes on the piano,on a different signature.
When she sings Fly she holds the note until next Xmas.Absolutely fantastic.She closes again with Gingle Bells played in a different key.
The Last Time I Saw Richard.Her piano playing is amazing to say the least,again.Dreamy strorytelling deliver.
This voted-among other things-as the best female album of all times.When pure talent creates and produces the perfect album-I say-.
5/5
You know it’s a 5 at about :25 — that’s when Joni starts singing. It helps that I know the album well. But after hearing so much overproduced, precious music on the list, it’s refreshing to hear on artist who sounds like she’s playing in her living room in Laurel Canyon & is just killing it!
Sure, some of it is a bit sappy … but I think it might suffer from its association with earlier generations’ adoration of Joni. The adoration was well earned— but can you really love your mom’s favorite artist the same way as something that’s particular to your own generation? The answer is “yes!” Perfection is perfection.
It’s a five.
I like it. She’s got a very bright and beautiful head voice. Very agile and athletic voice as well, yet she doesn’t over use the agility. Music wise, amazing song writing. Some melodies are well structured. I can’t tell whether “my old man” is Lydian or Dorian or just minor in the bridge, but the colour palette changes as the music flows. Very tasteful.
Simple production, guitar, piano, but it doesn’t feel boring at all. The last time I saw Richard, I can hear a whole story behind the song. Very impressive. This is my standard for a five!
I've loved this album for a long time, and it was a real treat to get to listen to it again today. Something about hearing those lone dulcimer licks...it's like I can feel my heart wringing. It's just so earnest, and raw, and beautiful. All of it. Even just reading these lyrics makes me want to cry, it's such beautiful poetry. Add to that her flawless vocals, and it's a perfect package. To be honest, I don't much care for "My Old Man" or "The Last Time I Saw Richard"...but I'll give Joni a pass.